Robert Southey

The Banian Tree.—XIII. p. 4.

The Burghut, or Banian, often measures from twenty-four to thirty feet in girth. It is distinguished from every other tree hitherto known, by the very peculiar circumstance of throwing out roots from all its branches. These, being pendant, and perfectly lax, in time reach the ground, which they penetrate, and ultimately become substantial props to the very massy horizontal boughs, which, but for such a support, must either be stopt in their growth, or give way, from their own weight. Many of these quondam roots, changing their outward appearance from a brown rough rind to a regular bark, not unlike that of the beech, increase to a great diameter. They may be often seen from four to five feet in circumference, and in a true perpendicular line. An observer, ignorant of their nature, might think them artificial, and that they had been placed for the purpose of sustaining the boughs from which they originated. They proceed from all the branches indiscriminately, whether near or far removed from the ground. They appear like new swabs, such as are in use on board ships: however, few reach sufficiently low to take a hold of the soil, except those of the lower branches. I have seen some do so from a great height, but they were thin, and did not promise well. Many of the ramifications pendant from the higher boughs are seen to turn round the lower branches, but without any obvious effect on either; possibly, however, they may derive sustenance, even from that partial mode of communication. The height of a full-grown Banian may be from sixty to eighty feet; and many of them, I am fully confident, cover at least two acres. Their leaves are similar to, but rather larger than those of the laurel. The wood of the trunk is used only for fuel; it is light and brittle; but the pillars formed by the roots are valuable, being extremely elastic and light, working with ease, and possessing great toughness: it resembles a good kind of ash.—Oriental Field Sports, vol. ii. p. 113.

——The Well
Which they, with sacrifice of rural pride,
Have wedded to the Cocoa-Grove beside.—XIII. p. 5.

It is a general practice, that, when a plantation is made, a well should be dug at one of its sides. The well and the tope are married; a ceremony at which all the village attends, and in which often much money is expended. The well is considered as the husband, as its waters, which are copiously furnished to the young trees during the first hot season, are supposed to cherish and impregnate them. Though vanity and superstition are evidently the basis of these institutions, yet we cannot help admiring their effects, so beautifully ornamenting a torrid country, and affording such general convenience.—Oriental Sports, p. 10.

Tanks.—XIII. p. 5.

Some of these tanks are of very great extent, often covering eight or ten acres; and, besides having steps of masonry, perhaps fifty or sixty feet in breadth, are faced with brick-work, plastered in the most substantial manner. The corners are generally ornamented with round or polygon pavilions of a neat appearance.—Oriental Sports, vol. ii. p. 116.

There are two kinds of tanks, which we confound under one common name, though nothing can be more different. The first is the Eray, which is formed by throwing a mound or bank across a valley or hollow ground, so that the rain water collects in the upper part of the valley, and is let out on the lower part by sluices, for the purposes of cultivation. The other kind is the Culam, which is formed by digging out the earth, and is destined for supplying the inhabitants with water for domestic purposes. The Culams are very frequently lined on all the four sides with cut stone, and are the most elegant works of the natives.—Buchanan.

Where there are no springs or rivers to furnish them with water, as it is in the northern parts, where there are but two or three springs, they supply this defect by saving of rain water; which they do by casting up great banks in convenient places, to stop and contain the rains that fall, and so save it till they have occasion to let it out into the fields: They are made rounding, like a C, or half-moon. Every town has one of these ponds, which, if they can get but filled with water, they count their corn is as good as in the barn. It was no small work to the ancient inhabitants to make all these banks, of which there is a great number, being some two, some three fathoms in height, and in length some above a mile, some less, not all of a size. They are now grown over with great trees, and so seem natural hills. When they would use the water, they cut a gap in one end of the bank, and so draw the water by little and little, as they have occasion, for the watering their corn.

These ponds, in dry weather, dry up quite. If they should dig these ponds deep, it would not be so convenient for them. It would indeed contain the water well, but would not so well, nor in such plenty, empty out itself into their grounds. In these ponds are alligators, which, when the water is dried up, depart into the woods, and down to the rivers, and, in the time of rains, come up again into the ponds. They are but small, nor do use to catch people, nevertheless they stand in some fear of them.

The corn they sow in these parts is of that sort that is soonest ripe, fearing lest their waters should fail. As the water dries out of these ponds, they make use of them for fields, treading the mud with buffaloes, and then sowing rice thereon, and frequently casting up water with scoops on it.—Knox, p. 9.

The Lotus.—XIII. p. 5.

The lotus abounds in the numerous lakes and ponds of the province of Garah; and we had the pleasure of comparing several varieties; single and full, white, and tinged with deep or with faint tints of red. To a near view, the simple elegance of the white lotus gains no accession of beauty from the multiplication of its petals, nor from the tinge of gaudy hue; but the richest tint is most pleasing, when a lake, covered with full-blown lotas, is contemplated.—Journey from Mirzapur to Nagpur.—Asiatic Annual Register, 1806.

They built them up a Bower, &c.—XIII. p. 5.

The materials of which these houses are made are always easy to be procured, and the structure is so simple, that a spacious, and by no means uncomfortable dwelling, suited to the climate, may be erected in one day. Our habitation, consisting of three small rooms, and a hall open to the north, in little more than four hours was in readiness for our reception; fifty or sixty labourers completed it in that time, and on emergency could perform the work in much less. Bamboos, grass for thatching, and the ground rattan, are all the materials requisite: not a nail is used in the whole edifice: A row of strong bamboos, from eight to ten feet high, are fixed firm in the ground, which describe the outline, and are the supporters of the building: smaller bamboos are then tied horizontally, by strips of the ground rattan, to these upright posts: The walls, composed of bamboo mats, are fastened to the sides with similar ligatures: bamboo rafters are quickly raised, and a roof formed, over which thatch is spread in regular layers, and bound to the roof by filaments of rattan. A floor of bamboo grating is next laid in the inside, elevated two or three feet above the ground: this grating is supported on bamboos, and covered with mats and carpets. Thus ends the process, which is not more simple than effectual. When the workmen take pains, a house of this sort is proof against very inclement weather. We experienced, during our stay at Meeday, a severe storm of wind and rain, but no water penetrated, nor thatch escaped: and if the tempest should blow down the house, the inhabitants would run no risk of having, their brains knocked out, or their bones broken; the fall of the whole fabric would not crush a lady’s lap-dog.—Symes’s Embassy to Ava.

Jungle-grass.—XIII. p. 6.

In this district the long grass called jungle is more prevalent than I ever yet noticed. It rises to the height of seven or eight feet, and is topped with a beautiful white down, resembling a swan’s feather. It is the mantle with which nature here covers all the uncultivated ground, and at once veils the indolence of the people and the nakedness of their land. It has a fine shewy appearance, as it undulates in the wind, like the waves of the sea. Nothing but the want of greater variety to its colour prevents it from being one of the finest and most beautiful objects in that rich store of productions with which nature spontaneously supplies the improvident natives.—Tennant.

In such libations, pour’d in open glades,
Beside clear streams and solitary shades,
The Spirits of the virtuous dead delight.—XIII. p. 6.

The Hindoos are enjoined by the Veds to offer a cake, which is called Peenda, to the ghosts of their ancestors, as far back as the third generation. This ceremony is performed on the day of the new moon in every month. The offering of water is in like manner commanded to be performed daily; and this ceremony is called Tarpan, to satisfy, to appease. The souls of such men as have left children to continue their generation, are supposed to be transported, immediately upon quitting their bodies, into a certain region called the Peetree Log, where they may continue in proportion to their former virtues, provided these ceremonies be not neglected; otherwise they are precipitated into Nark, and doomed to be born again in the bodies of unclean beasts; and until, by repeated regenerations, all their sins are done away, and they attain such a degree of perfection as will entitle them to what is called Mooktee, eternal salvation, by which is understood a release from future transmigration, and an absorption in the nature of the godhead, who is called Brahm.—Wilkins. Note to the Bhagvat Geeta.

The divine names are always pleased with an oblation in empty glades, naturally clean, on the banks of rivers, and in solitary spots.—Inst. of Menu.

Voomdavee.—XIII. p. 7.

This wife of Veeshnoo is the Goddess of the Earth and of Patience. No direct adoration is paid her; but she is held to be a silent and attentive spectator of all that passes in the world.—Kindersley.

Tassel Grass.—XIII. p. 8.

The Surput, or tassel-grass, which is much the same as the guinea-grass, grows to the height of twelve or fourteen feet. Its stem becomes so thick as to resemble in some measure a reed. It is very strong, and grows very luxuriantly: it is even used as a fence against cattle; for which purpose it is often planted on banks, excavated from ditches, to enclose fields of corn, &c. It grows wild in all the uncultivated parts of India, but especially in the lower provinces, in which it occupies immense tracts; sometimes mixing with, and rising above coppices; affording an asylum for elephants, rhinoceroses, tygers, &c. It frequently is laid by high winds, of which breeding sows fail not to take advantage, by forming their nests, and concealing their young under the prostrate grass.—Oriental Sports, vol. i. p. 32.

