THE TEA HOUSE OF THE TORTOISE It was at the next turn that Nikko broke upon them, a long way off, lying in its valley amidst the high hills, hills fledged with greenery to their summit. There are sights that strike the eye and the heart at the same time, and the sight of Nikko where the Shoguns sleep, Nikko the beautiful in the silent valley, amidst the silent hills, is one of these. The delicate colors, the exquisite tracery of the temple roofs, the crystal clearness of the air through which the eye can pick out detail after detail, the atmosphere of tranquillity of the mountains, and the green cryptomeria trees, make up a picture, leaving little for the heart to desire, or the imagination to conceive. "Why," cried Leslie, turning to his companion (Campanula was seated aloft in solitary state upon his shoulder clutching his hair tight, whilst he held in one big "A'weel," said M'Gourley, glowering at Nikko, "if you want my candid opeenion, we've juist gone astray; the country I know well, but these dom roads lead one like a Jack o'Lanthorn. It's my opeenion that a Japanese road—" "I don't want your opinion on Japanese roads, I want your concise opinion about yourself—ain't you a fool?" "Ay, ay," said M'Gourley, as if considering the matter, "a fule I may be, but it's my candit opeenion that I'm not the only fule in Japan." "Well," said Leslie, "fool or no fool, we'll have to tramp it, and you'll have to take your turn to carry the kid, so—Marchons!" Campanula, so far from being frightened at her awful elevation from the earth, seemed to enjoy the situation, and to find food for a sort of muse of her own, for she began to hum as Leslie took the road with his long stride, and to sing in a lisping sort of way. "What's she singing?" demanded her bearer of the sweating Scot at his side. "Lord knows! 'tis an eldritch chune, and I dinna like "Well, I'll go slower if you'll listen, and tell me what she's singing." "She's singing," gasped M'Gourley, "s' far as I can make out, some diddering noensense aboot a sugar-candy dragon that a man like a poplar tree is goin' to hunt, he and a man like a corbie." "That's you." "More like some bogle from the wood that's maybe after us now. I am not a supersteetious man—na, na! ye may laugh or not—but would y' like to know what in my humble opeenion you are cartin' on your shoulders?" "Yes?" "Some bairn that has been lost and dead these years, and has been whustled up by that blind deevil with the pipe. What did she mean by that reeference to the snaw—answer me that!" "When I can get into the mind of a Japanese child, and see the world as it sees it, I'll answer you; you know what children's minds are, how they mix and imagine things." "What did she mean by that reeference to the snaw?" grimly went on M'Gourley. "Mix or no mix, what did she mean by the other bairn being lost in the snaw?" They took it turn about, M'Gourley vastly loth, to carry the Lost One; and the Lost One stopped them to gather flowers for her by the wayside, to give her drinks from rivulets, to help her admire and wonder at herons and other marvels of the way, so that it was after six of the clock when two of the most dusty and perspiring Scotchmen in the Eastern Hemisphere entered the happy village of Nikko from the mountain side, Campanula this time on Leslie's shoulder, grave, triumphant, and holding a huge lily in her hand. Nikko and its surroundings just now was ablaze with scarlet japonica. The lamps of the camellias were lit, the soaring wistaria vines had broken into clusters of pale lilac blossoms, the iris beautified the field, and the wild cherry the thicket. It was as if spring had called from the tomb of Iyeyasu and her faithful had come to pray. There are two hotels at Nikko known to the globe-trotter, "Kanayas" and the "New Nikko," but M'Gourley knew a better place than these. As they passed down the long inclined street a baby The shout, as if by magic, brought half a dozen children from nowhere in particular; girl children with dolls on their backs, older girl children with babies on their backs, boys battledore in hand, and all with clogs on their feet, clogs that went clipper-clapper, waking up the echoes and calling forth more children, so that when they had got half-way down the mile-long street from the upper village Campanula had a "following," the like of which had never been seen, perhaps, since the pied piper passed through Hamelin. A colored, laughing, murmuring, rippling throng following with every eye fixed on the Lost One borne sky-high on the shoulder of the tall stranger; a throng, the half of which could have walked under a dinner-table without much inconvenience; some empty-handed, some still grasping their implements of play, all agog, yet of decent and orderly behavior. A throng, in fact, of ladies and gentlemen in the making. Backward over the summit of Leslie gazed Campanula upon this crowd, whilst the stall-keepers and the stray "I say," called Leslie to his companion, who was limping behind dead beat, yet in an agony at the "splurge" they were making, "this is gay, isn't it?" "Dod rot the child!" cried M'Gourley, nearly tumbling over a fat baby with a tufted head, who was running in front of him and trying to look up in his face. "I dinna ken whoat ye mean by gay. I have no immeediate particular use for the waurd. Never before have I been held up to public reedicule. I'm a decent livin' man, ye ken, an' I ha'na any use for such gayeties. I leave them to ithers who care for makin' assinine eediots of theirselves; but, thank the Laird, we're nearly there noo." They turned a corner and entered a gate that led to a garden. At the gate M'Gourley turned and addressed the camp followers, telling them with forced politeness that there was nothing more to be seen; that the show was over, in fact, and asking them honorably to excuse him the pleasure of being followed any more. The crowd murmured, and dissolved, the earth seemed to take it up like blotting-paper, and M'Gourley, turning This was the Tea House of the Tortoise, a place well known to M'Gourley, as (to use his own abominable expression) being "cheap and clean." A panel of the front was drawn back, revealing cream-white matting and lamp light. M'Gourley sat down with a sigh on the side of the veranda, and began to pull off his elastic side boots. Leslie sat down also, with Campanula in his lap; he could not put her down for she had literally tumbled into sleep. "Pull off my boots, Mac," said he. "I can't let go of this blessed child." "Na!" said Mac mysteriously, and somewhat viciously, as he knelt down and unlaced his partner's boots, "ye cannot let her go, ye cannot let her go; forby, she wullna let you go." "You think she's going to stick to me?" "Imphim," replied Mac. Imphim is not Japanese, it is the double Scotch grunt, which has twenty-two separate meanings, mostly unpleasant. Shut your mouth tight and try to say "Hum, Leslie was about to answer, when a sound behind made him turn, and there, like a pinned-down butterfly, was a MousmÈ on the mat, crying, "Irashi, condescend to enter." M'Gourley—a most unengaging figure in his stocking feet—rose and addressed the MousmÈ. He told her things in language unknown to Leslie; things about the sleeping Campanula evidently, for he pump-handled with his arm in the direction where Leslie, bootless now, sat holding her. The MousmÈ on her knees, a camellia blossom in her hair and her eyes fixed upon M'Gourley, seemed fascinated. Then she called out and.... "Hai tadaima," came a soft voice from somewhere in the back premises, and a second MousmÈ appeared, made obeisance, and listened whilst the tale, whatever it was, was laid before her. Deep astonishment, exclamations of wonder, a call: "Hai tadaima!" and an old lady appeared, and made obeisance, and listened whilst the thrice-told tale was told her by the two MousmÈs and M'Gourley all together. Meanwhile Leslie, feeling ridiculously like a nursemaid, "What are you stuffing those creatures up with?" he suddenly broke out. "Blessed if you oughtn't to be dressed in a kimono and a petticoat; you're the biggest old woman of the lot. Ask one of them to take the kid, or I'll go off to the hotel with her." "One minit," said Mac. "They're conseedrin' the matter." Scarce had he spoken when the old lady called out, and entered on the scene, an old gentleman, the proprietor of the tea house, a black cat, and two more MousmÈs. "Oh, do call a few more!" said Leslie. "And call in a couple of musicians and make the comic opera complete." "There are no more to call," replied Mac. "They are conseedrin' the matter. The Japanese are a very supersteetious people, and these are good friends of mine, and I would not spring a pairson upon them with dootful anticeedents. You see, Leslie, man, the presence of the bairn must be explained. She is not a bale of goods we can dump in a corner. Bide a wee; I will talk them over yut." The Areopagus was considering the question as to Then the Hon. Hedgehog—may his ashes rest in peace!—jumped on Leslie's knee and rubbed himself against Campanula. That clinched the business. The old lady herself advanced, and, taking the Lost One from the Weary One, carried her bodily into the house, whilst Leslie, yawning and stretching himself, followed. Inside, in the bare, clean room, the little MousmÈ with the camellia in her hair addressed herself to Leslie in a soft and beseeching voice. "What does she want?" he asked of Mac. "She wants to know if you require anything." "A bath—that's what I want more than anything—don't you?" "I am not given to promeescuous bathing," said M'Gourley, "being greatly subject to the siatickee; but a bath you wull have, and I'll e'en sit here and smoke a pipe whilst you bathe yourself." "I want also a sugar-candy dragon for the bairn," M'Gourley gave the message to the maid, and she departed. The travelers' luggage—a frightful-looking old mid-Victorian carpet bag belonging to M'Gourley, and a Gladstone of Leslie's—had already arrived at the tea house, having been sent on by rail via Utsu-no-Miya, and the two sat down on small square cushions, placed on the cream-colored matting, to smoke a pipe, whilst dinner and the bath were preparing. "The police will be here the morn about that bairn," said Mac in his cheerful way, "and we'll have to acoont for her." "Of course we will." "Ay, ay," said Mac, "but have you ever acoonted for a thing to the Japanese police?" "Well, considering I've only been in Japan ten days, I haven't had much time, you see, to fall foul of the police." "I found a scairf pin once," said this comforter of Job, "on the Bund at Nagasaki. Twa-and-sax-pence it was worth, or maybe three shullin', and I took it to the police office and began to acoont for it." He stopped and sighed and sucked his pipe. "Well, I'm acoontin' for it still, and that's three months ago; letters and papers, and papers and letters enough to drive a man daft! Well, I'm thinkin' if a twa-and-saxpenny scairf pin can cause such a wully waugh, what's a live bairn going to do? Now, I'm thinking—" "May I give you a piece of advice, Mac?" "I am always open to judeecious advice," answered the unsuspecting Mac. "Well, don't think too much or you'll hurt yourself." M'Gourley grunted, and at that moment the MousmÈ with the camellia in her hair entered with the announcement that the bath was ready in the room above, and Leslie departed. "When you have shown the honorable gentleman the bath, come down; I wish to speak to you," said M'Gourley to the lady of the camellia. She obeyed the request and M'Gourley held her in light conversation, till he knew by the sounds above that his partner was in the tub. Then he released the handmaiden, and she departed upstairs. He listened, and presently he heard Leslie's voice. "Go away, please. Good heavens I say, I wish you'd go away! No, I don't want soap. I say, Mac! Hi, But M'Gourley, like an Indian Sachem, smoked on and answered not. He was having his revenge for the Nikko road. |