They rode on in silence, till their horses' feet again clattered in the clear, pebbly water of the stream. Here Nina checked her horse; and, pointing round the circle of pine forests, and up the stream, overhung with bending trees and branches, said:

"Hush!—listen!" Both stopped, and heard the swaying of the pine-trees, the babble of the waters, the cawing of distant crows, and the tapping of the woodpecker.

"How beautiful everything is!" she said. "It seems to me so sad that people must die! I never saw anybody dead before, and you don't know how it makes me feel! To think that that poor woman was just such a girl as I am, and used to be just so full of life, and never thought any more than I do that she should lie there all cold and dead! Why is it things are made so beautiful, if we must die?"

"Remember what you said to the old man, Miss Nina. Perhaps she sees more beautiful things, now."

"In heaven? Yes; I wish we knew more about heaven, so that it would seem natural and home-like to us, as this world does. As for me, I can't feel that I ever want to leave this world—I enjoy living so much! I can't forget how cold her hand was! I never felt anything like that cold!"

In all the varying moods of Nina, Clayton had never seen anything that resembled this. But he understood the peculiar singleness and earnestness of nature which made any one idea, or impression, for a time absolute in her mind. They turned their horses into the wood-path, and rode on in silence.

"Do you know," said she, "it's such a change coming from New York to live here? Everything is so unformed, so wild, and so lonely! I never saw anything so lonesome as these woods are. Here you can ride miles and miles, hours and hours, and hear nothing but the swaying of the pine-trees, just as you hear it now. Our place (you never were there, were you?) stands all by itself, miles from any other; and I've been for so many years used to a thickly-settled country, that it seems very strange to me. I can't help thinking things look rather deserted and desolate, here. It makes me rather sober and sad. I don't know as you'll like the appearance of our place. A great many things are going to decay about it; and yet there are some things that can't decay; for papa was very fond of trees and shrubbery, and we have a good deal more of them than usual. Are you fond of trees?"

"Yes; I'm almost a tree-worshipper. I have no respect for a man who can't appreciate a tree. The only good thing I ever heard of Xerxes was, that he was so transported with the beauty of a plane-tree, that he hung it with chains of gold. This is a little poetical island in the barbarism of those days."

"Xerxes!" said Nina. "I believe I studied something about him in that dismal, tedious history at Madame Ardaine's; but nothing so interesting as that, I'm sure. But what should he hang gold chains on a tree for?"

"'Twas the best way he knew of expressing his good opinion."

"Do you know," said Nina, half checking her horse, suddenly, "that I never had the least idea that these men were alive that we read about in these histories, or that they had any feelings like ours? We always studied the lessons, and learnt the hard names, and how forty thousand were killed on one side, and fifty thousand on the other; and we don't know any more about it than if we never had. That's the way we girls studied at school, except a few 'poky' ones, who wanted to be learned, or meant to be teachers."

"An interesting rÉsumÉ, certainly," said Clayton, laughing.

"But how strange it is," said Nina, "to think that all those folks we read about are alive now, doing something somewhere; and I get to wondering where they are—Xerxes, and Alexander, and the rest of them. Why, they were so full of life they kept everything in commotion while in this world; and I wonder if they have been keeping a going ever since. Perhaps Xerxes has been looking round at our trees—nobody knows. But here we are coming now to the beginning of our grounds. There, you see that holly-hedge! Mamma had that set out. She travelled in England, and liked the hedges there so much that she thought she would see what could be done with our American holly. So she had these brought from the woods, and planted. You see it all grows wild, now, because it hasn't been cut for many years. And this live-oak avenue my grandfather set out. It's my pride and delight."

As she spoke, a pair of broad gates swung open, and they cantered in beneath the twilight arches of the oaks. Long wreaths of pearly moss hung swinging from the branches, and, although the sun now was at high noon, a dewy, dreamy coolness seemed to rustle through all the leaves. As Clayton passed in, he took off his hat, as he had often done in foreign countries in cathedrals.

"Welcome to Canema!" said she, riding up to him, and looking up frankly into his face.

The air, half queenly, half childish, with which this was said, was acknowledged by Clayton with a grave smile, as he replied, bowing,—

"Thank you, madam."

"Perhaps," she added, in a grave tone, "you'll be sorry that you ever came here."

"What do you mean by that?" he replied.

