Produced by Al Haines. [image] [image] ROBERT BY ILLUSTRATED BY TORONTO COPYRIGHT, 1911, BY Published February, 1911 TO MY WIFE ILLUSTRATIONS Robert Kimberly CHAPTER I The dancing pavilion, separated from the Casino itself by an arched passageway and affording another pretty view of the lake in the moonlight, was filled with young people when Alice entered. "It will be cool here, I think," suggested Dolly De Castro, leading the way for her guest. "The Hickories is by no means a gay place," she continued, seating herself beside Alice where they could see the dancers moving in and out of the long room. "And it isn't a club. There is just this Casino and the fields for golf and polo. It is a neighborhood affair--and really the quietest place of the kind in the Lake country. Too bad you could not have been here three weeks ago for the Kermess." "So Miss Venable said. They are great fun." "We revive one occasionally to preserve the Dutch traditions of the family," continued Dolly. "Mrs. Charles Kimberly--Imogene--gave it this year. Last year I gave it. You would have seen everybody, especially the Sea Ridge people. Fritzie, dear?" Dolly paused to stay a slender young woman who was passing. "Miss Venable," she explained, still speaking to Alice, "is our favorite cousin and will make you acquainted with every one." Fritzie Venable whose lively, brown eyes escaped beauty only through a certain keenness of expression, stopped with a smile and waited on Dolly's word. "I want Mrs. MacBirney to go over to the Nelsons' after a while. This dance is really a young people's affair," Dolly went on, turning to Alice. "These are friends of Grace's and Larrie's and I don't know half of them. Take care of Mrs. MacBirney a moment, Fritzie, will you, while I find Arthur?" asked Dolly, rising and leaving the two together. Alice looked after Dolly as she walked away. Dolly had the Kimberly height and preserved it with a care that gave dignity to her carriage. Her dignity, indeed, showed in her words as well as in her manner; but in both it battled with a mental intensity that fought for immediate expression. Dolly persuaded and dictated unblushingly, though it could not be said, unpleasingly. "I know you are enjoying Mrs. De Castro and her lovely home," said Fritzie to Alice. "Of course," she added as Alice assented, "The Towers is on a much grander scale. But I think Black Rock is the 'homiest' place on Second Lake. I suppose since I saw you yesterday you have been all around?" "Not quite; but I've met many lovely people." "You can't help liking Second Lake people. They are a kind-hearted, generous set--notably so for people of means." "Aren't such people usually generous?" Fritzie looked doubtful: "People of large means, perhaps, yes. Indeed, the only trouble here is, there are too many of that sort. Everybody is prosperous and everybody, with, I think, two exceptions, contented. I," laughed Fritzie, "am one of the exceptions. There being no possibility of preËminence in the line of means, I believe I have in my rÔle of discontent a certain distinction; and as far as I can see, as much fun as anybody. In fact, I've often thought the only place where I should care to be rich would be among the poor. Where every one overflows with luxury distinctions are necessarily lost--and I like distinctions. Isn't this pretty for dancing?" "Everything over here is pretty," said Alice. "The place takes its name, 'The Hickories,' from the grove back of it. You see there was nothing about the Lake itself to serve the purpose of a country club--no golf course, no polo field. All this stretch of the eastern shore is a part of The Towers estate, but Mr. Kimberly was good enough to set it apart for the rest of us--you have met Mr. Robert Kimberly?" "Neither of the Mr. Kimberlys as yet." "There is Charles now." Fritzie indicated a smooth-faced, youthful-looking man coming in through one of the veranda openings. "That is he speaking to Dolly. They call him the handsome Kimberly." Alice smiled: "For a man that's rather a severe handicap, isn't it?" "To be called handsome?" "It suggests in a way that good looks are exceptional in the family, and they are not, for their sister, Mrs. De Castro is very handsome, I think. Which brother is this?" "The married brother; the other is Robert. They call him the homely Kimberly. He isn't really homely, but his face in repose is heavy. He is the bachelor." "Mr. MacBirney tells me he is completely wrapped up in business." "Rather--yes; of late years." "That, I presume, is why he has never married." "Perhaps," assented Fritzie with a prudent pause. "Some