CHAPTER XIII.

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THE CONCERT.

The concert was a great affair. They had not only the singing and playing from the musical pupils, but refreshments afterward and a little reception. Many of the townspeople came and the boys from Hill-Top. Our Assembly Hall was full to overflowing. Miss Jane Cox was in a highly nervous state.

"I have two pupils who will sing flat," she confided to me, "and if they do it to-night, I'll die of mortification."

"Well, Annie Pore is going to do you credit, anyhow, I feel sure," I said, hoping Miss Cox would take a more cheerful view.

"Yes, I am looking to her to save the day. Have you seen her? She looks beautiful."

I had seen her; in fact, I had hooked her up. My slippers fitted finely and Annie's dress was without doubt the best-looking one on the stage that evening.

Mabel Binks headed the programme with a flashy selection on the piano. She was in her element, showing off. Everything about her proclaimed le dernier cri of fashion. Even her hair was the latest creation of twists and rolls. Her hands were covered with rings and her arms had several bracelets in the form of snakes coiling around them. These rings and bracelets had a way of clicking ever so slightly but just enough to accentuate the effect that her performance was a purely mechanical one.

"Pianola," whispered Dee to me. Dee and I had captured dear old Captain Leahy and made him sit between us. The old fellow was in fine feather and full of jokes. Miss Peyton smiled approval when she saw that we had taken care of her old friend, who always came to the school entertainments by her especial invitation.

"And do ye call that music? I'd rather hear 'Sweet bye and bye' played on the whistle of an engine by a freight engineer on our line than that rattle bang. The freight engineer puts some sowl into his worrk, some meaning. He wants to let his frinds know he is a-cooming home, and his wife to know that 'tis toime to put on the frying pan and get the pot to b'iling. But that, what does that mean? Nothing but nimble fingers. There's no heart in it,—just noise."

We heartily agreed with the old man, but at the close of Mabel's performance there was such a storm of applause from the Juniors who were her especial admirers that the perfunctory clapping from the rest of the audience was completely drowned. She bowed and smiled and rattled her bangles and then sat down and played "Annie Laurie" with her foot on the loud pedal all the time, and with all the variations possible to weave around the beautiful old air.

"Now isn't that too Mabel Binksy for anything?" hissed Dum in my ear. She was right behind us sitting next to Harvie Price, who had sought us out on his arrival at Gresham. "She knows perfectly well that Annie Pore is to sing 'Annie Laurie,' and she chose that for her encore deliberately and without the knowledge of Miss Cox or the piano teacher, either. Cat!"

"And why should ye insult poor pussy so, Miss Tucker?" asked the Captain, who had overheard Dum's remark. "I haven't a cat to me name who would do such a trick."

Annie followed Mabel immediately. I wondered if she would be upset by Mabel's having just played her song, but she was not a whit. She whispered to Miss Cox, who was to play her accompaniment and they evidently decided to change the program.

As Annie came on the stage, I verily believe half of the girls did not at first recognize her. Her dress had that unmistakable air that a good dressmaker can give, and twenty years had not diminished the style; but it was Annie's walk and manner that astonished everyone, even her best friends. Could this be the same, tearful little Annie? She wasn't really little, but I always had thought of her as small just because she seemed to need protection. She was quite as well grown as the Tuckers and a little larger than I was. Her carriage had dignity, and there was a poise and ease to her that is rare in a school girl. Miss Cox played the opening bars to Tom Moore's beautiful and touching song, "Believe me if all those endearing young charms," and Annie sang with the simplicity and confidence of a great artist.

Believe me, if all those endearing young charms,
Which I gaze on so fondly to-day,
Were to change by to-morrow and fleet in my arms,
Like fairy gifts fading away,
Thou wouldst still be adored, as this moment thou art,
Let thy loveliness fade as it will,
And around the dear ruin each wish of my heart
Would entwine itself verdantly still.
It is not while beauty and youth are thine own,
And thy cheek unprofaned by a tear,
That the fervor and faith of a soul may be known,
To which time will but make thee more dear!
No, the heart that has truly loved never forgets,
But as truly loves on to the close,
As the sunflower turns to her god when he sets
The same look which she turned when he rose.