"I don't know; it just came into my head to say it. We none of us ever know what's going to come of what we do."

At this instant, a violent clamor, like the cawing of a crow, rose on one side of the avenue; and the moment after Tomtit appeared, caricoling, and cutting a somerset; his curls flying, his cheeks glowing.

"Why, Tomtit, what upon earth is this for?" said Nina.

"Laws, missis, deres been a gen'elman waiting for you at the house these two hours. And missis, she's done got on her best cap, and gone down in the parlor for him."

Nina felt herself blush to the roots of her hair, and was vexed and provoked to think she did so. Involuntarily her eyes met Clayton's. But he expressed neither curiosity nor concern.

"What a pretty drapery this light moss makes!" said he. "I wasn't aware that it grew so high up in the state."

"Yes; it is very pretty," said Nina, abstractedly.

Clayton, however, had noticed both the message and the blush, and was not so ill-informed as Nina supposed as to the whole affair, having heard from a New York correspondent of the probability that an arrival might appear upon the field about this time. He was rather curious to watch the development produced by this event. They paced up the avenue, conversing in disconnected intervals, till they came out on the lawn which fronted the mansion—a large, gray, three-story building, surrounded on the four sides by wide balconies of wood. Access was had to the lower of these by a broad flight of steps. And there Nina saw, plain enough, her Aunt Nesbit in all the proprieties of cap and silk gown, sitting, making the agreeable to Mr. Carson.

Mr. Frederic Augustus Carson was one of those nice little epitomes of conventional society, which appear to such advantage in factitious life, and are so out of place in the undress, sincere surroundings of country life. Nina had liked his society extremely well in the drawing-rooms and opera-houses of New York. But, in the train of thought inspired by the lonely and secluded life she was now leading, it seemed to her an absolute impossibility that she could, even in coquetry and in sport, have allowed such an one to set up pretensions to her hand and heart. She was vexed with herself that she had done so, and therefore not in the most amiable mood for a meeting. Therefore, when, on ascending the steps, he rushed precipitately forward, and, offering his hand, called her Nina, she was ready to die with vexation. She observed, too, a peculiar swelling and rustling of Aunt Nesbit's plumage,—an indescribable air of tender satisfaction, peculiar to elderly ladies who are taking an interest in an affair of the heart, which led her to apprehend that the bachelor had commenced operations by declaring his position to her. 'Twas with some embarrassment that Nina introduced Mr. Clayton, whom Aunt Nesbit received with a most stately curtsey, and Mr. Carson with a patronizing bow.

"Mr. Carson has been waiting for you these two hours," said Aunt Nesbit.

"Very warm riding, Nina," said Mr. Carson, observing her red cheeks. "You've been riding too fast, I fear. You must be careful of yourself. I've known people bring on very grave illnesses by over-heating the blood!"

Clayton seated himself near the door, and seemed to be intent on the scene without. And Carson, drawing his chair close to Nina, asked, in a confidential under-tone,—

"Who is that gentleman?"

"Mr. Clayton, of Claytonville," said Nina, with as much hauteur as she could assume.

"Ah, yes!—Hem!—hem! I've heard of the family—a very nice family—a very worthy young man—extremely, I'm told. Shall be happy to make his acquaintance."

"I beg," said Nina, rising, "the gentlemen will excuse me a moment or two."

Clayton replied by a grave bow, while Mr. Carson, with great empressement, handed Nina to the door. The moment it was closed, she stamped, with anger, in the entry.

"The provoking fool! to take these airs with me! And I, too—I deserve it! What on earth could make me think I could tolerate that man?"

As if Nina's cup were not yet full, Aunt Nesbit followed her to her chamber with an air of unusual graciousness.

"Nina, my dear, he has told me all about it! and I assure you I'm very much pleased with him!"

"Told you all about what?" said Nina.

"Why, your engagement, to be sure! I'm delighted to think you've done so well! I think your Aunt Maria, and all of them, will be delighted! Takes a weight of care off my mind!"

"I wish you wouldn't trouble yourself about me, or my affairs, Aunt Nesbit!" said Nina. "And, as for this old pussy-cat, with his squeaking boots, I won't have him purring round me, that's certain! So provoking, to take that way towards me! Call me Nina, and talk as though he were lord paramount of me, and everything here! I'll let him know!"