Lo, from his trunk, upturn’d, aloft he flings
The grateful shower, and now,
Plucking the broad-leav’d bough
Of yonder plane,—he moves it to and fro.—XIII. p. 9.

Nature has provided the elephant with means to cool its heated surface, by enabling it to draw from its throat, by the aid of its trunk, a copious supply of saliva, which the animal spurts with force very frequently all over its skin. It also sucks up dust, and blows it over its back and sides, to keep off the flies, and may often be seen fanning itself with a large bough, which it uses with great ease and dexterity.—Oriental Sports, vol. i. p. 100.

Till his strong temples, bathed with sudden dews,
Their fragrance of delight and love diffuse.—XIII p. 9.

The Hindoo poets frequently allude to the fragrant juice which oozes, at certain seasons, from small ducts in the temples of the male elephant, and is useful in relieving him from the redundant moisture, with which he is then oppressed; and they even describe the bees as allured by the scent, and mistaking it for that of the sweetest flowers. When Crishna visited Sanc’ha-dwip, and had destroyed the demon who infested that delightful country, he passed along the bank of a river, and was charmed with a delicious odour, which its waters diffused in their course: He was eager to view the source of so fragrant a stream, but was informed by the natives that it flowed from the temples of an elephant, immensely large, milk-white, and beautifully formed; that he governed a numerous race of elephants; and that the odoriferous fluid which exuded from his temples in the season of love had formed the river; that the Devas, or inferior gods, and the Apsarases, or nymphs, bathed and sported in its waters, impassioned and intoxicated with the liquid perfume.—Wilford. Asiatic Researches.

The antic monkeys, whose wild gambols late
Shook the whole wood.—XIII. p. 10.

They are so numerous on the island of Bulama, says Captain Beaver in his excellent book, that I have seen, on a calm evening, when there was not an air sufficiently strong to agitate a leaf, the whole surrounding wood in as much motion, from their playful gambols among its branches, as if it had blown a strong wind.

Not that in emulous skill that sweetest bird
Her rival strain would try.—XIII. p. 10.

I have been assured, by a credible eye-witness, that two wild antelopes used often to come from their woods to the place where a more savage beast, Sirajuddaulah, entertained himself with concerts, and that they listened to the strains with an appearance of pleasure, till the monster, in whose soul there was no music, shot one of them, to display his archery. A learned native of this country told me that he had frequently seen the most venomous and malignant snakes leave their holes, upon hearing tunes on a flute, which, as he supposed, gave them peculiar delight. An intelligent Persian, who repeated his story again and again, and permitted me to write it down from his lips, declared, he had more than once been present when a celebrated lutanist, Mirza Mohammed, surnamed Bulbul, was playing to a large company, in a grove near Shiraz, where he distinctly saw the nightingales trying to vie with the musician; sometimes warbling on the trees, sometimes fluttering from branch to branch, as if they wished to approach the instrument whence the melody proceeded, and at length dropping on the ground, in a kind of ecstacy, from which they were soon raised, he assured me, by a change of the mode. I hardly know, says Sir William Jones, how to disbelieve the testimony of men who had no system of their own to support, and could have no interest in deceiving me.—Asiatic Researches.

No idle ornaments deface
Her natural grace.—XIII. p. 10.

The Hindoo Wife, in Sir William Jones’s poem, describes her own toilet-tasks:—

Nor were my night thoughts, I confess, Free from solicitude for dress; How best to bind my flowing hair With art, yet with an artless air,— My hair, like musk in scent and hue, Oh! blacker far, and sweeter too! In what nice braid, or glossy curl, To fix a diamond or a pearl, And where to smooth the love-spread toils With nard or jasmin’s fragrant oils; How to adjust the golden Teic,³⁰ And most adorn my forehead sleek; What Condals³¹ should emblaze my ears, Like Seita’s³² waves, or Seita’s³³ tears; How elegantly to dispose Bright circlets for my well-form’d nose; With strings of rubies how to deck, Or emerald rows, my stately neck; While some that ebon tower embraced, Some pendent sought my slender waist; How next my purfled veil to chuse From silken stores of varied hues, Which would attract the roving view, Pink, violet, purple, orange, blue; The loveliest mantle to select, Or unembellished or bedeck’d; And how my twisted scarf to place With most inimitable grace, (Too thin its warp, too fine its woof, For eyes of males not beauty-proof;) What skirts the mantle best would suit, Ornate, with stars, or tissued fruit, The flower-embroidered or the plain, With silver or with golden vein; The Chury³⁴ bright, which gayly shows Fair objects aptly to compose; How each smooth arm, and each soft wrist, By richest Cosees³⁵ might be kiss’d, While some my taper ankles round, With sunny radiance tinged the ground.

See how he kisses the lip of my rival, and imprints on her forehead an ornament of pure musk, black as the young antelope on the lunar orb! Now, like the husband of Reti, he fixes white blossoms on her dark locks, where they gleam like flashes of lightning among the curled clouds. On her breasts, like two firmaments, he places a string of gems like a radiant constellation; he binds on her arms, graceful as the stalks of the water-lily, and adorned with hands glowing like the petals of its flower, a bracelet of sapphires, which resemble a cluster of bees. Ah! see how he ties round her waist a rich girdle illumined with golden bells, which seem to laugh as they tinkle, at the inferior brightness of the leafy garlands which lovers hang on their bowers, to propitiate the god of desire. He places her soft foot, as he reclines by her side, on his ardent bosom, and stains it with the ruddy hue of Yavaca.—Songs of Jayadeva.

Sandal-streak.—XIII. p. 10.

The Hindoos, especially after bathing, paint their faces with ochres and sandal-wood ground very fine into a pulp.

The custom is principally confined to the male sex, though the women occasionally wear a round spot, either of sandal, which is of a light dun colour, or of singuiff, that is, a preparation of vermilion, between the eye-brows, and a stripe of the same running up the front of the head, in the furrow made according to the general practice of dividing all the frontal hair equally to the right and left, where it is rendered smooth, and glazed by a thick mucilage, made by steeping lintseed for a while in water. When dry, the hair is all firmly matted together, and will retain its form for many days together.—Oriental Sports, vol. i. p. 271.

Nor arm, nor ankle-ring.—XIII. p. 10.

Glass rings are universally worn by the women of the Decan, as an ornament on the wrists; and their applying closely to the arm is considered as a mark of delicacy and beauty, for they must of course be past over the hand. In doing this a girl seldom escapes without drawing blood, and rubbing part of the skin from her hand; and as every well-dressed girl has a number of rings on each arm, and as these are frequently breaking, the poor creatures suffer much from their love of admiration.—Buchanan.

The dear retreat.—XIII. p. 11.

There is a beautiful passage in Statius, which may be quoted here: It is in that poet’s best manner:

Qualis vicino volucris jam sedula partu, Jamque timens qu fronde domum suspendat inanem, Providet hinc ventos, hinc anxia cogitat angues, Hinc homines; tandem dubiÆ placet umbra, novisque Vix stetit in ramis, et protinus arbor amatur. Achil. ii. 212.

Jaga-Naut.—XIV. p. 14.

This temple is to the Hindoos what Mecca is to the Mahommedans. It is resorted to by pilgrims from every quarter of India. It is the chief seat of Brahminical power, and a strong-hold of their superstition. At the annual festival of the Butt Jattra, seven hundred thousand persons (as has been computed by the Pundits in College) assemble at this place. The number of deaths in a single year, caused by voluntary devotement, by imprisonment for non-payment of the demands of the Brahmins, or by the scarcity of provisions for such a multitude, is incredible. The precincts of the place are covered with bones.—Claudius Buchanan.

Many thousands of people are employed in carrying water from Hurdwar to Juggernat, for the uses of that temple. It is there supposed to be peculiarly holy, as it issues from what is called the Cow’s Mouth. This superstitious notion is the cause of as much lost labour as would long since have converted the largest province of Asia into a garden. The numbers thus employed are immense; they travel with two flasks of the water slung over the shoulder by means of an elastic piece of bamboo. The same quantity which employs, perhaps, fifteen thousand persons, might easily be carried down the Ganges in a few boats annually. Princes and families of distinction have this water carried to them in all parts of Hindostan; it is drank at feasts, as well as upon religious occasions.—Tennant.

A small river near Kinouge is held by some as even more efficacious in washing away moral defilement than the Ganges itself. Dr Tennant says, that a person in Ceylon drinks daily of this water, though at the distance of, perhaps, three thousand miles, and at the expense of five thousand rupees per month!

No distinction of casts is made at this temple, but all, like a nation descended from one common stock, eat, drink, and make merry together.—Stavorinus.

The seven-headed Idol.—XIV. p. 15.

The idol of Jaggenat is in shape like a serpent, with seven heads; and on the cheeks of each head it hath the form of a wing upon each cheek, which wings open and shut and flap as it is carried in a stately chariot, and the idol in the midst of it; and one of the moguls sitting behind it in the chariot, upon a convenient place, with a canopy, to keep the sun from injuring of it.

