In a shadowy chamber of a room overlooking the grand square of Florence might be seen, on the next morning, some of the principal personages of our story. Father Antonio, Baccio della Porta, Agostino Sarelli, the Princess Paulina, Agnes, with her grandmother, and a mixed crowd of citizens and ecclesiastics, who all spoke in hushed and tremulous voices, as men do in the chamber of mourners at a funeral. The great, mysterious bell of the Campanile was swinging with dismal, heart-shaking toll, like a mighty voice from the spirit-world; and it was answered by the tolling of all the bells in the city, making such wavering clangors and vibrating circles in the air over Florence that it might seem as if it were full of warring spirits wrestling for mastery. Toll! toll! toll! O great bell of the fair Campanile! for this day the noblest of the wonderful men of Florence is to be offered up. Toll! for an era is going out,—the era of her artists, her statesmen, her poets, and her scholars. Toll! for an era is coming in,—the era of her disgrace and subjugation and misfortune! The stepping of the vast crowd in the square was like the patter of a great storm, and the hum of voices rose up like the murmur of the ocean; but in the chamber all was so still that one could have heard the dropping of a pin. Under the balcony of this room were seated in pomp and state the Papal commissioners, radiant in gold and Father Antonio, Agostino, and Baccio stood forth in the balcony, and, drawing in their breath, looked down, as the three men of the hour, pale and haggard with imprisonment and torture, were brought up amid the hoots and obscene jests of the populace. Savonarola first was led before the tribunal, and there, with circumstantial minuteness, endued with all his priestly vestments, which again, with separate ceremonies of reprobation and ignominy, were taken from him. He stood through it all serene as stood his Master when stripped of His garments on Calvary. There is a momentary hush of voices and drawing in of breaths in the great crowd. The Papal legate takes him by the hand and pronounces the words, "Jerome Savonarola, I separate thee from the Church Militant and the Church Triumphant." He is going to speak. "What says he?" said Agostino, leaning over the balcony. Solemnly and clear that impressive voice which so often had thrilled the crowds in that very square made answer,— "From the Church Militant you may divide me; but from the Church Triumphant, no,—that is above your power!"—and a light flashed out in his face as if a smile from Christ had shone down upon him. "Amen!" said Father Antonio; "he hath witnessed a good confession,"—and turning, he went in, and, burying his face in his hands, remained in prayer. When like ceremonies had been passed through with the others, the three martyrs were delivered to the secular "Brothers, let us sing the Te Deum," said Savonarola. "Do not so infuriate the mob," said the executioner, "for harm might be done." "At least let us repeat it together," said he, "lest we forget it." And so they went forward, speaking to each other of the glorious company of the apostles, the goodly fellowship of the prophets, the noble army of martyrs, and giving thanks aloud in that great triumphal hymn of the Church of all Ages. When the lurid fires were lighted which blazed red and fearful through that crowded square, all in that silent chamber fell on their knees, and Father Antonio repeated prayers for departing souls. To the last, that benignant right hand which had so often pointed the way of life to that faithless city was stretched out over the crowd in the attitude of blessing; and so loving, not hating, praying with exaltation, and rendering blessing for cursing, the souls of the martyrs ascended to the great cloud of witnesses above. |