“I don’t see why you take it so hard, Molly darling,” said Judy as Molly told her of the detectives’ findings and of the perfidy they had unearthed. “Why, I fancy I am grieving that such wickedness can be in this world,” sighed Molly. “I liked Madame Misel so much.” “Well, I never did like her,” declared Judy. Molly smiled, well remembering Judy’s enthusiasm on arriving at Wellington and telling of the interesting couple she had met on the train. “I know what you are thinking about—of course I said they were interesting, but I never did like the woman much—she was too catty for me.” This conversation was interrupted by the loud “You had better come right up to New York on the next train,” was his ringing command. “Your mother needs you and I must see you, too.” “All right, Bobby! Meet me at the Pennsylvania Station. I’ll take the 12.45—I am not going to let Kent come. He must be with his mother one more day,—his mother and Molly. So long! Be sure and meet me!” Then such a scrambling ensued! Kent must be persuaded he was neither wanted nor needed, a few things hurled into a bag, her sketch book tucked in her jacket pocket, and Judy was off like a whirlwind. She and Kent ran all the way “I can get it! Keep the old bag!” cried that young woman as she sprinted down the track, her young husband running lightly by her side, laughing in spite of himself. If you have never run after a train and caught it you cannot realize the triumphant feeling Judy had as she grasped the rail and swung herself up on the rear coach. Fortunately it was not a vestibule train or she would have been shut out. Kent slung the bag up after her and then stood in the middle of the track until his Judy was lost in the darkness. “What a girl she is!” he laughed to himself. “What a dear girl!” The dear girl was rescued by a rather indignant brakeman and led through the empty coach that happened to be hitched on to the train and finally installed in the chair car, after many explanations and excuses had been made to train conductor and then Pullman conductor. Young women have no business on night trains with no tickets—certainly no business in boarding “But you see my father telephoned me from New York,” she confided to the train conductor, a grizzled looking old fellow with a decidedly military bearing. “He is going to France next week and he simply had to see me.—Perhaps you know my father,” she added with a certain assurance that everybody connected with railroads ought to know Bobby. “More than likely!” was the grim reply. The conductor had no idea of being cajoled into good humor by this daring girl. “He is Mr. Robert Kean,—Bobby!” The conductor was suddenly a changed creature. “Know him! I should say I did! Bless my soul, if you don’t look like him—same eyes—same mouth! Ha, ha! See Bob Kean missing a train! Not much!” and the erstwhile stern captain of the train now grasped Judy’s hand. “Come on, I’ll see that you get a chair, Miss “I’m not Miss Kean any more,—I’m Mrs. Kent Brown now.—It was my husband who pitched me and my luggage on the back end of the train.” “Married! By jiminy! I can’t believe Bob Kean has a married daughter! And your husband aided and abetted you in jumping on the back of fast trains, did he?” and the once grim captain laughed aloud. “Well, I’m glad you got a game husband. I don’t know what your father would have done with a ’fraid cat.” Judy’s entrance in the Pullman caused some commotion. The old conductor was laughing heartily and the brakeman was in a much pleasanter frame of mind as he handed over Judy’s bag to the grinning porter. There were about eight persons in the chair car as Judy entered and Judy-like, she immediately became intensely interested in them. Of course, the spot of color made by a flashy dame in lavender attracted her attention first, “I bet she’s a peacherino!” she said to herself. There were other persons in the train that proved interesting, too: among them a mother and child who appealed to Judy’s artistic sense; a G.A.R. veteran who was sure he had been in worse battles than the Marne; an ancient lady from Louisiana who made our young artist wild to paint her white hair and patrician nose. Opposite Judy’s chair was a young man, (or was he a young man?) At least he was not an old man! There were a few tiny lines around his twinkling bright blue eyes, but his movements were as alert as a college athlete’s, and his mouth, though very “I wish I knew where I had known him. His face is as familiar to me as my own.” She felt in her jacket pocket for her sketch book. She must get an impression of the mother and child, and the old lady was destined to be sketched in, too. She longed to do the youngish-oldish person opposite, but he was too close for her to permit herself such a familiarity. She turned over the leaves of her book and suddenly She remembered what the girls had told her of their delightful father. He was a newspaper man in Richmond, Virginia, and according to the twins was just about the most wonderful person in the world. Page Allison, too, had given him praise, although not quite so wildly unstinted as his daughters. “I think I’ll drop something and let him pick it up for me and get in a conversation with him,” Judy laughed to herself. “He is such a squire of dames, he is sure to pick it up.” She turned the pages of her sketch book until she came to the quick impressions she had made of Madame Misel at the war relief rooms. “The wretch!” was her inward comment, and Another familiar face! Where under Heaven had she seen just that chin and nose? Her eyes fell again on the open sketch book. Why, it is Madame Misel—no other! With quick strokes she copied the sketch and then cleverly added the beplumed hat, fluffy