When I, with horror, beheld these strange things, I called to mind the eighteenth chapter of the Revelations, and the first verse, and likewise the sixteenth and seventeenth verses of the said chapter, in which places there is a beast, and such idolatrous worship, mentioned; and those sayings in that text are herein truly accomplished in the sixteenth verse; for the Bramins are all marked in the forehead, and likewise all that come to worship the idol are marked also in their foreheads.—Bruton. Churchill’s Collection,

The Chariot of the God.—XIV. p. 15.

The size of the chariot is not exaggerated. Speaking of other such, Niecamp says, Currus tam horrendÆ magnitudinis sunt, ut vel mille homines uni trahendo vix sufficiant.—i. 10. § 18.

They have built a great chariot, that goeth on sixteen wheels of a side, and every wheel is five feet in height, and the chariot itself is about thirty feet high. In this chariot, on their great festival days, at night, they place their wicked god Jaggarnat; and all the Bramins, being in number nine thousand, then attend this great idol, besides of ashmen and fackeires some thousands, or more than a good many.

The chariot is most richly adorned with most rich and costly ornaments; and the aforesaid wheels are placed very complete in a round circle, so artificially, that every wheel doth its proper office without any impediment; for the chariot is aloft, and in the centre betwixt the wheels: they have also more than two thousand lights with them: And this chariot, with the idol, is also drawn with the greatest and best men of the town; and they are so eager and greedy to draw it, that whosoever, by shouldering, crowding, shoving, heaving, thrusting, or any violent way, can but come to lay a hand upon the ropes, they think themselves blessed and happy: and, when it is going along the city, there are many that will offer themselves as a sacrifice to this idol, and desperately lie down on the ground, that the chariot-wheels may run over them, whereby they are killed outright; some get broken arms, some broken legs; so that many of them are so destroyed, and by this means they think to merit heaven.—Bruton. Churchill’s Collection.

They sometimes lie down in the track of this machine a few hours before its arrival, and, taking a soporiferous draught, hope to meet death asleep.—Claudius Buchanan.

A harlot-band.—XIV. p. 19.

There are in India common women, called Wives of the Idol. When a woman has made a vow to obtain children, if she brings into the world a beautiful daughter, she carries her to Bod, so their idol is called, with whom she leaves her. This girl, when she is arrived at a proper age, takes an apartment in the public place, hangs a curtain before the door, and waits for those who are passing, as well Indians as those of other sects among whom this debauchery is permitted. She prostitutes herself for a certain price, and all that she can thus acquire she carries to the priest of the idol, that he may apply it to the service of the temple. Let us, says the Mohammedan relater, bless the almighty and glorious God, that he has chosen us, to exempt us from all the crimes into which men are led by their unbelief.—Anciennes Relations.

Incited, unquestionably, says Mr. Maurice, by the hieroglyphic emblem of vice so conspicuously elevated, and so strikingly painted in the temples of Mahadeo, the priests of that deity industriously selected the most beautiful females that could be found, and, in their tenderest years, with great pomp and solemnity, consecrated them (as it is impiously called) to the service of the presiding divinity of the pagoda. They were trained up in every art to delude and to delight; and, to the fascination of external beauty, their artful betrayers added the attractions arising from mental accomplishments. Thus was an invariable rule of the Hindoos, that women have no concern with literature, dispensed with upon this infamous occasion. The moment these hapless victims reached maturity, they fell victims to the lust of the Brahmins. They were early taught to practise the most alluring blandishments, to roll the expressive eye of wanton pleasure, and to invite to criminal indulgence, by stealing upon the beholder the tender look of voluptuous languishing. They were instructed to mould their elegant and airy forms into the most enticing attitudes and the most lascivious gestures, while the rapid and graceful motion of their feet, adorned with golden bells, and glittering with jewels, kept unison with the exquisite melody of their voices. Every pagoda has a band of these young syrens, whose business, on great festivals, is to dance in public before the idol, to sing hymns in his honour, and in private to enrich the treasury of that pagoda with the wages of prostitution. These women are not, however, regarded in a dishonourable light; they are considered as wedded to the idol, and they partake of the veneration paid to him. They are forbidden even to desert the pagoda where they are educated, and are never permitted to marry; but the offspring, if any, of their criminal embraces are considered as sacred to the idol: the boys are taught to play on the sacred instruments used at the festivals, and the daughters are devoted to the abandoned occupations of their mothers.—Indian Antiquities.

These impostors take a young maid, of the fairest they can meet with, to be the bride, (as they speak and bear the besotted people in hand) of Jagannat, and they leave her all night in the temple (whither they have carried her) with the idol, making her believe that Jagannat himself will come and embrace her, and appointing her to ask him, whether it will be a fruitful year, what kind of processions, feasts, prayers, and alms he demands to be made for it. In the mean time one of these lustful priests enters at night by a little back-door into the temple, deflowereth this young maid, and maketh her believe any thing he pleaseth; and the next day, being transported from this temple into another with the same magnificence, she was carried before upon the chariot of triumph, on the side of Jagannat her bridegroom: these Brahmans make her say aloud, before all the people, whatsoever she had been taught of these cheats, as if she had learnt it from the very mouth of Jagannat.—Bernier.

Baly.—XV. p. 26.

The fifth incarnation was in a Bramin dwarf, under the name of Vamen; it was wrought to restrain the pride of the giant Baly. The latter, after having conquered the gods, expelled them from Sorgon; he was generous, true to his word, compassionate, and charitable. Vichenou, under the form of a very little Bramin, presented himself before him while he was sacrificing, and asked him for three paces of land to build a hut. Baly ridiculed the apparent imbecility of the dwarf, in telling him, that he ought not to limit his demand to a bequest so trifling; that his generosity could bestow a much larger donation of land. Vamen answered, That, being of so small a stature, what he asked was more than sufficient. The prince immediately granted his request, and, to ratify his donation, poured water into his right hand; which was no sooner done than the dwarf grew so prodigiously, that his body filled the universe! He measured the earth with one pace, and the heavens with another, and then summoned Baly to give him his word for the third. The prince then recognised Vichenou, adored him, and presented his head to him; but the god, satisfied with his submission, sent him to govern the Padalon, and permitted him to return every year to the earth, the day of the full moon, in the month of November.—Sonnerat’s Voyages, vol. i. p. 24.

The sacred cord.—XV. p. 30.

The Brahmans who officiate at the temples generally go with their heads uncovered, and the upper part of the body naked. The Zennar, or sacred string, is hung round the body from the left shoulder; a piece of white cotton cloth is wrapped round the loins, which descends under the knee, but lower on the left side than on the other; and in cold weather they sometimes cover their bodies with a shawl, and their heads with a red cap.—The Zennar is made of a particular kind of perennial cotton, called Verma: it is composed of a certain number of threads of a fixed length: the Zennar worn by the Khatries has fewer threads than that worn by the Brahmans, and that worn by the Bhyse fewer than that worn by the Khatries; but those of the Sodra cast are excluded from this distinction, none of them being permitted to wear it.—Craufurd.

The City of Baly.—XV. p. 31.

Ruins of MalÂbalipÛr, the City of the great Baly.

A rock, or rather hill of stone, is that which first engrosses the attention on approaching the place; for as it rises abruptly out of a level plain of great extent, consists chiefly of one single stone, and is situated very near to the sea-beach, it is such a kind of object as an inquisitive traveller would naturally turn aside to examine. Its shape is also singular and romantic, and, from a distant view, has an appearance like some antique and lofty edifice. On coming near to the foot of the rock from the north, works of imagery and sculpture crowd so thick upon the eye, as might seem to favour the idea of a petrified town, like those that have been fabled in different parts of the world, by too credulous travellers. Proceeding on by the foot of the hill, on the side facing the sea, there is a pagoda rising out of the ground, of one solid stone, about sixteen or eighteen feet high, which seems to have been cut upon the spot, out of a detached rock, that has been found of a proper size for that purpose. The top is arched, and the style of architecture according to which it is formed different from any now used in those parts. A little further on, there appears, upon a huge surface of stone, that juts out a little from the side of the hill, a numerous group of human figures, in bass-relief, considerably larger than life, representing the most remarkable persons whose actions are celebrated in the NahÂbharit, each of them in an attitude, or with weapons, or other insignia, expressive of his character, or of some one of his most famous exploits. All these figures are doubtless much less distinct than they were at first; for upon comparing these and the rest of the sculptures that are exposed to the sea-air, with others at the same place, whose situation has afforded them protection from that element, the difference is striking; the former being every where much defaced, while the others are fresh as recently finished. An excavation in another part of the east side of the great rock appears to have been made on the same plan, and for the same purpose, that Chowltries are usually built in that country, that is to say, for the accommodation of travellers. The rock is hollowed out to the size of a spacious room, and two or three rows of pillars are left, as a seeming support to the mountainous mass of stone which forms the roof.

