The most prominent object in this view is the stately Reredos, the work of Messrs. Bodley & Garner. The following description of it was read by Mr. Garner before the S. Paul’s Ecclesiological Society.

“The design consists of a basement, against which the altar stands, with small doorways to give access to the apse behind. Over these doors which are of pierced brass, are angels supporting the crossed swords and keys, the arms of the diocese, and emblems of S. Paul and S. Peter, and they are flanked by sculptured festoons of fruit and flowers separated by marble panels. Above this is a range of sculptured panels, with coloured marble backgrounds supporting an open colonnade of semi-circular plan. A large group of sculpture, a sort of carved picture in bold relief, occupies the centre, flanked on each side by twisted columns of rich Brescia marble, wreathed with foliage in gilded bronze. These support an entablature and rich pediment. The frieze is of Rosso Antico, bearing the inscription Sic Deus dilexit mundum, ‘So God loved the World,’ in bronze letters. The whole is crowned with a central niche and surrounding statues, at a height of between sixty and seventy feet from the ground.

“The general idea of the sculptured subjects is to express the Incarnation and Life of our Lord, beginning with the two figures at the extremities of the colonnade, which are those of the Angel Gabriel and S. Mary, and represent the Annunciation. The panel on the north side is the Nativity, the large subject in the centre the Crucifixion, with the Entombment beneath it; and the group on the south side the Resurrection. The panels of the pedestals are filled with Angels bearing instruments of the Passion. The niche above the pediment is occupied by the figure of S. Mary with the Divine Child in her arms; the statues of S. Paul and S. Peter on either hand. The figure on the summit of the niche is an ideal one of the Risen Saviour.

“The entire Altar Screen is executed in white Parian marble, with bands and panels of Rosso Antico, Verdi di Prato, and Brescia marble. The enrichments are generally gilt, the steps in front of the Altar are of white marble, and the pavement of Rosso Antico, Brescia, and Verdi di Prato.” See Rev. L. Gilbertson’s Guide.