Imitation—Dear Lady Thistlebrain—Try it on the dog—Criminality of the English Caterer—The stove, the stink, the steamer—Roasting v. Baking—False Economy—Dirty ovens—Frills and fingers—Time over Dinner—A long-winded Bishop—Corned beef. Now for the cause, alluded to at the end of the last chapter. Imprimis, the French invasion is due to the universal craze for imitation, which may be the sincerest form of flattery, but which frequently leads to bad results. For years past the fair sex of Great Britain have been looking to Paris for fashion in dress, as well as in cookery; whilst the other sex have long held the mistaken notion that “they manage things better in France.” The idea that France is the only country capable of clothing the outer and the inner man, artistically, has taken deep root. Thus, if the Duchess of Dulverton import, regardless of expense, a divine creation in bonnets from the The only way to stop this sort of thing is to bring the system into ridicule, to try it on the groundlings. A fair leader of ton, late in the sixties, appeared one morning in the haunts of fashion, her shapely shoulders covered with a cape of finest Russian sables, to the general admiration and envy of all her compeers. Thereupon, what It is extremely probable that, could it be arranged to feed our starving poor, beneath the public gaze, on sÔles Normandes, cÔtelettes À la Reform, and salmi de gibier truffÉ; to feast our workhouse children on bisque d’ÉcrÉvisses and Ananas À la CrÉole, the upper classes of Great Britain would soon revert to plain roast and boiled. But after all it is the English caterer who is chiefly to blame for his own undoing. How is it that in what may be called the “food streets” of the metropolis the foreign food-supplier should outnumber the purveyor of the Roast Beef of Old England in the proportion of fifty to one? Simply because the Roast Beef of Old England has become almost as extinct as the Dodo. There are but few English kitchens, at this end of the nineteenth century, in the which meat is roasted in front of the fire. In order to save the cost of fuel, most English (save the mark!) cooking is now performed by gas or steam; and at many large establishments the food, whether fish, flesh, fowl, vegetables or It is alleged that as good results in the way of roasting can be got from an oven as from the spit. But that oven must be ventilated—with both an inlet and an outlet ventilator, for one will not act without the other. It is also advisable that said oven should be cleaned out occasionally; for a hot oven with no joint therein will emit odours anything but agreeable, if not attended to; and it is not too sweeping a statement to say that the majority of ovens in busy kitchens are foul. The system of steaming food (the alleged “roasts” being subsequently browned in an oven) is of comparatively recent date; but the oven as a roaster was the invention of one Count Rumford, at the beginning of the nineteenth century. In one of his lectures on oven-roasting, this nobleman remarked that he despaired of getting any Englishman to believe his words; so that he was evidently confronted with plenty of prejudice, which it is devoutly to be prayed still exists in English homes. For I do vow and protest that the oven odours which pervade the neighbourhood of the Strand, London, at midday, are by no means calculated to whet the appetite of the would-be luncher or diner. This is what such an authority as Mr. Buckmaster wrote on the subject of the spit versus the oven:
In this connection there are more heretics than Mr. Buckmaster. But if during my lifetime the days of burning heretics should be revived, I shall certainly move the Court of Criminal Appeal in favour of being roasted or grilled before, or over, the fire, instead of being deprived of my natural juices in an iron box. Some few “roast” houses are still in existence in London, but they be few and far between; and since Mr. Cooper gave up the “Albion,” nearly opposite the stage-door of Drury Lane Theatre, the lover of good, wholesome, English food has lost one old-fashioned tavern in the which he was certain of enjoying such food. It has been repeatedly urged in favour of French cookery that it is so economical. But economy in the preparation of food is by no means an unmixed blessing. I do not believe that much sole-leather is used up in the ordinary ragoÛt, or salmi; but many of us who can afford more expensive joints have a prejudice against “scrags”; whilst the tails of mutton chops frequently have a tainted flavour, and the drumsticks and backs of fowls are only fit to grill, or boil down into gravy. And it is not only the alien who is economical in his preparation of the banquet. Many of the dwellers in the highways and bye-ways of our great metropolis will boil How many modern diners, we wonder, know the original object of placing frills around the shank of a leg or shoulder of mutton, a ham, the shins of a fowl, or the bone of a cutlet? Fingers were made before—and a long time before—forks. In the seventeenth century—prior How long we should sit over the dinner-table is a matter of controversy. At the commencement of the nineteenth century, in the hard-drinking times, our forefathers were loth indeed to quit the table. But the fairer portion of the guests were accustomed to adjourn early, for tea and scandal in the withdrawing-room, the while their lords sat and quarrelled over their port, with locked doors; and where they fell there they frequently passed the night. The editor of the Almanach des Gourmands wrote: “Five hours at table are a reasonable latitude to allow in the case of a large party and recondite cheer.” But the worthy Grimod de la ReymiÈre, the editor aforesaid, lived at a period when dinner was not served as late as 8.30 P.M. There is a legend of an Archbishop of York “who sat three entire years at dinner.” But this is one of those tales which It is not a little singular that with increasing civilisation, a gong, which is of barbaric, or semi-barbaric origin, should be the means usually employed to summon us to the dinner-table. In days of yore the horn, or cornet, was blown as the signal. Alexander Dumas tells us that “at the period when noon was the dinner hour, the horn or cornet (le cor) was used in great houses to announce dinner. Hence came an expression which has been lost; they used to say cornet (or trumpet) the dinner (cornez le diner).” And we are asked to believe that to this practice “corned” beef owes its derivation. “In days when inferior people ate little meat in the winter months save salted beef, the more usual form of the order was Well—“I hae ma doots,” as the Scotsman said. I am not so sure that Richardson erred egregiously. But after all, as long as the beef be good, and can be carved without the aid of pick and spade, what does it matter? Let us to dinner! |