It was the very last place in the world where you would have expected to hear the notes of a church harmonium; and the old man who, seated on a reed stool, was playing God Save the Queen with one finger, was the very last person whom you would have expected to see performing upon it. But there it stood, quite at home, between, the wooden pillars which divided the central living-room from the crowd of latticed closets around it; and there he sat, quite at home, on the stool, his naked brown legs struggling with the bellows, his brown fingers patting down the keys with a sort of pompous precision. For Punoo was a music-master, and that was his pupil who, with a yawn, was watching his proceedings from the floor while she threaded beads on a string intermittently. That was also the last place from which one would expect any one to take a music-lesson; but old Punoo being blind was fully persuaded that BahÂni was dutifully at his elbow. This blindness of his was, however, far more to his advantage than his disadvantage as a master. It was, in short, the cause of his being one at all; since had he had the use of his eyes no mother would have dreamed of employing a man, who was not more than forty-five at the outside, in teaching her girls. As it was, his time was fully taken up in the houses of the clerks, contractors, barristers, and such like, who for some reason or another desired to impart the exotic accomplishment of music to their daughters or wives. But of all these houses Punoo loved the one which contained the harmonium best; not because of his pupil, since BahÂni, who was betrothed to a young man who might be seen any day on a Hammersmith omnibus over on the other side of the world, never learned anything; but because of the instrument itself. To tell truth it had quite a fine tone, especially when all the wind in its wheezy bellows was sent into one note. And then the playing of it seemed to satisfy him from head to foot. All the other instruments, the accordions and concertinas, even his own fiddle with seven strings, of which he was really very fond, only employed his head and his hands; but this made his whole body as it were to toil and labour after melody. As he sat, his forehead bedewed with perspiration, the expression on his sightless face, turned upwards all unconscious of the dingy, sordid, smoke-blackened rafters which limited his vision, was quite sufficient to make up for the lack of it in the music; it was the expression of a prisoner who, through the bars of a cage, sees freedom. But the odd little gridiron in the centre of the dark room, which gave it some light and air from the roof above, was scarcely large enough to allow even of Punoo's wizened figure to pass through.

"Lo, it gives one a melting of the liver, and a sinking of the heart to hear thee, Master-jee," remarked Mai Kishnu, bustling in with a handful of radishes for the pickle-stew. "Canst not play something more lively, something that goes not wombling up and down like an ill-greased wheel, something with a count in it that gives a body time to catch the beat of it? For sure I could make better music with my ladle and tray; better music for a bride anyhow; and mark my word, BahÂni, when thou art really one there shall be none of this boo-hooing and ow-wowing, that might set free thoughts of wolves and God knows what monsters to damage all thy hopes."

"'Tis not likely, Mai," said Punoo, desisting to speak with great dignity, "that BahÂni will have mastered so much. 'Tis not given to all to play God Save the Queen as I do."

"That is good hearing!" ejaculated the house-mother piously. "But the girl gets on, I hope, Master Punoo. Her father writes of it often; and the instrument, as thou knowest, cost fully ten shillings."

In Punoo's account, which he retailed to his other customers, it had cost five times that amount, and he had a spirited description of the auction where Colonels and Deputy-Sahibs, and Barrack-Masters had bidden in vain against BahÂni's father Mool Chand, who was municipal clerk in an outlying district. According to Punoo also it had cost five hundred times that amount when the Padre Sahib,--sometimes it was the Lord Padre Sahib--(the Bishop),--had sent for it originally from England. There was a further legend, vague and misty even to himself, which he kept holy, as it were, from profane use by locking it away in his own breast, which hinted that the harmonium had been thrown on the market from no desire to get rid of it, but simply from pecuniary necessity; the Chaplain having been forced into selling his greatest treasure in order to pay the bill for a new one. To tell truth, Punoo's estimate of the harmonium was vague and misty on more points than this. He was, in fact, absolutely ignorant of anything concerning it, save that if you blew persistently at the bellows and pressed the keys it made a noise which somehow or other seemed to set you free, and yet kept you longing for something more. Punoo knew not for what, having not the slightest idea that he had been born with music in his soul, and that if he had first seen the light in the Western hemisphere instead of the Eastern, he would most likely have been a Wagnerite or some other kind of musical enthusiast.