men," she went on somewhat vaguely, "get interested, when they are young, in women in general. And afterward never settle down to any one woman, you know." "I should think that kind of a man would be tiresome." Fritzie looked at young Mrs. MacBirney somewhat in surprise, but there was nothing in Alice's frank eyes to provoke criticism. They met Fritzie's with an assurance of good-nature that forestalled hostility. Then, too, Fritzie remembered that Mrs. MacBirney was from the West where people speak freely. "Robert is deliberate but not a bit tiresome," was all Fritzie said in answer. "Indeed, he is not communicative." "I didn't mean in that way," explained Alice. "I should only be afraid a man like that would take himself so seriously." Fritzie laughed: "He wouldn't know what that meant. You had music at your dinner to-night." "Lovely music: the Hawaiian singers." "I was sorry I couldn't be there. They always come out to sing for Robert when they are in the States, and they are always in dreadful financial straits when they get as far from home as this, and he is always making up their deficits. They used to sing at The Towers, from barges on the lake. But The Towers is hardly ever opened nowadays for a function. The music over the water with the house illuminated was simply superb. And the evening winding up with fireworks!" sighed Fritzie in pleasing retrospect. "There is Robert now," she continued.. "Do you see him? With Mrs. Charles Kimberly. They are devoted. Isn't she a slip? And the daintiest little thing. Robert calls her his little Quakeress--her people were Quakers. She seems lost among the Kimberlys--though Robert isn't quite so tall as his brother, only more muscular and slower." Robert Kimberly with Imogene on his arm entered from the opposite side of the room and walked across the floor to take her to her husband. His face was darker than that of Charles and heavier eyebrows rendered his expression less alert. Fritzie waved a hand at Imogene, who answered with her fan and greeted Alice. "And there comes Mrs. Nelson--the pale brunette. Heroic woman, I call her. She has been fighting her advancing weight for ten years. Isn't she trim? Heavens, she ought to be. She lives in Paris half the time and does nothing but dress and flirt." "And who is it with her?" "The stately creature with her is Dora Morgan. She is a divorcÉe. She likewise lives in Paris and is quite a singer. I haven't heard her lately but she used to sing a little off the key; she dresses a little off the key yet, to say nothing of the way she acts sometimes. They are going to dance." A small orchestra of stringed instruments with a French horn, hidden somewhere in a balcony, began the faint strains of a German waltz. The night was warm. Young people in white strolling through dim veranda openings into the softly lighted room moved at once out upon the floor to the rhythm of the music. Others, following, paused within the doorways to spin out ends of small talk or persist in negligible disputes. The dancers wore the pretty Hawaiian leis in honor of the Island singers. "There were some interesting men at the dinner to-night," said Alice. "You mean the German refiners? Yes, they are Charles Kimberly's guests," remarked Fritzie as the floor filled. "There they are now, in that group in the archway with Mr. Nelson." "But the smaller man was not at the dinner." "No, that is Guyot, the French representative of the Kimberlys. He and George Doane, the bald, good-looking man next to him, have the party in charge. You met the immense man, Herr Gustav Baumann, at dinner. He is a great refiner and a Hawaiian planter. They are on their way to Honolulu now and leave within an hour or two in Robert Kimberly's car for San Francisco. The Baumanns have known the Kimberlys for generations. Should you ever think Herr Baumann could dance? He is as light as a cat on his feet, but he waltzes in the dreadful European round-and-round way. The black-haired man with the big nose is Lambert, a friend of his, a promoter and a particularly famous chemist whom Robert Kimberly, by the way, hates--he is a Belgian. I can't bear him, either--and, Heavens, Guyot is bringing him over here now to ask me to dance!" Fritzie's fear proved true. However, she accepted graciously as Lambert was brought forward and bowed in making his request. But she did not fail to observe that though he bowed low, Lambert's bold eyes were glued on Alice even while he was begging Fritzie for the dance. Something in Alice's slender face, the white hardly touched enough with pink, except under animation, held Lambert's