Olie is painting the shack, inside and out, and now you'd never know our poor little Joseph-coat home. I told Dinky-Dunk if we'd ever put a chameleon on that shack-wall he'd have died of brain-fag trying to make good on the color-schemes. So Dinky-Dunk made Olie take a day off and ply the brush. But the smell of paint made me think of Channel passages, so off I went with Dinky-Dunk, a la team and buckboard, to the Dixon Ranch to see about some horses, nearly seventy miles there and back. It was a glorious autumn day, and a glorious ride, with "Bronk" and "Tumble-Weed" loping along the double-trail and the air like crystal.

Dinky-Dunk and I sang most of the way. The gophers must have thought we were mad. My lord and master is incontinently proud of his voice, especially the chest-tones, but he rather tails behind me on the tune, plainly not always being sure of himself. We had dinner with the Dixons, and about three million flies. They gave me the blues, that family, and especially Mrs. Dixon. She seemed to make prairie-life so ugly and empty and hardening. Poor, dried-up, sad-eyed soul, she looked like a woman of sixty, and yet her husband said she was just thirty-seven. Their water is strong with alkali, and this and the prairie wind (combined with a something deep down in her own make-up) have made her like a vulture, lean and scrawny and dry. I stared at that hard line of jaw and cheekbone and wondered how long ago the soft curves were there, and if those overworked hands had ever been pretty, and if that flat back had ever been rounded and dimpled. Her hair was untidy. Her apron was unspeakably dirty, and she used it as both a handkerchief and a hand-towel. Her voice was as hard as nails, and her cooking was wretched. Not a door or window was screened, and, as I said before, we were nearly smothered with flies.

Dinky-Dunk did not dare to look at me, all dinner time. And on the way home Mrs. Dixon's eyes kept haunting me, they seemed so tired and vacant and accusing, as though they were secretly holding God Himself to account for cheating her out of her woman's heritage of joy. I asked Dinky-Dunk if we'd ever get like that. He said, "Not on your life!" and quoted the Latin phrase about mind controlling matter. The Dixons, he went on to explain, were of the "slum" type, only they didn't happen to live in a city. But tired and sleepy as I was that night, I got up to cold-cream my face and arms. And I'm going to write for almond-meal and glycerin from the mail-order house to-morrow. And a brassiere—for I saw what looked like the suspicion of a smile on Dinky-Dunk's unshaven lips as he watched me struggling into my corsets this morning. It took some writhing, and even then I could hardly make it. I threw my wet sponge after him when he turned back in the doorway with the mildly impersonal question: "Who's your fat friend?" Then he scooted for the corral, and I went back and studied my chin in the dresser-mirror, to make sure it wasn't getting terraced into a dew-lap like Uncle Carlton's.

But I can't help thinking of the Dixons, and feeling foolishly and helplessly sorry for them. It was dusk when we got back from that long drive to their ranch, and the stars were coming out. I could see our shack from miles off, a little lonely dot of black against the sky-line. I made Dinky-Dunk stop the team, and we sat and looked at it. It seemed so tiny there, so lonely, so strange, in the middle of such miles and miles of emptiness, with a little rift of smoke going up from its desolate little pipe-end. Then I said, out loud, "Home! My home!" And out of a clear sky, for no earthly reason, I began to cry like a baby. Women are such fools, sometimes! I told Dinky-Dunk we must get books, good books, and spend the long winter evenings reading together, to keep from going to seed.

He said, "All right, Gee-Gee," and patted my knee. Then we loped on along the trail toward the lonely little black dot ahead of us. But I hung on to Dinky-Dunk's arm, all the rest of the way, until we pulled up beside the shack, and poor old Olie, with a frying-pan in his hand, stood silhouetted against the light of the open door.