Fire! Fire! Fire everywhere!

Fire in the sky, fire on the sea, fire on the ships, fire in the flowers, fire in the trees of the forest; fire in the Poinsetta bushes which flash their red flames from every yard and jungle.

In the tropical lands flowers do not burst into blossom; they burst into flame. Great bushes of flaming Poinsetta, as large as American lilac bushes, burst into flame over night in Manila.

That great tree, as large as an Oak, which they call "The Flame of the Forest," looks like a tree on fire with flowers. One will roam the world over and see nothing more beautiful than this great tree which looks like a massive umbrella of solid flame.

Every flower in the Orient seems to be a crimson flower. The tropical heat of the Philippines, Java, Borneo, Sumatra, the Malay States and India's far reaches; with beautiful Ceylon, and Burma; seems to give birth to crimson child-flowers.

The sunsets burst into bloom, as well as the flowers. There is no region on earth where sunsets flare into birth and die in a flash-light of glory and beauty like they do in the regions of the South China Sea. For months at a stretch, every night, without a break, the most wildly gorgeous, flaming, flaring, flashing crimson sunsets crown the glory of the days.

I have been interested in catching pictures of sunsets all over the world. I have caught hundreds of sunsets with the Graflex; and other hundreds have I captured with a Corona, just as they occurred; and I have never seen a spot on earth where the sunsets were such glorious outbursts of crimson and golden beauty as across the circling shores of Manila Bay.

Night after night I have sat in that ancient city and watched these tumultuous, tumbling, Turner-like flashes of color.

One night the sky was flame from sea to zenith across Manila Bay. It was like a great Flame of the Forest tree in full bloom. Against this sky of flaming sunset-clouds, hundreds of ships, anchored in the bay, lit their lesser crimson lights; while, now and then, a battleship which was signaling to another ship, flashed its message of light against the fading glow of glory in the crimson sunset.

"It is light talking unto light; flash unto flash; crimson unto crimson!" said a friend who sat with me looking out across that beautiful bay.

The picture of that flaming sunset, with the great vessels silhouetted against it; with the little lights on the ships, running in parallel rows; and the flashing lights of signals from the masts of the battleship will never die in one's memory.

It was a quiet, peaceful scene.

But suddenly, like a mighty volcano a burst of flame swept into the air at the mouth of the Pasig River. It leapt into the sky and lighted up the entire harbor in a great conflagration. The little ships stood out, silhouetted against that great flaming oil tanker.

"It's a ship on fire!" Otto exclaimed.

"Let's go and see it!" I added.

Then we were off for the mouth of the Pasig which was not far away.

There we saw the most spectacular fire I have ever seen. A great oil tanker full of Cocoanut-oil had burst into flame, trapping thirty men in its awful furnace. Its gaunt masts stood out like toppling tree skeletons from a forest fire against the now deepening might; made vivid and livid by the bursting flames that leapt higher and higher with each successive explosion from a tank of gasoline or oil.

I got out my Graflex and caught several pictures of this flash-light of flame, but none that will be as vivid, as lurid, or as lasting as the flash-light that was etched into the film of my memory.

The next flash-light of flame came bursting out of midnight darkness on the island of Java.

We were bound for old Bromo, that giant volcano of Java. We had started at midnight and it would take us until daylight to reach the crater-brink of this majestic mountain of fire.

White flashes of light, leapt from Bromo at frequent intervals all night long as we traveled on ponies through the tropical jungle trail, upward, and onward to the brink of that pit of hell.

White flashes of light leapt from Bromo at the narrow rail. They called them "Night-Blooming Lilies," and sure enough they blanketed the rugged pathway that night like so many tiny white Fairies. Indeed there was something beautifully weird in their white wonder against the night. They looked like frail, earth-angels playing in the star-light, sending out a sweet odor which mingled strangely with the odor of sulphur from the volcano.

And back of all this was the background of that awful, thundering, rumbling and grumbling volcano as somber as suicide. Strangely weird flashes lighted the mountains for miles around.

"It looks like heat lightning back at home," said an American.

"Only the flashes are more vivid!" said another member of the party.

Those flashes of light from the inner fires of the earth, bursting from the fissures of restless volcano Bromo shall ever remain, like some strange glimpse of a new Inferno.

Volcanic Merapi, another belching furnace of Java, gave me a picture of a flash-light of flame.

