THE girl, with a little curling motion, leaned back in the rickshaw and gazed with fascinated eyes at the moving picture before her, seen through the hazy heat of a summer day.

Above the wide main street of Durban the sun blazed and glared like a brazen image of itself in the high ardent blue. Men in loose white ducks and flannels sauntered along, or stood smoking and talking under the shop awnings.

Carriages and rickshaws flew past, containing women in light gowns and big veils, with white and sometimes scarlet sunshades. Black boys at the street corners held out long-stalked roses and sprays of fragrant mimosa to the passers-by, beguiling them to buy. Coolies with baskets of fish on their heads and bunches of bananas across their shoulders, shambled along, white-clad and thin-legged. One, with a basket of freshly-caught fish on his arm, cried in a nasal sing-song voice:

"Nice lovely shad! Nice lovely shad!"

Two water-carts, clanking along in opposite directions, left a dark track behind them on the dusty road, sending up a heavy odour of wet earth which the girl snuffed up as though she had some transportingly sweet perfume at her delicate nostrils.

"I'm sure there is no smell in the world like the smell of wet Africa," she cried softly to herself, laughing a little. Her eyes took on a misty look that made them like lilac with the dew on it.

Her black hair, which branched out on either side of her forehead, had a trick of spraying little veils of itself over her eyes and almost touching her cheek-bones, which were pitched high in her face, giving it an extraordinarily subtle look.

She was amazingly attractive in a glowing ardent fashion that paled the other women in the street and made men step to the edge of the pavement to stare at her.

She looked at them, too, through the spraying veils of her hair, but her face remained perfectly composed under the swathes of white chiffon which she wore flung back over her wide hat, brought down at the sides and twisted round her throat, with two long flying ends.

The big Zulu boy between the shafts, running noiselessly except for the pat of his bare feet and the "Tch-k, tch-k, tch-k" of the seed bangles round his ankles, became conscious that his fare was creating interest. He began to put on airs, giving little shouts of glorification, taking leaps in the air and tilting the shafts of the rickshaw backwards to the discomfort of its occupant.

She leaned forward, and in a low voice spoke a few edged words in Zulu that made him change his manners and give a glance of astonishment behind him, crying:

"Aa-h! Yeh—boo Inkosizaan!" behaving himself thereafter with decorum, for it was a disconcerting thing that an Inkosizaan who had come straight off the mail-steamer at the Point should speak words of reproof to him in his own language.

Presently he came to the foot of the Berea Hill, which is long and sloping, causing him to slacken pace and draw deep breaths.

A tram-car dashed past them going down-hill, while another climbed laboriously up, both open to the breeze and full of people. The road began to be edged with fenced and hedged-in gardens, the houses standing afar and almost hidden by shrubs and greenery.

The girl spoke to the rickshaw-puller once more.

"The Inkos at the Point told you where to go. Do you know the house?"

He answered yes, but that it was still afar off—right at the top of the Berea.

She leaned back again content. It delighted her to be alone like this. It was quite an adventure, and an unexpected one. A malicious, mischievous smile flashed across her face as she sat thinking of the annoyance of the Inkos left behind at the docks. He had been furious when he found no closed carriage waiting for them.

There was one on the quay, but it was not theirs, and on approaching it and finding out his mistake, he stood stammering with anger. But she had flashed into a waiting rickshaw, knowing very well that he could not force her to get out and go back to the ship without making a scene.

Nothing would induce him to make a scene and attract the attention of people to himself. He had indeed told her in a low voice to get out and come back with him to wait for a carriage, but she merely made a mouth and looked appealingly at him, saying:

"Oh Luce! It will be so lovely in a rickshaw. I have never ridden in one like this yet."

"Well, ride to the devil," he had amiably responded, and turned his back on her. She had called out after him, in an entrancingly sweet voice:

"Yes, I know, Luce; but what is the address?"

"It was a shame," she said to herself now, still smiling; "but really I don't often vex him!"

A man and a woman passed, as she sat smiling her subtle smile through her spraying hair, and looked at her with great curiosity.