glance. Alice, already prejudiced, directed her eyes as far away as possible under the inspection and was glad that Fritzie rose at once. Robert Kimberly joined Baumann and Edward Nelson. "You have not told me yet, Robert," Baumann began, "how you put in your time here in the country." "I have a good secretary and do a great deal of my work here, Gustav." "But one does not always work. What else? I remember," he continued, turning to Nelson, "the stories my father used to tell about the Kimberlys--your father, Robert, and especially your Uncle John." Baumann radiated interest in everything American. "Those men were busy men. Not alone sugar-refining, but horses, steamboats, opera-houses, women--always, always some excitement." "Other times, other manners, Baumann," suggested Nelson. "In those days a fine horse had a national interest; to-day, everybody's horse does his mile in two minutes. The railroads long ago killed the steamboats; newsboys build the opera-houses now; sugar refines itself. Mere money-making, Baumann, has become so absorbing that a Kimberly of this generation doesn't have time to look at a woman." "Nelson!" protested the good-natured and perspiring German, "no time to look at a woman? That, at least, cannot be true, can it, Robert?" "Not quite. But I imagine the interest has waned," said Kimberly. "When a man took his life in his hand on such a venture the excitement gave it a double zest--the reflection that you were an outlaw but prepared, if necessary, to pay the price with your life. Nowadays, the husband has fallen lower than the libertine. If you break up his home--he sues you. There is nothing hair-raising in that. Will you dance, Gustav?" "I want very much to dance. Your women dance better than ours." "Why, your women dance beautifully. Nelson will find you a partner," suggested Kimberly. "I must hunt up Mrs. Nelson. I have a dance with her, myself." Alice sat for a moment alone. Among the dancers, Robert Kimberly moved past her with Lottie Nelson on his arm. Alice noticed how handsome and well poised Lottie was on her feet; Kimberly she thought too cold to be an attractive partner. Within a moment Dolly came back. "I can't find Arthur anywhere." "He isn't on the floor, Mrs. De Castro." "No matter, I will let him find me. Isn't it a pretty company? I do love these fresh faces," remarked Dolly, sitting down. "The young people complain of our being exclusive. That is absurd. We have to keep quiet, otherwise why live in the country? Besides, what would be gained by opening the doors?" Dolly had a pleasing way of appealing in difficulties, or what seemed such, even to a stranger. "We don't want ambitious people," she went on; "they are killing, you know--and we certainly don't want any more like ourselves. As Arthur says," Dolly laughed a little rippling laugh, "'we have social liabilities enough of our own.'" Arthur De Castro came up just in time to hear his name: "What's that Arthur says, Dolly?" "Oh, here you are!" exclaimed his wife. "No matter, dear, what it was." "It is certain Arthur never said anything of the kind, Mrs. MacBirney," interposed De Castro. "If any one said it, it must have been you, Dolly." Alice laughed at the two. "No matter who said it," remarked Dolly, dismissing the controversy, "somebody said it. It really sounds more like Robert than anybody else." "You will be aware very soon, Mrs. MacBirney," continued De Castro, "that the Kimberlys say all manner of absurd things--and they are not always considerate enough to father them on some one else, either." Alice turned to her hostess with amused interest: "You, of course, are included because you are a Kimberly." "She is more Kimberly than the Kimberlys," asserted her husband. "I am not a Kimberly." Arthur De Castro in apologizing bowed with so real a deprecation that both women laughed. "Of course, the young people rebel," persisted Dolly, pursuing her topic, and her dark hair touched with gray somehow gave an authority to her pronouncements, "young people always want a circle enlarged, but a circle never should be. What is it you want, Arthur?" "I am merely listening." "Don't pretend that you leave the men just to listen to me. You want Mrs. MacBirney to dance." "She is always like that," declared De Castro to Alice, whom he found pleasing because her graciousness seemed to invite its like. "Just such bursts of divination. At times they are overwhelming. I remember how stunned I was when she cried--quite before I could get my breath: 'You want to marry me!'" "Was she right?" laughed Alice, looking from one to the other. "Absolutely." "Is she right now?" "Dolly