As it was, to oblige Mai Kishnu he played Minnia Punnieya as quickly as he could, though it was a pain and grief to him to give up the long-drawn notes which sounded so beautiful in God Save our Gracious Queen. But Mai Kishnu stirred the pickle-stew to the new rhythm, emphasising it properly with little strokes of the ladle upon the resounding brass pot. BahÂni, she said, must learn that tune against her man's return from being made into a balester (barrister); whereat BahÂni with the utmost decorum giggled and blushed over her beads. She was a pretty, pert girl, who looked upon the future with perfect serenity; for being married to her first cousin whose widowed mother lived in the house, she knew exactly what the amount of friction between her and her future mother-in-law would be; and knew also that she would generally be able to escape quietly, as she did now, from the scene of conflict, and leave the two elder women to have it out at full length if they chose. They generally did choose, because they nearly always had an interested audience; for the quaint rambling old house with its rabbit-warren of tiny rooms opening out to little bits of roof, was full of relations; chiefly women whose husbands were away in Government employ. They each had a separate lodging, as it were, though they were quite as often in some one else's room as in their own, especially when the sound of shrill altercation echoed through the wooden partitions. By a recognised etiquette, however, all serious disputes were carried on in the well-room where the women bathed. It was more a verandah than a room, though the arches were filled up breast-high with a screening wall. But through the hole in the floor, above which the windlass stood, you could not only see right down into the well on the basement story, but also see the people in the street coming for their water. It was when BahÂni was discovered lying flat on the floor so as to crane over and peep into the very street itself, that the fiercest quarrels arose between Mai Kishnu and her widowed sister-in-law. And no quarrel ever ran its course without a reference of some sort to the harmonium, and the iniquity and idiotcy of learning to play tunes as if you were a bad woman in the bazaar. In her heart of hearts Mai Kishnu agreed with this view of the question, but she would sooner have died than confess it, so she invariably carried the war into the enemy's country instead, by insisting on it that BahÂni learned in deference to the oft-expressed desire of her lawful husband, that husband being the complainant's own son. And sometimes, but not often, for she was a faithful defender of the absent municipal clerk, she would clinch the matter by telling her sister-in-law that if there was iniquity or idiotcy about, her brother was also to blame. Whereupon RÂdha, who, being the widow of an elder brother, really was, in a way, the head of the house, would retort that in that case it was all the more necessary for the women-folk of the family to remember that the salvation of souls lay with them; so she would beg to remind all present, that this being a dark Saturday or a light Friday, with some particular event in prospect or some particular event in the past, it behoved no pious women of that family to eat, say radishes, on that day. Now, when you have just spent much time and skill in the preparing of pickles for a large household, it is aggravating to be told that it is an impious diet. Still there was always the obvious retort that on such days widows ate nothing at all. So then RÂdha, with pharisaical acquiescence, would retire to her own little bit of a room, with her husband's photograph (he had been a clerk also) hung between two German prints of the Madonna and Herodias' daughter (which did duty respectively for the infant Krishna and Durga Devi slaying the demons) and begin counting her beads with a clatter, and repeating her texts in an aggressively loud voice; while Mai Kishnu, after sending the pickle-stew of radishes down in the window-basket as an alms to the first beggar in the street, would begin to cook something else; something as nasty as her deft hands could make it, since this, oddly enough, relieved her feelings.

But Punoo would go on playing God Save our Gracious Queen on the old harmonium with perfect serenity, all unconscious of the fact that two women were cursing it in their hearts as a malevolent demon bent on ruining the household. It was a quaint household when all was said and done, this colony of women, whose husbands were for the most part away serving the Government in remote stations. Quaintest of all it was, perhaps, when in the afternoon the boys belonging to it (and there were many, thank Heaven! despite the demon) came home from school; embryo clerks full of classes and examinations, yet with a word or two for "crickets" and a desire for pickled radishes on every day in the calendar.

"Ask your Aunt RÂdha," Mai Kishnu would say shortly to their remonstrances over the nasty substitute for the delicacy. "'Twas she forced me into giving your stomachsful of my best pickles to some dirty beast of a beggar in the street. God forgive me if he was a holy man, but he may have been a Mohammedan for all I know, and what good will that do to my soul?"

But despite the "crickets" and the examinations, despite the vague leavening of Western freethought, the boys fought shy of their Aunt RÂdha, perhaps from the veil of uncertainty which their education was necessarily throwing over all things. There were so many ideas, and one must be right; it might be this one. In a way they were more afraid of her and her views than Mai Kishnu was, who never doubted at all. But then Mai Kishnu knew that she could always have the upper hand over her sister-in-law in the matter of cold baths in the winter mornings; for RÂdha thought twice about interfering with the beams in other folks' eyes, when the mote of her own about warm water for religious ablutions was ready to her adversary's hand.

