Mrs. Walbridge stood at the top of the steps, a pink satin slipper in her hand, looking absently out into the late afternoon. The July sunlight spread in thick layers across the narrow, flagged path to the gate, and the shadows under the may tree on the left were motionless, as if cut out of lead. The path was strewn with what looked like machine-made snowflakes, and a long piece of white satin ribbon had caught on the syringa bush on the right of the green gate, and hung like a streak of whiter light across the leaves. Someone inside the house was playing a fox-trot, and sounds of tired laughter were in the air, but the well-known author, Mrs. Walbridge, did not hear them. She was leaning against the side of the door, recklessly crushing her new grey frock, and her eyes were fixed on the gate in the unseeing stare of utter fatigue. Presently the music stopped and the sudden silence seemed to rouse her, for, with a deep sigh and a little shake of the head that was evidently characteristic, she turned and went slowly into the house.

A few minutes later a brisk-looking young man in a new straw hat came down the street and paused at the gate, peering up at the fanlight to verify his whereabouts. Number eighty-eight did not seem to satisfy him, but suddenly his eyes fell on the gate. On its shabby green were painted the words, very faded, almost undecipherable, "Happy House," and with a contented nod the young man opened the gate and went quickly up the steps. No one answered his ring, so he rang again. Again the silence was unbroken, but from somewhere far off he heard the sound of laughter and talking, and, peering forward into the little hall, he took a small notebook from his pocket and wrote a few words in it, whistling softly between his teeth. He was a freckled-faced young man with a tip-tilted nose, not in the least like the petals of a flower, and with a look of cheery cheekiness. After a moment he went into the passage and thrust his head into the open drawing-room door. The room was filled with flowers, and though the windows were wide open, it smelt close, as if it had already been full of people. The walls were covered with pink and white moirÉ paper, whose shiny surface was broken by various pictures. Watts's "Hope" in a gilt frame dominated the mantelpiece; a copy of "The Fighting TÉmÉraire" faced it, and there were a good many photographs elaborately framed, grouped, like little families, in clusters. Between the windows hung an old, faded photogravure of "The Soul's Awakening," and "Alone at Last" revealed its artless passion over a walnut chiffonier laden with small pieces of china. The young man in the straw hat, which was now pushed far back on his sweat-darkened fair hair, stood in the middle of the room and looked round, scratching his head with his pencil. His bright eyes missed nothing, and although he was plainly a young man full of buoyant matter-of-factness, there was scorn, not unkindly, but decided, in his merry but almost porcine eyes as he made mental notes of his surroundings.

"Poor old girl," he muttered. "Hang that 'bus accident. I wish I'd been here in time for the party——" Then his shrewd face softened as the deeper meaning of the room reached him. It was ugly; it was commonplace, but it was more of a home than many a room his journalistic activities had acquainted him with. By a low, shabby, comfortable-looking arm-chair that stood near the flower-filled grate was a dark-covered table on which stood five photographs, all in shiny silver or leather frames. Mr. Wick stood over the table tapping his teeth softly with his pencil, and moving his lips in a way that produced a hollow tune. "So that's the little lot," he said to himself in a cheerful, confidential voice. "Three feminines and two masculines, as the Italians say. And very nice too. Her own corner, I bet. Yes, there's her fountain pen." He took it up and made a note of its make and laid it carefully down. There was a little fire-screen in the shape of a banner of wool embroidery on the table. "That's how she keeps the firelight out of her eyes when she's working in the winter. Poor old girl. What ghastly muck it is, too—— Good thing for her the public likes it. Now, then, what about that bell? Guess I'll go and have another tinkle at it." He started to the door, when it was pushed further open and the owner of the house came in. Mr. Wick knew at the first glance that it was the owner of the house. A fattish, middle-aged man in brand new shepherd's plaid trousers and a not quite so new braided morning-coat.