The ascent of the hill on the north is, from its natural shape, gradual and easy at first, and is in other parts rendered more so, by very excellent steps, cut out in several places where the communication would be difficult or impracticable without them. A winding stair of this sort leads to a kind of temple cut out of the solid rock, with some figures of idols in high relief upon the walls, very well finished. From this temple there are flights of steps, that seem to have led to some edifice formerly standing upon the hill; nor does it seem absurd to suppose that this may have been a palace, to which this temple may have appertained; for, besides the small detached range of stairs that are here and there cut in the rock, and seem as if they had once led to different parts of one great building, there appear in many places small water channels cut also in the rock, as if for drains to an house; and the whole top of the hill is strewed with small round pieces of brick, which may be supposed, from their appearance, to have been worn down to their present form during the lapse of many ages. On a plain surface of the rock, which may once have served as the floor of some apartment, there is a platform of stone, about 8 or 9 feet long, by 3 or 4 wide, in a situation rather elevated, with two or three steps leading up to it, perfectly resembling a couch or bed, and a lion very well executed at the upper end of it, by way of pillow; the whole of one piece, being part of the hill itself. This the Bramins, inhabitants of the place, call the bed of DhermarÂjah, or Judishter, the eldest of the five brothers, whose exploits are the leading subject in the MahabhÂrit. And at a considerable distance from this, at such a distance, indeed, as the apartments of the women might be supposed to be from that of the men, is a bath, excavated also from the rock, with steps in the inside, which the Bramins call the Bath of Dropedy, the wife of Judishter and his brothers. How much credit is due to this tradition, and whether this stone couch may not have been anciently used as a kind of throne, rather than a bed, is matter for future enquiry. A circumstance, however, which may seem to favour this idea is, that a throne, in the Shanscrit and other Hindoo languages, is called SinghÂsen, which is compounded of Sing, a lion, and Ásen, a seat.

But though these works may be deemed stupendous, they are surpassed by others that are to be seen at the distance of about a mile, or mile and half, to the south of the hill. They consist of two pagodas, of about 30 feet long, by 20 feet wide, and about as many in height, cut out of the solid rock, and each consisting originally of one single stone. Their form is different from the style of architecture according to which idol temples are now built in that country. These sculptures approach nearer to the Gothic taste, being surmounted by arched roofs, or domes, not semicircular, but composed of two segments of circles meeting in a point at top. Near these also stand an elephant full as big as life, and a lion much larger than the natural size, both hewn also out of one stone.

The great rock is about 50 or 100 yards from the sea; but close to the sea are the remains of a pagoda built of brick, and dedicated to SÎb, the greatest part of which has evidently been swallowed up by that element; for the door of the innermost apartment, in which the idol is placed, and before which there are always two or three spacious courts surrounded with walls, is now washed by the waves, and the pillar used to discover the meridian at the time of founding the pagoda is seen standing at some distance in the sea. In the neighbourhood of this building there are some detached rocks, washed also by the waves, on which there appear sculptures, though now much worn and defaced: And the natives of the place declared to the writer of this account, that the more aged people among them remembered to have seen the tops of several pagodas far out in the sea, which, being covered with copper, (probably gilt,) were particularly visible at sun-rise, as their shining surface used then to reflect the sun’s rays, but that now that effect was no longer produced, as the copper had since become incrusted with mould and verdigrease.—Chambers. Asiatic Researches.

Thou hast been called, O Sleep! the friend of Woe,
But ’tis the happy who have call’d thee so.—XV. p. 36.

Daniel has a beautiful passage concerning Richard II.—sufficiently resembling this part of the poem to be inserted here:

To Flint, from thence, unto a restless bed, That miserable night he comes convey’d; Poorly provided, poorly followed, Uncourted, unrespected, unobey’d; Where, if uncertain Sleep but hovered Over the drooping cares that heavy weigh’d, Millions of figures Fantasy presents Unto that sorrow wakened grief augments.
His new misfortune makes deluded Sleep Say ’twas not so:—false dreams the truth deny: Wherewith he starts; feels waking cares do creep Upon his soul, and gives his dream the lie, Then sleeps again:—and then again as deep Deceits of darkness mock his misery. Civil War, Book II. st. 52, 53.

The Aullay.—XVI. p. 40.

This monster of Hindoo imagination is a horse with the trunk of an elephant, but bearing about the same proportion to the elephant in size, that the elephant itself does to a common sheep. In one of the prints to Mr. Kindersley’s “Specimens of Hindoo Literature,” an aullay is represented taking up an elephant with his trunk.

——Did then the Ocean wage
His war for love and envy, not in rage,
O thou fair City, that he spares thee thus?—XVI. p. 40.

Malecheren, (which is probably another name for Baly), in an excursion which he made one day alone, and in disguise, came to a garden in the environs of his city MahÂbalipoor, where was a fountain so inviting, that two celestial nymphs had come down to bathe there. The Rajah became enamoured of one of them, who condescended to allow of his attachment to her; and she and her sister nymph used thenceforward to have frequent interviews with him in that garden. On one of those occasions they brought with them a male inhabitant of the heavenly regions, to whom they introduced the Rajah; and between him and Malecheren a strict friendship ensued; in consequence of which he agreed, at the Rajah’s earnest request, to carry him in disguise to see the court of the divine Inder,—a favour never before granted to any mortal. The Rajah returned from thence with new ideas of splendour and magnificence, which he immediately adopted in regulating his court and his retinue, and in beautifying his seat of government. By this means MahÂbalipoor became soon celebrated beyond all the cities of the earth; and on account of its magnificence having been brought to the gods assembled at the court of Inder, their jealousy was so much excited at it, that they sent orders to the God of the Sea to let loose his billows, and overflow a place which impiously pretended to vie in splendour with their celestial mansions. This command he obeyed, and the city was at once overflowed by that furious element, nor has it ever since been able to rear its head.—Chambers. Asiat. Res.

Round those strange waters they repair.—XVI. p. 44.

In the Bahia dos Artifices, which is between the river Jagoarive and S. Miguel, there are many springs of fresh water, which may be seen at low tide, and these springs are frequented by fish and by the sea-cow, which they say comes to drink there.—Noticias do Brazil. MSS. i. 8.

The inhabitants of the Feroe Islands seek for cod in places where there is a fresh-water spring at the bottom.—Landt.

This weapon, which is often to be seen in one of the wheel-spoke hands of a Hindoo god, resembles a quoit: the external edge is sharp: it is held in the middle, and, being whirled along, cuts wherever it strikes.

Brahma is considered as the immediate creator of all things, and particularly as the disposer of each person’s fate, which he inscribes within the skull of every created being, and which the gods themselves cannot avert.—Kindersley, p. 21. Niecamp. vol. i. p. 10. § 7.

It is by the sutures of the skull that these lines of destiny are formed. See also a note to Thalaba, (vol. i. p. 260, second edition,) upon a like superstition of the Mahommedans.

Quand on leur reproche quclque vice, ou qu’on les reprend d’une mauvaise action, ils rÉpondent froidement, que cela est Écrit sur leur tÊte, et qu’ils n’ont pu faire autrement. Si vous paroissez ÉtonnÉ de ce langage nouveau, et que vous demandiez À voir oÚ cela est ecrit, ils vous montrent les diverses jointures du crÂne de leur tÊte, prÉtendant que les sutures mÊme sont les caracteres de cette Écriture mysterieuse. Si vous les pressez de dechiffrer ces caracteres, et de vous faire connoitre ce qu’ils signifient, ils avouent qu’ils ne le sÇavent pas. Mais puisque vous ne sÇavez pas lire cette ecriture, disois-je quelquefois À ces gens entÊtÉs, qui est-ce donc qui vous la lit? qui estce qui vous en explique le sens, et qui vous fait connoitre ce qu’elle contient? D’ailleurs ces pretendus caracteres etant les memes sur la tÊte de tous les hommes, d’ oÚ vient qu’ils agissent si diffÉremment, et qu’ils sont si contraires les uns aux autres dans leurs vues, dans leurs desseins, et dans leurs projets?

Les Brames m’ecoutoient de sang froid, et sans s’inguieter ni des contradictions oÚ ils tomboient, ni des consequences ridicules qu’ils etoient obligÉs d’avouer, Enfin, lorsgu’ils se sentoient vivement presses, toute leur ressource Éloit de se retirer sans rien dire.—P. Mauduit. Lettres Edifiantes, t. x. p. 248.

The seas which surround these earths are, 1. of salt water, inclosing our inmost earth; 2. of fresh water; 3. of tyre, curdled milk; 4. of ghee, clarified butter; 5. of cauloo, a liquor drawn from the pullum tree; 6. of liquid sugar; 7. of milk. The whole system is inclosed in one broad circumference of pure gold, beyond which reigns impenetrable darkness.—Kindersley.