"Why, Nina! Seems to me this is very strange conduct! I am very much astonished at you!"

"I dare say you are, aunt! I never knew the time I didn't astonish you! But this man I detest!"

"Well, then, my dear, what were you engaged to him for?"

"Engaged! Aunt, for pity's sake, do hush! Engaged! I should like to know what a New York engagement amounts to! Engaged at the opera!—Engaged for a joke! Why, he was my bouquet-holder! The man is just an opera libretto! He was very useful in his time. But who wants him afterwards?"

"But, my dear Nina, this trifling with gentlemen's hearts!"

"I'll warrant his heart! It's neither sugar nor salt, I'll assure you. I'll tell you what, aunt, he loves good eating, good drinking, nice clothes, nice houses, and good times generally! and he wants a pretty wife as a part of a whole; and he thinks he'll take me. But he is mistaken. Calling me 'Nina,' indeed! Just let me have a chance of seeing him alone! I'll teach him to call me 'Nina'! I'll let him know how things stand!"

"But, Nina, you must confess you've given him occasion for all this."

"Well, supposing I have? I'll give him occasion for something else, then!"

"Why, my dear," said Aunt Nesbit, "he came on to know when you'll fix the day to be married!"

"Married! Oh, my gracious! Just think of the creature's talking about it! Well, it is my fault, as you say; but I'll do the best I can to mend it."

"Well, I'm really sorry for him," said Aunt Nesbit.

"You are, aunt? Why don't you take him yourself, then? You are as young and good-looking as he is."

"Nina, how you talk!" said Aunt Nesbit, coloring and bridling. "There was a time when I wasn't bad-looking, to be sure; but that's long since past."

"Oh, that's because you always dress in stone-color and drab," said Nina, as she stood brushing and arranging her curls. "Come, now, and go down, aunt, and do the best you can till I make my appearance. After all, as you say, I'm the most to blame. There's no use in being vexed with the old soul. So, aunt, do be as fascinating as you can; see if you can't console him. Only remember how you used to turn off lovers, when you were of my age."

"And who is this other gentleman, Nina?"

"Oh, nothing, only he is a friend of mine. A very good man—good enough for a minister, any day, aunt, and not so stupid as good people generally are, either."

"Well, perhaps you are engaged to him?"

"No, I am not; that is to say, I won't be to anybody. This is an insufferable business! I like Mr. Clayton, because he can let me alone, don't look at me in that abominably delighted way all the time, and dance about, calling me Nina! He and I are very good friends, that's all. I'm not going to have any engagements anywhere."

"Well, Nina, I'll go down, and you make haste."

While the gentlemen and Aunt Nesbit were waiting in the saloon, Carson made himself extremely happy and at home. It was a large, cool apartment, passing, like a hall, completely through the centre of the house. Long French windows, at either end, opened on to balconies. The pillars of the balconies were draped and garlanded with wreaths of roses now in full bloom. The floor of the room was the polished mosaic of different colors to which we have formerly alluded. Over the mantel-piece was sculptured in oak the Gordon arms. The room was wainscoted with dark wood, and hung with several fine paintings, by Copley and Stuart, of different members of the family. A grand piano, lately arrived from New York, was the most modern-looking article in the room. Most of the furniture was of heavy dark mahogany, of an antique pattern. Clayton sat by the door, still admiring the avenue of oaks which were to be seen across the waving green of the lawn.

In about half an hour Nina reappeared in a flossy cloud of muslin, lace, and gauzy ribbons. Dress was one of those accomplishments for which the little gypsy had a natural instinct; and, without any apparent thought, she always fell into that kind of color and material which harmonized with her style of appearance and character. There was always something floating and buoyant about the arrangement of her garments and drapery; so that to see her move across the floor gave one an airy kind of sensation, like the gambols of thistle-down. Her brown eyes had a peculiar resemblance to a bird's; and this effect was increased by a twinkling motion of the head, and a fluttering habit of movement peculiar to herself; so that when she swept by in rosy gauzes, and laid one ungloved hand lightly on the piano, she seemed to Clayton much like some saucy bird—very good indeed if let alone, but ready to fly on the slightest approach.

Clayton had the rare faculty of taking in every available point of observation, without appearing to stare.

"'Pon my word, Nina," said Mr. Carson, coming towards her with a most delighted air, "you look as if you had fallen out of a rainbow!"

