Gershom has been studying some of my carbon-prints. He can’t for the life of him understand why I consider Dewing’s Old-fashioned Gown so beautiful, or why I should love Childe Hassam’s Church at Old Lyme or see anything remarkable about Metcalf’s May Night. But I cherish them as one cherishes photographs of lost friends.

A couple of the Horatio Walker’s, he acknowledged, seemed to mean something to him. But Gershom’s still in the era when he demands a story in the picture and could approach Monet and Degas only by way of Meissonier and Bouguereau. And a print, after all, is only a print. He’s slightly ashamed to admire beauty as mere beauty, contending that at the core of all such things there should be a moral. So we pow-wowed for an hour and more over the threadbare old theme and the most I could get out of Gershom was that the lady in The Old-fashioned Gown reminded him of me, only I was more vital. But all that talk about landscape and composition 60 and line and tone made me momentarily homesick for a glimpse of Old Lyme again, before I go to my reward.

But the mood didn’t last. And I no longer regret what’s lost. I don’t know what mysterious Divide it is I have crossed over, but it seems to be peace I want now instead of experience. I’m no longer envious of the East and all it holds. I’m no longer fretting for wider circles of life. The lights may be shining bright on many a board-walk, at this moment, but it means little to this ranch-lady. What I want now is a better working-plan for that which has already been placed before me. Often and often, in the old days, when I realized how far away from the world this lonely little island of Casa Grande and its inhabitants stood, I used to nurse a ghostly envy for the busier tideways of life from which we were banished. I used to feel that grandeur was in some way escaping me. I could picture what was taking place in some of those golden-gray old cities I had known: The Gardens of the Luxembourg when the horse-chestnuts were coming out in bloom, and the ChÂteau de Madrid in the Bois at the luncheon hour, or the Pre Catalan on a Sunday with heavenly sole in lemon and melted butter and a still more heavenly waltz as you sat eating fraises des bois smothered in thick 61 crÊme d’Isigny. Or the Piazzi di Spagna on Easter Sunday with the murmur of Rome in your ears and the cars and carriages flashing through the green-gold shadows of the Pincio. Or Hyde Park in May, with the sun sifting through the brave old trees and flashing on the helmets of the Life Guards as the King goes by in a scarlet uniform with the blue Order of the Garter on his breast, or Park Lane on a glorious light-and-shadow afternoon in June and a dip into the familiar old Americanized clangor at the Cecil; or Chinkie’s place in Devonshire about a month earlier, sitting out on the terrace wrapped in steamer-rugs and waiting for the moon to come up and the first nightingale to sing. Of Fifth Avenue shining almost bone-white in the clear December sunlight and the salted nuts and orange-blossom cocktails at Sherry’s, or the Plaza tea-room at about five o’clock in the afternoon with the smell of Turkish tobacco and golden pekoe and hot-house violets and Houbigant’s Quelque-fleurs all tangled up together. Or the City of Wild Parsley in March with a wave of wild flowers breaking over the ruins of Selinunte and the tumbling pillars of the Temple of Olympian Zeus lying time-mellowed in the clear Sicilian sunlight! 62

They were all lovely enough, and still are, I suppose, but it’s a loveliness in some way involved with youth. So the memory of those far-off gaieties, which, after all, were so largely physical, no longer touch me with unrest. They’re wine that’s drunk and water that’s run under the bridge. Younger lips can drink of that cup, which was sweet enough in its time. Let the newer girls dance their legs off under the French crystals of the Ritz, and powder their noses over the Fountain of the Sunken Boat, and eat the numbered duck so reverentially doled out at La Tour d’Argent and puff their cigarettes behind the beds of begonias and marguerites at the ChÂteau Madrid. They too will get tired of it, and step aside for others. For the petal falls from the blossom and the blossom plumps out into fruit. And all those golden girls, when their day is over, must slip away from those gardens of laughter. When they don’t, they only make themselves ridiculous. For there’s nothing sadder than an antique lady of other days decking herself out in the furbelows of a lost youth. And I’ve got Dinky-Dunk’s overalls to patch and my bread to set, so I can’t think much more about it to-night. But after I’ve done my chores, and before I go up to bed, I’m going to read Rabbi Ben Ezra right through 63 to the end. I’ll do it in front of the fire, with my feet up and with three Ontario Northern Spy apples on a plate beside me, to be munched as Audrey herself might have munched them, oblivious of any Touchstone and his reproving eyes.