The boys, however, though they ate the nasty substitute for pickles without more ado, were not so biddable in the matter of God Save the Queen. As they sat on the dark flight of steps between the living-room and the well-verandah they used to pipe away at it in English in the oddest falsetto. And BahÂni, who was a bit of a tomboy, would imitate them, and then go into fits of shrill laughter at her own gibberish.

Altogether it was a very quaint household, and it was a very quaint noise indeed which went up to high Heaven from it; the boys' voices, BahÂni's mocking laugh, RÂdha's muttered texts, Mai Kishnu's vexed clattering of her ladles and pots, and blind Punoo's perspiring efforts after melody on the old harmonium. For he never attempted harmony; that was beyond his self-taught execution altogether. But the sense of it was there, showing itself in sheer delight at pulling out all the stops that still existed, and blowing away till he could no more from sheer exhaustion.

So the years had passed contentedly enough for every one; especially for the old music-master who every day went away with the unleavened cake, which was his only fee, knowing that even such payment was in excess of his desires, since it was enough for him to have the honour and glory of playing on the harmonium, and of boasting about his proficiency on that instrument to his other pupils who were forced to be content with an accordion or some such ignoble instrument.

And then one day the funny, old rambling house was in a perfect ferment of preparation, and even RÂdha's face was beaming; for her son was coming home. He was coming from the Hammersmith omnibus and the boarding-house in Notting Hill, coming from the rush and roar of London to take up the threads of life again in the dark latticed rooms where Mai Kishnu made pickles and his mother said her prayers; above all where BahÂni waited for him, all dyed with turmeric and henna, and clothed in tinselled garments. The little household temple up on the roof, where there were more German prints doing duty as various gods and goddesses, had scarcely an instant's respite from the multitudinous rituals; and if there was a minute or two to spare, the women downstairs were sure to remember something else which if left undone would bring the most direful misfortune on the young couple. There was no quarrelling now, only a babel of shrill kindly voices. And there was no music, save of a kind to which Mai Kishnu could clatter her ladles and pans; drubbings of drums and endless tinklings of sutaras--for the good lady had set her foot down as regards the harmonium, even to the extent of showing off BahÂni's accomplishment. Accomplishment forsooth! What need was there of such fools' talk between a newly-met young couple? And though Gunesha had come back from the other side of the world dressed like a real Sahib, that did not prevent his being a young man, and knowing a pretty bride when he saw one. So, thank heaven! there they were at last, in the pleasant cool upper room on the roof, which had been all newly whitewashed and painted and strewn with flowers for the auspicious occasion, looking into each other's eyes as young people should. It was all so proper, so touching, so infinitely satisfactory, that for once Kishnu and RÂdha fell on each other's necks and wept tears of sympathy.

But Punoo wandered in and out as a privileged guest among the merry-making and the bustle, sidling up to his closed treasure, feeling it all over in sightless fashion, and longing for the time when he should be called upon, as the bride's master, to display her accomplishment; for by this time she could play Minnia Punnieya and a few other tunes quite correctly. But the days passed, and those two on the roof, despite music and culture, despite all the sciences and all the 'ologies, were quite content with those things which had contented their fathers and mothers before them. It was not so with old Punoo. Even his fiddle afforded him no comfort; and though his other pupils' accordions and concertinas gave him the correct musical intervals which his ear approved instinctively, but which his hand was too unpractised to reproduce with the accuracy which satisfied him, they were poor substitutes for that splendid tone which was born of vehement pumping and perspiration. Perhaps it was really the latter he craved; that feeling of labouring body and soul to give expression to something within him.

Even billing and cooing like a couple of pigeons on the roof, however, must come to an end, and after some three weeks of it, the barrister one day discovered that there was a harmonium in the dark arches of the living-room. He was beginning by this time to think that he had perhaps drifted a little too far back into the old life, and that as he had every intention, when this first very natural and inevitable relapse was over, of setting up house on more civilised lines, it might be as well to show off his new habits a little, and so emphasise the difference which he meant to draw between his life and the life led in the quaint old ancestral house. So without more ado, without any asking of how it came there, or who played on it, he whisked his coat-tails (for he had resumed European dress on his descent from the roof) over the music-stool with the consummate air of a performer and set his feet to the pedals and his hands to the keys.

"What a wheezy old thing!" he cried, when a sort of agonised moo as from a sick cow came in response. BahÂni, standing decorously in the shadow with her veil down in most alluring bashfulness, tittered, and old Punoo, who had stood still in sheer surprise, moved forward with a superior smile.

The barrister heard and saw, and a frown came to his self-satisfied face. "The bellows are leaking," he cried again; "but never mind, it shall do something; I'll make it!"

