Handsomely bound in cloth. Price, 75 cents per volume, postpaid.

THE KINDRED OF THE WILD. A Book of Animal Life. With illustrations by Charles Livingston Bull.

Appeals alike to the young and to the merely youthful-hearted. Close observation. Graphic description. We get a sense of the great wild and its denizens. Out of the common. Vigorous and full of character. The book is one to be enjoyed; all the more because it smacks of the forest instead of the museum. John Burroughs says "The volume is in many ways the most brilliant collection of Animal Stories that has appeared. It reaches a high order of literary merit."

THE HEART OF THE ANCIENT WOOD. Illustrated.

This book strikes a new note in literature. It is a realistic romance of the folk of the forest—a romance of the alliance of peace between a pioneer's daughter in the depths of the ancient wood and the wild beasts who felt her spell and became her friends. It is not fanciful, with talking beasts; nor is it merely an exquisite idyl of the beasts themselves. It is an actual romance, in which the animal characters play their parts as naturally as do the human. The atmosphere of the book is enchanting. The reader feels the undulating, whimpering music of the forest, the power of the shady silences, the dignity of the beasts who live closest to the heart of the wood.

THE WATCHERS OF THE TRAILS. A companion volume to the "Kindred of the Wild." With 48 full page plates and decorations from drawings by Charles Livingston Bull.

These stories are exquisite in their refinement, and yet robust in their appreciation of some of the rougher phases of woodcraft. "This is a book full of delight. An additional charm lies in Mr. Bull's faithful and graphic illustrations, which in fashion all their own tell the story of the wild life, illuminating and supplementing the pen pictures of the authors."—Literary Digest.

RED FOX. The Story of His Adventurous Career in the Ringwaak Wilds, and His Triumphs over the Enemies of His Kind. With 50 illustrations, including frontispiece in color and cover design by Charles Livingston Bull.

A brilliant chapter in natural history. Infinitely more wholesome reading than the average tale of sport, since it gives a glimpse of the hunt from the point of view of the hunted. "True in substance but fascinating as fiction. It will interest old and young, city-bound and free-footed, those who know animals and those who do not."—Chicago Record-Herald.

NEDRA, by George Barr McCutcheon, with color frontispiece, and other illustrations by Harrison Fisher.

The story of an elopement of a young couple from Chicago, who decide to go to London, travelling as brother and sister. Their difficulties commence in New York and become greatly exaggerated when they are shipwrecked in mid-ocean. The hero finds himself stranded on the island of Nedra with another girl, whom he has rescued by mistake. The story gives an account of their finding some of the other passengers, and the circumstances which resulted from the strange mix-up.

POWER LOT, by Sarah P. McLean Greene. Illustrated.

The story of the reformation of a man and his restoration to self-respect through the power of honest labor, the exercise of honest independence, and the aid of clean, healthy, out-of-door life and surroundings. The characters take hold of the heart and win sympathy. The dear old story has never been more lovingly and artistically told.

MY MAMIE ROSE. The History of My Regeneration, by Owen Kildare. Illustrated.

This autobiography is a powerful book of love and sociology. Reads like the strangest fiction. Is the strongest truth and deals with the story of a man's redemption through a woman's love and devotion.

JOHN BURT, by Frederick Upham Adams, with illustrations.

John Burt, a New England lad, goes West to seek his fortune and finds it in gold mining. He becomes one of the financial factors and pitilessly crushes his enemies. The story of the Stock Exchange manipulations was never more vividly and engrossingly told. A love story runs through the book, and is handled with infinite skill.

THE HEART LINE, by Gelett Burgess, with halftone illustrations by Lester Ralph, and inlay cover in colors.

A great dramatic story of the city that was. A story of Bohemian life in San Francisco, before the disaster, presented with mirror-like accuracy. Compressed into it are all the sparkle, all the gayety, all the wild, whirling life of the glad, mad, bad, and most delightful city of the Golden Gate.

CAROLINA LEE. By Lillian Bell. With frontispiece by Dora Wheeler Keith.

Carolina Lee is the Uncle Tom's Cabin of Christian Science. Its keynote is "Divine Love" in the understanding of the knowledge of all good things which may be obtainable. When the tale is told, the sick healed, wrong changed to right, poverty of purse and spirit turned into riches, lovers made worthy of each other and happily united, including Carolina Lee and her affinity, it is borne upon the reader that he has been giving rapid attention to a free lecture on Christian Science; that the working out of each character is an argument for "Faith;" and that the theory is persuasively attractive.

A Christian Science novel that will bring delight to the heart of every believer in that faith. It is a well told story, entertaining, and cleverly mingles art, humor and sentiment.

HILMA, by William Tillinghast Eldridge, with illustrations by Harrison Fisher and Martin Justice, and inlay cover.

It is a rattling good tale, written with charm, and full of remarkable happenings, dangerous doings, strange events, jealous intrigues and sweet love making. The reader's interest is not permitted to lag, but is taken up and carried on from incident to incident with ingenuity and contagious enthusiasm. The story gives us the Graustark and The Prisoner of Zenda thrill, but the tale is treated with freshness, ingenuity, and enthusiasm, and the climax is both unique and satisfying. It will hold the fiction lover close to every page.

THE MYSTERY OF THE FOUR FINGERS, by Fred M. White, with halftone illustrations by Will Grefe.

A fabulously rich gold mine in Mexico is known by the picturesque and mysterious name of The Four Fingers. It originally belonged to an Aztec tribe, and its location is known to one surviving descendant—a man possessing wonderful occult power. Should any person unlawfully discover its whereabouts, four of his fingers are mysteriously removed, and one by one returned to him. The appearance of the final fourth betokens his swift and violent death.

