Constantly I am being invited, through the mails or the advertising columns, to buy something because it is different. Such appeals are wasted upon me. In the realm of ideas, I am as radical as the best of them, in many ways. But when it comes to shopping I am afraid of change. The advertising writer is the most unoriginal creature imaginable. He is more imitative than a theatre manager on Broadway. He is more imitative than the revolutionaries of art, the Impressionist who imitates the Romanticist, the Post-Impressionist who imitates the Impressionist, the Cubist who imitates the Post-Impressionist, the Futurist who imitates the Cubist, and the Parisian dressmaker who imitates the Futurist. When a happy word or phrase or symbol is let loose in the advertising world, it is caught up, and Now the truth that must be apparent to any man who will only think for a moment—and by all accounts your advertising writer is always engaged in a hellish fury of cerebration—is that there are a great many commodities whose value depends on the very fact that they shall not be different, but the same. If I were engaged in the business of publicity, I cannot imagine myself writing,
In every instance it would manifestly be absurd to try to prove that the object in On the other hand, there is a great class of commodities which one would never think of taking seriously unless we were assured that they are different from what we have always found them to be. If some ingenious inventor could really put on the market a Tammany Hall that was different, or a hair tonic that was different, or something different in the way of
And countless other things which every one can imagine being different in a better-organised world than ours. But does your advertising expert recognise the distinction between things which must under no consideration be different and things which must be made different if they are to find acceptance? Not in the least. In season and out he sounds his poor little catch-word, and frightens away as many customers as he attracts. Under such circumstances one can only wonder why advertising should continue to be the best-paid branch of American literature. Of what use are the Science of Advertising, the Psychology of Advertising, the Dynamics of Advertising, the Between the things that must never be different and the things that ought never to be the same, there is a vast class of commodities which may be the same or may be different according to choice. Linen collars, musical machines, newspapers, ignition systems, interior decoration—it is evident that some people may like them the same and some people may like them different. My own inclinations, as I have intimated, are toward the same, but my sympathies are with those who want things different. The argument advanced by the advertiser in behalf of his latest three-button, long-hipped, university sack with rolling collar, that it is different and |