LIST OF ILLUSTRATIONS.

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PAGE
"The Mahogany Tree." By Linley Sambourne Frontis.
Headpiece to Preface. By G. du Maurier vii
An Introduction. From First Sketch by C. H. Bennett x
Mr. Punch. By Harry Furniss xiv
Mr. Punch portrayed by Different Hands 7
Ebenezer Landells 15
Prospectus of Punch, Facsimile of Mark Lemon's MS. 20-22
Preliminary Leaflet 23
Signatures to the Original Agreement 25
First Cover of Punch. By A. S. Henning. 27
The Four Earlier Proprietors 37
The Five Later Proprietors 39
Second Cover. By "Phiz" 42
Third Proposed Cover. By H. G. Hine 43
Third Cover. By W. Harvey 44
Fourth Cover. By Sir John Gilbert, R.A. 45
Fifth Cover. By Kenny Meadows 46
Sixth Cover. First Design. By Richard Doyle 47
Sixth Cover. Second Design. By Richard Doyle 48
The First Punch Table: "Crown Inn" 57
The Present Punch Table: Bouverie Street 59
Twenty-six Initials Carved upon the Table 60-75
The Dinner Card 69
"Peel's Dirty Boy": Leech's First Sketch 112
"Peel's Dirty Boy": The Cartoon 113
The Anti-Graham Envelope 115
Punch's Anti-Graham Wafers 117
The Draughtsman's Revenge 127
Bennett's Benefit—The Cast 133
Playbill of the Guild of Literature and Art 137
Musical: First Sketch. By Henry Walker 148
Musical: Drawing. By G. du Maurier 149
The Political "Pas de Quatre." By A. S. Henning 154
The Political "Pas de Quatre." By J. Leech 155
General FÉvrier. By J. Leech 175
The "Pas de Deux:" Original Drawing. By Sir John Tenniel 178
"The Political Mrs. Gummidge." By Sir John Tenniel 181
Portraits of Beaconsfield. Re-drawn by Harry Furniss 201
"The Mrs. Caudle of the House of Lords:" Original Sketch. By J. Leech 203
Portraits of Gladstone. Re-drawn by Harry Furniss 207
Maternal Solicitude. By J. Leech 212
"A Word with Punch" The engravings here borrowed from Punch are reproduced (in all cases in smaller sizes) by special permission of the Proprietors, Messrs. Bradbury, Agnew & Co. The Portrait of Charles Keene by J. D. Watson, and of Himself with the Bagpipes, were first published in Black and White, through whose courtesy they appear here. To all who have accorded the various permissions for reproductions, or who have lent drawings for the better illustration of this volume, the acknowledgments of the writer are gratefully recorded. The Copyright of the illustrations is in every case strictly reserved.


                                                                                                                                                                                                                                                                                                           

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