I know not whether the following fable was invented to account for the saltness of our sea:

“Agastya is recorded to have been very low in stature; and one day, previously to the rectifying the too oblique posture of the earth, walking with Veeshnu on the shore of the ocean, the insolent Deep asked the God, who that dwarf was strutting by his side? Veeshnu replied, it was the patriarch Agastya going to restore the earth to its true balance. The sea, in utter contempt of his pigmy, form, dashed him with his spray as he passed along; on, which the sage, greatly incensed at the designed affront, scooped up some of the water in the hollow of his hand, and drank it off: he again and again repeated the draught, nor desisted till he had drained the bed of the ocean of the entire volume of its waters. Alarmed at this effect of his holy indignation, and dreading an universal drought, the Devatas made intercession with Agastya to relent from his anger, and again restore an element so necessary to the existence of nature, both animate and inanimate. Agastya, pacified, granted their request, and discharged the imbibed fluid in a way becoming the histories of a gross physical people to relate, but by no means proper for this page; away, however, that evinced his sovereign power, while it marked his ineffable contempt for the vain fury of an element, contending with a being armed with the delegated power of the Creator of all things. After this miracle, the earth being, by the same power, restored to its just balance, Agastya and Veeshnu separated: when the latter, to prevent any similar accident occurring, commanded the great serpent (that is, of the sphere) to wind its enormous folds round the seven continents, of which, according to Sanscreet geography, the earth consists, and appointed, as perpetual guardians, to watch over and protect it, the eight powerful genii, so renowned in the Hindoo system of mythology, as presiding over the eight points of the world.”—Maurice.

The Pauranics (said Ramachandra to Sir William Jones) will tell you that our earth is a plane figure studded with eight mountains, and surrounded by seven seas of milk, nectar, and other fluids; that the part which we inhabit is one of seven islands, to which eleven smaller isles are subordinate; that a god, riding on a huge elephant, guards each of the eight regions; and that a mountain of gold rises and gleams in the centre.—Asiatic Researches.

“Eight original mountains and seven seas, Brahma, Indra, the Sun, and Rudra, these are permanent; not thou, not I, not this or that people. Wherefore then should anxiety be raised in our minds?”—Asiatic Res.

The residence of Ixoru is upon the silver mount Calaja, to the south of the famous mountain Mahameru, being a most delicious place, planted with all sorts of trees, that bear fruit all the year round. The roses and other flowers send forth a most odoriferous scent; and the pond at the foot of the mount is inclosed with pleasant walks of trees, that afford an agreeable shade, whilst the peacocks and divers other birds entertain the ear with their harmonious noise, as the beautiful women do the eyes. The circumjacent woods are inhabited by a certain people called Munis, or Rixis, who, avoiding the conversation of others, spend their time in offering daily sacrifices to their god.

It is observable, that though these pagans are generally black themselves, they do represent these Rixis to be of a fair complexion, with long white beards, and long garments hanging cross-ways, from about the neck down over the breast. They are in such high esteem among them, they believe that whom they bless are blessed, and whom they curse are cursed.

Within the mountain lives another generation, called Jexaquinnera and Quendra, who are free from all trouble, spend their days in continual contemplations, praises, and prayers to God. Round about the mountain stand seven ladders, by which you ascend to a spacious plain, in the middle whereof is a bell of silver, and a square table, surrounded with nine precious stones, of divers colours. Upon this table lies a silver rose, called Tamora Pua, which contains two women as bright and fair as a pearl: one is called Brigasiri, i. e. the Lady of the Mouth; the other Tarasiri, i.e. the Lady of the Tongue,—because they praise God with the mouth and tongue. In the centre of this rose is the triangle of Quivelinga, which they say is the permanent residence of God.—BaldÆus.

“Even I was even at first, not any other thing; that which exists, unperceived, supreme: afterwards I am that which is; and he who must remain, am I.

“Except the First Cause, whatever may appear, and may not appear, in the mind, know that to be the mind’s MÁyÁ, or delusion, as light, as darkness.

“As the great elements are in various beings, entering, yet not entering, (that is, pervading, not destroying,) thus am I in them, yet not in them.

“Even thus far may inquiry be made by him who seeks to know the principle of mind in union and separation, which must be everywhere, always.”—Asiatic Researches. Sir W. Jones, from the Bhagavat.

I am the creation and the dissolution of the whole universe. There is not any thing greater than I, and all things hang on me, even as precious gems upon a string. I am moisture in the water, light in the sun and moon, invocation in the Veds, sound in the firmament, human nature in mankind, sweet-smelling savour in the earth, glory in the source of light: In all things I am life; and I am zeal in the zealous: and know, O Arjoon! that I am the eternal seed of all nature. I am the understanding of the wise, the glory of the proud, the strength of the strong, free from lust and anger; and in animals I am desire regulated by moral fitness.—Kreeshna, in the Bhagavat-Geeta.

Being now in the splendorous lustre of the divine bliss and glory, I there saw in spirit the choir of the holy angels, the choir of the prophets and apostles, who, with heavenly tongues and music, sing and play around the throne of God; yet not in just such corporeal forms or shapes as are those we now bear and walk about in; no, but in shapes all spiritual: the holy angels in the shape of a multitude of flames of fire, the souls of believers in the shape of a multitude of glittering or luminous sparkles; God’s throne in the shape, or under the appearance of a great splendour.—Hans Engelbrecht.

Something analogous to this unendurable presence of Seeva is found amid the nonsense of Joanna Southcott. Apollyon is there made to say of the Lord, “thou knowest it is written, he is a consuming fire, and who can dwell in everlasting burnings? who could abide in devouring flames? Our backs are not brass, nor our sinews iron, to dwell with God in heaven.”—Dispute between the Woman and the Powers of Darkness.

“There the sun shines not, nor the moon and stars: these lightnings flash not in that place: how should even fire blaze there? God irradiates all this bright substance, and by its effulgence the universe is enlightened.”—From the Yajurveda. Asiat. Res.

I heard a voice crying out under my window; I looked out, and saw a poor young girl lamenting the unhappy case of her sister. On asking what was the matter, the reply was, Boot Laggeeosa, a demon has seized her. These unhappy people say Boot Laggeeosa, if a child newly born will not suck; and they expose it to death in a basket, hung on the branch of a tree. One day, as Mr. Thomas and I were riding out, we saw a basket hung in a tree, in which an infant had been exposed, the skull of which remained, the rest having been devoured by ants.—Periodical Accounts of the Baptist Missionaries.

The Chatookee. They say it never drinks at the streams below, but, opening its bill when it rains, it catches the drops as they fall from the clouds.—Periodical Accounts of the Baptist Missionaries, vol. ii. p. 309.

There is a bird that falls down out of the air dead, and is found sometimes in the Molucco Islands, that has no feet at all. The bigness of her body and bill, as likewise the form of them, is much the same as a swallow’s; but the spreading out of her wings and tail has no less compass than an eagle’s. She lives and breeds in the air, comes not near the earth but for her burial, for the largeness and lightness of her wings and tail sustain her without lassitude. And the laying of her eggs, and breeding of her young, is upon the back of the male, which is made hollow, as also the breast of the female, for the more easy incubation. Also two strings, like two shoemaker’s ends, come from the hinder parts of the male, wherewith it is conceived that he is fastened closer to the female, while she hatches her eggs on the hollow of his back. The dew of heaven is appointed her for food, her region being too far removed from the approach of flies and such like insects.

This is the entire story and philosophy of this miraculous bird in Cardan, who professes himself to have seen it no less than thrice, and to have described it accordingly. The contrivances whereof, if the matter were certainly true, are as evident arguments of a Divine Providence, as that copper-ring, with the Greek³⁶ inscription upon it, was an undeniable monument of the artifice and finger of man.

But that the reproach of over-much credulity may not lie upon Cardan alone, Scaliger, who lay at catch with him to take him tripping wherever he could, cavils not with any thing in the whole narration but the bigness of wings and the littleness of the body; which he undertakes to correct from one of his own which was sent him by Orvesanus from Java. Nay, he confirms what his antagonist has wrote, partly by history and partly by reason; affirming, that himself, in his own garden, found two little birds with membranaceous wings utterly devoid of legs, their form was near to that of a bat’s. Nor is he deterred from the belief of the perpetual flying of the Manucodiata, by the gaping of the feathers of her wings, which seem thereby less fit to sustain her body, but further makes the narration probable by what he has observed in kites hovering in the air, as he saith, for a whole hour together without flapping of her wings, or changing place. And he has found also how she may sleep in the air, from the example of fishes, which he has seen sleeping in the water without sinking themselves to the bottom, and without changing place, but lying stock still, pinnulis tantum nescia quid motiuncule meditantes, only wagging a little their fins, as heedlessly and unconcernedly as horses while they are asleep wag their ears to displace the flies that sit upon them. Wherever Scaliger admitting that the Menucodiata is perpetually on the wing in the air, he must of necessity admit also that manner of incubation that Cardan describes, else how could their generations continue?

Franciscus Hernandeo affirms the same with Cardan expressly in every thing: As also Eusebius Nierembergius, who is so taken with the story of this bird, that he could not abstain from celebrating her miraculous properties in a short but elegant copy of verses; and does after, though confidently opposed, assert the main matter again in prose.