Something indeed! The women giggled and stopped their ears, but old Punoo stood transfixed, a great pain, a great joy coming to his sightless face. Was that the harmonium? Was that God Save the Queen, that pÆon of melody and harmony together, coming in great waves of sound and bearing him away, further and further and further into some unknown land that was yet a Land of Promise? And all these years he had lived in ignorance; he had boasted, he had said that he could play it, his priceless treasure! Priceless! ay, he had been right there. Listen to it! Was it not priceless? A sort of passion of pride surged up in him overpowering all thought of himself.

Then there was a loud crack, a wheeze, a sudden silence; and the barrister stood up wiping his forehead, for he had worked hard. "That has done for the old thing," he said with a laugh; "but it was past work anyhow, and I prefer a piano any day of the week. Don't stand in the corner, BahÂni. You must learn to behave like an English lady now, and there is nothing to be ashamed of in your husband, I assure you."

Mai Kishnu and RÂdha looked at each other as if for support, and the vague affright and sheer surprise of their faces made them once more sympathetic. "It is a new world, sister," whispered the one to the other as they moved off respectively to their prayers and their pickles, leaving the barrister making love to his bride over the prospect of the piano he was going to give her.

But Punoo moved softly, blindly, over to his old seat and set his feet to the pedals and his fingers to the keys. But no sound came from them, not even that poor travesty of God Save the Queen which had once filled him with pride. And as he sat fingering the dumb keys, idly, a dim content that it should be so came into the old musician's soul. The swan-song had been beautiful, but it had been a song of death. He, after all, had known the harmonium best.

FOOTNOTES

Footnote 1: Jesus.

Footnote 2: Grandfather.

Footnote 3: Marjoram.

Footnote 4: Tent pitchers, men employed in measuring land.

Footnote 5: Om mi pudmi houm. The Buddhist invocation.

Footnote 6: Shiva.

Footnote 7: Mata devi.

Footnote 8: Vishnu Lukshmi.

Footnote 9: Holi, the Indian Saturnalia.

Footnote 10: Kristna.

Footnote 11: Hari.

Footnote 12: Kaniya.

Footnote 13: Gopi-nath. These are all names of Vishnu in his various Avatars.

Footnote 14: Encore.

Footnote 15: A fossil ammonite.

Footnote 16: Goddess.

Footnote 17: Victory to Mother KÂli!

Footnote 18: The first Aryan settlements were in the Punjab.

Footnote 19: A widow brings ill-luck with her.

Footnote 20: Ram anund. Ram, God; anund, happiness.

Footnote 21: The dirge in honour of the martyred Hussan and Hussain.

Footnote 22: A model of the martyrs' shrine; a permanent erection, whereas the tÂzzias used for the procession are afterwards burned. There is a celebrated ImÂm-bÂrah at Lucknow, imported from England.

Footnote 23: A pet name for mother or nurse.

Footnote 24: The Great God.

Footnote 25: A reduction in the number of guns is the first punishment for bad administration.

Footnote 26: Pagul = mad.

Footnote 27: Blue-throated; the name of the kingfisher.

Footnote 28: The Ganges.

Footnote 29: Worship.

Footnote 30: Copyright, 1895, by Macmillan & Co.

Footnote 31: Equivalent to our Easter.

Footnote 32: Bad living.

Footnote 33: Greeting or peace to the King.

Footnote 34: Honorific title for a father.

Footnote 35: A common belief in India.

Footnote 36: The Universal God.

Footnote 37: The barber is always employed in regular betrothals.

Footnote 38: Judge.

Footnote 39: The Universal God.]

Footnote 40: The Monkey-god.

Footnote 41: Head-man of village.

Footnote 42: From chujj, a sweeper's basket. One of the many opprobrious names given to avert the envious, and therefore evil, eye.

Footnote 43: For the most part, sugar animals, such as are sold at English fairs.

Footnote 44: Echis carinata, the Indian viper. It lies coiled in a true-lover's knot, rustling its scales one against the other. It is the most vicious and irritable of all Indian snakes.

Footnote 45: A husband's name should never be mentioned by a wife, especially in matters referring to herself.

Footnote 46: Worldly-wealth.

Footnote 47: Take her hand.

Footnote 48: Explain.

Footnote 49: Watchman.

Footnote 50: Copyright, 1896, by Macmillan & Co.

Footnote 51: Aga, noble; Meean, prince.

Footnote 52: Copyright, 1895, by Macmillan & Co.

Footnote 53: Copyright, 1896, by Macmillan & Co.