Outside Phyl stood for a moment to breathe the warm scented air and look around her. To be treated like a child by any other person than Maria Pinckney would have incensed her, all the same to be told to do a thing because it was good for her, or because it was a pleasant thing to do, in the teller’s opinion, was an almost certain way of making her do the exact opposite. The garden did not attract her, the place did. That cypress avenue with the sun upon it, that broad sweep of drive in front of the house, the distant peeps of country between trees and the languorous lazy atmosphere of the perfect day fascinated her mind. She came along the house front to the right, and found herself at the gate of the stable yard. The stable yard of Grangersons was an immense flagged quadrangle bounded on the right, counting from the point of entrance, by the kitchen premises. There was stable room for forty horses, coach-house accommodation for a dozen or more carriages. The car had been run into one of the coach-houses and the yard stood empty, sunlit, silent, save for the voices of the pigeons wheeling in the air, or strutting on the roof of the great barn adjoining the stables. One of the stable doors was open and as Phyl crossed the yard a young man appeared at the open door, shaded his eyes and looked at her. Then he came forward. It was Silas Grangerson, and Phyl thought he was the handsomest and most graceful person she had ever seen in her life. Silas was a shade over six feet in height, dark, straight, slim yet perfectly proportioned; his face was extraordinary, the most vivid thing one would meet in a year’s journey, and with a daring, and at times, almost a mad look unforgettable when once glimpsed. Like the Colonel and like his ancestors Silas had a direct way with women. “Hallo,” said he, with the sunny smile of old acquaintanceship, “where have you sprung from?” Phyl was startled for a moment, then almost instantly she came in touch with the vein and mood and mind of the other and laughed. “I came with Miss Pinckney,” said she. “You’re not from Charleston?” “Yes, indeed I am.” “But where do you live in Charleston? I’ve never seen you and I know every—besides you don’t look as if you belonged to Charleston—I don’t believe you’ve come from there.” “Then where do you think I’ve come from?” “I don’t know,” said Silas laughing, “but it doesn’t matter as long as you’re here, does it? ’Scuse my fooling, won’t you—I wouldn’t with a stranger, but you don’t seem a stranger somehow—though I don’t know your name.” “Phylice Berknowles,” said Phyl, glancing up at “And my name is Silas Grangerson. Say, is Maria Pinckney in the house with father?” “She is.” “Talking over old times, I s’pose?” said Silas. “Yes!” “I can hear them. It’s always the same when they get together—and I suppose you got sick of it and came out?” “No, they put me out—asked me wouldn’t I like to look at the garden.” Already she had banded herself with him in mild opposition to the elders. “Great—Jerusalem. They’re just like a pair of old horses wanting to be left quiet and rub their nose-bags together. Look at the garden! I can hear them—come on and look at the horses.” He led the way to a loose box and opened the upper door. “That’s Flying Fox, she’s mine, the fastest trotter in the Carolinas—you know anything about horses?” “Rather!” “I thought you did, somehow. Mind! she doesn’t take to strangers. Mind! she bites like an alligator.” “Not me,” said Phyl, fondling the lovely but fleering-eyed head protruding above the lower door. “So she doesn’t,” said Silas admiringly, “she’s “That’s the horses,” said he, flinging open a coach-house door, “and that’s the shandrydan the governor still drives in when he goes to Charleston. Look at it. It was made in the forties, and you should see it with a darkey on the box and Pap inside, and all his luggage behind, and he going off to Charleston, and the nigger children running after it.” Phyl inspected the mustard-yellow vehicle. Then he closed the door on it, put up the bar, and, the business of showing things over, did a little double shuffle as though Phyl were not present, or as though she were a boy friend and not a strange young woman. “Say, do you like poetry?” said he, breaking off and seeming suddenly to remember her presence. “No,” said Phyl. “At least—” “Well, here’s some. “‘There was an old hen and she had a wooden leg, She went to the barn and she laid a wooden egg, She laid it right down by the barn—don’t you think.’” “Well?” said she, laughing. “‘It’s just about time for another little drink—’ some sense in poetry like that, isn’t there? But all the drinks are