Such are the sufferages of Cardan, Scaliger, Hernandeo, Nierembergius. But Aldrovandus rejects that fable of her feeding on the dew of heaven, and of her incubiture on the back of the male, with much scorn and indignation. And as for the former, his reasons are no ways contemptible, he alledging that dew is a body not perfectly enough mixed, or heterogenial enough for food, nor the hard bill of the bird made for such easie uses as sipping this soft moisture.

To which I know not what Cardan and the rest would answer, unless this, that they mean by dew the more unctuous moisture of the air, which as it may not be alike every where, so these birds may be fitted with a natural sagacity to find it out where it is. That there is dew in this sense day and night, (as well as in the morning,) and in all seasons of the year; and therefore a constant supply of moisture and spirits to their perpetual flying, which they more copiously imbibe by reason of their exercise: That the thicker parts of this moisture stick and convert into flesh, and that the lightness of their feathers is so great, that their pains in sustaining themselves are not over-much. That what is homogeneal and simple to our sight is fit enough to be the rudiments of generation, all animals being generated of a kind of clear crystalline liquor; and that, therefore, it may be also of nutrition; that orpine and sea-house-leek are nourished and grow, being hung in the air, and that dock-weed has its root no deeper than near the upper parts of the water; and, lastly, that the bills of these birds are for their better flying, by cutting the way, and for better ornament; for the rectifying also and composing of their feathers, while they swim in the air with as much ease as swans do in river.

To his great impatiency against their manner of incubation, they would happily return this answer: That the way is not ridiculous; but it may be rather necessary from what Aldrovandus himself not only acknowledges but contends for, namely, that they have no feet at all. For hence it is manifest, that they cannot light upon the ground, nor any where rest on their bellies, and be able to get on wing again, because they cannot creep out of holes of rocks, as swifts and such like short-footed birds can, they having no feet at all to creep with. Besides, as Aristotle well argues concerning the long legs of certain water-fowl, that they were made so long, because they were to wade in the water and catch fish, adding that excellent aphorism, t? ?a? ???a?a p??? t? ????? ? f?s?? p??e? ???? ? t? ????? p??? t? ???a?a, so may we rationally conclude, will they say, that as the long legs of these water-fowl imply a design of their haunting the water, so want of legs in these Manucodiatas argue they are never to come down to the earth, because they can neither stand there nor get off again. And if they never come on the earth, or any other resting-place, where can their eggs be laid or hatched but on the back of the male?

Besides that Cardan pleases himself with that Antiphonie in nature, that as the Ostrich being a bird, yet never flies in the air, and never rests upon the earth. And as for Aldrovandus, his presumption from the five several Manucodiatas that he had seen, and in which he could observe no such figuration of parts as implied a fitness for such a manner of incubation, Cardan will answer, Myself has seen three, and Scaliger one, who both agree against you.

However, you see that both Cardan, Aldrovandus, and the rest do jointly agree in allowing the Manucodiata no feet, as also in furnishing her with two strings, hanging at the hinder parts of her body, which Aldrovandus will have to be in the female as well as in the male, though Cardan’s experience reacheth not so far.

But Pighafetta and Clusius will easily end this grand controversy betwixt Cardan and Aldrovandus, if it be true which they report, and if they speak of the same kind of Birds of Paradise. For they both affirm that they have feet a palm long, and that with all confidence imaginable; but Nierembergius on the contrary affirms, that one that was an eye witness, and that had taken up one of these birds newly dead, told him that it had no feet at all. Johnston also gives his suffrage with Nierembergius in this, though with Aldrovandus he rejects the manner of their incubation.

But unless they can raise themselves from the ground by the stiffness of some of the feathers of their wings, or rather by virtue of those nervous strings which they may have a power to stiffen when they are alive, by transfusing spirits into them, and making them serve as well instead of legs to raise them from the ground as to hang upon the boughs of trees, by a slight thing being able to raise or hold up their light-feathered bodies in the air, as a small twig will us in the water, I should rather incline to the testimony of Pighafetta and Clusius than to the judgment of the rest, and believe those mariners that told him that the legs are pulled off by them that take them, and extenterate them and dry them in the sun for either their private use or sale.

Which conclusion would the best solve the credit of Aristotle, who long since has so peremptorily pronounced ?t? pt???? ???? ?d?? ?s?? ?spe? ?e?s???? ???? ?s?? ?????. That there is not any bird that only flies as the fish only swims.

But thus our Bird of Paradise is quite flown and vanished into a figment or fable. But if any one will condole the loss of so convincing an argument for a Providence that fits one thing to another, I must take the freedom to tell him, that, unless he be a greater admirer of novelty than a searcher into the indissoluble consequences of things, I shall supply his meditation with what of this nature is as strongly conclusive, and remind, that it will be his own reproach if he cannot spy as clear an inference from an ordinary truth as from either an uncertainty or a fiction. And in this regard, the bringing this doubtful narration into play may not justly seem to no purpose, it carrying so serious and castigatory a piece of pleasantry with it.

The manucodiata’s living on the dew is no part of the convictiveness of a Providence in this story: But the being excellently well provided of wings and feathers, tanta levitatis supellectile exornata, as Nierembergius speaks, being so well furnished with all advantages for lightness, that it seems harder for her to sink down, as he conceits, than to be borne up in the air; that a bird thus fitted for that region should have no legs to stand on the earth, this would be a considerable indication of a discriminating Providence, that on purpose avoids all uselessness and superfluities.

The other remarkable, and it is a notorious one, is the cavity on the back of the male and in the breast of the female, for incubation; and the third and last, the use of those strings, as Cardan supposes, for the better keeping them together in incubiture.

If these considerations of this strange story strike so strongly upon thee as to convince thee of a Providence, think it humour and not judgment, if what I put in lieu of them, and is but ordinary, have not the same force with thee.

For is not the fish’s wanting feet, (as we observed before,) she being sufficiently supplied with fins in so thick an element as the water, as great an argument for a Providence as so light a bird’s wanting feet in that thinner element of the air, the extream lightness of her furniture being appropriated to the thinness of that element? And is not the same Providence seen, and that as conspicuously, in allotting but very short legs to those birds that are called Apodeo both in Plinie and Aristotle, upon whom she has bestowed such large and strong wings, and a power of flying so long and swift, as in giving no legs at all to the manucodiata, who has still a greater power of wing and lightness of body?

And as for the cavities on the back of the male and in the breast of the female, is that design of nature any more certain and plain than in the genital parts of the male and female in all kinds of animals? What greater argument of counsel and purpose of fitting one thing for another can there be than that? And if we should make a more inward search into the contrivances of these parts in an ordinary hen, and consider how or by what force an egg of so great a growth and bigness is transmitted from the ovarium through the infundibulum into the processus of the uterus, the membranes being go thin and the passage so very small, to see to the principle of that motion cannot be thought less than divine.

And if you would compare the protuberant paps of teats in the females of beasts with that cavity in the breast of the she-manucodiata, whether of them, think you, is the plainer pledge of a knowing and a designing Providence?

And, lastly, for the strings that are conceived to hold together the male and female in their incubiture, what a toy is it, if compared with those invisible links and ties that engage ordinary birds to sit upon their eggs, they having no visible allurement to such a tedious service?—Henry More’s Antidote against Atheism, book 2. ch. 11.

They who are acquainted with day and night know that the day of Brahma is as a thousand revolutions of the Yoogs, and that his night extendeth for a thousand more. On the coming of that day all things proceed from invisibility to visibility; so, on the approach of night, they are all dissolved away in that which is called invisible. The universe, even, having existed, is again dissolved; and now again, on the approach of day, by divine necessity, it is reproduced. That which, upon the dissolution of all things else, is not destroyed, is superior and of another nature from that visibility: it is invisible and eternal. He who is thus called invisible and incorruptible is even he who is called the Supreme Abode; which men having once obtained, they never more return to earth: that is my mansion.—Kreeshna, in the Bhagavat-Geeta.

The guess, that Brama and his wife Saraswadi may be Abraham and Sarah, has more letters in its favour than are usually to be found in such guesses.—Niecamp, p. i, c. 10. § 2.

The true cause why there is no idol of Brama (except the head, which is his share in the Trimourter,) is probably to be found in the conquest of his sect. A different reason, however, is implied in the Veeda: “Of Him, it says, whose glory is so great there is no image:—He is the incomprehensible Being which illumines all, delights all, whence all proceeded;—that by which they live when born, and that to which all must return.”—Moor’s Hindu Pantheon, p. 4.

Yama was a child of the Sun, and thence named Vaivaswata; another of his titles was Dhermaraja, or King of Justice; and a third Pitripeti, or Lord of the Patriarchs: but he is chiefly distinguished as Judge of departed souls; for the Hindus believe, that, when a soul leaves its body, it immediately repairs to Yamapur, or the city of Yama, where it receives a just sentence from him, and thence either ascends to Swerga, or the first Heaven; or is driven down to Narac, the region of serpents; or assumes on earth the form of some animal, unless its offence had been such, that it ought to be condemned to a vegetable, or even to a mineral prison.—Sir W. Jones.