is always right." "Then I suppose I must dance." "Not, of course, unless you want to." Alice appealed to Dolly: "What did you do?" "I said I wouldn't marry him." "But you did," objected her companion. "He was so persistent!" Alice laughingly rose: "Then it would be better to consent at once." Dolly rose with her. Two of the dancers stopped before them: a tall, slender girl and a ruddy-faced, boyish young man. "Grace," said Dolly to the blue-eyed girl, "I want you to meet Mrs. MacBirney. This is my niece, Grace De Castro." The young girl looked with pretty expectancy into Alice's face, and frankly held out her hand. "Oh, what a bloom!" exclaimed Alice, looking at the delicate features and transparent skin. Grace laughed happily. Alice kept her hand a moment: "You are like a bit of morning come to life, Grace." "And this is my cousin, Mrs. MacBirney--Mr. Morgan," said Grace shyly. Larrie Morgan, a bit self-conscious, stood for an instant aloof. Alice said nothing, but her eyes in the interval worked their spell. He suddenly smiled. "I'm mightily pleased to meet you, Mrs. MacBirney," he exclaimed with heartiness. "We've all heard about you. Is Mr. MacBirney here?" he continued, tendering the biggest compliment he could think of. "He is somewhere about, I think." "We shall lose our waltz, Mrs. MacBirney," urged Arthur De Castro. "Oh, we mustn't do that. Let's run," whispered Alice, taking his arm. "Who is Mrs. MacBirney?" asked Grace of Larrie with an appealing look as Alice moved away. "Why, don't you know? Her husband owns some beet plants." "What lovely manners she has." Grace spoke under her breath. "And so quiet. Where are their refineries, Larrie?" "In the West." "Where in the West?" "Somewhere out toward the Rocky Mountains," hazarded Larrie. "Denver?" suggested Grace doubtfully. "I fancy that's it. Anyway," explained Larrie coldly, "we are buying them." "Are you?" asked Grace, lifting her soft eyes timidly. To her, Larrie was the entire Kimberly sugar interest; and at the moment of making the MacBirney purchase he looked, to Grace, the part. CHAPTER II Edward Nelson, the counsel, in some measure the political adviser and, as to the public, the buffer of the Kimberly sugar interests, was fond of entertaining. Being naturally an amiable gourmet, his interests suited his tastes. Moreover, his wife, Lottie Nelson, pleasing of face, with a figure well proportioned and with distinction in her bright, indolent eyes, loved to entertain. And she loved to entertain without working hard to do so. Morningside, her country home at Second Lake, though both attractive and spacious, and designed with a view to entertaining, was already being replaced with a new home more attractive and more spacious, and meant to be filled with still more guests. Observation and experience had convinced Lottie that the easiest way to keep people in hand is to feed them well. And she quite understood that a vital part of the feeding in such a philosophy is the drinking. There were difficulties, it is true, but which of us has not difficulties? People--provided, they were people of consequence--diverted Lottie. She had no children--children had no place in her view of life--nor was she vitally interested in her husband. The companionship of those whom she called her friends thus became a necessity; the annoyance being that not always would the particular friends whom she wanted--men chiefly--gather to her. On the evening of the De Castro dinner and dance, Lottie was in better than her usual spirits. She had brought home Charles Kimberly--who as a yachtsman bore the title of Commodore--and his wife, Imogene. Imogene, the little Quakeress, did not like her, as Lottie was aware, but Charles Kimberly was always in sorts and always tractable--different in that respect from Robert. Charles and his wife took MacBirney and Fritzie Venable to the Nelsons' with them and Alice was to follow with the De Castros. When Lottie reached home, Dora Morgan had already come over with George Doane, one of the Kimberly stock brokers. These two assured the evening. In the dining-room only a few--of the right sort--were needed for good company. But more was in prospect for this evening--Robert Kimberly was expected. Nelson came down from the library with MacBirney and left him with Imogene while he followed Charles to a smoking-room. Fritzie and Mrs. Nelson joined Doane and Dora Morgan in the music-room. Cards were proposed, but no one had the energy to get at them. A servant passed in the hall to answer the door and Lottie Nelson at once left the room. When she reached the vestibule the footman was taking Robert Kimberly's coat. She walked well up to Robert before she spoke: "At last!" "I went back to The Towers for a moment," said Kimberly in explanation. "Are Charles and Nelson here?" "And is that all after a month--'Are Charles and Nelson here?'