There is something in that song that touches everyone, old and young. As Annie finished, for a moment there was perfect silence and then such an ovation as the little English girl did have! Old Captain Leahy beat his peg leg on the floor. "Forgetting me manners in me enthusiasm," he declared. Annie bowed and smiled, no more flustrated than Alma Gluck would have been.

"Did you ever see such stage presence?" whispered Dee. "Why, she is more at home there than we are in 117 in our kimonos."

"That's because she loves to sing and knows she can do it," and at the risk of being considered Annie's claque, I started fresh applause which was taken up by the whole audience; and after another whispered conference with Miss Cox, Annie sang again. This time it was "Bonnie, sweet Bessie, the maid of Dundee." These were songs her mother had taught her, and I could almost fancy the spirit of the mother had entered into the daughter.

"I could almost see her mother as she sang," Harvie Price said to me later on. "I believe Annie's voice is going to be stronger than her mother's and it has the same note of pathos in it. Why, it was all I could do to keep from sobbing when she sang 'Sweet Bessie.' And did you see Shorty? Why, Shorty had his face buried in his hands, and now he pretends he has caught a bad cold! Isn't she pretty, too? The old man must have loosened up some to get that swell dress for her. Grandfather wrote me the other day that Mr. Pore is so economical these days that he won't go to church because he does not want to part with his nickel. He says he is making money, too, on the store, since there is absolutely no competition at the Landing."

"I am so glad you liked her dress," I answered, nearly dead to tell this nice, sympathetic boy all about it; but keeping to my role of Father Confessor, I naturally said nothing about how she came by it.

"I am hoping I can spend part of next summer with my grandfather," continued Harvey. "You know my Governor and his Father fell out about politics and I had to stop going there, but, thank goodness, they have made up now. Father would vote for Roosevelt, while Grandfather thinks anybody belonging to him must be a Democrat. And not long ago Father decided that President Wilson was, after all, about the best President we have ever had, so he wrote to Grandfather and said he was sorry he had ever voted for a Republican; and now the row is over and the family is reunited. Grandfather is very arbitrary and of course it is hard to live with him, but he is the kindest and most generous old man, and I truly love him."

"Annie Pore says he is charming and delightful and that her mother cared so much for him," I said, feeling that that much of Annie's talk with me it would be all right to repeat. This conversation with Harvie was after the concert when we were having refreshments in the Gymnasium. The concert had gone off very well. Miss Cox was jubilant because her pupils who would sing flat had refrained for the occasion. Miss Cox herself had sung delightfully and had won the heart of old Captain Leahy by giving "The Wearing of the Green" as an encore.

When the programme was all over and everyone had done the best she could, Miss Peyton made a little speech and said that by especial request from some of the older guests Miss Annie Pore was to sing "Annie Laurie."

That was really the treat of the evening. We were delighted because it made Mabel Binks so mad.

"I am some weary of that sob stuff from 'Orphan Annie,'" I heard her say to one of the Hill-Top boys.

"Why, I think it is great!" was his unsympathetic reply. "And what a little beauty she is, too!"

Once off the stage, Annie's shyness returned in full force, but it soon wore off under the genial good fellowship of the Tuckers and Mary Flannigan, and Harvie's big-brother air of pride in her success, and Shorty's funny reproaches for making him catch such a bad cold. She looked very happy, and not even Mabel Binks could mar her cheerfulness, although she plainly heard Mabel say to a Junior: "I wonder who lent her that dress. It certainly looks familiar to me and anyone could see it was shortened for the occasion."

My stitches were not so small as they might have been!


                                                                                                                                                                                                                                                                                                           

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