It could not have been later than ten o’clock in the morning when a puncher with sharp eyes might have seen two figures approaching the Bar T ranch house on horseback. They rode needlessly close together and swung their clasped and gauntleted hands like happy children. One was a girl into whose radiant eyes a new wonder had come, and the other a handsome, tanned young man bathed in a deliriously happy expression. “Isn’t it jolly to be married without anyone’s knowing?” cried Julie. “Oh, but won’t they be surprised at home?” “Rather!” remarked Bud, with a sobered expression. “I only hope your father doesn’t widow you just as I ride into the yard with the olive branch.” “Stop it, Bud! What puts such awful thoughts into your head?” “Experience. Your father was so mad about my getting the sheep across the river that he Larkin spoke the truth, but little exaggerated. Beef Bissell, humiliated, beaten, and forced to accept the small end of a deal for once in his life, had started from the useless cowmen’s camp by the Gray Bull the very night of the crossing. He ordered the men to follow and round up their stampeded horses and then to ride home. Meanwhile he appropriated one horse that had not been in the corral and trotted homeward, eaten by chagrin and beside himself with impotent fury. Bud and Julie had found this out the day of their talk concerning Lester, when they forded the stream on horses and asked for Bissell. Under the circumstances Bud developed a genius for inspiration that was little short of marvelous. “What’s the use of riding all the way home and having a grand row with your father?” he asked. “Why not go over to Rattlesnake, where there’s a sky-pilot, and be married? Then we’ll go home, and there can’t be any row, because there will only be one party in the mood for it.” But the girl demurred. It was cruel to her father and mother, she said, not to have them present on the greatest day of her life. She allowed “I’m a business man, honey, and I’ve got to start north after Simmy and the sheep in three or four days,” he said. “Shearing is late now, but I guess we can make it. This trouble has set me behind close to fifteen thousand dollars, and everything is in a critical state. “I know it don’t sound much like a lover, but as soon as we get on our feet we’ll take a honeymoon to Japan that will make you think I’d never heard of a sheep. “You want your mother and father in on the joy, I know, but it doesn’t seem to me there can be much joy with nine or ten men sitting around waiting for their necks to be stretched. Does it to you?” “No,” said Julie, and shuddered. “Then come along over to Rattlesnake and be married. Then we’ll ride back to the Bar T, so you can see your folks, and I can see Caldwell. We can be through and away before anything is really done about the rustlers.” So it was arranged, and the two were married by an Episcopal clergyman who had a surplice but no cassock, and whose trouser-legs After the ceremony they had ridden out of town with their equipment and made their first honeymoon camp in a cool, green place beside a little brook that had trout in it and sang to them for hours on end. Now, the day afterward, they were on the way home, and not without a few secret misgivings. As they neared the Bar T a single man rode out to meet them. It was Lester, who had come the night before and was waiting for Bud, so as to be present at the interview with Smithy Caldwell, whom he had not yet seen. He congratulated the pair warmly and rode with them to the corral. Suddenly there was a shriek, and Martha Bissell tore out of the cook-house. She ran to Julie, kissed her, and welcomed her back; then when she heard the news she picked up her apron to start crying, and dropped it again, undecided what to do. What with Bissell’s safe arrival and Julie’s glorious home-coming the poor woman was nearly out of her mind. The excitement brought Beef Bissell around the Bissell was mightily relieved to see her. In fact, it had been all his wife could do to restrain him from starting out to unearth Julie when he arrived home and found her gone. But Martha said that the girl had gone to find Larkin, and added that the two were old enough to settle their troubles between them. So Bissell, remembering his last miserable interview with his daughter, decided not to interfere. “Father, I’m married; please be happy and good to me,” the girl said, clinging to him, and the fury that had flown to his head like wine died a natural death. After all, to see her happy was what he most wanted. “Are you