"Hallo! I—I beg your pardon——" the new-comer began, not at all in the voice of one who begs pardon. Mr. Wick waved his hand kindly.

"Oliver Wick's my name," he explained. "I come from Round the Fire for an account of the wedding, but I got mixed up with a rather good 'bus smash in Oxford Street, and that's why I'm late."

"Oh, I see. Want a description of the wedding, do you? Clothes and so on? I'm afraid I'm not much good for that, but if you'll come into the garden I'll get one of my daughters to tell you. Some of the young people are still there, as a matter of fact."

Mr. Walbridge had stopped just short of being a tall man. His figure had thickened and spread as he grew older and his hips were disproportionately broad, which gave him a heavy, clumsy look. In his reddish, rather swollen face were traces of what had been great beauty, and he had the unpleasant manner of a man who consciously uses his charm as a means to attain his own ends.

"Come into the dining-room first and have a glass of the widow," he suggested, as he led the way down the narrow passage towards an open door at the back of the house.

Mr. Wick, who had no inhuman prejudice against conviviality, followed him into the dining-room and partook, as his quick eyes made notes of everything on which they rested, of a glass of warmish, rather doubtful wine.

"I suppose Mrs. Walbridge will give me five minutes?" the young man asked, setting down his glass and taking a cigarette from the very shiny silver case offered him by his host. Mr. Walbridge laughed, showing the remains of a fine set of teeth artfully reinforced by a skilled dentist.

"Oh, yes. My wife will quite enjoy being interviewed. Women always like that kind of thing, and, between you and me and the gate-post," he poured some champagne into a tumbler and drank it before he went on, "interviewers don't come round quite as they used in her younger days."

Mr. Wick despised the novels of the poor lady he had come to interview, but he was a youth not without chivalry, and something in his host's manner irritated him.

"She has a very good book public, anyhow, has Violet Walbridge. You mustn't mind me calling her that. I shouldn't call Browning Mr. Browning, you know, or Victoria Cross Miss Cross."

Walbridge nodded. "Oh, yes, they're pretty stories, pretty stories, though I like stronger stuff myself. Just re-reading 'L'Assommoir' again. Met Zola once when I was living in Paris. Always wondered how he smashed his nose. Well, if you're ready, let's come down into the garden where the ladies are."

The garden of Happy House was a long narrow strip almost entirely covered by a grass tennis court, and bounded by a narrow, crowded, neglected herbaceous border. As he stood at the top of the steep flight of steps leading down to where the group of young people were sprawled about in dilapidated old deck-chairs or on the grass, Mr. Wick's quick eyes saw the herbaceous border, and, what is more, they understood it. It was a meagre, squeezed, depressed looking attempt, and the young man from Brondesbury knew instinctively that, whereas the tennis court was loved by the young people of the family, the wild and pathetic flowers belonged to the old lady he had come to interview. Somehow he seemed to know, as he told his mother later, quite a lot about Violet Walbridge, just through looking at her border.

The sun was setting now, and a little wind had come up, stirring the leaves on the old elm under whose shade, erratic and scant, the little group were seated. Three or four young men were there, splendid, if rather warm, in their wedding garments, and several young women and girls, the pretty pale colours of their fine feathers harmonising charmingly with the evening. At the far end of the garden a lady was walking, with a blue silk sunshade over her shoulder. As the two men came down the steps Mr. Walbridge pointed to her.

"There's my wife," he said. "Shall I come and introduce you?"

