THE LANDLORD AND HIS INN Stephen Petter was a man of middle age, who had been born on a farm, and who, apparently, had been destined to farm a farm. But at the age of thirty, having come into a moderate inheritance, he devoted himself more to the business of cultivating himself and less to that of cultivating his fields. He was a man who had built himself up out of books. His regular education had been limited, but he was an industrious reader, and from the characters of this and that author he had conceived an idea of a sort of man which pleased his fancy, and to make himself this sort of man he had given a great deal of study and a great deal of hard labor. The result was that he had shaped himself into something like an old-fashioned country clergyman, without his education, his manners, his religion, or his clothes. Imperfect similitudes of these Stephen Petter had acquired, but this was as far as he had gone. A well-read man who happened also to be a good judge of human nature could have traced back every obvious point of Stephen Petter's character to some English STEPHEN PETTER. It was rather odd that a man like this should be the landlord of an inn. But everything about Stephen Petter was odd, so ten years before he had conceived the notion that such a man as he would like to be would be entirely unwilling to live in the little village of Lethbury, where he had no opportunity of exercising an influence upon his fellow-beings. Such an influence he thought it fit to exercise, and as he was not qualified to be a clergyman, or a physician, or a lawyer, he resolved to keep a tavern. This vocation would bring him into contact with fellow-beings; it would give him opportunities to control, impel, and retard. Stephen Petter did not for a moment think of buying the Lethbury "Hotel," nor of establishing such a house as was demanded by the village. What he had read about houses of entertainment gave him no such motives as these. Fortunately he had an opportunity of carrying out his plan according to the notions he had imbibed from his books. Some years before Stephen Petter had decided upon his vocation, a rich gentleman had built himself a country-seat about two miles out of Lethbury. This house and its handsome grounds were the talk and the admiration of the neighborhood. But the owner had not occupied his country-home a whole summer before he determined to make a still more attractive home of it by lighting it with a new-fashioned gas of domestic manufacture. He succeeded in lighting not only his house but the whole country-side, for one moonless night his mansion was burned to the ground. Nothing was left of the house but the foundations, and on these the owner felt no desire to build again. He departed from the Lethbury neighborhood and never came back. When Mr. Petter became impressed with the belief that it would be a good thing for him to be an innkeeper, he also became impressed with the belief that the situation which the rich man had chosen for his country-home would be an admirable one for his purposes. He accordingly bought the property at a very reasonable price, and on the stone foundations of the house which had been burned he built his inn. This edifice was constructed very much as he had endeavored to construct himself. His plans for one It took a great deal of thought and a good deal of labor to build this house; which was also true of Mr. Petter's character. But the first-named work was the more difficult of the two, for in building up himself he consulted with no one, while in planning his inn he met with all sorts of opposition from the village workmen and builders. But at the cost of all the time that was needed and all the money he could spare, he had his house built as he wanted it; and when it was finished it seemed to exhibit a trace of nearly everything a house should possess excepting chronology and paint. Mr. Petter had selected with a great deal of care the various woods of which his house was built, and he decidedly objected to conceal their hues and texture by monotonous paint. The descriptions that he had read of houses seldom mentioned paint. The interior was not in the least monotonous. The floors of the rooms, even in the same story, were seldom upon the same level; sometimes one entered a room from a hallway by an ascent of two or three steps, while access to others was obtained by going down some steps. The inside was subordinated in a great degree to the outside: if there happened to be a pretty window like something Mr. Petter had seen in an engraving, a room of suitable shape and size was constructed behind the window. Stairways were placed where they were needed, but they were not allowed to interfere with the shapes of rooms or hallways; if there happened to be no other good place for them they were put on the outside of the house. Some of these stairways were wide, some narrow, and some winding; and as those on the outside were generally covered they increased the opportunities for queer windows and perplexing projections. The upper room of the tower was reached by a staircase from the outside, which opened into a little garden fenced off from the rest of the grounds, so that a person might occupy this room without having any communication with the other people in the house. In one of the back wings of the building there was a room which was more peculiar than any other, from the fact that there was no entrance to it whatever, unless one climbed into it by means of a ladder placed at one of its windows. This room, which was of fair size and well lighted, was in the second story, but it appeared to be of greater height on account of the descent of the ground at the back of the inn. It had been constructed because the shape of that part Back of the house, and sweeping around between it and the public road, was a far-reaching extent of woodland; and through this, for the distance of half a mile, wound the shaded lane which led from the highway to the Squirrel Inn. At the point at which this lane was entered from the highroad was the sign of the inn. This was a tall post with a small square frame hanging from a transverse beam, and seated on the lower strip of the frame was a large stuffed gray squirrel. Every spring Stephen Petter took down this squirrel and put up a new one. The old squirrels were fastened up side by side THE SIGN. Directly below the bluff on which the house stood were Stephen Petter's grassy meadows and his fields of grain and corn, and in the rich pastures, or in the shade of the trees standing by the bank of the rapid little stream that ran down from the woodlands, might be seen his flocks and his herds. By nature he was a very good farmer, and his agricultural method he had not derived from his books. There When it had become known that the Squirrel Inn was ready to receive guests, people came from here and there; not very many of them, but among them were the Rockmores of Germantown. This large family, so it appeared to Stephen Petter, was composed of the kind of fellow-beings with whom he wished to associate. Their manners and ways seemed to him the manners and ways of the people he liked to read about, and he regarded them with admiration and respect. He soon discovered from their conversation that they were connected or acquainted with leading families in our principal Eastern cities, and it became his hope that he and his Squirrel Inn might become connected with these leading families by means of the Rockmores of Germantown. As this high-classed family liked variety in their summer outings, they did not come again to the Squirrel Inn, but the effect of their influence remained strong upon its landlord. He made up his mind that those persons who did not know the Rockmores of Germantown did not move in those circles of society from which he wished to obtain his guests, and therefore he drew a line which excluded all persons who did not possess this acquaintanceship. This rule was very effectual in preventing the crowding of his house, and, indeed, there were summers when he had no guests at all; but this did not move Stephen Petter. Better an empty house than people outside the pale of good society. |