Nina turned away very coolly, and began arranging her music.

"Oh, that's right!" said Carson; "give us one of your songs. Sing something from the Favorita. You know it's my favorite opera," said he, assuming a most sentimental expression.

"Oh, I'm entirely out of practice—I don't sing at all. I'm sick of all those opera-songs!" And Nina skimmed across the floor, and out of the open door by which Clayton was lounging, and began busying herself amid the flowers that wreathed the porch. In a moment Carson was at her heels; for he was one of those persons who seem to think it a duty never to allow any one to be quiet, if they can possibly prevent it.

"Have you ever studied the language of flowers, Nina?" said he.

"No, I don't like to study languages."

"You know the signification of a full-blown rose?" said he, tenderly presenting her with one.

Nina took the rose, coloring with vexation, and then, plucking from the bush a rose of two or three days' bloom, whose leaves were falling out, she handed it to him, and said,—

"Do you understand the signification of this?"

"Oh, you have made an unfortunate selection! This rose is all falling to pieces!" said Mr. Carson, innocently.

"So I observed," said Nina, turning away quickly; then, making one of her darting movements, she was in the middle of the saloon again, just as the waiter announced dinner.

Clayton rose gravely, and offered his arm to Aunt Nesbit; and Nina found herself obliged to accept the delighted escort of Mr. Carson, who, entirely unperceiving, was in the briskest possible spirits, and established himself comfortably between Aunt Nesbit and Nina.

"You must find it very dull here—very barren country, shockingly so! What do you find to interest yourself in?" said he.

"Will you take some of this gumbo?" replied Nina.

"I always thought," said Aunt Nesbit, "it was a good plan for girls to have a course of reading marked out to them when they left school."

"Oh, certainly," said Carson. "I shall be happy to mark out one for her. I've done it for several young ladies."

At this moment Nina accidentally happened to catch Clayton's eye, which was fixed upon Mr. Carson with an air of quiet amusement greatly disconcerting to her.

"Now," said Mr. Carson, "I have no opinion of making blues of young ladies; but still, I think, Mrs. Nesbit, that a little useful information adds greatly to their charms. Don't you?"

"Yes," said Mrs. Nesbit. "I've been reading 'Gibbon's Decline and Fall of the Roman Empire,' lately."

"Yes," said Nina, "aunt's been busy about that ever since I can remember."

"That's a very nice book," said Mr. Carson, looking solemnly at Nina; "only, Mrs. Nesbit, an't you afraid of the infidel principle? I think, in forming the minds of the young, you know, one cannot be too careful."

"Why, he struck me as a very pious writer!" said Aunt Nesbit, innocently. "I'm sure, he makes the most religious reflections, all along. I liked him particularly on that account."

It seemed to Nina that, without looking at Clayton, she was forced to meet his eye. No matter whether she directed her attention to the asparagus or the potatoes, it was her fatality always to end by a rencounter with his eye; and she saw, for some reason or other, the conversation was extremely amusing to him.

"For my part," said Nina, "I don't know what sort of principles Aunt Nesbit's history, there, has; but one thing I'm pretty certain of,—that I'm not in any danger from any such thick, close-printed, old, stupid-looking books as that. I hate reading, and I don't intend to have my mind formed; so that nobody need trouble themselves to mark out courses for me! What is it to me what all these old empires have been, a hundred years ago? It is as much as I can do to attend to what is going on now."

"For my part," said Aunt Nesbit, "I've always regretted that I neglected the cultivation of my mind when I was young. I was like Nina, here, immersed in vanity and folly."

"People always talk," said Nina, reddening, "as if there was but one kind of vanity and folly in the world. I think there can be as much learned vanity and folly as we girls have!" And she looked at Clayton indignantly, as she saw him laughing.

"I agree with Miss Gordon, entirely. There is a great deal of very stupid respectable trifling, which people pursue under the head of courses of reading," he said. "And I don't wonder that most compends of history which are studied in schools should inspire any lively young lady with a life-long horror, not only of history, but of reading."

"Do you think so?" said Nina, with a look of inexpressible relief.

"I do, indeed," said Clayton. "And it would have been a very good thing for many of our historians, if they had been obliged to have shaped their histories so that they would interest a lively school-girl. We literary men, then, would have found less sleepy reading. There is no reason why a young lady, who would sit up all night reading a novel, should not be made to sit up all night with a history. I'll venture to say there's no romance can come up to the gorgeousness and splendor, and the dramatic power, of things that really have happened. All that's wanting is to have it set before us with an air of reality."

