In the Prelude and Interlude:
In the Mystery:
As is usual in English stage directions, right means right of the stage, and not right of the audience as in the original German. So too the left is left of the stage. The music at the representation of each play was by Mr. Adolf Arenson. Notes on the Costumes Worn: The costumes worn are those of every day, except that the female characters, over their dress, wear bright broad stoles of a colour to suit their character. Benedictus is usually in a black riding suit, top boots, and a black mantle. Lucifer has golden hair, wears crimson robes, and stands upon the right of Johannes. Lucifer appears as female. Ahriman, the conventional Satan, wears yellow robes and stands upon the left of Johannes. In the fifth and eleventh scenes and when in spirit form or acting as hierophant Benedictus wears a long white robe over which is a broad golden stole with mystic emblems in red. He also wears a golden mitre and carries a golden crosier. On such occasion Theodosius is similarly robed except that the stole, mitre, and crosier are silver and the emblems blue. Similarly the stole, mitre, and crosier of Romanus are bronze and the emblems green. Retardus’ costume is a mixture of the above three. Germanus wears long brownish robes and is made to appear like a giant with heavy clogs, as if tied to earth. Scene 6. Philia, Astrid, and Luna in the seventh and eleventh scenes and in the other plays have conventional angel-forms; Astrid is always in the centre of this group; Luna is on her right; Philia on her left. Theodora wears white and has angel’s wings in the seventh and eleventh scenes. The Other Maria is dressed like a spirit (except in Scene 1) but one associated with rocks and precious stones. |