THE DREAM

The "Jap Rubbish trade" was prospering mildly.

During the first two years it seemed likely to languish and die, but in the third year it woke up, got on its legs, and, to use M'Gourley's phrase, "began to pick a bit." In the fourth year it was bringing Leslie in some two hundred a year, a fair amount considering the capital originally invested in it.

Not that he wanted the money, he kept his interest in the thing just for something to do—a toy business to play with when he was otherwise disengaged.

As for Mac, he was getting rich, not out of the Rubbish trade, but in a manner we will hint at later on.

The House of the Clouds remained unaltered, save for a tiny landscape garden not much bigger than a dining-table which Leslie had laid out for Campanula. It lay beyond the garden walk in front of the veranda, and it had mountains and rivers and savannas of moss, and old oak trees, fierce-looking, but not much bigger than your thumb, and twisted fir trees that reflected themselves gloomily in lakes the size of hand-mirrors, and a Shinto temple about the size of a Buszard's Dundee cake; there were also bridges across the rivers.

The thing had been laid out as a New Year's gift for Campanula, and it had cost Leslie about the price of a Steinway Grand.

Azalea bushes grew right up to it, azaleas bordered the house, and there was a wilderness of azaleas in the open space near the cherry trees.

Crimson azaleas, imported all the way from the azalea valley at Nikko in the very first year of Leslie's residence in Nagasaki. It was a pretty thought, and it had cost a good penny, and caused much grumbling from Mac, and great admiration in Mr. Initogo, who had turned out the most delightful of landlords, a good hand at whist, and most adaptable about repairs. He was a modern Japanese agnostic when he was well, was Mr. Initogo, and a Shinto when he was ill or in trouble; but he was an all-round good landlord at all times.

One bright afternoon Leslie was seated beneath the cherry trees in a deck chair, his hat tilted back, and the pipe he had just been smoking lying on the ground at his feet. He was asleep. Lately he had been suffering from a touch of fever and chills caught on a duck-shooting expedition down the coast; he had been taking opium for it, and now as he sat beneath the cherry trees the opium was troubling his dreams.

Just before dropping off, his eye had fallen on a single azalea blossom that had burst into flame, as if spring had just touched off with her torch the fire of crimson flowers that soon would blaze round the house.

Then he fell asleep, and Opium plucked the crimson blossom, and followed him with it into the land of dreams.

He was in a Hongwanji temple, and there were people there, Europeans seemingly, dressed in European clothes; but though in a specious disguise, they were soon perceived to be not the people of this earth. They had strange and distorted faces, and forms that surely never were made in God's image. One man, who suddenly hid himself behind a screen of lacquer, Leslie could have sworn was made of stone.

Then in great tribulation of spirit he was escaping from the company of these people, passing down a corridor where soft matting took the foot; but something was following him with a hissing sound, a sound such as Danjuro made by way of welcome when you entered his shop. Of a sudden the opium spirit touched the corridor wall with the flower he had been patiently carrying, the Hongwanji temple vanished, and Leslie found himself on the Nikko road.

The valley of azaleas lay before him and the mournful cypress trees, the country where the moving clouds cast their shadows, and the far blue hills beyond.

There was something moving amidst the azaleas. He knew it was a child, but, by some curious and subtle freak of the opium fiend, the child was hidden from him, all but vague glimpses; were it to make itself half visible for a second a phantom azalea bush would come before it, but he could see a tiny white hand busy plucking the crimson blossoms.

Then from somewhere far away through the dream came the mournful toot, toot, of a blind man's reed-pipe. At first it seemed beyond the bend of the road, and then it seemed amidst the azaleas, and then in the wood of cypress trees. It grew more insistent and piercing, and changed subtly into the sound he had once heard on the Nikko road when, sitting with M'Gourley, he had listened to the tune of the blind juggler with the pipe.

As he listened, shuddering, he saw something which he at once knew to be the reason of the music and the soul of the opium drama that was unfolding before him.

A tiny black dot was visible in the sky away over the distant hills. It expanded and grew, dilated as if in response to the enchanted music. And then he saw that it was a bird; a vast bird, larger than an eagle, a ferocious and awful bird, a tragic apparition called up from the lands of night. It poised above the valley, seeming to float and be upborne, not on air, but on the music welling from the wood.

He knew that if he could get to the half-seen child amidst the azaleas he could save it from its fate. But he could make no movement nor utter a sound, but stood paralyzed, watching the tiny white hand plucking the crimson flowers and the Horror above preparing to strike.

The music had now turned to a drone, a sound like the spinning sound of a vast top. The thing in the air circled and span. He knew it was preparing to fall like a thunderbolt.

Then he awoke.

He saw the garden, the cherry trees, the house. Opium land had vanished, but the music remained, ringing in his ears; or was it real?

