XXIV. MIGNON: A NIGHT AT THE GRAND OPERA.

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ISTERS, we went to the opera—that is, dear sisters in the cause, the Grand Duke and I were there; both of us seated on red cushions, and so near that we could exchange glances through our eye-glasses, which draw a beloved object close to you. They are a great invention which has not yet reached that portion of the country where prayer-meetings take the place of operas.

I felt in my bones that he would meet me there; and when Cousin Emily Elizabeth sent me word that she had got a loge—which means a little square pen in the gallery, cushioned off like a first-class pew—and wanted me to go with her to hear the great primer-donner, I just got that dress out again, and set the frizzing-pins to work, and did myself up so scrumptiously that I don't believe that a creature on Sprucehill would have known me. Don't say this is extravagant, and flying in the face of Providence. If He don't want silk dresses worn by the elect, what on earth does He make silk-worms and mulberry-leaves for? That is a question that we'll have debated over in the Society some day. Until then, oblige me by not saying, openly, that I'm a free-thinker, because I'm nothing of the sort. Not that my taste, since coming to the opera, has not got a notch above Greenbank or Old Hundred, in the way of music; I am free to own that it has.

Well, Cousin Emily Elizabeth had sent word that I mustn't wear a bonnet, or think of such a thing; and she sent me down a fur mantle, made of white kitten-skins, I reckon, with little black tails dropping all over it—just the tips, which needn't have hurt the black kittens much, if it was all day to the white ones. So, when I come down, holding up my long skirts with one hand, and folding this fur across my innocent bosom, she just screamed out from the carriage that I looked gorgeous enough to turn the great Grand Duke's head, which I felt to be true—for women are not given to praising each other for nothing, anyhow.

The opera-house in New York would take in our biggest meeting-house, and leave room for a wide strip of carpeting all round it. It has got three galleries, and ever so many places, that look like pulpits and deacon's seats, all cushioned and curtained off beautifully.

We went up to the first gallery, and got into Cousin Dempster's loge-pew, which was just big enough for four people. This was fortunate, for our skirts and fur mantles took up every mite of room that Cousin D. did not want; but he put up with it beautifully, and just scrouched down behind us, with his head rising above our shoulders, which would have been rather uncovered if it had not been for the fur, which tickled mine a little; but I bore it with fortitude. You who know me will understand that.

The opera-house was crowded full; every pew was crammed, and the benches down below couldn't be seen, the people were so thick. The pew loges were running over with handsome girls, and old ladies that tried their best to look like girls, and couldn't, not having the country freshness that some people bring with them from the mountains.

But the three pulpits on the second gallery were empty yet—all empty, and gorgeously red, waiting for him.

At last, a great green curtain that hung just beyond this sacred place rolled up. The lights in a great glittering balloon, all hung with ropes of shiny glass beads which fell down from the centre of the roof, blazed up, and when I dropped my head from looking at it, all the other end of the room was crowded with a gang of the queerest-looking people—men, women, children, and dogs—that ever you did see. That was the opera, Cousin E. E. said; though how an opera could have a house and a cart in it, beat me.

Well, sisters, I give up. Roll every singing-school in Vermont into one crowd, and they couldn't begin to burst out like that; men, women, and girls, just went in for a splendid time, and they had it. First, a pew full of fiddlers, drummers, tromboners, and bas-violers, let themselves out in a storm of music that made the ten millions of beads on the glass balloons tremble like hailstones. Then the whole gang lifted up their voices, and the music rolled out just as I reckon the water does at Niagara Falls. Such a general training of music was enough to wake the dead out of a New England grave, where they sleep sound, I guess, if they do anywhere.

By and by they rose up, and began to wander about, making their funny little white dogs play, and some of the girls began to dance about. It was a travelling-show, you see, and some of the upper-crust people came out of the house I spoke of, and listened. One was a lady, dressed out to kill in a striped skirt, black velvet, and yellow silk; another yellow skirt bunched over that, and then a blue dress puffed above both, and her hair just splendid. I tell you she was a dasher!

But the people were all busy unloading the cart; they took out bundles and baskets and things. Finally a girl, that had been lying asleep on the load, jumped down, with her shoulders hitched up, and looking cross as fire at everybody that came near her. She was barefooted and bareheaded, and had nothing but an under night-gown and petticoat on, which seemed to aggravate her, for she looked scowling enough at the handsome young lady, and would not double-shuffle worth a cent, though all the men and women were trying to make her.

The moment she jumped off from the cart, the folks in the seats just ran crazy, and began clapping their hands and stamping their feet like a house afire; I never saw people act so in my life. It was enough to frighten the poor thing half to death. Instead of that, it seemed to tickle her mightily, for she came forward, with her bare feet, and made a little mincing bow, and almost laughed.