Afterwards the man said excitedly:

"That girl takes the shine out of Mary——"

The woman, who looked well-bred with a casual distinguished manner, agreed with him, but did not tell him so. She said:

"Her eyes look as though they were painted in by Burne-Jones, and she is dressed like a Beardsley poster; but I think she is only a girl who is glad to be alive. Mary, however, is the most beautiful woman in Africa."

The girl heard the words "Burne-Jones eyes," and knew they were speaking of her.

At last she arrived at the gates of her destination. Big, green iron gates, that clanged behind her as she walked quickly forward down a winding path into a deep dim garden. There was no more to be seen but trees and tangles of flowering shrubs and bushes and stretches of green grass, and trees and trees and trees. Some of the trees were so tall and old that they must have been growing there when Vasco da Gama first found Natal; but there were mangoes and sweetly-smelling orange arbours, that could only have been planted a mere twenty or thirty years. The magnolia bushes were in bud, and clots of red and golden flowers were all aflare. Cacti, spreading wide prickly arms, and tall furzy grasses. Cool wet corners had grottos frondy with ferns; other corners were like small tropical jungles with enormous palms trailed and tangled over with heavy waxen-leaved creepers and strangely shaped flowers.

At last, deep in the heart of this wild, still garden, she found the house. A tall rose-walled house, its balconies and verandahs, too, all draped and veiled with clinging green. One lovely creeper that clothed the hall-porch was alive with flowers that were like scarlet stars.

She broke one of them off and stuck it in the bosom of her gown, where it glowed and burned all day.

Then she rang the bell.

After a minute, someone came bustling down the hall and the door opened, discovering a stout and elderly coloured woman in a tight dress of navy-blue sateen with large white spots. Upon her head she wore a snowy dook. At the sight of the girl she shrieked, and fell back into a carved oak chair that stood conveniently at hand.

"Poppy!" she cried; "and no carriage sent for Luce! What time did the steamer come, in the name of goodness me?"

"It's no use asking that question now, Kykie," said the girl grimly. "The only thing to do is to send a carriage down at once."

Kykie departed with amazing alacrity, while the girl examined the hall, and opening the doors that gave off it, peeped into several rooms.

"Most of the old furniture from the farm!" she commented with a look of pleasure. Presently she came to a flight of three stairs, and directed by the sound of Kykie's voice, she stepped down them and found herself in a large white-washed kitchen lined with spotless deal tables and broad shelves. An enormous kitchen range, shining and gleaming with steel and brass, took up the whole of one side of the kitchen. Wide windows let in a flood of cheerful sunshine.

Kykie, having loaded three Zulu boys with imprecations and instructions and driven them forth, had sunk into a chair again, panting, with her hand pressed to her heart, and an expression of utter misery on her face.

"Don't be so excited, Kykie," said the girl. "You can't escape the wrath to come; what is the use of making yourself miserable about it beforehand?"

Kykie rolled her big eyes heavenwards; the whites of them were a golden yellow.

"His first day home!" she wailed. "They told me at the shipping office the steamer wouldn't be in before three. May their mothers——"

Poppy walked round the kitchen, looking at everything.

"You've got all the same nice old copper things you had at the farm, haven't you, Kykie? But it is a much bigger kitchen. Which table will you let me have to mix the salads on?"

Kykie's face became ornamented with scowls.

"My salads are as good as anyone's," she asserted.

"Nonsense! you know Luce always likes mine best. Come upstairs now and show me my room."

"Me? With the lunch to get ready!" screamed Kykie, and jumping up she ran to the stove and began to rattle the pots.

"Well, I will find it myself," said Poppy, going towards the door, "and I think you're very unkind on my first day home."

But Kykie gave no heed. As a rule she was of a sociable turn of mind and under other circumstances would have hung about Poppy, showing her everything and bombarding her with questions; but now she was in the clutches of despair and dismay at the thought of her neglect of her adored master, Luce Abinger, and her very real fear of the storm that would surely break over her head when he arrived.