The night that we stayed up on the old temple of Boroboedoer, Merapi was unusually active; and now and then its flashes of flame lighted up the whole beautiful valley between the temple and the mountain.

At each flash of fire, the tall Bamboo and Cocoanut trees loomed like graceful Javanese women in the midst of far-reaching, green, rice paddies; while two rivers that met below us, wound under that light like two silver threads in the night.

Once, when an unusually heavy flash came from Merapi, we saw below us a beautiful Javanese girl clasped in the arms of her brown lover. Each seemed to be stark naked as they stood under a Cocoanut tree like Rodin bronzes.

It was this beautiful girl's voice that we later heard singing to her lover a Javanese love song in the tropical night.

This, I take it, was the Flame of Love; a flame which lights up the world forever; everywhere her devotees, clothed or naked, are the same; forever and a day; be it on the streets of Broadway; along the lanes of the Berkshire Hills of New England; up the rugged trails of the Sierras; or along the quiet, tree-lined streets of an American village. It is a flame; this business of love; a flame which, flashing by day and night, lights the world to a new glory.

******

One night the missionaries in Korea saw flames bursting out against the hills.

"What is it?" they cried, filled with fear.

"The Japanese are burning the Korean villages!" said one who knew.

All night long the villages burned and all night long the people were murdered. Runners brought news to the hillsides of Seoul where anxious, broken-hearted American missionaries waited.

"One, two, three, four, five; ten, fifteen, twenty; thirty, forty, fifty; a hundred, two hundred, three hundred; villages are burning," so came the messages.

The entire peninsula was lighted as with a great holocaust.It is said that the light could be seen from Fusan itself, a hundred miles away.

"From our village it looked like a light over a great American steel-mill city," said a missionary to me.

And when the morning came, the flames were still leaping high against the crimson sky of dawn.

For days this burning of villages continued. Belgium never saw more ruthless flame and fire; set by sterner souls; or harder hearts!

That was two years ago.

The villages are charred ruins now. Some of them have never been rebuilt. The murdered people of these villages have gone back to dust.

The Japanese think that the fires are out. They thought, when the flames of those burning villages ceased leaping into the skies; and at last were but smouldering embers; that the flames had died. But the Japanese were wrong, for on that very day, the Flames of Freedom began to burn in Korean hearts and souls! And from that day to this; those flames have been rising higher and higher. These are Flash-Lights of Flame that, as the years go by; mount, like beacon lights of hope on Korean hills, to light the marching dawn of Korean Independence.

******A beautiful Korean custom that used to be; flashes a flame of fire across the screen of history.

In the old days the Korean Emperor used to have signals of fire flashed from hill to hill running clear from the Chinese border to Seoul, the Korean capital. This signal indicated that all was well along the borders and that there was no danger of a Chinese invasion from the north.

Korea has always been a bone of contention between China, Russia and Japan. Consequently this little peninsula has always walked on uneasy paths, which is ever the fate of a buffer state.

Never did a Korean Emperor go to sleep in peace until he looked out and saw that the signal fires burned on the beautiful mountain peaks surrounding the city of Seoul; fires indicating that the borders were safe that night and that inmates of the palace might rest in peace and security.

"It must have been a beautiful sight to have seen the light flashing on the mountain peak there to the north," I said to an eighty-year old Korean patriarch.

"It meant peace for the night," he answered. "It was beautiful. I often long to see those fires of old burning again on yonder mountain."

He said this with a dramatic wave of his stately white robed arm.

"The sunsets still flame from that western mountain peak, overlooking your city beautiful!" I said with a smile.

"Yes, the sunsets still flame behind that peak," he responded with a far-away look in his aged eyes.

"Perhaps the good Christian God is lighting the fires for you?" I suggested.

"Yes, He, the good Christian God; is still lighting the fires for us; but they are fires of freedom, fires of hope, and fires of Democracy!" the old man said with a new light in his own flashing eyes.

"And fires of peace," I added.

"Yes, fires of Peace when freedom comes!" he responded.

But whatever the political implications are; it is historically true that this old custom had existed for years until the Japanese took possession of Korea and stopped this beautiful tradition.

But behind that same mountain from which the bonfires used to flash in the olden days; indicating that the frontiers were safe for the night; that no enemy hosts were invading the peninsula; behind that mountain the fires of sunset still flame, flash, flare, and die away in the somber purple shadows of night.