collar and fashionably cut coat. The woman stood up for a moment to get something from the pocket of her great coat, hanging on the hook at one side, and then Judy took in her general contours standing, and added some draperies to the full length figure she had also obtained of Madame Misel in the work room. High heels were put on the flat, unstylish shoes. The straight severe dress and basque were transformed into the fashionable, if gaudy, creation. Judy was careful not to erase any of the The gentleman opposite was plainly interested in what she was doing and it evidently required all his self-control to keep from asking to be allowed to see. “They are the Misels and they are running away!” flashed into Judy’s mind. “It is up to me to stop them—but how? The gent in checks is undoubtedly Misel. They can’t fool me; I remember his ears too well and the way his hands held things.” She glanced across the aisle and her eyes met the bright blue ones belonging to the widow’s peak and cleft chin. “What would Bobby do in this case?” she asked herself. “Use the sense God gave him and get help if he couldn’t cope with a thing single-handed,” she answered herself. She accordingly let her sketch book slide from her lap, rubber and pencil hopping gaily after it. “Oh, thank you so much!” she exclaimed as “I should say not! I have a daughter who is very much interested in art,—in fact, she is studying in New York now,—her specialty is sculpture, though.” “Yes, I know her! She is Dum Tucker!” “You know my Dum! How wonderful! And how did you know she was—I was her father?” “By your widow’s peak! I also know you are Dee’s father by your chin.” Mr. Tucker changed his seat, taking the one by Judy. “By Jove! You artists are a clever lot. You would make a great detective, Mrs. Brown. You must excuse me for knowing your name, but I heard you tell the captain what it was,—Mrs. Kent Brown. My girls have written me how kind you have been to them and I have been dying to make myself known to you, but was waiting for some kind of opening wedge.” “And I, too, Mr. Tucker, have been wondering where I had seen you, when I found your girls’ pictures in my little book. See! Here they are!” “And little Page, too!” He exclaimed eagerly scanning the sketches. “You are wonderfully clever at a likeness.” “Do you think so? I—Mr. Tucker—I deliberately scraped up an acquaintance with you because I want you to do something for me,” and Judy looked frankly into the honest eyes of her new acquaintance. “Why, Mrs. Brown, you know I am at your service.” “I was sure of you somehow, even if I had not been almost certain you were related in some way to Dum and Dee Tucker. My little sketch book told me that and it told me something else, too, but I must begin at the beginning.” Judy, whispering, began with her meeting of the Misels, of her interesting the Greens at Wellington, of Misel’s substituting in French at the college and of Madame’s work in the war relief. “And now I have come to the dÉnouement!” gasped Judy, excitement making her breathless. “If I could recognize you by your likeness to my sketches, I fancy I could also recognize Madame Misel by sketches of herself. I got two of her this morning at the war relief. The detectives did not arrest them, as they want to get others in their dragnet, but in some way the spies must have caught on to the fact that they were under suspicion, as they sneaked away.” “Are you sure?” “Sure as shooting! In fact they are on this train.” “No!” excitedly. “Now, Mr. Tucker, you must compose yourself if we mean to catch the creatures!” “Certainly!” and the eager man sank back in his seat and tried to look as though he were having a mild conversation with the attractive young woman who had jumped on the back of the moving train. “Now that is better! Keep that nonchalant expression for what I am going to tell you——” “All right, fire away!” “They are on this coach, just three seats down.—Good boy, not to jump out of your skin! Now I am going to show you my sketch of the woman before and after. See, there is no doubt about her! You walk to the smoker and on the way back get a good look at her face and I bet you will be convinced.” Jeffrey Tucker did as he was bid, giving Madame Misel such a casual look that he aroused no suspicion in her mind. “Gee! This is great! I’d rather bag some of these spies than do big hunting in the African Jungle. Now, most wise of all female detectives, what do you advise? We must act quickly.” “I think you should take the conductors, both train and Pullman, into your confidence, and then send telegrams to New York to have the spies met with the proper reception. You can telegraph Bobby, I mean my father, if you think it best, and he can get in cahoots with the Secret Service people in New York. Bobby is the kind of man who doesn’t let things go wrong. When he bores a hole in the mountain it comes out on the opposite side just exactly where he meant it to,—when he swings a bridge across a river it stays swung,—there is no giving way of supports and undermining from washings,—Bobby knows. If you telegraph him, he’ll have detectives there all right and they will have the necessary warrants and handcuffs, too.” “Well then, Bobby it is!” and Jeffrey Tucker quickly took Mr. Kean’s address. Next the conductors It seemed to Judy to be hours and hours, although the time certainly passed pleasantly with the friends she made on the train. She and Mr. Tucker talked to everybody except the two sporty looking individuals, and they would have had the audacity to talk with them if they had been given the slightest encouragement. But the Misels kept their backs studiously turned to their fellow travelers and did not court sociability. |