sure he will love you always?” he asked gently. “Yes, father, I am. I refused to marry him long ago in Chicago.” He kissed her for the first time in a long while, and then gently disengaged himself and took a step toward Bud. “Larkin,” he said, “yuh were always lucky, but yuh’ve beat all records for Wyoming now. I allow yuh can take her away with yuh on one condition.” “What’s that?” “That yuh never beat her like yuh beat me.” “Agreed!” laughed Bud, and grasped the other’s hand. “But can you stand a sheepman in the family?” “I sure can, Larkin. Ever since I seen Jimmie Welsh and his men fight, I ain’t got anythin’ against sheepmen.” “Jimmie Welsh!” cried Bud. “Tell me, did any of his party come through alive?” “Jes’ Jimmie himself; the boys couldn’t kill him, so he’s over at Billy Speaker’s mendin’ up. Heart’s pretty near broke because he hasn’t seen yuh to explain why he’s still alive.” “Good old Jimmie!” said Bud, the tears leaping to his eyes. “Dearest,” he added, turning to Julie, “there’s one more stop on our honeymoon, and that’s at Billy Speaker’s to-morrow.” Bissell continued the conversation, and asked for the full story of how Bud had run down and captured the rustlers, saying that the whole cow country owed him a debt, and if they had only “I imagined as much,” remarked Bud; “but I didn’t care to get them through that way once I had started the other. I hope, Mr. Bissell, that we can be friends, although we have been enemies up to now. I’m sorry I had to sacrifice those cattle of the association, but there was no other way out of it.” “I’ll tell yuh this, Larkin,” returned Bissell. “Anybody that can beat me at anything is good enough to be my friend fer life, an’ I’m here to state that yuh could count my friends of that type, before you came, on the hairs of a hairless dog!” Bud laughed, they shook hands again, and peace was finally made between them; but not until Beef Bissell had signed away half of the interest in the Bar T to Julie as her dower. That was a happy and hilarious dinner at the ranch. Some of the cowboys coming in at noon from near-by ranges heard of the marriage and cheered the bride lustily when she appeared on the veranda. Bud made himself solid with the disgruntled punchers by walking out to them and talking over the battle of Welsh’s Butte, while he rolled cigarettes and smoked them one after another. Shortly afterward, Bud and Lester found themselves in a room with Smithy Caldwell. The blackmailer, when he saw Lester, fell down in a faint, so great was the shock to his already wrecked nervous system. The man was really in a terrible condition both from physical fear and the tormenting by his comrades. He started at every slight sound, whirled about fearfully to meet any footfall that sounded near, and trembled with uncontrollable nervous spasms. To both the Larkins he was a piteous sight, and Bud wondered that the miserable creature had not gone mad. The wretch fell on his knees and pleaded with them for his life, so that when Bud put the proposition squarely up to him that he forswear everything in regard to the Larkin family, he could not accept it eagerly enough. “But about the papers that you said were in Chicago?” asked Bud. “I lied about them,” replied Smithy. “They’re sewed in the lining of my shirt. Give me your knife and I’ll get ’em for you.” “Give me your shirt and I’ll find them,” countered Bud; and he presently did. Together the brothers looked them over. Every bit of incriminating evidence was there, and as He did not let Caldwell off, however, without securing from him the written and signed statement that he wanted. When all was done they let him go, and now his mind was almost as unbalanced by joy as it had formerly been by fear. Bissell, knowing Caldwell’s condition, had agreed to his being released on clearing his account with the Larkins, for he realized that the man, in fearing death, had suffered the penalty a thousand times, and that the memory would remain with him through life, and perhaps help keep him straight. Shortly after Bud and Lester had joined the others on the veranda again, a sudden scream was heard from the bunk-house, followed by the sounds of a terrible struggle. All hands rushed around to the rear and, with drawn revolvers, forced an entrance among the sullen rustlers. On the floor in the middle of the room lay Smithy Caldwell, white and contorted, while Mike Stelton was just rising from his prostrate body, making sounds in his throat like a wild animal. Smithy was dead. “How’d it happen, boys?” asked Bissell. “This