There is a story concerning Yamen which will remind the reader, in its purport, of the fable of Love and Death.

“A famous penitent, Morrugandumagarexi by name, had, during a long series of years, served the gods with uncommon and most exemplary piety. This very virtuous man having no children, was extremely desirous of having one, and therefore daily besought the god Xiven (or Seeva) to grant him one. At length the god heard his desire, but, before he indulged it him, he asked him, whether he would have several children, who should be long-lived and wicked, or one virtuous and prudent, who should die in his sixteenth year? The penitent chose the latter: his wife conceived, and was happily delivered of the promised son, whom they named Marcandem. The boy, like his father, zealously devoted himself to the worship of Xiven; but as soon as he had attained his sixteenth year, the officers of Yhamen, god of death, were sent on the earth, to remove him from thence.

“Young Marcandem being informed on what errand they were come, told them, with a resolute air, that he was resolved not to die, and that they might go back, if they pleased. They returned to their master, and told him the whole affair. Yhamen immediately mounted his great buffle, and set out. Being come, he told the youth that he acted very rashly in refusing to leave the world, and it was unjust in him, for Xiven had promised him a life only of sixteen years, and the term was expired. But this reason did not satisfy Marcandem, who persisted in his resolution not to die; and, fearing lest the god of death should attempt to take him away by force, he ran to his oratory, and taking the Lingam, clasped it to his breast. Mean time Yhamen came down from his buffle, threw a rope about the youth’s neck, and held him fast therewith, as also the Lingam, which Marcandem grasped with all his strength, and was going to drag them both into hell, when Xiven issued out of the Lingam, drove back the king of the dead, and gave him so furious a blow, that he killed him on the spot.

“The god of death being thus slain, mankind multiplied so that the earth was no longer able to contain them. The gods represented this to Xiven, and he, at their entreaty, restored Yhamen to life, and to all the power he had before enjoyed. Yhamen immediately dispatched a herald to all parts of the world, to summon all the old men. The herald got drunk before he set out, and, without staying till the fumes of the wine were dispelled, mounted an elephant, and rode up and down the world, pursuant to his commission; and, instead of publishing this order, he declared, that it was the will and pleasure of Yamen, that, from this day forward, all the leaves, fruits, and flowers, whether ripe or green, should fall to the ground. This proclamation was no sooner issued than men began to yield to death: But before Yhamen was killed, only the old were deprived of life, and now people of all ages are summoned indiscriminately.”—Picart.

The Dharma-Raja, or king of justice, has two countenances; one is mild and full of benevolence; those alone who abound with virtue see it. He holds a court of justice, where are many assistants, among whom are many just and pious kings: Chitragupta acts as chief secretary. These holy men determine what is dharma and adharma, just and unjust. His (Dharma-Raja’s) servant is called Carmala: he brings the righteous on celestial cars, which go of themselves, whenever holy men are to be brought in, according to the directions of the Dharma-Raja, who is the sovereign of the Pitris. This is called his divine countenance, and the righteous alone do see it. His other countenance, or form, is called Yama; this the wicked alone can see: It has large teeth and a monstrous body, Yama is the lord of Patala; there he orders some to be beaten, some to be cut to pieces, some to be devoured by monsters, &c. His servant is called Cashmala, who, with ropes round their necks, drags the wicked over rugged paths, and throws them headlong into hell. He is unmerciful, and hard is his heart: every body trembles at the sight of him.—Wilford. Asiatic Researches.

Punishment is the Magistrate; Punishment is the Inspirer of Terror; Punishment is the Defender from Calamity; Punishment is the Guardian of those that sleep; Punishment, with a black aspect and a red eye, tempts the guilty.—Halhed’s Gentoo Code, ch. xxi. sect. 8.

In Patala (or the infernal regions) resides the sovereign Queen of the Nagas, (large snakes, or dragons:) she is beautiful, and her name is Asyoruca. There, in a cave, she performed Taparya with such rigorous austerity, that fire sprang from her body, and formed numerous agnitiraths (places of sacred fire) in Patala. These fires, forcing their way through the earth, waters, and mountains, formed various openings or mouths, called from thence the flaming mouths, or juala muihi. By Samudr, (Oceanus,) a daughter was born unto her, called Rama-Devi. She is most beautiful; she is Lacshmi; and her name is Asyotcarsha, or Asyotcrishta. Like a jewel she remains concealed in the ocean.—Wilford. Asiat. Res.

What is this to the coming of Seeva, as given us by Mr. Maurice, from the Seeva Paurana?

“In the place of the right wheel blazed the Sun, in the place of the left was the Moon; instead of the brazen nails and bolts, which firmly held the ponderous wheels, were distributed Bramans on the right hand, and Reyshees on the left; in lieu of the canopy on the top of the chariot was overspread the vault of Heaven; the counterpoise of the wheels was on the east and west, and the four Semordres were instead of the cushions and bolsters; the four Vedas were placed as the horses of the chariot, and Saraswaty was for the bell; the piece of wood by which the horses are driven was the three-lettered Mantra, while Brama himself was the charioteer, and the Nacshatras and stars were distributed about it by way of ornaments. Sumaru was in the place of a bow, the serpent Seschanaga was stationed as the string, Veeshnu instead of an arrow, and fire was constituted its point. Ganges and other rivers were appointed its precursors; and the setting out of the chariot, with its appendages and furniture, one would affirm to be the year of twelve months gracefully moving forwards.

“When Seeva, with his numerous troops and prodigious army, was mounted, Brama drove so furiously, that thought itself, which, in its rapid career, compasses Heaven and Earth, could not keep pace with it. By the motion of the chariot Heaven and Earth were put into a tremor; and, as the Earth was not able to bear up under this burthen, the Cow of the Earth, Kam-deva, took upon itself to support the weight. Seeva went with intention to destroy Treepoor; and the multitude of Devatas and Reyshees and Apsaras who waited on his stirrup, opening their mouths, in transports of joy and praise, exclaimed, Jaya! Jaya! so that Parvati, not being able to bear his absence, set out to accompany Seeva, and, in an instant, was up with him; while the light which brightened on his countenance, on the arrival of Parvati, surpassed all imagination and description. The Genii of the eight regions, armed with all kinds of weapons, but particularly with agnyastra, or fire-darts, like moving mountains, advanced in front of the army; and Eendra and other Devetas, some of them mounted on elephants, some on horses, others on chariots, or on camels or buffaloes, were stationed on each side, while all the other order of Devetas, to the amount of some lacs, formed the centre. The Munietuvaras, with long hair on their heads, like Saniassis, holding their staves in their hands, danced as they went along; the Syddhyas, who revolve about the heavens, opening their mouths in praise of Seeva, rained flowers upon his head; and the vaulted heaven, which is like an inverted goblet, being appointed in the place of a drum, exalted his dignity by its majestic resounding.”

Throughout the Hindoo fables there is the constant mistake of bulk for sublimity.

This more than polypus power was once exerted by Krishna, on a curious occasion.

It happened in Dwarka, a splendid city built by Viswa-karma, by command of Krishna, on the sea-shore, in the province of Gazerat, that his musical associate, Nareda, had no wife or substitute; and he hinted to his friend the decency of sparing him one from his long catalogue of ladies. Krishna generously told him to win and wear any one he chose, not immediately in requisition for himself. Nareda accordingly went wooing to one house, but found his master there; to a second—he was again forestalled; a third, the same; to a fourth, fifth, the same: in fine, after the round of sixteen thousand of these domiciliary visits, he was still forced to sigh and keep single; for Krishna was in every house, variously employed, and so domesticated, that each lady congratulated herself on her exclusive and uninterrupted possession of the ardent deity.—Moor’s Hindu Pantheon, p. 204.

Eight of the chief gods have each their sacti, or energy, proceeding from them, differing from them in sex, but in every other respect exactly like them, with the same form, the same decorations, the same weapons, and the same vehicle.—Asiat. Res. 8vo, edit. vol. viii. p. 68. 82.

The manner in which this divine power is displayed by Kehama, in his combat with Yamen, will remind some readers of the Irishman, who brought in four prisoners, and being asked how he had taken them, replied, he had surrounded them.

Mr Wilkins has given the genuine history of this liquor, which was produced by churning the sea with a mountain.

“There is a fair and stately mountain, and its name is Meroo, a most exalted mass of glory, reflecting the sunny rays from the splendid surface of its gilded horns. It is clothed in gold, and is the respected haunt of Dews and Gandharvas. It is inconceivable, and not to be encompassed by sinful man; and it is guarded by dreadful serpents. Many celestial medicinal plants adorn its sides; and it stands, piercing the heaven with its aspiring summit, a mighty hill, inaccessible even by the human mind. It is adorned with trees and pleasant streams, and resoundeth with the delightful songs of various birds.