Surprises, strange and startling, are concealed in every chapter of this completely engrossing detective story. The horrible fascination of the tragedy holds one in rapt attention to the end. And through it runs the thread of a curious love story.

MEREDITH NICHOLSON'S FASCINATING ROMANCES

Handsomely bound in cloth. Price, 75 cents per volume, postpaid.

THE HOUSE OF A THOUSAND CANDLES. With a frontispiece in colors by Howard Chandler Christy.

A novel of romance and adventure, of love and valor, of mystery and hidden treasure. The hero is required to spend a whole year in the isolated house, which according to his grandfather's will shall then become his. If the terms of the will be violated the house goes to a young woman whom the will, furthermore, forbids him to marry. Nobody can guess the secret, and the whole plot moves along with an exciting zip.

THE PORT OF MISSING MEN. With illustrations by Clarence F. Underwood.

There is romance of love, mystery, plot, and fighting, and a breathless dash and go about the telling which makes one quite forget about the improbabilities of the story; and it all ends in the old-fashioned healthy American way. Shirley is a sweet, courageous heroine whose shining eyes lure from page to page.

ROSALIND AT REDGATE. Illustrated by Arthur I. Keller.

The author of "The House of a Thousand Candles" has here given us a bouyant romance brimming with lively humor and optimism; with mystery that breeds adventure and ends in love and happiness. A most entertaining and delightful book.

THE MAIN CHANCE. With illustrations by Harrison Fisher.

A "traction deal" in a Western city is the pivot about which the action of this clever story revolves. But it is in the character-drawing of the principals that the author's strength lies. Exciting incidents develop their inherent strength and weaknesses, and if virtue wins in the end, it is quite in keeping with its carefully-planned antecedents. The N. Y. Sun says: "We commend it for its workmanship—for its smoothness, its sensible fancies, and for its general charm."

ZELDA DAMERON. With portraits of the characters by John Cecil Clay.

"A picture of the new West, at once startlingly and attractively true.... The heroine is a strange, sweet mixture of pride, wilfulness and lovable courage. The characters are superbly drawn; the atmosphere is convincing. There is about it a sweetness, a wholesomeness and a sturdiness that commends it to earnest, kindly and wholesome people."—Boston Transcript.

AGNES AND EGERTON CASTLE

Handsomely bound in cloth. Price, 75 cents per volume, postpaid.

THE PRIDE OF JENNICO. Being a Memoir of Captain Basil Jennico.

"What separates it from most books of its class is its distinction of manner, its unusual grace of diction, its delicacy of touch, and the fervent charm of its love passages. It is a very attractive piece of romantic fiction relying for its effect upon character rather than incident, and upon vivid dramatic presentation."—The Dial. "A stirring, brilliant and dashing story."—The Outlook.

THE SECRET ORCHARD. Illustrated by Charles D. Williams.

The "Secret Orchard" is set in the midst of the ultra modern society. The scene is in Paris, but most of the characters are English speaking. The story was dramatized in London, and in it the Kendalls scored a great theatrical success.

"Artfully contrived and full of romantic charm ... it possesses ingenuity of incident, a figurative designation of the unhallowed scenes in which unlicensed love accomplishes and wrecks faith and happiness."—Athenaeum.

YOUNG APRIL. With illustrations by A. B. Wenzell.

"It is everything that a good romance should be, and it carries about it an air of distinction both rare and delightful."—Chicago Tribune. "With regret one turns to the last page of this delightful novel, so delicate in its romance, so brilliant in its episodes, so sparkling in its art, and so exquisite in its diction."—Worcester Spy.

FLOWER O' THE ORANGE. With frontispiece.

We have learned to expect from these fertile authors novels graceful in form, brisk in movement, and romantic in conception. This carries the reader back to the days of the bewigged and beruffled gallants of the seventeenth century and tells him of feats of arms and adventures in love as thrilling and picturesque, yet delicate, as the utmost seeker of romance may ask.

MY MERRY ROCKHURST. Illustrated by Arthur E. Becher.

In the eight stories of a courtier of King Charles Second, which are here gathered together, the Castles are at their best, reviving all the fragrant charm of those books, like The Pride of Jennico, in which they first showed an instinct, amounting to genius, for sunny romances. "The book is absorbing ... and is as spontaneous in feeling as it is artistic in execution."—New York Tribune.

THE CATTLE BARON'S DAUGHTER. A Novel. By Harold Bindloss. With illustrations by David Ericson.

A story of the fight for the cattle-ranges of the West. Intense interest is aroused by its pictures of life in the cattle country at that critical moment of transition when the great tracts of land used for grazing were taken up by the incoming homesteaders, with the inevitable result of fierce contest, of passionate emotion on both sides, and of final triumph of the inevitable tendency of the times.

WINSTON OF THE PRAIRIE. With illustrations in color by W. Herbert Dunton.

A man of upright character, young and clean, but badly worsted in the battle of life, consents as a desperate resort to impersonate for a period a man of his own age—scoundrelly in character but of an aristocratic and moneyed family. The better man finds himself barred from resuming his old name. How, coming into the other man's possessions, he wins the respect of all men, and the love of a fastidious, delicately nurtured girl, is the thread upon which the story hangs. It is one of the best novels of the West that has appeared for years.

THAT MAINWARING AFFAIR. By A. Maynard Barbour. With illustrations by E. Plaisted Abbott.

A novel with a most intricate and carefully unraveled plot. A naturally probable and excellently developed story and the reader will follow the fortunes of each character with unabating interest ... the interest is keen at the close of the first chapter and increases to the end.

AT THE TIME APPOINTED. With a frontispiece in colors by J. H. Marchand.

The fortunes of a young mining engineer who through an accident loses his memory and identity. In his new character and under his new name, the hero lives a new life of struggle and adventure. The volume will be found highly entertaining by those who appreciate a thoroughly good story.