here Caldwell come out an’ ’lowed as There is not much more to tell, except that, three days later, the rustlers paid the penalty of their lawless daring. It was the biggest “hangin’ bee” Wyoming had ever seen, and was largely attended by men of all sections who stood for right and justice, if not law and order. Bud and Julie brought pride and sunlight to a slowly recuperating Jimmie Welsh on their way north, and from him and Billy Speaker heard again the details of the great fight. Now, if you go to Welsh’s Butte, you will see a tall white shaft rising amid the tumbling of the wretched hogbacks. On one side are the names of the sheepmen who fell (including Jimmie, who is still alive), and on the other those of the cowmen. It is the humble offering of Bud and Julie Larkin. Time has proven that Bud’s prophecy in regard to sheep was right. Wyoming has far more sheep than cattle now, and one of the biggest of the ranches is the former Bar T, run under the I hope it will not be a shock to some readers to know that the first Bud and Julie have another Bud and Julie, who are over twenty years of age, quite old enough to have romances of their own. All their lives they have heard the story of the adventures that brought their parents together, but all four rather sadly admit that the Free Range, which Bud fought for so hard, is now almost a thing of the past, that the great drives have passed never to return, and that the cowboy himself is a dim figure against the prairie sunset. THE END JOHN FOX, JR’S. STORIES OF THE KENTUCKY MOUNTAINS May be had wherever books are sold. Ask for Grosset & Dunlap’s list. THE TRAIL OF THE LONESOME PINE. Illustrated by F. C. Yohn. The “lonesome pine” from which the story takes its name was a tall tree that stood in solitary splendor on a mountain top. The fame of the pine lured a young engineer through Kentucky to catch the trail, and when he finally climbed to its shelter he found not only the pine but the foot-prints of a girl. And the girl proved to be lovely, piquant, and the trail of these girlish foot-prints led the young engineer a madder chase than “the trail of the lonesome pine.” THE LITTLE SHEPHERD OF KINGDOM COME. Illustrated by F. C. Yohn. This is a story of Kentucky, in a settlement known as “Kingdom Come.” It is a life rude, semi-barbarous; but natural and honest, from which often springs the flower of civilization. “Chad,” the “little shepherd” did not know who he was nor whence he came—he had just wandered from door to door since early childhood, seeking shelter with kindly mountaineers who gladly fathered and mothered this waif about whom there was such a mystery—a charming waif, by the way, who could play the banjo better that anyone else in the mountains. A KNIGHT OF THE CUMBERLAND. Illustrated by F. C. Yohn. The scenes are laid along the waters of the Cumberland, the lair of moonshiner and feudsman. The knight is a moonshiner’s son, and the heroine a beautiful girl perversely christened “The Blight.” Two impetuous young Southerners’ fall under the spell of “The Blight’s” charms and she learns what a large part jealousy and pistols have in the love making of the mountaineers. Included in this volume is “Hell fer-Sartain” and other stories, some of Mr. Fox’s most entertaining Cumberland valley narratives. Ask for a complete free list of G. & D. Popular Copyrighted Fiction. Grosset & Dunlap, 526 West 26th St., New York THE NOVELS OF STEWART EDWARD WHITE THE RULES OF THE GAME. Illustrated by Lajaren A. Hiller. The romance of the son of “The Riverman.” The young college hero goes into the lumber camp, is antagonized by “graft” and comes into the romance of his life. ARIZONA NIGHTS. Illus. and cover inlay by N. C. Wyeth. A series of spirited tales emphasizing some phases of the life of the ranch, plains and desert. A masterpiece. THE BLAZED TRAIL. With illustrations by Thomas Fogarty. A wholesome story with gleams of humor, telling of a young man who blazed his way to fortune through the heart of the Michigan pines. THE CLAIM JUMPERS. A Romance. The tenderfoot manager of a mine in a lonesome gulch of the Black Hills has a hard time of it, but “wins out” in more ways than one. CONJUROR’S HOUSE. Illustrated Theatrical Edition. Dramatized under the title of “The Call of the North.” “Conjuror’s House” is a Hudson Bay trading post where the head factor is the absolute lord. A young fellow risked his life and won a bride on this forbidden land. THE MAGIC FOREST. A Modern Fairy Tale. Illustrated. The sympathetic way in which the children of the wild and