Kykie called herself a "coloured St. Helena lady," but by the fat gnarled shape of her, it is likely that she was more than half a Hottentot. Also the evidence of her hair was against her: it was crisp and woolly, instead of being lank and oily as a proper "St. Helena lady's" should be. However, she always kept it concealed beneath a spotless dook. Her real name, as she often informed Poppy in aggrieved accents, was Celia Frances Elizabeth of Teck Fortune; but Luce Abinger had brutally named her Kykie, and that was all she was ever called in his house. By way of retaliation it was her agreeable custom to address her master and Poppy Destin by their Christian names; but Luce Abinger only laughed, and Poppy didn't mind in the least. The old woman was quite ignorant and uneducated, but she had lived all her life as a servant amongst civilised people, and she spoke correct and fluent English, tacking many curious expressions of her own to the tails of her remarks with an air of intense refinement.

She was often crabbed of temper and cantankerous of tongue, but the heart within her wide and voluptuous bosom was big for Luce Abinger and all that pertained to him. She had served him during the whole of his twenty-five years of life in South Africa; and she was a very pearl of a cook.

Poppy found her room without any difficulty. On opening the first door on the first landing and looking in, she recognised her books, and the faded yellow silk counterpane with the border of red poppies worked by Kykie in past days. She took off her hat and surveyed the room with contentment. Her cushions were in her chairs; her books in their accustomed book-shelves; her long mirror with the slim gilt frame hung between two windows that gave upon the balcony; her writing-table stood opposite the mirror where she could look up and see herself as she wrote. Her brown print of Monna Lisa was above her dressing-table, and her silver cross with the ivory Christ nailed to it hung over her head—

There were no pictures on the pale gold walls: only three wonderful drawings of herself, done in grey and blue and scarlet chalk on sheets of rough-edged common brown paper and fastened up by drawing-pins. These were the work of Luce Abinger.

She observed that all the bowls and vases were filled with green leaves—no flowers. Kykie and the boys knew that green leaves were dearer to her than flowers.

Presently she rose and went to the mirror on the wall. Her hair did not quite please her, so she took out two little gold side-combs and ran them through it, until it branched out characteristically once more. She performed this ceremony on an average of twenty times a day, and always with a look of the frankest pleasure at the sight of herself.

"How nice my hair is!" she thought, "and how glad I am that it branches out in that fascinating way that just suits my face! If it were any other kind of hair, sleek, or smooth, or curly, I should not look nearly so charming."

Later she stepped into the balcony. The sun still glared, but the place was full of dim coolness, for its roof was massed with clematis and Virginia creeper, and heavy curtains of creeper hung from roof to rail; but long openings had been cut in the greenery to afford a view of the town and sea. Over the tops of the trees, far away below, beyond many white houses and gardens and a shining beach, was the Indian Ocean. It lay very still and splendid: a vast sheet of SÈvres enamel with a trivial frill of white at its edges, like the lace froth at the bottom of a woman's ball-gown. When storms sweep the Natal coast, that still shining sea can boom and roar and flash like a thousand cannons bombarding the town; but on the day that Poppy Destin first looked at it from her balcony, it was as still and flat as a sea on a map.

Long, long thoughts were hers as she stood gazing there; and the best of them all was that she was back once more in the land where the roots of her heart were planted deep.

While she stood lost in her reveries, Luce Abinger passed through the garden below, walking noiselessly across the green lawns. He saw her dreaming there, in her white gown with the scarlet flower flaming at her breast, and his tormented face became even less lovely. At that time his mood resembled the mood of Job when he desired to curse God and die.

Poppy, becoming hungry, went down to look for lunch. She found the master of the house already seated, beating and jangling his forks together, a habit of his when he was impatient. He never touched his knives. Poppy had come to the conclusion that, like James I, he had some reason to hate and fear naked blades.

"The g-gong has been sounded twice for you," he began agreeably. "Were you afraid the view wouldn't be there after lunch?"

