If there had been any latent doubts in the minds of Margaret's friends as to her force of character they were dispelled in the weeks that followed. She had come back from the hospital wasted in flesh but resolute of soul. Her period of convalescence had been a season of gathering strength for a protracted effort. She would waste no force after this in beating her wings against restraining bars. It almost seemed to Mrs. Pennybacker as she watched her that she had had a new birth. Her whole nature was deepened and broadened. Even her interview with Mr. De Jarnette did not daunt her. "I have been too impatient," she said once. "I can see now how I have injured my cause by injudicious haste. If I had not run off with Philip I might have him now. I know Judge Kirtley thinks that prejudiced my cause, and you know what the Judge said." "Still, it was instinct." "Yes, but I find that this is a thing about which I must use more than instinct. Oh, I am going to try to be very prudent and very patient. I don't want to do anything that will lose me one point." "Margaret," said Mrs. Pennybacker, plainly, "you are losing more than a point in refusing the opportunity "I cannot," Margaret said passionately, the prudence and patience she had felt so sure of cast to the winds. "I will not be indebted to him for one thing. Even for the sake of being with Philip I cannot do it." "You are very foolish. It means more than being with Philip." "How could it possibly help me in any other way?" "There is a principle of human nature involved in it. This is a kindness that Richard De Jarnette meant to do you,—you will acknowledge that?" "Ye-s, but—" "Well, a kindness done always disposes the heart of the person doing it toward the person to whom it is done." "I don't want his heart disposed toward me!" cried the girl. "He is a cruel, despotic man. I hate him and I want to hate him!" Mrs. Pennybacker looked at her over the top of her glasses. "Patience has hardly had her perfect work with you yet, Margaret," she observed, dryly. It was true, as Margaret had said, that she did not want any favors at Mr. De Jarnette's hands. She was angry with him for placing her under obligation in the matter of the carriage: angry at herself for allowing him to do it: and angry and hurt both at Mrs. Pennybacker's censure. They ought to know how she would feel, she told herself, with that isolation of soul which comes to us when our nearest friends fail to understand. But when she found herself the next morning at the "Yaas 'm," the old driver explained as she stepped into the carriage, "Marse Richard he say you'd be comin' out pretty cornstant fur a while an' I was to keep de carriage up dem days so's you could have it whenuver you say de word. He 'low you'd mos' likely not want it tell evenin'." "I shall want it in about an hour," she said, with a sinking sense of the shortness of the time, "to meet the noon train." Then she clenched her hands in a swift fierce anger that this man should be able to impose restrictions upon her movements. When she reached the house and got Philip in her arms she was almost sorry she had committed herself. How quickly the time was flying! She had hoped that the child would not be unhappy, but she was mortally afraid of his ceasing to mourn for her. Her illness had kept her away so long, and he was so young! Mammy Cely with intuitive tact dilated upon the scenes of those first few nights when he had refused to be comforted, and it was all as manna to her hungry soul. Then Philip, expecting commendation, said "But I don't cwy any more, mama. Unker Wichard bwings me candy, and he says I'm a good little boy now." "Philip," she cried despairingly, "don't you care for mama as you did at first? Don't you still want her at night?" "Why, yes, mama," the child said wonderingly, "but you said I must be bwave." She caught him to her arms in a passion of jealousy. After all, bravery was an unnatural virtue in a child. "Oh, Mammy Cely," she begged when at last she tore herself away from him, "don't let him forget me!" "I aint gwineter let him forgit you, Miss Margaret—don't you worry! Whenever I think of Cass I gwinter call you to that chile's 'membrance. Yaas 'm, I is so!" And on this assurance she was forced to rest. Twice a week the court had said. Those visits came to be Margaret's meat and drink. To the child as time went by they were only an incident in his daily life. He had settled into the every-day routine of the place, lonely sometimes, but finding in Mammy Cely and Uncle Tobe companions very much to his taste. Every old negro of the ancient school is an Uncle Remus to some child, and Uncle Tobe was no exception. He