Then the strangest thing happened. First one, and then another, of the show-people, instead of reasoning with the wilful creature, just went to waving their arms and singing at her. I declare it was enough to have made a minister laugh when she turned, and began to sing back at them, sometimes spiteful, and then, again, with tears melting through her voice. An old man in gray clothes, that looked crazy as a coot, sung at her, sort of hoarse, and mournfully. Then a young fellow, in a green coat and high boots, dropped into the affair, and he sung at her. Then the handsome lady in blue and yellow burst out and sang at her too, filling the whole opera-house with music. By watching and listening, I found out this much. This girl was an orphan, picked up by the band of players, that made her dance and sing for her keeping. The fellow with the green coat and boots felt sorry for her, and bought her up, short gown and all, from the tribe of players. Then she put on the dress of a pretty boy, and waited on the handsome woman in yellow, who was one of them actress-women, and dead in love with the young fellow in boots. He was awfully in love with the actress woman too, which just aggravated that girl-boy out of her seven senses, poor thing! When she happened to watch them together, you should have seen her fling down her cap, and kick it about. There was some human nature in that, but singing love out before folks beats me. I couldn't bring myself to anything of the kind—not if the Grand Duke were standing before me with his arms out, shouting Old Hundred.

Goodness gracious! that girl-boy had taken up my thoughts, so that I didn't know when the Grand Duke came into his pulpit loge. But there he was, standing up, and looking right toward me, so pleasant.

I threw back my fur mantle a trifle, and taking Cousin E. E.'s fan, waved it gracefully, hoping thus to cool off the blushes that bathed my cheeks with a rosiness that I feared might not harmonize with the tints already there.

Still he looked my way earnestly, and with the fire of admiration in his blue eyes. A young thing sitting in the loge-pew behind me began to turn away her head and hide behind her fan, as if she had anything to do with it. The conceit of some people is astonishing!

Cousin E. E.'s little spy-glass lay in her lap. I took it up; I held it to my eyes, and devoured him with one burning glance. His heart seemed leaping to mine through the glass. I knew it. I felt it. Indeed he won't be the first of his noble race that has lost heart and soul to a country girl.

The Prince sat down, and when there was a lull in the music, clapped his hands with joy. Oh, my sisters! it is something to have given such supreme pleasure to the Grand Ducal soul.

He looked at the play; I looked too. Souls in sympathy have but one thought. I pitied that poor girl-boy with all my heart—my own happiness made me compassionate. How she suffered when that woman with the yellow skirts and the young fellow in boots were singing love to each other! Once she got wild, and dressed herself in a pink silk, and—well, she made one of those toilets that Cousin E. E. understands so well. I was sorry to see her exposing one or two little things that should be a secret with the sex. But she did, and the yellow lady caught her at it, and sung awfully provoking things at her.

Well, she just tore off the dress, scattered the lace trimmings about, put on her old duds, and ran away.

Then the house got on fire: the whole swarm of people come out helter-skelter, singing to the flames that didn't mind the music more than if it had been buckets full of water. Firemen came running with ladders that nobody climbed, and pails of water, that the firemen carried round and round, in and out, like crazy creatures. I am sure I saw one fellow, with a white pail, pitch through the same window into the red-hot flames fifty times. The poor girl-boy, being desperate, just pitched in, determined to burn herself, while the woman in yellow and the man in boots looked on.

This went right to the cruel man's heart; he jumped in after her, carried her away from the devouring flames, and fell in love with her like a man. Of course, being a decent kind of a fellow, he couldn't keep on singing out his love to both girls at once with enthusiasm, and began to neglect the yellow girl in a way that brought tears into her voice whenever she came pleading to him under the window—which she did, not having the pride of all the Frost family in her veins.

Of course this did no good; men never come back to women that whine. The girl—for she had given up boys' clothes—had got him safe; he didn't care a chestnut-burr for all the other's singing, but took to the little vagabondess with all his heart and soul.

Now something else happened. The old man in gray got his mind again and turned out to be Mignon's father (have I told you that was her name?). He was a rich old fellow, with a house furnished with gilt chairs, and everything sumptuous—so, of course, the fellow in boots stuck to her more than ever.

I don't know what became of the woman in yellow, but as for this other girl, she came out first best in every respect; especially at the end, when ever so many flowers and baskets and things were just poured down upon her. For my part, I thought the yellow girl ought to have had full half of these things, for I liked her quite as well, if not better than the vagabondess.

Well, the green curtain went down for good, and the whole congregation got up to go out.

"How do you like Nilsson?" says Cousin E. E., as she was fastening her fur mantle.

"Nilsson!" says I, "I haven't seen her yet."

"Why, yes you have—she just came out."

"What!—that girl-boy?"

"Yes, Mignon."

"You don't say so," says I. "Who then was the girl in yellow?"

"Oh! she is Duval."

"Well, I like her at any rate, poor thing; it was a shame to treat her so."

That moment I felt that the great Grand Duke was gone. Not one more glance. It was hard!


                                                                                                                                                                                                                                                                                                           

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