"I beg your pardon, Luce. I didn't know you were in, and I never heard a sound of the gong. Kykie, you should beat it louder."

Kykie was at the sideboard decanting whiskey. She resembled a person who had recently taken part in a dynamitic explosion. Her dook was pushed to the back of her head, her eyes stuck out, and perspiration beaded her nose and cheek-bones. Several of the buttons of her tight dress had come undone.

"Heavenly me!" she retorted in shrill staccato, "you never hear anything you don't want to, Poppy." With that she banged the decanter down and floundered from the room.

"What can be the matter with Kykie!" said Poppy in a wondering voice. What she was really wondering was, whether the fireworks had all been exhausted on Kykie's devoted head or whether there would be a detonation in her own direction shortly.

Babiyaan, a boy who had been in Luce Abinger's service for ten years, waited upon them with deft, swift hands. Poppy gave an inquiring glance at him; but though he had also received a generous share of obloquy and vilification, his face was as serene and impassive as an Egyptian's.

Some delicious fish was served, grilled as only Kykie could grill, followed by cutlets and green peas, and a salad of sliced Avocado pears, delicately peppered, and with a ravishing dressing.

Luce Abinger always preferred Poppy to mix the salads. He said that she combined all the qualifications demanded by the old Spanish receipt for the maker of a good salad—a spendthrift for the oil, a miser for the vinegar, a counsellor for the salt, and a lunatic to stir all up. It appeared that she sometimes fell short in the matter of salt, but she assured him that he had a fine stock of that within himself to fall back on, and acids too, in case of a lack of vinegar.

Kykie's salad was very good, and Poppy told Babiyaan to tell her so. Later, she also sent a message of praise concerning the omelette au Kirsch. Except for these remarks the meal was partaken of in silence. Poppy, while she ate, observed and approved the old-rose walls, the few beautiful mellowy pictures upon them, the dark polished floor and the Persian praying-rugs spread sleekly down the room. She looked everywhere but at the face of Luce Abinger, for she knew that his devils were at him; and as the possessor of devils of her own, she both felt compassion and exhibited courtesy in the presence of other people's. She never looked at Luce Abinger's face at any time if she could help it, for the sight of unbeautiful things always gave her intense pain; and his face had the added terror and sadness of a thing that has once been beautiful. Its right side was still strong and fine in line; and it was easy to see that the mouth, before it was dragged out of drawing by the scar and embittered and distorted by its frightful sneer, must have been wonderfully alluring. The scar had left his eyes untouched, except for a slight pulling-down of the outer corner of the left one where the disfigurement began. They must have been strikingly beautiful blue eyes once, but now a sort of perpetual cold fury at the back of them gave them an odd and startling light. Apart from that, they were eyes which it was not good for women to search in. Poppy sometimes thought of them as dark and sinister pools from which it was best to retreat, for fear of drowning and strangling in strange waters.

Presently Babiyaan brought in the little silver urn and placed it before Poppy, and she lighted the spirit-lamp under it and made the coffee as she was always used to do in the old white farm. Cigars and cigarettes were put before Abinger.

Abinger drank his coffee as he had eaten, in absolute silence. Then, getting up suddenly, he bit off a word of apology with the end of his cigar, and left the room, Babiyaan following him.

Poppy immediately helped herself to a cigarette, put her elbows on the table and began to smoke. Later, she took her coffee and sat in the verandah. It was shady and full of deep comfortable chairs. From thence she presently saw Abinger emerge from the front door and depart into the garden; the closing clang of the gate told her that he had gone out. The heat of the day was oppressive. She lay back, staring at the lacy green of the trees against the blue, and considering the horrible affair of Luce Abinger's devils.

