DEAR SISTERS:—I love music. My soul was brought up on Old Hundred, and refreshed from time to time with Yankee Doodle. The lively tones of a fiddle drove me wild with delight, in my foolish, school-girl days; and I cannot keep my feet still when one rattles of money-musk or the Opera Reel even now, when enthusiasm is delicately toned down into graceful ease.

The truth is, Nature is full of music, and we who live in a mountainous country know how much of it is to be found outside of instruments and the human voice. In fact, the sweetest music I ever heard has come to me through the woods—not from the birds, but the whispering leaves. Have you ever listened—with your heart—and learned, by the faintest sound, the different voices of the trees—the quick, soft rustle of the maple; the stronger sound of the oak-leaves; the weird, ghostly shiver of the pine-needles? I know little of music, if anything out of heaven can touch a human soul more tenderly than these sounds. Then the birds—what joyous or solemn music they can make! Have you never felt your heart leap to the singing of a robin among the branches of an apple-tree in full blossom, or shiver and grow sad at sunset, when the cry of a lonely whip-poor-will comes wailing through the dusk?

There is the music of trees in the spring, when their blossoms are sweet and their leaves are just unfolding—soft, cheerful, happy music, full of tenderness and love. Then there is the low, drowsy music of the summer-time, when bumble-bees and lady-bugs and humming-birds fill the warm air with greedy droning as they plunder the wild flowers of honey.

Did you never close your eyes, half go to sleep, and listen to them, with a lazy consciousness that you could rest and enjoy, while those little, busy creatures were singing at their work? I have, a thousand times.

Then comes the fall, when the hills are burnt over with red and gold and brown. How the full, rough-edged leaves strike together, with a sound of copper and brass—with a rustle and shiver that makes one think of military funerals. Then comes the swift, rustling sound of ripe nuts rattling from burs and husks; the coarse, bass voices of the crows among the naked stubble-lots; the mellow crash of corn-stalks, as the cattle tread them; the slow, liquid grinding of cider-mills, and the sharp sound of the hackle, where flax is broken for the spinning-wheel.

After this, comes stormy music—fierce, high winds, whistling sharp and shrill through the long, naked branches of the woods, which answer them back with moans and sighs and wild shrieks that make you shiver at night and hide yourself under the bed-clothes.

When I was a little girl, sisters, my heart rose and fell to music like this till I suffered terribly, sometimes, without speaking a word to any one—for these are feelings which one never does talk of—there is no language that I ever learned which will express them. But I have never heard any music that could reach my soul like that which God gives us in the blossom season—the summer, the fall of late fruit—and the bleak, hard winter, when the clash of ice against ice has a sound that no man or woman can reach.

This is my idea of music, and that is scattered far and given to all men alike. You can't gather it up and deal it out in great, thundering gushes. It isn't to be got for five dollars a ticket. In fact, the best and sweetest things we have are given to the poor and rich just alike—free, gratis, for nothing.