| CHAP. | | PAGE | | Introductory Note | vii | | I. | The Old Town | 1 | | II. | The Dove-Cot | 8 | | III. | The Gorge | 14 | | IV. | Who and What | 19 | | V. | Il Padre Francesco | 29 | | VI. | The Walk to the Convent | 42 | | VII. | The Day at the Convent | 57 | | VIII. | The Cavalier | 75 | | IX. | The Artist Monk | 82 | | X. | The Interview | 107 | | XI. | The Confessional | 125 | | XII. | Perplexities | 133 | | XIII. | The Monk and the Cavalier | 152 | | XIV. | The Monk's Struggle | 165 | | XV. | The Serpent's Experiment | 189 | | XVI. | Elsie pushes her Scheme | 194 | | XVII. | The Monk's Departure | 213 | | XVIII. | The Penance | 226 | | XIX. | Clouds Deepening | 238 | | XX. | Florence and her Prophet | 255 | | XXI. | The Attack on San Marco | 264 | | XXII. | The Cathedral | 273 | | XXIII. | The Pilgrimage | 290 | | XXIV. | The Mountain Fortress | 301 | | XXV. | The Crisis | 313 | | XXVI. | Rome | 328 | | XXVII. | The Saint's Rest | 337 | | XXVIII. | Palm Sunday | 347 | | XXIX. | The Night-Ride | 355 | | XXX. | "Let us also go, that we may die with him" | 366 | | XXXI. | Martyrdom | 372 | | XXXII. | Conclusion | 375 | The frontispiece ("The Cavalier stood in the moonlight before Agnes," page 92) and the vignette were drawn by Malcolm Fraser.
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