"It is bad enough for me to have to live with them—what must it be for him!" was her thought. She had seen his torment coming upon him as they neared Africa. Day by day he had grown more saturnine and unsociable. At last he spoke to no one; only Poppy, as a privileged person had an occasional snarl thrown in her direction. It was plain to her that returning to Africa meant to him returning to purgatory; especially since he did not intend to go back to seclusion, but to take up his residence in this house in Durban, where he had often lived in past years. Poppy had gathered from Kykie that before he "got his mark," as she curiously expressed it, and went to live at the old white farm, Abinger had kept house in Johannesburg and Durban; had lived for a part of the year in each house, and was well known in both places. So that coming back would cause him all the torture of meeting old friends who had known him before his disfigurement. He would have to run the gauntlet of familiar eyes grown curious and questioning.

"Why should he have chosen to come back at all to the place of his torment?" Poppy wondered. "It would surely have been simpler and easier to have settled in Italy or somewhere where he knew no one, and would not be noticed so much. It can only be that Africa has her talons in his heart, too; she has clawed him back to her brown old bosom—he had to come."

As Poppy sat in the verandah thinking of these things, she heard the boys in the room behind her clearing the luncheon-table, and talking to each other in their own language. Either they had forgotten her or they thought she could not hear.

"Where has Shlalaimbona gone?" asked Umzibu; and Babiyaan answered without hesitation:

"He has gone to the Ker-lub to make a meeting with Intandugaza and Umkoomata."

Few things are more amazing than your Kaffir servants' intimate knowledge of your affairs, except it be their absolute loyalty and secrecy in these matters outside your own walls. Abroad from home their eyes and ears and tongue know nothing. They are as stocks and stones. They might be fishes for all the information they can give concerning you and yours.

Also, whether they love or hate or are indifferent to him they serve, they will infallibly supply him with a native name that will fit him like his own skin. Sometimes the name is a mere mentioning of a physical characteristic but usually it is a thing more subtle—some peculiarity of manner or expression, some idiosyncrasy of speech—a man's secret sin has been known to be blazoned forth in one terse Zulu word.

It must not be supposed, however, that South African natives are as deep in mysterious lore as the Chinese, or as subtle as Egyptians. The fact is merely, that like all uncivilised peoples they have a fine set of instincts; an intuition leads them to nearly the same conclusions about people as would a trained reasoning power. Only that the native conclusion has a corner of the alluring misty veil of romance thrown over it, while the trained reason might only supply a cold, hard, and perhaps uninteresting fact.

Instances are, where the meaning of a native nickname is too subtle for the nominee himself—though any Zulu who runs may read and understand. If Luce Abinger had asked his servants why they called him Shlalaimbona, they would have shrugged shoulders and hung their heads, with a gentle, deprecating gesture. Being questioned, they would look blank; being told to get out and go to the devil, they would look modest. Afterwards they would exchange swift dark glances, and smiling, repeat among themselves with a gesture of stabbing: "Shlalaimbona!" Literally this word means—stab when you see him. What they meant by applying this name to Abinger, God and themselves knew best. Poppy had often pondered the reason, but she had never made any inquiries for fear it might have something to do with Abinger's scar. For another thing, Abinger desired her never to talk to the boys.

"Keep them at a distance: they will be all the better servants," was his command; and in this, as in most things, Poppy found it wiser to obey him.

Babiyaan continued to give interesting information to Umzibu.

"Just as Shlalaimbona was going to get into the carriage, Umkoomata came to the docks and fell upon him with great friendliness. Afterwards they went to an hotel to drink. Then Umkoomata made a plan for meeting at the Ker-luk when Intandugaza would be there and others—Baas Brookifield, he with the curled hair and the white teeth; and that other one, Caperone, whose wife is like a star with light around it; and Port-tal, who is always gay with an angry face."

At this juncture Umzibu missed Poppy's coffee-cup, and coming into the verandah to seek it, the presence of Poppy was revealed to him. He immediately communicated the fact by sign to Babiyaan, and a silence fell. Thereafter no more confidences; Poppy was left to speculate upon the identity of the person who wore so fascinating a title as Intandugaza, which name she translated to herself as Beloved of women. The word Umkoomata, too, had a charm of its own.

"That means someone who is very reliable, literally Sturdy One. I should like to know that man," she thought.