I have stopped to ponder, however, how much of this morbid dread of mine for big cities is due to that short and altogether unsatisfactory visit to New York, to that sense of coming back a stranger and finding old friends gone and those who were left with such entirely new interests.

I was out of it, completely and dishearteningly out of it. And my clothes were all wrong. My hats were wrong; my shoes were wrong; and every rag I had on me was in some way wrong. I was a tourist from the provinces. And I wasn’t up-to-date with either what was on me or was in me. I didn’t even know the new subway routes or the telephone rules or the proper places to go for tea. The Metropolitan looked cramped and shoddy and Tristan seemed shoddily sung to me. There was no thrill to it. And even The Jewels of the Madonna impressed me as a bit garish and off color, with the Apache Dance of the last act almost an affront to God and man. I even asked myself, when I found that I had lost the 64 trick of laughing at bridal-suite farces, if it was the possession of children that had changed me. For when you’re with children you must in some way match their snowy innocence with a kindred coloring of innocence, very much as the hare and the weasel and the ptarmigan turn white to match the whiteness of our northern winter. Yet I was able to wring pure joy out of Rachmaninoff’s playing at Carnegie Hall, with a great man making music for music’s sake. I loved the beauty and balance and splendid sanity of that playing, without keyboard fire-works and dazzle and glare. But Rachmaninoff was the exception. Even Central Park seemed smaller than of old, and I couldn’t remember which drives Dinky-Dunk and I had taken in the historic old hansom-cab after our equally historic marriage by ricochet. Fifth Avenue itself was different, the caterpillar of trade having crawled a little farther up the stalk of fashion, for the shops, I found, went right up to the Park, and the old W. K. house where we once danced our long-forgotten Dresden China Quadrille, in imitation of the equally forgotten Eighty-Three event, confronted me as a beehive of business offices. I couldn’t quite get used to the new names and the new faces and the new shops and the side-street theaters and the 65 thought of really nice girls going to a prize-fight in Madison Square Garden, and the eternal and never-ending talk about drinks, about where and how to get them, and how to mix them, and how much Angostura to put into ’em, and the musty ale that used to be had at Losekam’s in Washington, and the Beaux Arts cocktails that used to come with a dash of absinthe, and the shipment of pinch-neck Scotch which somebody smuggled in on his cruiser-yacht from the east end of Cuba, and so-forth and so-forth until I began to feel that the only important thing in the world was the possession and dispensation of alcohol. And out of it I got the headache without getting the fun. I had the same dull sense of being cheated which came to me in my flapper days when I fell asleep with a mouthful of contraband gum and woke up in the morning with my jaw-muscles tired—I’d been facing all the exertion without getting any of the satisfaction.

The one bright spot to me, in that lost city of my childhood, was the part of Madison Avenue which used to be known as Murray Hill, the right-of-way along the west sidewalk of which I once commandeered for an afternoon’s coasting. I could see again, as I glanced down the familiar slope, the puffy figure of 66 old Major Elmes, who in those days was always pawing somebody, since he seemed to believe with Novalis that he touched heaven when he placed his hand on a human body. I could see myself sky-hooting down that icy slope on my coaster, approaching the old Major from the rear and peremptorily piping out: “One side, please!” For I was young then, and I expected all life to make way for me. But the old Major betrayed no intention of altering his solemnly determined course at any such juvenile suggestion, with the result that he sat down on me bodily, and for the next two blocks approached his club in Madison Square in a manner and at a speed which he had in no wise anticipated. But, Eheu, how long ago it all seemed!