"No, thank you. No, no, I'll go by myself," the young man answered hastily, and as he went down across the lawn he heard a girl's voice saying laughingly: "Reporter to interview Mrs. Jellaby." The others laughed, not unkindly, but their laughter lent to Mr. Wick's approach to Mrs. Walbridge a deference it might otherwise not have had. She had not heard him coming, and was standing with her back to him, her head and shoulders hidden by the delphinium-blue sunshade, and when she turned, starting nervously at the sound of his voice, he realised with painful acuteness that delphinium blue is not the colour to be worn by daylight by old ladies. Her thin, worn face, in which the bones showed more than in any face he had ever seen, was flooded with the blue colour that seemed to fill all the hollows and lines with indigo, and her large sunken eyes, on which the upper eyelids fitted too closely, must have been, the young man noticed, beautiful eyes long ago. They were of that most rare eye-colour, a really dark violet, and the eyebrows on the very edge of the clearly defined frontal bone were slightly arched and well marked over the temples. When he had told her who he was and his errand, she flushed with pleasure and held out her hand to him, and he, whose profession is probably second only to that of dentistry in its unpopularity, was touched by her simple pleasure.

"My Chief thought the public would be interested in the wedding. He tells me this daughter—the bride, I mean—was the original of—of—one of your chief heroines."

Violet Walbridge led the way to an old, faded green garden seat, on which they sat down.

"Yes, she's the original of 'Rose Parmenter,'" she helped him out gently, without offence at his having forgotten the name. "I wish you had seen her. But you can say that she was looking beautiful, because she was——"

Mr. Wick whipped out his notebook and his beautifully sharpened pencil, contrived a little table of his knees, and looked up at her.

"'Rose Parmenter'—oh, yes. That's one of your best-known books, isn't it?"

"Yes, that and 'Starlight and Moonlight.' They sold best, though 'One Maid's Word' has done very well. That," she added slowly, "has been done into Swedish, as well as French and German. 'Queenie's Promise' has been done into six languages."

Her voice was very low, and peculiarly toneless, but he noticed a little flush of pleasure in her thin cheeks—a flush that induced him, quite unexpectedly to himself, to burst out with the information that a friend of his sister—Jenny her name was—just revelled in his companion's works. "Give me a box o' chocs," Kitty will say, "and one of Violet Walbridge's books, and I wouldn't change places with Queen Mary."

Without being urged, Mrs. Walbridge gave the young man details he wanted—that her daughter's name was Hermione Rosalind; that she was the second daughter and the third child, and that she had married a man named Gaskell-Walker—William Gaskell-Walker.

"He belongs to a Lancashire family, and they've gone to the Lakes for their honeymoon." The author waved her thin hand towards the group of young people at the other end of the lawn. "There's the rest of my flock," she said, her voice warming a little. "The tall man who's looking at his watch is my other son-in-law, Dr. Twiss of Queen Anne Street, Cavendish Square. He married my eldest daughter, Maud, four years ago. Their little boy was page to-day. He's upstairs asleep now."

As she spoke one of the girls in the group left the others and came towards her and Wick.

"This is your daughter, too?" the young man asked, a little throb of pleasure in his voice.

"Yes, this," Mrs. Walbridge answered, taking the girl's hand, "is my baby, Griselda. Grisel, dear, this is Mr.—Mr.——"

"Wick," said the young man. "Oliver Wick."

"You've come to interview Mum?" Miss Walbridge asked, a little good-natured raillery in her voice.

The young man bowed. "Yes. I represent Round the Fire, and my Chief thought that the public would be interested in an account of the wedding——" His eyes were glued to the young girl's face. She was very small, and, he thought to himself, the blackest white girl he had ever seen; so dark that if he had not known who she was he might have wondered whether she were not the whitest black girl—her hair was coal-black and her long eyes like inkwells, and her skin, smooth as vellum, without a touch of colour, was a rich golden brown. She was charmingly dressed in canary-coloured chiffon, and round her neck she wore a little necklet of twisted strands of seed pearls, from which hung a large, beautifully cut pearl-shaped topaz.

"I came to tell you, Mum," she went on, glancing over her shoulder at one of the upper windows, "that Hilary's awake and bawling his head off, and Maud wants you to go up to him."

Mrs. Walbridge rose and Wick noticed, although he could not have explained it, how very different were her grey silk draperies from the yellow ones of her daughter. She had, moreover, sat down carelessly, and the back of her frock was crushed and twisted.