and his wife, Aunt Dicey, lived in one of the cabins behind the house as they had done before the war. They had been pensioners of Richard De Jarnette's through all the years of his residence in Washington. Now that he had come back to Elmhurst with his little nephew, they fell into line as cook and coachman. The old carriage, so long unused, was brought out for Margaret's special use, Uncle Tobe furbishing it up for the occasion with tremulous eagerness. It seemed to him almost like a revival of the old days when "Miss Julia" had to be driven around. They were all very kind to the child. He fed the chickens and hunted for eggs, and played with the gourds that Aunt Dicey still planted and hoarded. She always had pomegranates too that she took from some mysterious He followed Mammy Cely about incessantly through the day and as evening came on would run down through the lawn with the big elm trees in it to meet his Uncle Richard. Mr. De Jarnette fell into the habit of looking for the solitary little figure perched on the post of the big gate. When he saw him Philip would sing out, "Hello, Unker Wichard!" and then, dropping to the ground, would tug manfully to open the gate which Richard by a sleight-of-hand performance most remarkable to Philip, could open from his horse. It was such a manifest mortification to the child not to be able to do this from the ground that Mr. De Jarnette sent Uncle Tobe down one day to remedy the sagging so that the feat could be accomplished. Then Philip's joy and pride knew no bounds, and when the gate was opened with much tugging and blowing, Richard would lean down and lift the child in front of him for a canter up the road. He came to look forward to it with almost as much pleasure as Philip did. He could remember when Victor did the same thing. The day Margaret came Mammy Cely had shown her Philip's room, a great gloomy unattractive apartment, whose windows like those of the library below were carefully curtained from the light. "A horrible room for a child!" Margaret had exclaimed. "It looks like a prison." Mammy was deeply disappointed. For her part she could see nothing the matter with the room. It was exactly as her Miss Julia had left it. It had never been changed even by the second Mrs. De Jarnette. And it was scrupulously clean. She had herself painted the "A child ought to have cheerful surroundings and light," Margaret had said, pushing back the heavy curtain. "And this paper! It is enough to give him the horrors." Mammy Cely had never thought any of these things about the room, but the next morning she spoke to Mr. De Jarnette as he was starting to town. "Marse Richard, is it ever occurred to yo' mind that Philip's room ain't no fittin' place fur him to stay?" "No," said Mr. De Jarnette, in surprise. "What is the matter with it?" "That room's too sorrowful lookin' fur a chile, Marse Richard. Hit ought to have some sort of hilarious paper on the walls, and tarletan curtains or somethin' that will let in the sunshine. Yaas, sir. Chil'n needs light, jes' like plants." Mr. De Jarnette listened without replying, but he turned back and went to Philip's room. It certainly was rather a gloomy place, he reflected, though he had never thought of it before. The Brussels carpet was big-figured and dark and worn, the moths having consumed a yard or so around the edge. Loving darkness rather than light because their deeds were evil they had found here a congenial home. Mammy had seen to it that the curtains were closely drawn. He groped his way across the room and shook them impatiently, remembering that a child needed light. They gave out a musty smell. Then he looked at the walls. The paper certainly could not be called hilarious. He looked around the room with a growing discontent He made no comment when he came down, nor did Mammy Cely. Being wise in her generation she left her seed to germinate. But he said to her one morning a week or two later, "Get the things moved out of Philip's room. I am going to have some work done in it. The men will be out to-day." The painters and paper-hangers were hardly through when a load of furniture came out from Washington. Mr. De Jarnette being in doubt as to the exact amount of hilarity that the good of a child demanded, had gone to a decorator and put the matter in his hands; then to a furniture store, telling the proprietor that he wanted suitable furniture and drapery for a child's room which must be light and cheerful. The bedroom suit already in it was solid mahogany and almost priceless as an antique, but Mr. De Jarnette gave him carte blanche, and the dealer naturally made the most of his opportunity. There was