He sprang to his feet and staggered along the path leading to the gate looking wildly round him and listening. As he came, the sound died off; died and turned to the sound of ordinary life, the hum from the city below, the sound of the wind in the lilac trees, the tune of ceaseless cicalas.

"My God! what a dream!" he muttered as he grasped the gate and stared down the lilac-shadowed path. Then he returned slowly to the seat beneath the cherry trees, and lit a cigarette.

Opium had played a trick upon him like this before. He had taken it first months ago for fever; since then he had taken it occasionally for the slightest ache. He reacted well to it sensually speaking, and found it at once soothing and stimulating. Once before it had pushed him into dreamland, but a dreamland without plot or plan, and unstained by a horror such as he had just witnessed.

He was seated half drowsing, when suddenly some influence made him look up and he saw before him a lovely thing. It was Campanula. She had just come out of the house by way of the veranda, and was approaching him. Campanula, far removed from the child he had carried on his shoulder into Nikko five years ago.

The child had turned into a girl with that rapidity of transformation characteristic of the women of Japan. She was taller than the ordinary MousmÈ of fourteen or fifteen; her face, even to Western eyes, was beautiful with a sad and mysterious beauty of its own, and her every movement was graceful as the movement of a bluebell when touched by the wind.

She had ceased to attend the mission school after nearly four years' instruction, during which she had grasped the art of speaking and almost of thinking in English, and was now Leslie's housekeeper, his adopted daughter, and absolute ruler of the small domain known as the House of the Clouds—as far, that is to say, as the household affairs went.

She still retained her childishness of mind, and for all the Christian endeavor of the missionaries, she still retained much of her pristine belief in "things"—things with wings as well as hoofs, things that lived in woods, birds that talked, and beasts that made answer.

Though she could speak English, she never spoke in long sentences, or told a connected tale in that language, always falling back on the vernacular when her imagination was roused, or a long and connected statement had to be made.

She was approaching Leslie now with a porcelain bowl figured with storks in her hand, and a smile upon her face. There was little mat on the ground near his chair, and on this she sat down—kneeling fashion—with the bowl before her.

"See!" said she, producing some things like small gun wads from the sleeve of her kimono, "I bought these to-day to give you pleasure. Oh, so beautiful! Watch!"

She cast one of the ugly discs upon the surface of the water. It lay there for a moment unchanged, and then, as if by magic, began to expand as it sucked up the fluid, and break up, growing bigger and broader till at last on the surface of the water floated three pink-tinted lotus-flowers, a most delicate and perfect resemblance of the real things.

She folded her hands and looked up at him with a happy smile.

"Where did you get them?" asked Leslie.

"M'Gourley San told me of them, he wished to buy them for me—but I bought them for you."

She removed the lotus-flowers and cast another disc on the water.

Leslie watched her. During the last few months Campanula's attitude to him had changed. From a happy, humble, and somewhat heedless thing—a creature that regarded him with affection—an affection of about the same strength as she exhibited for M'Gourley, Sweetbriar San, the cat, and her children schoolmates; she had become a follower of his alone, always striving to please him, forestalling his wants, always happy in his presence, and drooping—unknown to him—when he was away.

The second wad under the influence of the water broke up and began to form the branch of a cherry tree covered with blossom.

"Arashiyama," murmured she, folding her small hands and speaking dreamily, as if communing with herself. Then she sat watching the branch of the cherry tree expanding over the surface of the water.

From the house came a somewhat discordant voice singing a song about a bee and a lilac bough.

It was Pine-breeze singing at her work. Moon, Plum-blossom, and Snow, with their fictitious mother Fir-cone, had vanished from the House of the Clouds two years and more, giving place to Pine-breeze, a miracle of daintiness and prettiness, and two other MousmÈs, one "rather old," the cook, Lotus-bud by name, and the other named Cherry-blossom, as pretty as Pine-breeze.

"Listen!" said Campanula, suddenly looking up from the bowl and its contents. "There is some one at the gate."

Leslie half turned.

A man and woman had passed through the gateway shadowed by lilac, a short, stout man dressed in tweed and a tall woman in blue serge.

Leslie could see them only indistinctly from where he sat, and they, not looking in his direction, failed to see him at all.

They were coming up to the veranda when the woman turned to the little picture garden, laughed, and pointed it out to her companion. Then she left the path, stepped gingerly right into the middle of the landscape garden country, and tried to pluck up an oak tree, a gnarled and ancient-looking oak tree eight inches high.

"Who?" asked Campanula, turning from the sight of this outrage with uplifted forefinger.

"They are Foreign Devils," said Leslie using the Chinese idiom. He was very pale, leaning forward in chair. "Look, Campanula! I verily believe she is trying to tear up your mountains to see how they grow. That's what they call in England 'cheek,' Campanula."