!" echoed Lottie patiently and with a touch of intimate reproach. "We have a conference to-night, you know, Lottie. How are you?" She put back her abundant hair: "Why didn't you call up last week when you were home to find out?" "I was home only overnight. And I came late and left before you were awake. You know I have been at the new refinery for a week. We began melting yesterday." "At the big one?" "At the big one." She took hold of the lei that he had worn over from the dance and in a leisurely way made a pretence of braiding the stem of a loose rose back into it. "This is the prettiest I've seen," said Lottie. "Who gave it to you?" "Grace. What is the matter with it?" he asked looking down at her white fingers. "You are losing your decoration," she murmured with leisurely good-nature. "Nobody to do anything for you." Kimberly looked at the parting lei with some annoyance, but if he entertained doubts as to its needing attention he expressed none. "These things are a nuisance anyway," he declared at length, lifting the lei impatiently over his head and depositing it without more ado on a console. "We will leave it there." "Where else have you been all this time?" demanded Lottie with an indolent interest. "All over the country--even across the Rockies." "Across the Rockies! And a whole big car to yourself! You must love solitude. And now you are buying a lot of refineries." "Not I--the companies are." "Oh, it's all the same." "Not precisely; this MacBirney purchase is not by my advice or with my approval." "He is in there now, Imogene is talking with him." "The trip was extremely tedious," said Kimberly, casting his eyes slowly around for means of escape. "How could it be anything else with no friends along?" "With McCrea and two secretaries and a stenographer, I hadn't time to take any friends." "What is time for?" "I should say in the West it is valuable for getting home with." "And when you do get home?" "To build more; borrow more; control more; sell more; spend more. I'm speaking for all the rest of you, not for myself. I'm just the centrifugal to throw the money out." "Never by any chance to live more, I suppose?" "You mean to eat and drink more? How could we?" "I don't mean to eat and drink more. I mean just what I say, to live more!" They were at the threshold of the music room. He laughed good-naturedly, but Lottie declined to be appeased. "Lord, but I'm sick of it all!" she exclaimed petulantly. Kimberly used care not to offend, yet he always interposed a screen between himself and her, and however delicate the barrier, Lottie Nelson had never been able to penetrate it. "No sicker of it than I am," he returned. "But I'm a part of the machine; I can't get out. I suppose you are, and you can't get out. But you are too young to talk like that; wait till the new home is finished. Then you will shine." She uttered a contemptuous exclamation, not quite loud enough for the others to hear, as she reËntered the room. The others, in fact, scarcely would have heard. Fritzie, Doane, and Dora Morgan were laughing immoderately. Imogene at the piano was playing softly. Kimberly stopped to speak to her. "I forgot, by the way, to ask you when you sail, Imogene," he said. She answered with one hand running over the keys: "That depends on you, doesn't it, Robert? I do hope you'll get through soon." "Anxious to get away, are you?" "You know I always am." "Where are you going this time?" "To the Mediterranean, I suppose." "You are fond of the Mediterranean." "Every place else seems so savage after it." "Lottie says you have been talking with MacBirney." "Just a few minutes." "How do you like him?" asked her brother-in-law. Imogene laughed a little: "He is very intelligent. He confuses me a little, though; he is so brisk." "Is he entertaining?" Imogene shrugged her shoulders: "Yes. Only, he rather makes you feel as if he were selling you something, don't you know. I suppose it's hardly fair to judge of one from the first interview. His views are broad," smiled Imogene in retrospect. "'I can't understand,' he said 'why our American men should so unceasingly pursue money. What can more than a million or two possibly be good for--unless to give away?'" Imogene looked with a droll smile into Kimberly's stolid face. "When he said, 'a million or two,' I thought of my wretched brother-in-law struggling