a scurrying around at Elmhurst that last day as there had not been since the advent of the second Mrs. De Jarnette. Mammy Cely was bent upon having all in readiness by the time Philip's mother came. Mr. De Jarnette apparently did not know that Philip had a mother. He had never asked any questions about her comings or her goings. What he was doing was for Philip. When Margaret came Mammy Cely took her with great pride to the room. In view of her disapproval before there was every reason to expect approval now. And then the room itself commanded it. On the walls morning-glories climbed over a neutral Margaret stood just inside the room and surveyed it all—the little white bed, the diminutive dresser and chiffonier of bird's eye maple where last week had been the heavy mahogany—even a set of shelves which held Philip's rapidly accumulating treasures. "And see, mama, my little wocking chair that Unker Wichard bwinged me," said Philip. She turned away with mouth so stern that Mammy Cely asked anxiously, "Didn't they fix it right, Miss Margaret?" Somehow the room had not been the success she had hoped. The human heart is full of strange contradictions. As she looked at all these things—just what she herself would have chosen for a child's room—there came to Margaret a fierce anger that he, her enemy, should have done it. He was trying to worm himself into the child's affections,—trying to buy his love. She had gone home the week before telling of that gloomy room and hugging to her soul this grievance. Robbed of it, she felt defrauded. A sudden thought struck her. "Did you tell Mr. De Jarnette what I said?" "No, ma'am," declared Mammy Cely, not doubting that what she said was Gospel truth. "I ain't tole him nothin' 'tall 'bout what you said. I jes' mentioned to him that the room was sorter mournful, an' that was "Bring me his clothes," said Margaret, coldly. "I'll put them in the drawers myself." She did not mean to be unkind, but she was consumed with jealousy. But before she had disposed of the things in the various drawers she felt ashamed of this unworthy feeling. "I am glad it is changed," she said. "It was very—" She could not bring herself to say kind or good or thoughtful. But Mammy Cely supplied the word. "He's mighty good to him, Miss Margaret—ain't he, honey?" "Yes," said Philip. "He bwings me candy. And every night I go down to meet him. I can open the big gate now." And Margaret's heart felt another twinge. "Mama's brought you something, darling. A dear little baby to hang on the wall. He will be company for you." It was a Madonna picture—a Bodenhausen with the flowing tresses and the deep, sad eyes. Philip was full of interest in the baby. "He's thes been havin' a bath," he explained, and Mammy Cely who had little knowledge of art but much of nature, commented, "Jes' look at the creases in the little laig! Aint that natch'el?" "That is the way mama used to hold you, darling, when you were a dear helpless little baby. I am going to hang it over there in front of the bed so you can see it the first thing in the morning." "It looks like you, mama," he said thoughtfully. "It's got the smile of you." The smile of the Bodenhausen is very sad. She caught him passionately to her arms. "I will," he promised eagerly. "And I'll show it to Unker Wichard." "Philip!... Philip!" She felt that he was slipping away from her. "Oh, Mammy Cely, make him remember me!" "I will, Miss Margaret!" the old woman declared, and to Philip's mystification they were both in tears. "The baby in that picture is white and my baby was black, but somehow the crease in that little laig make me think of Cass. I ain't gwineter let him furgit you. No 'm!" In their interest in the picture and all it stood for they forgot the time till Aunt Dicey announced dinner. Margaret looked at her watch in dismay. The noon train was gone. "Go on down to dinner, Miss Margaret," insisted Mammy Cely. "Look to me lak you're cuttin' off yo' nose to spite yo' face. Marse Richard ain't never ast once does you stay. And he ain't gwineter. He jes fix it so you kin and then leave you free. That's Marse Richard's way. He ain't no talker. Why, honey, fum the day he come and foun' Philip gone he ain't never once mention to me yo' catnippin' that chile. No 'm, he ain't!" "I don't want any dinner," said Margaret. "I think Mr. De Jarnette's bread would choke me." "Miss Margaret, honey, that's foolishness! Nothin' ain't gwine choke you after you make up yo' min' to it. Sho's you born, chile, you kin swaller a heap er things in this world you think you can't!" "I guess that's so," said Margaret. "I used to think—" Then with sudden helplessness—"I don't know |