their life is treated could only belong to one who is in love with the forest and open air. Based on fact. THE RIVERMAN. Illus. by N. C. Wyeth and C. Underwood. The story of a man’s fight against a river and of a struggle between honesty and grit on the one side, and dishonesty and shrewdness on the other. THE SILENT PLACES. Illustrations by Philip R. Goodwin. The wonders of the northern forests, the heights of feminine devotion, and masculine power, the intelligence of the Caucasian and the instinct of the Indian, are all finely drawn in this story. THE WESTERNERS. A story of the Black Hills that is justly placed among the best American novels. It portrays the life of the new West as no other book has done in recent years. THE MYSTERY. In collaboration with Samuel Hopkins Adams With illustrations by Will Crawford. The disappearance of three successive crews from the stout ship “Laughing Lass” in mid-Pacific, is a mystery weird and inscrutable. In the solution, there is a story of the most exciting voyage that man ever undertook. Grosset & Dunlap, 526 West 26th St., New York LOUIS TRACY’S CAPTIVATING AND EXHILARATING ROMANCES May be had wherever books are sold. Ask for Grosset & Dunlap’s list. CYNTHIA’S CHAUFFEUR. Illustrated by Howard Chandler Christy. A pretty American girl in London is touring in a car with a chauffeur whose identity puzzles her. An amusing mystery. THE STOWAWAY GIRL. Illustrated by Nesbitt Benson. A shipwreck, a lovely girl stowaway, a rascally captain, a fascinating officer, and thrilling adventures in South Seas. THE CAPTAIN OF THE KANSAS. Love and the salt sea, a helpless ship whirled into the hands of cannibals, desperate fighting and a tender romance. THE MESSAGE. Illustrated by Joseph Cummings Chase. A bit of parchment found in the figurehead of an old vessel tells of a buried treasure. A thrilling mystery develops. THE PILLAR OF LIGHT. The pillar thus designated was a lighthouse, and the author tells with exciting detail the terrible dilemma of its cut-off inhabitants. THE WHEEL O’FORTUNE. With illustrations by James Montgomery Flagg. The story deals with the finding of a papyrus containing the particulars of some of the treasures of the Queen of Sheba. A SON OF THE IMMORTALS. Illustrated by Howard Chandler Christy. A young American is proclaimed king of a little Balkan Kingdom, and a pretty Parisian art student is the power behind the throne. THE WINGS OF THE MORNING. A sort of Robinson Crusoe redivivus with modern settings and a very pretty love story added. The hero and heroine are the only survivors of a wreck, and have many thrilling adventures on their desert island. Ask for a complete free list of G. & D. Popular Copyrighted Fiction. Grosset & Dunlap, 526 West 26th St., New York STORIES OF WESTERN LIFE May be had wherever books are sold. Ask for Grosset & Dunlap’s list. RIDERS OF THE PURPLE SAGE, By Zane Grey. Illustrated by Douglas Duer. In this picturesque romance of Utah of some forty years ago, we are permitted to see the unscrupulous methods employed by the invisible hand of the Mormon Church to break the will of those refusing to conform to its rule. FRIAR TUCK, By Robert Alexander Wason. Illustrated by Stanley L. Wood. Happy Hawkins tells us, in his humorous way, how Friar Tuck lived among the Cowboys, how he adjusted their quarrels and love affairs and how he fought with them and for them when occasion required. THE SKY PILOT, By Ralph Connor. Illustrated by Louis Rhead. There is no novel, dealing with the rough existence of cowboys, so charming in the telling, abounding as it does with the freshest and the truest pathos. THE EMIGRANT TRAIL, By Geraldine Bonner. Colored frontispiece by John Rae. The book relates the adventures of a party on its overland pilgrimage, and the birth and growth of the absorbing love of two strong men for a charming heroine. THE BOSS OF WIND RIVER, By A. M. Chisholm. Illustrated by Frank Tenney Johnson. This is a strong, virile novel with the lumber industry for its central theme and a love story full of interest as a sort of subplot. A PRAIRIE COURTSHIP, By Harold Bindloss. A story of Canadian prairies in which the hero is stirred, through the influence of his love for a woman, to settle down to the heroic business of pioneer farming. JOYCE OF THE NORTH WOODS, By Harriet T. Comstock. Illustrated by John Cassel. A story of the deep woods that shows the power of love at work among its primitive dwellers. It is a tensely moving study of the human heart and its aspirations that unfolds itself through thrilling situations