"But, then," said Nina, "you'd have to make the history into a romance."

"Well, a good historical romance is generally truer than a dull history; because it gives some sort of conception of the truth; whereas, the dull history gives none."

"Well, then," said Nina, "I'll confess, now, that about all the history I do know has been got from Walter Scott's novels. I always told our history-teacher so; but she insisted upon it that it was very dangerous reading."

"For my part," said Mrs. Nesbit, "I've a great horror of novel-reading, particularly for young ladies. It did me a great deal of harm when I was young. It dissipates the mind; it gives false views of life."

"Oh, law!" said Nina. "We used to write compositions about that, and I've got it all by heart—how it raises false expectations, and leads people to pursue phantoms, rainbows, and meteors, and all that sort of thing!"

"And yet," said Clayton, "all these objections would lie against perfectly true history, and the more so just in proportion to its truth. If the history of Napoleon Bonaparte were graphically and minutely given, it would lie open to the very same objections. It would produce the very same cravings for something out of the commonplace course of life. There would be the same dazzling mixture of bad and good qualities in the hero, and the same lassitude and exhaustion after the story was finished. And common history does not do this, simply because it is not true—does not produce a vivid impression of the reality as it happened."

Aunt Nesbit only got an indefinite impression, from this harangue, that Clayton was defending novel-reading, and felt herself called to employ her own peculiar line of reasoning to meet it, which consisted in saying the same thing over and over, at regular intervals, without appearing to hear or notice anything said in reply. Accordingly, she now drew herself up, with a slightly virtuous air, and said to Mr. Clayton,—

"I must say, after all, that I don't approve of novel-reading. It gives false views of life, and disgusts young people with their duties."

"I was only showing, madam, that the same objection would apply to the best-written history," said Clayton.

"I think novel-reading does a great deal of harm," rejoined Aunt Nesbit. "I never allow myself to read any work of fiction. I'm principled against it."

"For my part," said Nina, "I wish I could find that kind of history you are speaking of; I believe I could read that."

"'Twould be very interesting history, certainly," said Mr. Carson. "I should think it would prove a very charming mode of writing. I wonder somebody don't produce one."

"For my part," said Aunt Nesbit, "I confine myself entirely to what is practically useful. Useful information is all I desire."

"Well, I suppose, then, I'm very wicked," said Nina; "but I don't like anything useful. Why, I've sometimes thought, when I've been in the garden, that the summer-savory, sage, and sweet-marjoram, were just as pretty as many other flowers; and I couldn't see any reason why I shouldn't like a sprig of one of them for a bouquet, except that I've seen them used for stuffing turkeys. Well, now, that seems very bad of me, don't it?"

"That reminds me," said Aunt Nesbit, "that Rose has been putting sage into this turkey again, after all that I said to her. I believe she does it on purpose."

At this moment Harry appeared at the door, and requested to speak to Nina.

After a few moments' whispered conversation, she came back to the table, apparently disconcerted.

"I'm so sorry—so very sorry!" she said. "Harry has been riding all round the country to find a minister to attend the funeral, this evening. It will be such a disappointment to that poor fellow! You know the negroes think so much of having prayers at the grave!"

"If no one else can be found to read prayers, I will," said Clayton.

"Oh, thank you! will you, indeed?" said Nina. "I'm glad of it, now, for poor Tiff's sake. The coach will be out at five o'clock, and we'll ride over together, and make as much of a party as we can."

"Why, child," said Aunt Nesbit to Nina, after they returned to the parlor, "I did not know that Mr. Clayton was an Episcopalian."

"He isn't," said Nina. "He and his family all attend the Presbyterian church."

"How strange that he should offer to read prayers!" said Aunt Nesbit. "I don't approve of such things, for my part."

"Such things as what?"

"Countenancing Episcopal errors. If we are right, they are wrong, and we ought not to countenance them."

"But, aunt, the burial-service is beautiful."

"Don't approve of it!" said Aunt Nesbit.

"Why, you know, as Clayton isn't a minister, he would not feel like making an extempore prayer."

"Shows great looseness of religious principle," said Aunt Nesbit. "Don't approve of it!"