******Nor shall one forget an evening at Wanju; a hundred miles from Seoul; sitting in the Mission House looking down into that village of a hundred thousand souls; watching the fires of evening lighted; watching a blanket of gray-blue smoke slowly lift over that little village; watching the great round moon slowly rise above a jutting peak beyond the village to smile down on that quiet, peaceful scene in mid-December.

Koreans never light their fires until evening comes and then they light a fire at one end of the house, under the floor and the smoke and heat travel the entire length of the house warming the rooms. It is a poor heat maker but it is a picturesque custom.

Thousands of flames lighted up the sky that night. The little thatch houses, and the children in their quaint garbs moving against the flames composed a strange Oriental Rembrandt picture.

******

Streets! Streets! Streets!

Lights! Lights! Lights!

Somehow streets and lights go together.

We think of our great Broadway. We smile at our superior ingenuity when we think of the "Great White Way."

But for sheer beauty; fascinating, captivating, alluring, beauty; give me the Ginza in Tokyo on a summer evening; with its millions of twinkling little lights above the thousands of Oriental shops; with the sound of bells, the whistle of salesmen, the laughter of beautiful Japanese girls; the clacking of dainty feet in wooden shoes; and the indefinable essence of romance that hovers over a street of this Oriental type at night. I'll stake the romance, and beauty of the Ginza in Tokyo, against any street in the world. He who has looked upon the Ginza by night, has a Flash-Light of Flame; of tiny, myriad little flaming lights; burned into his memory; to live until he sees at last the lighted streets of Paradise itself.

******

Nor are the clothes of the Orient without their flaming colors.

The beautiful kimonos of the Geisha girls of Japan; the crimson, gold, and rose glory of the Sing Song Girls of China; the flashing reds of the brown-skinned Spanish belles of the Philippines, as they glide, like wind-blown Bamboo trees through the streets; and the lurid, livid, robes which men and women alike wear in Borneo and Java. In fact all of the clothes of the Orient, are flame-clothes. There are no quiet colors woven into the gown of the Oriental. The Oriental does not know what soft browns are. Crimson is the favorite color for man or woman. They even make their sails red, blue, green and yellow. The beautiful colors of the sailboats in the harbor of Yokohama is one of the first flashing touches of the Orient that a traveler gets. From Japanese Obies, which clasp the waists of Japanese girls, to Javanese Sarongs, the flame and flash of crimson predominates in the gowns of both men and women. Where an American man would blush to be caught in any sort of a gown with crimson predominating save a necktie, the Japanese gentlemen, the Filipino, the Malay, and the Javanese all wear high colors most of the time. And the women are like splendid flaming bushes of fire all the time.

A Javanese bride is all flame as far as her dress is concerned. Her face is powdered; her eyebrows are pencilled a coal black; her arms and shoulders daubed with a yellow grease. As to her dress, the sarong is a flaming robe that covers her body to the breasts; red being the dominant color; with a crown of metal which looks like a beehive on her head. Brass bracelets and ornaments on her graceful arms complete her costume.

******

Even the Pagodas and Temples of the Oriental lands are flame.

The most beautiful Temples of Japan are the Nikko Temples.

"See Nikko and you have seen Japan" is the saying that is well said.

But when one has spent weeks or a week, days or a day at Nikko; he comes away with an impression of beautiful, tall, terraced, red-lacquered Pagodas; beautiful, graceful red-gowned women; beautiful, architectural masterpieces of Oriental Temples; all finished in wonderful red lacquer; beautiful red-cheeked women in the village stores; beautiful red Kimonos for sale in the Curio shops; red berries burning against the wonderful green grass; and all set off, against and under, and crowned by wonderful green rows of great Cryptomaria trees. These red Temples and these Red Pagodas—red with a red that is flaming splendor of the last word in the lacquer artist's skill; are like beautiful crimson jewels set in a setting of emerald.

And back of all these Flash-Lights of Flame one remembers the path of a single star on the smooth surface of Manila Bay at night; and the phosphorescent beauty of Manila Bay where great ships cleave this lake of fire when the phosphorus is heavy of a Summer night; and every ripple is a ripple of flame. One remembers the continuous flash of heat lightning down in Borneo and on Equatorial Seas; and one remembers the Southern Cross; and the flash-lights of fire in a half-breed woman's eyes.