along with thirty or forty that he hasn't yet managed to get rid of!" "You don't think, then, he would accept a few of them?" suggested Kimberly. "Suppose you try him some time," smiled Imogene as she walked with Kimberly to the card-table where Fritzie and Dora Morgan sat with Doane. "Travelling agrees with you, Robert," observed Doane. "The country agrees with you," returned Kimberly. "Good company, I suppose, George, is the secret." "How is the consolidation getting along?" "There isn't any consolidation." "Combination, then?" "Slowly. How is the market?" "Our end of it is waiting on you. When shall you have some news for us?" "You don't need news to make a market," returned Kimberly indifferently, as he sat down. He looked at those around the table. "What are you doing?" "Tell your story again, Dora," suggested Doane. Dora Morgan looked at Kimberly defiantly. "No," she said briefly. "Pshaw, tell it," urged Doane. "It's about the Virgin Mary, Robert." Dora was firm: "It's not a bachelor's story," she insisted. "Most of your stories are bachelors' stories, Dora," said Kimberly. Dora threw away her cigarette. "Listen to that! Didn't I tell you?" she asked appealing to Doane. "Robert is getting to be a real nice man." In an effort to appease both sides, Doane laughed, but somewhat carefully. "I got into trouble only the other day in telling that story," continued Dora, with the same undercurrent of defiance. Effectively dressed, though with a tendency to color, and with dark, regular features, flushed a little at night, Dora Morgan had a promise of manner that contrasted peculiarly with her freedom of tongue. "Tell us about it, Dora?" said Lottie Nelson. "It was over at The Towers. I was telling the story to Uncle John. His blood is red, yet," she added without looking at Robert Kimberly to emphasize her implication. "Uncle John!" echoed Fritzie, at fault. "Did Uncle John object?" "Oh, no, you misunderstand. It wasn't Uncle John." Every one but Kimberly laughed. "I was telling Uncle John the story, and his nurse--your protÉgÉ, what's his name? I never can remember--Lazarus? the queer little Italian," she said, appealing to Kimberly. "Brother Francis," he answered. "He's not so awfully little," interposed Fritzie. "Well, he was in the room," continued Dora, "and he got perfectly furious the moment he heard it." "Furious, Dora? Why, how funny!" exclaimed Lottie Nelson, languidly. "He turned on me like a thunder-cloud. Poor Uncle John was still laughing--he laughs on one side of his face since his stroke, and looks so fiendish, you know--when Lazarus began to glower at me. He was really insulting in his manner. 'Oh, I didn't know you were here,' I said to hush him up. 'What difference should that make?' he asked, and his eyes were flashing, I can tell you." "'The Virgin Mary is no relation of yours, is she?' I demanded frigidly. You ought to have seen the man. You know how sallow he is; he flushed to the roots of his hair and his lips snapped like a trap. Then he became ashamed of himself, I dare say, and his eyes fell; he put his hand on his breast and bowed to me as if I had been a queen--they certainly have the prettiest manners, these poor Italians--haven't they, Imogene?" "But what did he say?" asked Fritzie. "'Madame,' he exclaimed, as if I had stabbed him to the heart, 'the Blessed Virgin is my mother.' You really would have thought I had insulted his own mother. They have such queer ideas, these foreigners. My, but he was mad! Then, what do you think? The next day I passed him walking up from the lake and he came over with such apologies! He prayed I would overlook his anger--he professed to have been so shocked that he had forgotten himself--no doubt he was afraid he would lose his job." "George, you look sleepy," Lottie Nelson complained, looking at Doane. "You need something to wake you up. Suppose we adjourn to the dining-room?" Imogene returned to the piano. Kimberly walked to the door of the dining-room with the others. "I will go upstairs," he said to Lottie Nelson. "Don't stay all night," she returned peremptorily. "And come have something before you go up." "Perhaps when I come down." Fritzie caught his arm, and walked with him into the hall. They talked for a moment. "You must meet her," declared Fritzie at length, "she is perfectly lovely and will be over after a while with Dolly." Then she looked at him suddenly: "I declare, I don't believe you've heard a word of what I've been saying." "I'm afraid not, Fritzie, but no matter, listen to what I say. Don't go in there and drink with that bunch." "I won't." "Whiskey makes a fool