"It's my little grandson," she explained. "He's always frightened when he wakes up. I'll go to him. Perhaps you'd like my daughter to show you the wedding presents, Mr. Wick."

Oliver Wick was very young, and he was an ugly youth as well, but something about him held the girl's attention, in spite of his being only a reporter. This something, though she did not know it, was power, so it was perfectly natural that the little, spoilt beauty should lead him into the house to the room upstairs where the presents were set forth. His flowery article in the next number of Round the Fire expressed great appreciation of the gifts, but there was no detailed account of them, and that was because, although he looked at them and seemed to see what he was looking at, he really saw nothing but Miss Walbridge's enchanting little face.

"Do you ever read any of Mum's novels?" the girl asked him at last, as they stood by the window, looking down over the little garden into the quiet, tree-bordered road.

The young man hesitated, and she burst out laughing, pointing a finger of scorn at him.

"You've not?" she cried. "Own up. You needn't mind. I'm sure I don't blame you; they're awful rubbish—poor old Mum! I often wonder who it is does read them."

As she finished speaking, the door into the back room opened, and Mrs. Walbridge came out, carrying the little boy who had been crying. His long, fat legs, ending in shiny patent leather slippers, hung limply down, and his towsled fair head leant on her shoulder. He was dressed in cavalier costume of velvet and satin, and his fat, stupid face was blotted and blurred with tears. He looked so very large and heavy, and Mrs. Walbridge looked so small and old and tired that the young man went towards with his arms held out.

"Let me carry him down for you," he said. "He's too heavy——"

Griselda laughed. "My mother won't let you," she said gaily. "She always carries him about. She's much stronger than she looks."

Mrs. Walbridge didn't speak, but, with a little smile, went out of the room and slowly downstairs. Her daughter shrugged her shoulders.

"Mum's not only superannuated as to novels," she announced, smoothing her hair in front of a glass; "she's the old-fashioned mother and grandmother. She won't let us do a thing."

Her bright beauty had already cast a small spell on the young man, but nevertheless he answered her in a flash:

"Do you ever try?"

She stared for a moment. In spite of his journalistic manner and what is really best described as his cheek, Oliver Wick was a gentleman, and the girl had instinctively accepted him as such. But at the abrupt, frank censure in his voice she drew herself up and assumed a new manner.

"Now that you've seen the presents," she said, in what he knew she thought to be a haughty tone, "I think I must get back to my friends."

He grinned. "Righto! Sorry to have detained you. But I haven't quite finished my talk with Mrs. Walbridge. I'm sure she won't mind giving me a few tips about her next book. Our people love that kind of thing—eat it."

He cast his eye about the pleasant sunny room, and then, as he reached the door, stopped.

"I suppose this is your room?" he asked, with bland disregard of her manner.

"What do you mean?"

"Well—different kinds of pictures, you know; brown wallpaper, and that's a good Kakemono. Hanabosa Iccho, isn't it?"

Miss Walbridge's face expressed surprise too acute to be altogether courteous.

"I—I don't know," she said. "I know it's a very good one. Mother bought it for Paul—that's my brother—he's very fond of such things—for his birthday and at Christmas—his room is being painted, so some of his things are in here."

The young man looked admiringly at the grey and white study of monkeys and leaves.

"I've got an uncle who collects them," he said, "and that's a jolly good one. I suppose that Mrs. Walbridge goes in for Japanese art too?"

"Poor mother!" The girl laughed. "She doesn't know a Kakemono from a broomstick. Paul found that one at some sale and asked her to give it to him."

They went slowly down the stairs, the girl's pretty white hand sliding lightly along the polished rail in a way that put all thought of Japanese art out of the young man's active mind. He was going to be a great success, for he had the conquering power of concentrating not only his thoughts but his feelings on one thing at a time; and for the moment the only thing in the world was Griselda Walbridge's left hand.