and dramatic developments. Ask for a complete free list of G. & D. Popular Copyrighted Fiction. Grosset & Dunlap, 526 West 26th St., New York GROSSET & DUNLAP’S DRAMATIZED NOVELS THE KIND THAT ARE MAKING THEATRICAL HISTORY May be had wherever books are sold. Ask for Grosset & Dunlap’s list. WITHIN THE LAW. By Bayard Veiller & Marvin Dana. Illustrated by Wm. Charles Cooke. This is a novelization of the immensely successful play which ran for two years in New York and Chicago. The plot of this powerful novel is of a young woman’s revenge directed against her employer who allowed her to be sent to prison for three years on a charge of theft, of which she was innocent. WHAT HAPPENED TO MARY. By Robert Carlton Brown. Illustrated with scenes from the play. This is a narrative of a young and innocent country girl who is suddenly thrown into the very heart of New York, “the land of her dreams,” where she is exposed to all sorts of temptations and dangers. The story of Mary is being told in moving pictures and played in theatres all over the world. THE RETURN Of PETER GRIMM. By David Belasco. Illustrated by John Rae. This is a novelization of the popular play in which David Warfield, as Old Peter Grimm, scored such a remarkable success. The story is spectacular and extremely pathetic but withal, powerful, both as a book and as a play. THE GARDEN OF ALLAH. By Robert Hichens. This novel is an intense, glowing epic of the great desert, sunlit, barbaric, with its marvelous atmosphere of vastness and loneliness. It is a book of rapturous beauty, vivid in word painting. The play has been staged with magnificent cast and gorgeous properties. BEN HUR. A Tale of the Christ. By General Lew Wallace. The whole world has placed this famous Religious-Historical Romance on a height of pre-eminence which no other novel of its time has reached. The clashing of rivalry and the deepest human passions, the perfect reproduction of brilliant Roman life, and the tense, fierce atmosphere of the arena have kept their deep fascination. A tremendous dramatic success. BOUGHT AND PAID FOR. By George Broadhurst and Arthur Hornblow. Illustrated with scenes from the play. A stupendous arraignment of modern marriage which has created an interest on the stage that is almost unparalleled. The scenes are laid in New York, and deal with conditions among both the rich and poor. The interest of the story turns on the day-by-day developments which show the young wife the price she has paid. Ask for a complete free list of G. & D. Popular Copyrighted Fiction. Grosset & Dunlap, 526 West 26th St., New York STORIES OF RARE CHARM BY GENE STRATTON-PORTER May be had wherever books are sold. Ask for Grosset & Dunlap’s list. THE HARVESTER Illustrated by W. L. Jacobs “The Harvester,” David Langston, is a man of the woods and fields, who draws his living from the prodigal hand of Mother Nature herself. If the book had nothing in it but the splendid figure of this man, with his sure grip on life, his superb optimism, and his almost miraculous knowledge of nature secrets, it would be notable. But when the Girl comes to his “Medicine Woods,” and the Harvester’s whole sound, healthy, large outdoor being realizes that this is the highest point of life which has come to him—there begins a romance, troubled and interrupted, yet of the rarest idyllic quality. FRECKLES. Decorations by E. Stetson Crawford. Freckles is a nameless waif when the tale opens, but the way in which he takes hold of life; the nature friendships he forms in the great Limberlost Swamp; the manner in which everyone who meets him succumbs to the charm of his engaging personality; and his love-story with “The Angel” are full of real sentiment. A GIRL OF THE LIMBERLOST. Illustrated by Wladyslaw T. Brenda. The story of a girl of the Michigan woods; a buoyant, lovable type of the self-reliant American. Her philosophy is one of love and kindness towards all things; her hope is never dimmed. And by the sheer beauty of her soul, and the purity of her vision, she wins from barren and unpromising surroundings those rewards of high courage. It is an inspiring story of a life worth while and the rich beauties of the out-of-doors are strewn through all its pages. AT THE FOOT OF THE RAINBOW. Illustrations in colors by Oliver Kemp. Design and decorations by Ralph Fletcher Seymour. The scene of this charming, idyllic love story is laid in Central Indiana. The story is one of devoted friendship, and tender self-sacrificing love; the friendship that gives freely without return, and the love that