At about this time it occurred to her that she was tired and would go to rest in her room a while. She had risen at five that morning to watch the African coast and revel in the thought that she would soon have her foot on her own land again. The excitement of the day had tired her more than she knew. When she looked in her glass to rake the little gold combs through her hair, she saw that she was pale. The only colour about her was her scarlet ardent mouth and the flower at her breast.

She flung off her gown and plunged her arms and face into cold water, then let down her hair with a rush and pulling her chair opposite her mirror, she sat down in company she had never so far found uninteresting—the company of her own reflection.

She did not put on a wrapper. For one thing the day was warm, for another she found great pleasure in seeing her bare pale arms and shoulders, and the tall pale throat above them, so slim and young. Indeed, there are few more beautiful things in the world than a young throat—be it girl's or boy's, bird's or beast's.

The scarlet flower she had plucked at the door she wore now between her breasts. She looked at the girl in the glass a long, long time, and the girl looked back at her. But it was not the look of the woman who counts and examines her weapons, for Poppy Destin was heart-whole; she had never yet looked into her glass to see how she was reflected in some man's eyes. Always she looked to wonder. The transformation of herself from what she had been only six years ago to what she was now at eighteen, never ceased to fascinate and amaze her. When she thought of the tormented, tragic features she had feared to catch a glimpse of, and looked now into that narrow scarlet-lipped, lilac-eyed subtle face, crowned with fronds of black, black hair, she believed she must be witnessing a miracle. When she remembered her aching, thin, childish body, beaten, emaciated, lank, and beheld herself now, long-limbed, apple-breasted, with the slim strong grace and beauty of a Greek boy, she could have shouted for joy and amazement at the wonder of it all.

Yet in the old white farmhouse where she had found refuge and a remarkable education, she had been able to watch with her own eyes the change of the famished, wretched little two-leaved seedling into a beautiful flowering plant.

She had often thought of herself as one set alone in an arid waste to travel where and how she could, with no help from anyone, and who, in her terrible travelling had found hidden gifts by the wayside, and little pools of consolation to lave her wounds and her weary heart, little patches of flowers to refresh her senses—all left there for her by the loving forethought of those who had travelled that way before her; her beauty, her voice, the grace of her body, her clear understanding, grace of tongue, had come upon her as she travelled to womanhood—all so unexpectedly; all wonderful gifts hidden deeply away until she came suddenly upon them, one by one.

At last, through long thinking and piecing together of many broken ends of memory and disjointed scraps of information concerning her family history, she had come very close to realising the truth—that she owed much of what she was to the sweet simple Irish-women who had been her maternal ancestors. If your grandmother has worn a shawl over her head and walked barefoot on the bitter coast of Clare with a smile on her lips and a melody in her heart, she had something better to bequeath to you than money or possessions: her song and her smile will come down through the years and make magic in your eyes; her spirit will trample your troubles underfoot. If your mother has laid her heart in a man's hands, and her neck under a man's feet, and died for want of his kisses on her mouth, she, too, will have had something to bequeath: a cheek curved for caresses, lips amorously shaped, and sweet warm blood in the veins.

And there was more that Poppy Destin did not know. She was only eighteen and could not know all her gifts yet—some women never know them at all until they are too old to use them! She had unwittingly left uncounted her biggest asset, though it was signed and sealed upon her face—the sign and seal of Ireland. Ireland was in the frank, sweet eyes of her; in the cheek-bones pitched high in her face; in her branching black hair; in her soft sad voice, and her subtly curved lips. Though she had never seen that sad, lovely land, she was one of its fair daughters: there lay her beauty; that was her magic.

Presently she left her glass and going to the load of trunks which had been piled up inside the door, she took her dressing-case from the summit of the pile, and unlocking it, extracted a little white vellum-covered note-book. Sitting down before her writing-table she opened the book at random and kissed its pages with a rush of tears and a passion that always surged in her when she touched it. For it contained the story of her childhood, sung in little broken, wretched songs. Her blurred eyes looked from one heading to another: