THE HOUSE OF THE CLOUDS

Danjuro, the curio dealer of Jinrikisha Street, Nagasaki (no relation of Danjuro the actor), was a gentleman of uncertain age, with a face which seemed the relic of a thousand years of debauchery.

It was probably only opium, but the awful weary look with which he swindled you, when you were once in the trap he called his shop, would have given Dante points for the construction of a new circle in his Inferno.

He had spent years in China, had Danjuro, hence, perhaps, the expression on his face; also the fact that he did his calculations not by aid of the so-ro-ba, or calculating machine used by the Japanese tradesmen. He did his calculations in his head, and with that far-away look so filled with the poetry of the horrible, he would calculate the difference between the price he had paid for the okimono he was selling you and your offer for it, contrasting them with your own personality, and from these three factors calculating to a nicety how much money he could swindle out of you.

He had a hand in the selling of the Great Tung Jade to the Empress of China, or rather to her ambassador the Mandarin Li, the shadiest transaction that ever emerged from darkness; and could you place end to end the globe trotters swindled and chiseled and fleeced by him, they would reach in a noxious line from London to Newcastle, and maybe further. He had long, polished finger nails that shone like plate glass, and when you entered his establishment he advanced, bowed, and hissed at you by way of welcome.

He was a rogue, yet he was straight in his way. To be a perfect rogue, at least to succeed in the art, you must be straight in some ways. The bandit who betrays his brethren never goes far without a dagger sticking in his back.

M'Gourley had "discovered" Danjuro years ago. M'Gourley had twice come to financial smash, once because of an earthquake, and again in the upheaval caused by the breaking of the Barings. Danjuro had helped him twice, and he had helped Danjuro many times; helped him with his Western craft, Scotch cuteness, and knowledge of Europeans.

In every city of the East, in every city of the world, you will find a fixed Scot always prospering; M'Gourley was a floating Scot. Navigating Japan from end to end, now at Tokyo, now at Kioto, now at Nagasaki, crossing to Corea and pottering about there, meeting brither Scotchmen and helping them in trade speculations, selling, or assisting in the sale, of everything sellable from coals to kakemonos, went M'Gourley, a busy man, but somehow a rather unfortunate one.

Suddenly Japan rose and smashed China, Russia stepped in and robbed her of the pieces, and Japan sat down, drew her kimono round her, and began to think about Russia.

M'Gourley just then (it was some two years before he met Leslie) was on the Lao-Tung peninsula, a black wandering dot, innocuous to governments, one would imagine, as a beetle.

Suddenly M'Gourley returned to Japan, and the day after his return a sheaf of documents addressed by a gentleman named Lessar to a gentleman named Mouravieff was in the hands of the Japanese Council of Elders.

I don't say anything about the transaction at all; it is not for me to take away the characters of my characters. I only know this, that if the Russian Government had caught Mac just then, they, laboring under, perhaps, a fantastically wrong impression, would have done something decidedly unpleasant to him.

At all events, Mac bought a new suit of reach-me-down clothes at a native shop in the Honcho Dori at Yokohama, and got so drunk that three MousmÈs had put him to bed, whilst a fourth fanned him, and a fifth played soothing tunes on a moon-fiddle to exorcise the demon; and a piece of priceless gold lacquer presented to Mac by a high official was sold by him to an American week later for five thousand dollars gold coin—gold coin being much more useful than gold lacquer to a man in Mac's way of life.

Thus it came about that Mac was a persona grata with the Japanese Government, and had many little privileges not enjoyed by ordinary Europeans.

Danjuro's shop was situated in Jinriksha Street, a street like a picture slashed out of the "Arabian Nights," a picture that a child had made additions to with a lead pencil and half spoiled.

A bowler hat in Jinriksha Street, for instance, is a thing very much out of place, yet you see many of them, mostly potted down on the back of Japanese heads, and making the wearers both frightful and ridiculous-looking.

Here passes a MousmÈ under an umbrella, a figure fashioned seemingly from a rainbow, a figure to bless the eye and make the heart feel glad. Here stumps along a thing that once was a MousmÈ, a thing in European dress—alas!

Here you turn from a shop sign in the vernacular, and across the way, over the booth where cakes reposing on myrtle branches are sold, "Englis here is spoke," blasts your sight.

Jinrikisha Street, and for Jinrikisha Street read nearly every other street in sea-board Japan, is a picture, as I have said, spoiled as if by a meddlesome English child.

Danjuro's shop was all open in front so that you could come right in past the bronze stork on the tortoise, past the leaping dragon made of jointed steel, a dragon hard as adamant yet flexible as india-rubber. Then you met Danjuro, and he sank towards the floor and hissed at you by way of welcome. The chief treasures were in the cellar below, but here was quite enough to feast the eye of a not too wise amateur, and make the purse jump in his pocket.

Danjuro had the art of shop-dressing at his finger-ends. Things always looked better in his establishment than they did when fetched home.

People would cry: "Is that the Owari vase I bought? Why, what has happened to it?"

It would be the same vase, but divorced from its surroundings.

You cannot imagine the effect of a dwarf plum tree in a green tile pot upon a dragon of steel until you see them in juxtaposition, nor the strange difference certain backgrounds make in an Owari vase till you try them. Danjuro was well up in these subtleties, and this knowledge, combined with his own personality, lent an added value to his wares—twenty per cent. at least.

Here in the shop of Danjuro, in a semi-twilight, glimmer demons and beasts in porcelain and bronze. The frightful face of Akudogi shouts at you from the wall, the lotus expands over pools in the silent land of lacquer, and the hundred guinea ivory MousmÈ, ten inches high, trips beneath her ivory umbrella, ever on the way to some fanciful pageant that had once existed in her creator's dreams.

Here is a Jap baby, about as big and as round as a tangerine orange, feeding ducks. Here a little box a size larger than a walnut. Open it; inside are seated a man and boy playing some game with dice. The man is holding the dice cup up preparing to cast; in it are the dice, every cube separate and real, and each marked with the proper pips.

In the shop of Danjuro you are gazing, not upon bronzes and lacquers, but upon the mind of Japan, partly made visible. There is here evidence of patience and labor sufficient to conquer the world, beauty enough to charm the world, and ferocity enough to terrify it.

There is nothing so strange on earth as this art that reveals in glimpses the exquisite and the awful, where the lily blossoms and the dragon tramples it under foot.

That baby feeding the ducks, could anything be more laughable or lovable? But do not open the drawers of the cabinet he is standing on: they are filled with ivory obscenities carved with just as loving care.

No, the kakemonos and bronzes that adorn the drawing-rooms of Bayswater and Bedford Park do not disclose the whole of Japanese art. If you don't believe me, then go to Japan and become a friend of Danjuro the curio-dealer, who lives in Jinrikisha Street, in the quaint city of Nagasaki.

"There's no use talking," said Leslie, the second day after his arrival at Nagasaki. "I don't want to live in the European quarter. I want that white house up on the hill there you said was empty, and I want to buy it."

"Weel," said Mac—they were standing in Danjuro's shop consulting—"I'm thinking you want more than it's likely y'll get. You cannot buy the house—rent it, maybe. Stay till I ask Dan."

Dan and he had a consultation, the upshot of which was that the curio-dealer, after a cynical declaration to the effect that anything could be obtained for money, offered his services as an intermediary.

A friend of his, a brother dealer, a Mr. Initogo, or some such name, owned the house up there on the heights; he would probably let it. It was named the House of the Clouds, warranted rainproof and free from ghosts.

Mr. Initogo was fetched from across the way—a gentleman in horn spectacles, who looked as wise as Confucius but was a little bit deaf. After some five minutes' polite bawling on the part of Mac and Danjuro, Mr. Initogo came to understand the matter, and at once declared with a thousand protestations of regret that the thing was impossible.

Why?

Well, he could not allege any specific reason. The House of the Clouds was empty, but he had not considered the matter of letting it. The proposition came as an honorable shock to him.

Then Mac and Danjuro tackled Mr. Initogo, tea was brought forth, and after half an hour's wavering Mr. Initogo began to give in.

He sent for his son, and piloted by the son, the two Scotchmen went off to inspect the House of the Clouds.

They passed up a by-street and then up a steep path, till they came to a gate shadowed by lilac trees. The gate led to a tiny demesne, a long, white, two-storied house, before which lay a grass plot, at the far end of the house some cherry trees, and a space that might be used as a garden.

From the veranda of the House of the Clouds one could look down on Nagasaki and the harbor that pierces the land like a crooked sword. The hum of Jinrikisha Street came up, mixed with the eternal song of the cicalas.

Across the harbor, where the junks and sampans contrasted strangely with the foreign shipping, hills rose up, green near the water, brown further off; over the hills a few white fleecy clouds passed on the light wind. It was the sky of an English summer.

"I like this," said Leslie, turning from the view. "Now let's look at the house."

It was furnished with primrose-colored matting, nothing else, and it was about as substantial as a bandbox. There were two stories connected by a flight of steps without a balustrade, and you could make as many rooms as you liked with sliding panels.

"I'll take it," said Leslie, and they returned to the shop of Danjuro. Mr. Initogo was fetched, and after more wriggling and haggling and tea-drinking and the smoking of tiny pipes, he consented to let the place—the authorities willing.

Mac undertook to make everything right in that respect, though it would cost him a good deal of trouble, as the government have a holy horror of foreigners spreading beyond the allotted quarters; and then a Chinese comprador was obtained, and received orders from Leslie to furnish the place with the necessary futons (he determined to live in the native way), pots, tins, kettles, MousmÈs, and a decent cook; also screens and mosquito-nets, plum trees in pots, and everything else that might be necessary for comfort and adornment.

Three days later the comprador appeared at the Nagasaki hotel, where Leslie was staying, and declared that everything was in order—even to the last tea-cup. He had hired servants, made a most advantageous bargain: he had hired a whole family.

"But, bless my soul! I don't want a family," said Leslie. "I only want a cook and a couple of girls."

Just so. This family consisted of a cook—her name was Fir-cone—and three daughters. They would all come together or not at all; he had got them at a bargain. The names of the daughters were: Moon, Plum-blossom, and Snow. Sixteen shillings a month a-piece was the wages they were promised. There was also a cat belonging to this family—

"Oh, well, I'll take them," said Leslie, "and if they don't suit I can get others."

That afternoon, preceded by the comprador and followed by two coolies carrying his luggage he went up to take formal possession, and was received by his new servants all on their knees—the three MousmÈs in front and mother Fir-cone in the background.

Next day he started on the long journey to Nikko to fetch Campanula. When he returned with his charge the first person to meet him on the quay was Mac. Mac in a stove pipe hat he had bought cheap and which did not fit him but of which he seemed proud. Campanula instantly recognized Mac with a smile and an attempt to kow-tow before him, which Leslie frustrated, on account of the dirty state of the quay. It was a pretty little incident, and went to the old fellow's heart.