Every morning about six o'clock Mary Makebelieve left her bed and lit the fire. It was an ugly fire to light, because the chimney had never been swept, and there was no draught. Also they never had any sticks in the house, and scraps of paper twisted tightly into balls with the last night's cinders placed on them and a handful of small coals strewn on the top were used instead. Sometimes the fire blazed up quickly, and that made her happy, but at other times it went out three and four, and often half a dozen times; then the little bottle of paraffin oil had to be squandered—a few rags well steeped in the oil with a newspaper stretched over the grate seldom failed to coax enough fire to boil the saucepan of water; generally this method smoked the water, and then the tea tasted so horrid that one only drank it for the sake of economy.

Mrs. Makebelieve liked to lie in bed until the last possible moment. As there was no table in the room, Mary used to bring the two cups of tea, the tin of condensed milk, and the quarter of a loaf over to the bed, and there she and her mother took their breakfast.

From the time she opened her eyes in the morning her mother never ceased to talk. It was then she went over all the things that had happened on the previous day and enumerated the places she would have to go to on the present day, and the chances for and against the making of a little money. At this meal she used to arrange also to have the room re-papered and the chimney swept and the rat-holes stopped up—there were three of these, one was on the left-hand side of the fire grate, the other two were under the bed, and Mary Makebelieve had lain awake many a night listening to the gnawing of teeth on the skirting and the scamper of little feet here and there on the floor. Her mother further arranged to have a Turkey carpet placed on the floor, although she admitted that oilcloth or linoleum was easier to clean, but they were not so nice to the feet or the eye. Into all these improvements her daughter entered with the greatest delight. There was to be a red mahogany chest of drawers against one wall and a rosewood piano against the wall opposite. A fender of shining brass with brazen furniture, a bright, copper kettle for boiling water in, and an iron pot for cooking potatoes and meat; there was to be a life-sized picture of Mary over the mantelpiece and a picture of her mother near the window in a golden frame, also a picture of a Newfoundland dog lying in a barrel and a little wee terrier crawling up to make friends with him, and a picture of a battle between black people and soldiers.

Her mother knew it was time to get out of bed when she heard a heavy step coming from the next room and going downstairs. A laboring man lived there with his wife and six children. When the door banged she jumped up, dressed quickly, and flew from the room in a panic of haste. Usually then, as there was nothing to do, Mary went back to bed for another couple of hours. After this she arose, made the bed and tidied the room, and went out to walk in the streets, or to sit in the St. Stephen's Green Park. She knew every bird in the Park, those that had chickens and those that had had chickens, and those that never had any chickens at all—these latter were usually drakes, and had reason on their side for an abstention which might otherwise have appeared remarkable, but they did not deserve the pity which Mary lavished on their childlessness, nor the extra pieces of bread with which she sought to recompense them. She loved to watch the ducklings swimming after their mothers: they were quite fearless, and would dash to the water's edge where one was standing and pick up nothing with the greatest eagnerness and swallow it with delight. The mother duck swam placidly close to her brood and clucked in a low voice all kinds of warnings and advice and reproof to the little ones. Mary Makebelieve thought it was very clever of the little ducklings to be able to swim so well. She loved them, and when nobody was looking she used to cluck at them like their mother, but she did not often do this because she did not know duck language really well, and feared that her cluck might mean the wrong things, and that she might be giving these innocents bad advice, and telling them to do something contrary to what their mother had just directed.

The bridge across the big lake was a fascinating place. On the sunny side lots of ducks were always standing on their heads searching for something in the water, so that they looked like only half ducks. On the shady side hundreds of eels were swimming about—they were most wonderful things; some of them were thin like ribbons, and others were round and plump like thick ropes. They never seemed to fight at all, and although the ducklings were so tiny the big eels never touched any of them, even when they dived right down amongst them. Some of the eels swam along very slowly, looking on this side and on that as if they were out of work or up from the country, and others whizzed by with incredible swiftness. Mary Makebelieve thought that the latter kind had just heard their babies crying; she wondered, when a little fish cried, could its mother see the tears where there was already so much water about, and then she thought that maybe they cried hard lumps of something that was easily visible.

After this she would go around the flower-beds and look at each; some of them were shaped like stars, and some were quite round, and others again were square. She liked the star-shaped flower-beds best, and next she liked the round ones, and last of all the square. But she loved all the flowers, and used to make up stories about them.

After that, growing hungry, she would go home for her lunch. She went home down Grafton Street and O'Connell Street. She always went along the right-hand side of the street going home, and looked in every shop window that she passed, and then, when she had eaten her lunch, she came out again and walked along the left-hand side of the road, looking at the shops on that side, and so she knew daily everything that was new in the city, and was able to tell her mother at nighttime that the black dress with Spanish lace was taken out of Manning's window and a red gown with tucks at the shoulders and Irish lace at the wrists put in its place; or that the diamond ring in Johnson's marked One Hundred Pounds was gone from the case and that a slide of brooches of beaten silver and blue enamel was there instead.

In the nighttime her mother and herself went round to each of the theaters in turn and watched the people going in and looked at the big posters. When they went home afterwards they had supper and used to try to make out the plots of the various plays from the pictures they had seen, so that generally they had lots to talk about before they went to bed. Mary Makebelieve used to talk most in the nighttime, but her mother talked most in the morning.

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