in the house and I don’t want to go in. I’m hiding from Pap. Last night when he was ratty with rheumatism, he let out at me, saying the young people weren’t any good, saying Maria Pinckney was the only person he knew with sense in her head, called me a name because I poured him out a dose of liniment instead of medicine, by mistake—though he didn’t swallow it—and wished Maria was here. So I just sent Jake, the page boy, off with a wire to her; didn’t tell any one, just sent it. Come on and look at the garden—you’ve got to look at the garden, you know.” He led the way past the barn to a farmyard, where hens were clucking and scratching and scraping in the sunshine; the deep double bass grunting of pigs came from the sties, by the low wall across which one could see the country stretching far away, the cotton fields, the woods, all hazed by the warmth of the afternoon. “Let’s sit down and look at the garden,” said he, pointing to a huge log by the near wall—“and aren’t the convolvuluses beautiful?” “Beautiful,” said Phyl, falling into the vein of the other. “And listen to the roses.” “They grunt like that because it’s near dinner “You don’t mind smoking, do you?” “Not a bit.” “Have one?” “I daren’t.” “Maria Pinckney won’t know.” “It’s not her—I smoked one once and it made me sick.” “Well, try another—I won’t look if you are.” “They’ll—she’ll smell it.” “Not she, you can eat some parsley, that takes the smell away.” “Oh, I don’t mind telling her—it’s only—well, there.” She took a cigarette and he lit it for her. “Blow it through your nose,” he commanded, “that’s the way. Now let’s pretend we’re two old darkies sitting on a log, you push against me and I’ll push against you, you’re Jim and I’m Uncle Joseph. ‘What yo’ crowding me for, Jim,’” he squeezed up gently against her, and Phyl jumped to her feet. He glanced up at her, sideways, laughing, and for the life of her she could not be angry. “Don’t you think we’d better go and look at the garden?” said she. “In a minute, sit down again. I won’t knock against you. It was only my fun. We’ll pretend I’m Pap, and you’re Maria Pinckney, if you like. You’ve let your cigarette go out.” “So I have.” “You can light it from mine.” Phyl hesitated and was lost. It was the nearest thing to a kiss, and as she drew back with the lighted cigarette between her lips, she felt a not unpleasant sense of wickedness, such as the virtuous boy feels when led to adventure by the bad boy. Sitting on a log, smoking cigarettes, talking familiarly with a stranger, taking a light from him in such a fashion with her face so close to his that his eyes— They smoked in silence for a moment. Then Silas spoke: “Do you ever feel lonesome?” said he. “Awfully—sometimes.” “So do I.” Silence for a moment. Then: “I go off to Charleston when I feel like that—once in a fortnight or so—Where do you live in Charleston?” “I live with Miss Pinckney—I thought you knew.” “You didn’t say that. You only said you came with her.” “Well, I live with her at Vernons. I’m Irish, y’ know. My—my father died in Charleston, and I came from Ireland to live with Miss Pinckney. Mr. Richard Pinckney is my guardian.” “Your which? Dick Pinckney your guardian! Why, he’s not older than I am—that fellow your guardian—why, he wears a flannel petticoat.” “He doesn’t,” cried Phyl, flinging away the cigarette, which had become noxious, and roused to “Oh, I only meant that he’s too awfully proper for this life. He goes to Charleston races, but never backs a horse, scarcely, and one Mint Julep would make him see two crows. He’s a sort of distant relation of ours.” Phyl was silent. She resented his criticism of her friend, and just in this moment the something mad and harum scarum in the character of Silas seemed shown up to her with electrical effect. Criticism is a most dangerous thing to indulge in, unless anonymously in the pages of a journal, for the right to criticise has to be made good in the mind of the audience, unless the audience is hostile to the criticised. Then she said: “I don’t know anything about Mint Juleps or race courses, but I do know that Mr. Pinckney has been—is—is my friend, and I’d rather not talk about him, if you please.” “Now, you’re huffed,” cried Silas exultingly, as though he had scored a point at some game. “I’m not.” “You are—you’ve flushed.” Phyl turned pale, a deadly sign. “I’d never dream of getting out of temper with you,” said she. It was his turn to flush. You might have struck Silas Grangerson without upsetting his balance, but the slightest suspicion of a sneer raised all the devil in him. Had Phyl been a man he would have “You’ve flushed now,” said she. |