| LETTER I. | PAGE |
| First Impressions of New York—Visit to the Counting-room of a City Cousin—Advice to his Clerk—Description of a City Residence and its Inmates | 13 |
| LETTER II. |
| The Family Dinner and Effects of July Cider | 23 |
| LETTER III. |
| Jonathan visits the Express Office—Sensations on seeing himself in Print | 27 |
| LETTER IV. |
| The Political Meeting and its Disasters | 33 |
| LETTER V. |
| A Little of Jonathan's Private Love Affairs | 39 |
| LETTER VI. |
| Jonathan's Opinions of Ministerial Interference—A Card of Invitation, and an Evening Party at Cousin Beebe's, in which Jonathan makes some Mistakes and a Lady Acquaintance | 44 |
| LETTER VII. |
| Scenes in Broadway—Jonathan's Interview with the Count and Flirtations with Miss Miles | 69 |
| LETTER VIII. |
| The Morning Call—A Coquette's Dressing Room | 78 |
| LETTER IX. |
| A New York Parvenu—Jonathan's Account of his Cousin Jason Slick, and how Jason was too lazy to work, and got rich on soft sodder—The dinner of a Connecticut Coaster—A New York Coat of Arms, lions couchant and levant—Yankee Ancestry—The way a Yankee speculates, and gets up States, Railroads and Banks, by soft sodder | 87 |
| LETTER X. |
| New-Year's Calls—A real Yankee's New-Year's Treat of Dough-nuts and Cider—Jonathan's ideas of the real difference between a real lady's House and Furniture and the House of a stuck-up Parvenu—Jonathan's ideas of Love and Ladies | 99 |
| LETTER XI. |
| Visit to the Park Theatre—First Impressions of the Poetry of Motion, as written on the air, in the aerial feats of Mademoiselle Celeste—First shock at the exhibition of a Ballet Costume accompanied by the "twinkles" of Celeste's feet—with her pigeon wings, double-shuffles, gallopades, and pirouettes | 117 |
| LETTER XII. |
| Jonathan receives an Invitation to a Fancy Ball—Dilemma about the Dress—Choice of a Character, &c. | 129 |
| LETTER XIII. |
| Jonathan Slick and the Grand Fancy Ball—Jonathan in the character of an Injun, and Cousin Beebe in the character of Jonathan—Cousin Mary as Jonathan's Squaw—Jonathan among Kings and Queens, Spaniards, Turks and Jews—Jonathan meets his pussey Cousin in the character of a Turk—Jonathan cuts his pussey Cousin | 133 |
| LETTER XIV. |
| Advice to Jonathan from the Humstead—Jonathan's Criticism on his Brother Sam's book—The Ennui of Jonathan in good Society—Jonathan's entree into a Milliner's Establishment, and sad mistake about a Side-saddle | 143 |
| LETTER XV. |
| Jonathan visits the Milliner Girl—Reflections about her Situation | 154 |
| LETTER XVI. |
| In which Jonathan shows up the Hardships of Sewing Girls—Describes a Tammany Hall Ball—Milliner Aristocracy and Exclusiveness—Informs the reader how Miss Josephine Burgess took a tall man with whiskers into her Establishment, who took her in in return—The desperation of a little Apothecary—His Marriage, and the Ascent of Miss Josephine Burgess from the front store to a work room a little higher up | 156 |
| LETTER XVII. |
| Jonathan gets Ill and Homesick—Resists all entreaties to go to Washington, and resolves on going back to "the Humstead" with Captain Doolittle | 173 |
| LETTER XVIII. |
| Jonathan's Arrival in New York from the Onion Beds at Weathersfield—Jonathan puts up at the Astor House—His notion of that great Heap of Stones—Jonathan's Ideas of a New York Cab, and the usual quarrel of a Stranger with Cabmen—A Sensation is created at the Astor | 180 |
| LETTER XIX. |
| A live Yankee and the Parisian Danseuse—Fanny sends her Card and Jonathan makes a call—Down East Yankee and French-English rather hard to be understood—Jonathan quite killed off by Fanny's Curchies and Dimples—A little sort of a Flirtation—An Invitation to see Fanny in Nathalie, which is accepted | 188 |
| LETTER XX. |
| Jonathan goes to the Express Office—His Opinion of Zeke Jones and the "Brother Jonathan" Newspaper—Explains his Absence, and enters into a new Agreement with the Editors | 197 |
| LETTER XXI. |
| Jonathan Visits Mr. Hogg's Garden and gets a Bouquet—Puzzled about the propriety of Paying for it—Purchases a Ribbon, and starts for the Theatre | 202 |
| LETTER XXII. |
| Jonathan gives a Description of the Theatre, Private Boxes, Drop Scene, &c.—His Ideas of Miss Elssler's Dancing, and Dancing Girls in general—Jonathan mistakes Williams in his Comic Song of "Old Maids and Old Bache
High Life in New York.
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