seeks first the happiness of the object. The novel is brimful of the most beautiful word painting of nature, and its pathos and tender sentiment will endear it to all. Ask for a complete free list of G. & D. Popular Copyrighted Fiction. Grosset & Dunlap, 526 West 26th St., New York MYRTLE REED’S NOVELS May be had wherever books are sold. Ask for Grosset & Dunlap’s list. LAVENDER AND OLD LACE. A charming story of a quaint corner of New England where bygone romance finds a modern parallel. The story centers round the coming of love to the young people on the staff of a newspaper—and it is one of the prettiest, sweetest and quaintest of old fashioned love stories, * * * a rare book, exquisite in spirit and conception, full of delicate fancy, of tenderness, of delightful humor and spontaneity. A SPINNER IN THE SUN. Miss Myrtle Reed may always be depended upon to write a story in which poetry, charm, tenderness and humor are combined into a clever and entertaining book. Her characters are delightful and she always displays a quaint humor of expression and a quiet feeling of pathos which give a touch of active realism to all her writings. In “A Spinner in the Sun” she tells an old-fashioned love story, of a veiled lady who lives in solitude and whose features her neighbors have never seen. There is a mystery at the heart of the book that throws over it the glamour of romance. THE MASTER’S VIOLIN. A love story in a musical atmosphere. A picturesque, old German virtuoso is the reverent possessor of a genuine “Cremona.” He consents to take for his pupil a handsome youth who proves to have an aptitude for technique, but not the soul of an artist. The youth has led the happy, careless life of a modern, well-to-do young American and he cannot, with his meagre past, express the love, the passion and the tragedies of life and all its happy phases as can the master who has lived life in all its fulness. But a girl comes into his life—a beautiful bit of human driftwood that his aunt had taken into her heart and home, and through his passionate love for her, he learns the lessons that life has to give—and his soul awakes. Founded on a fact that all artists realize. Ask for a complete free list of G. & D. Popular Copyrighted Fiction. Grosset & Dunlap, 526 West 26th St., New York B. M. Bower’s Novels Thrilling Western Romances Large 12 mos. Handsomely bound in cloth. Illustrated CHIP, OF THE FLYING U A breezy wholesome tale, wherein the love affairs of Chip and Delia Whitman are charmingly and humorously told. Chip’s jealousy of Dr. Cecil Grantham, who turns out to be a big, blue eyed young woman is very amusing. A clever, realistic story of the American Cow-puncher. THE HAPPY FAMILY A lively and amusing story, dealing with the adventures of eighteen jovial, big hearted Montana cowboys. Foremost amongst them, we find Ananias Green, known as Andy, whose imaginative powers cause many lively and exciting adventures. HER PRAIRIE KNIGHT A realistic story of the plains, describing a gay party of Easterners who exchange a cottage at Newport for the rough homeliness of a Montana ranch-house. The merry-hearted cowboys, the fascinating Beatrice, and the effusive Sir Redmond, become living, breathing personalities. THE RANGE DWELLERS Here are everyday, genuine cowboys, just as they really exist. Spirited action, a range feud between two families, and a Romeo and Juliet courtship make this a bright, jolly, entertaining story, without a dull page. THE LURE OF DIM TRAILS A vivid portrayal of the experience of an Eastern author, among the cowboys of the West, in search of “local color” for a new novel. “Bud” Thurston learns many a lesson while following “the lure of the dim trails” but the hardest, and probably the most welcome, is that of love. THE LONESOME TRAIL “Weary” Davidson leaves the ranch for Portland, where conventional city life palls on him. A little branch of sage brush, pungent with the atmosphere of the prairie, and the recollection of a pair of large brown eyes soon compel his return. A wholesome love story. THE LONG SHADOW A vigorous Western story, sparkling with the free, outdoor, life of a mountain ranch. Its scenes shift rapidly and its actors play the game of life fearlessly and like men. It is a fine love story from start to finish. Ask for a complete free list of G. & D. Popular Copyrighted Fiction. Grosset & Dunlap, 526 West 26th St., New York ******* This and all associated files of various formats will be found in: Updated editions will replace the previous one--the old editions will be renamed. |