King RenÉ d’Anjou and his Seven Queens—yes, I stand by my title, and offer no apology to the captious and the curious.

RenÉ was the most remarkable personality in the French Renaissance. How many English readers of the romance of history, I wonder, know anything about him but his name? Of his “seven Queens,” two only are at all familiar to the English public,—Marguerite d’Anjou and Jeanne d’Arc,—and their stories as commonly told are unconvincing. The other five are not known even by name to the majority of people; therefore I have immense pleasure in introducing them to any clientÈle: Yolanda d’Arragona, Isabelle de Lorraine, Jehanne de Laval, Giovanna II. da Napoli, Jeanne d’Arc and Marguerite d’Anjou. This galaxy of Queens, fair and frail, will appeal as something entirely new in sentimental biography to those in search of novelty.

Turgid facts of history and dryasdust statistics of the past are, of course, within everybody’s ken, or they are supposed to be—this is an age of snobbery! Piquant stories of the persons and foibles of famous men and women are my measure, and such you will have in plenty in my narratives. To get at my facts and fictions I have dug deep into the records of Court chroniclers, and I think I have blended very successfully the spirit of the troubadours and the spirit of the age of chivalry. At the end of the volume I have added a Bibliography, for the benefit of sententious students, and my Index is as full as possible, to assist the casual reader.

The illustrations which adorn my pages have been gathered from many sources. I think they will greatly assist the appreciation of my work. With respect to portraits of my “Queens,” there are no extant likenesses of Yolanda and Jeanne: for the latter I have chosen to reproduce the historical imaginative fresco of M. Lepenveu, at the Pantheon in Paris; for the former the stained-glass window effigy at Le Mans Cathedral must do duty. Queen Isabelle is an enlargement of a miniature by RenÉ; Queen Marie is after a French picture of the School of Jean Focquet, now at the National Gallery, London, but wrongly entitled. Queen Giovanna II. is from an altar-piece in the National Museum at Naples. Queen Marguerite is from a miniature by her father,—her portraits in England are eminently unsatisfactory and non-contemporary,—Queen Jehanne is from the right wing of the Aix triptych, by Nicholas Froment.

There is, I think, nothing more to add to my preface, so I leave “King RenÉ and his Seven Queens” tÊte-À-tÊte with my discerning public. If they are found to be entertaining company I am repaid.

EDGCUMBE STALEY.