of you." Fritzie put up her hand: "Now don't scold." Upstairs, Nelson and Charles Kimberly, facing each other, were seated at a big table on which lay a number of type-written sheets, beautifully clear and distinct. These they were examining. "What are you going over?" asked Robert, taking the chair Nelson drew up for him. "The Colorado plants." "Our own or the MacBirney?" "Both." Charles Kimberly with one hand in his pocket, and supporting his head with the other as his elbow rested on the table, turned to Robert with a question. "You've seen the MacBirney figures. What do you think of them?" "They are high. But I expected that." "Do you really need the MacBirney plants to control the Western market?" asked Charles Kimberly. With eyes half closed behind his glasses he studied his brother's face, quite as occupied with his thoughts as with his words. Robert did not answer at once. "I should hate to say so, personally," he remarked at length. "McCrea," continued Charles, "contends that we do need them to forestall competition. That is, he thinks with the MacBirney crowd out of the field we can have peace for ten years out there." Nelson asked a question. "What kind of factories have they got?" "Old-fashioned," answered Robert Kimberly. "What kind of influence?" "In public affairs, I don't know. In trade they are not dangerous, though MacBirney is ambitious and full of energy. The father-in-law was a fine old fellow. But he died just before the reorganization. I don't know how much money they've got now." "They haven't much," remarked Nelson. "We bother them a good deal from San Francisco," continued Robert Kimberly, reflecting, "but that is expensive. Ultimately we must own more factories in Colorado. Of course, as far as that goes, I would rather build new plants than remodel rat-hospitals." Charles Kimberly straightened up and turned himself in his chair. "Ten years of peace is worth a good deal to us. And if MacBirney can insure that, we ought to have it. All of this," he appealed to Robert, as he spoke, "is supposing that you are willing to assent." "I do not assent, chiefly because I distrust MacBirney. If the rest of you are satisfied to take him in, go ahead." "The others seem to be, Robert." "Then there is nothing more to be said. Let's get at the depreciation charges and the estimates for next year's betterments, so we can go over the new capitalization." While the conference went on, the muffled hum of gathering motor-cars came through the open windows. Robert Kimberly leaving the two men, walked downstairs again. The rooms were filling with the overflow from the dance. They who had come were chiefly of the married set, though boys and girls were among them. After the manner of those quite at home, the dancers, still wearing their flower leis, were scattered in familiar fashion about small tables where refreshment was being served. At one end of the music room a group applauded a clever young man, who, with his coat cuffs rolled back, was entertaining with amateur sleight-of-hand. At the other end of the room, surrounded by a second group, Fritzie Venable played smashing rag-time. About the tables pretty, overfed married women, of the plump, childless type, with little feet, fattening hands, and rounding shoulders, carried on a running chatter with men younger than their husbands. A young girl, attended at her table by married men, was trying to tell a story, and to overcome unobserved, her physical repugnance to the whiskey she was drinking. In the dining-room Lottie Nelson was the centre of a lively company, and her familiar pallor, which indulgence seemed to leave untouched, contrasted with the heightened color in Dora Morgan's face. Robert Kimberly had paused to speak to some one, when Fritzie Venable came up to ask a question. At that moment Arthur and Dolly De Castro, with Alice on Dolly's left, entered from the other end of the room. Kimberly saw again the attractive face of a woman he had noticed dancing with Arthur at the Casino. The three passed on and into the hall. Kimberly, listening to Fritzie's question, looked after them. "Fritzie, who is that with Dolly?" he asked suddenly. "That is Mrs. MacBirney." "Mrs. MacBirney?" he echoed. "Who is Mrs. MacBirney?" "Why, Mr. MacBirney's wife, of course. How stupid of you! I told you all about her before you went upstairs. He has brought his wife on with him. Dolly knew her mother and has been entertaining Alice for a week." "Alice! Oh, yes. I've been away, you know. MacBirney's wife? Of course. I was thinking of something else. Well--I suppose I ought to meet her. Come, Fritzie." |