“The Soors, and all the glorious hosts of heaven, having ascended to the summit of this lofty mountain, sparkling with precious gems, and for eternal ages raised, were sitting in solemn synod, meditating the discovery of the Amreeta, the Water of Immortality. The Dew Narayan being also there, spoke unto Brahma, whilst the Soors were thus consulting together, and said, ‘Let the Ocean, as a pot of milk, be churned by the united labour of the Soors and Asoors; and when the mighty waters have been stirred up, the Amreeta shall be found. Let them collect together every medicinal herb, and every precious thing, and let them stir the Ocean, and they shall discover the Amreeta.’

“There is also another mighty mountain, whose name is Mandar, and its rocky summits are like towering clouds. It is clothed in a net of the entangled tendrils of the twining creeper, and resoundeth with the harmony of various birds. Innumerable savage beasts infest its borders; and it is the respected haunt of Kennars, Dews, and Apsars. It standeth eleven thousand Yojan above the earth, and eleven thousand more below its surface.

“As the united bands of Dews were unable to remove this mountain, they went before Veeshnoo, who was sitting with Brahma, and addressed them in these words: ‘Exert, O masters! your most superior wisdom to remove the mountain Mandar, and employ your utmost power for our good.’

“Veeshnoo and Brahma having said, ‘it shall be according to your wish,’ he with the lotus eye directed the King of Serpents to appear; and Ananta arose, and was instructed in that work by Brahma, and commanded by Narayan to perform it. Then Ananta, by his power, took up that king of mountains, together with all its forests and every inhabitant thereof; and the Soors accompanied him into the presence of the Ocean, whom they addressed, saying, ‘We will stir up thy waters to obtain the Amreeta,’ And the Lord of the Waters replied, ‘Let me also have a share, seeing I am to bear the violent agitation that will be caused by the whirling of the mountain!’ Then the Soors and Asoors spoke unto Koorna-raj, the King of the Tortoises, upon the strand of the Ocean, and said, ‘My lord is able to be the supporter of this mountain.’ The Tortoise replied, ‘Be it so;’ and it was placed upon his back.

“So the mountain being set upon the back of the Tortoise, Eendra began to whirl it about as it were a machine. The mountain Mandar served as a churn, and the serpent Vasoakee for the rope; and thus in former days did the Dews, and Asoors, and the Danoos, begin to stir up the waters of the ocean for the discovery of the Amreeta.

“The mighty Asoors were employed on the side of the serpent’s head, whilst all the Soors assembled about his tail. Ananta, that sovereign Dew, stood near Narayan.

“They now pull forth the serpent’s head repeatedly, and as often let it go; whilst there issued from his mouth, thus violently drawing to and fro by the Soors and Asoors, a continual stream of fire and smoke and wind, which ascending in thick clouds, replete with lightning, it began to rain down upon the heavenly bands, who were already fatigued with their labour; whilst a shower of flowers was shaken from the top of the mountain, covering the heads of all, both Soors and Asoors. In the mean time the roaring of the ocean, whilst violently agitated with the whirling of the mountain Mandar by the Soors and Asoors, was like the bellowing of a mighty cloud. Thousands of the various productions of the waters were torn to pieces by the mountain, and confounded with the briny flood; and every specific being of the deep, and all the inhabitants of the great abyss which is below the earth, were annihilated; whilst, from the violent agitation of the mountain, the forest trees were dashed against each other, and precipitated from its utmost height, with all the birds thereon; from whose violent confrication a raging fire was produced, involving the whole mountain with smoke and flame, as with a dark-blue cloud, and the lightning’s vivid flash. The lion and the retreating elephant are overtaken by the devouring flames, and every vital being, and every specific thing, are consumed in the general conflagration.

“The raging flames, thus spreading destruction on all sides, were at length quenched by a shower of cloud-borne water, poured down by the immortal Eendra. And now a heterogeneous stream of the concocted juices of various trees and plants ran down into the briny flood.

“It was from this milk-like stream of juices, produced from those trees and plants and a mixture of melted gold, that the Soors obtained their immortality.

“The waters of the Ocean now being assimilated with those juices, were converted into milk, and from that milk a kind of butter was presently produced; when the heavenly bands went again into the presence of Brahma, the granter of boons, and addressed him, saying, ‘Except Narayan, every other Soor and Asoor is fatigued with his labour, and still the Amreeta doth not appear; wherefore the churning of the Ocean is at a stand.’ Then Brahma said unto Narayan, ‘Endue them with recruited strength, for thou art their support.’ And Narayan answered and said, ‘I will give fresh vigour to such as co-operate in the work. Let Mandar be whirled about, and the bed of the ocean be kept steady.’

“When they heard the words of Narayan, they all returned again to the work, and began to stir about with great force that butter of the ocean, when there presently arose from out the troubled deep, first the Moon, with a pleasing countenance, shining with ten thousand beams of gentle light; next followed Sree, the goddess of fortune, whose seat is the white lily of the waters; then Soora-Devee, the goddess of wine, and the white horse called Oochisrava. And after these there was produced from the unctuous mass the jewel Kowstoobh, that glorious sparkling gem worn by Narayan on his breast; also Pareejat, the tree of plenty, and Soorabhee, the cow that granted every heart’s desire.

“The moon, Soora-Devee, the goddess of Sree, and the Horse, as swift as thought, instantly marched away towards the Dews, keeping in the path of the Sun.

“Then the Dew Dhanwantaree, in human shape, came forth, holding in his hand a white vessel filled with the immortal juice Amreeta. When the Asoors beheld these wondrous things appear, they raised their tumultuous voices for the Amreeta, and each of them clamorously exclaimed, ‘This of right is mine.’

“In the mean time Travat, a mighty elephant, arose, now kept by the god of thunder; and as they continued to churn the ocean more than enough, that deadly poison issued from its bed, burning like a raging fire, whose dreadful fumes in a moment spread throughout the world, confounding the three regions of the universe with the mortal stench, until Seev, at the word of Brahma, swallowed the fatal drug, to save mankind; which, remaining in the throat of that sovereign Dew of magic form, from that time he hath been called Neel-Kant, because his throat was stained blue.

“When the Asoors beheld this miraculous deed, they became desperate, and the Amreeta and the goddess Sree became the source of endless hatred.

“Then Narayan assumed the character and person of Moheenee Maya, the power of enchantment, in a female form of wonderful beauty, and stood before the Asoors, whose minds being fascinated by her presence, and deprived of reason, they seized the Amreeta, and gave it unto her.

“The Asoors now clothe themselves in costly armour, and, seizing their various weapons, rush on together to attack the Soors. In the mean time Narayan, in the female form, having obtained the Amreeta from the hands of their leader, the hosts of Soors, during the tumult and confusion of the Asoors, drank of the living water.

“And it so fell out, that whilst the Soors were quenching their thirst for immortality, Rahoo, an Asoor, assumed the form of a Soor, and began to drink also: And the water had but reached his throat, when the Sun and Moon, in friendship to the Soors, discovered the deceit; and instantly Narayan cut off his head as he was drinking, with his splendid weapon Chakra. And the gigantic head of the Asoor, emblem of a mountain’s summit, being thus separated from his body by the Chakra’s edge, bounded into the heavens with a dreadful cry, whilst his ponderous trunk fell, cleaving the ground asunder, and shaking the whole earth unto its foundation, with all its islands, rocks, and forests: And from that time the head of Rahoo resolved an eternal enmity, and continueth, even unto this day, at times to seize upon the Sun and Moon.

“Now Narayan, having quitted the female figure he had assumed, began to disturb the Asoors with sundry celestial weapons: and from that instant a dreadful battle was commenced, on the ocean’s briny strand, between the Asoors and the Soors. Innumerable sharp and missile weapons were hurled, and thousands of piercing darts and battle-axes fell on all sides. The Asoors vomit blood from the wounds of the Chakra, and fall upon the ground pierced by the sword, the spear, and spiked club. Heads, glittering with polished gold, divided by the Pattees’ blade, drop incessantly; and mangled bodies, wallowing in their gore, lay like fragments of mighty rocks, sparkling with gems and precious ores. Millions of sighs and groans arise on every side; and the sun is overcast with blood, as they clash their arms, and wound each other with their dreadful instruments of destruction.

“Now the battle is fought with the iron-spiked club, and, as they close, with clenched fist; and the din of war ascendeth to the heavens. They cry ‘Pursue! strike! fell to the ground!’ so that a horrid and tumultuous noise is heard on all sides.

“In the midst of this dreadful hurry and confusion of the fight, Nar and Narayan entered the field together. Narayan, beholding a celestial bow in the hand of Nar, it reminded him of his Chakra, the destroyer of the Asoors. The faithful weapon, by name Soodarsan, ready at the mind’s call, flew down from heaven with direct and refulgent speed, beautiful, yet terrible to behold: And being arrived, glowing like the sacrificial flame, and spreading terror around, Narayan, with his right arm formed like the elephantine trunk, hurled forth the ponderous orb, the speedy messenger and glorious ruin of hostile towns; who, raging like the final all-destroying fire, shot bounding with desolating force, killing thousands of the Asoors in his rapid flight, burning and involving, like the lambent flame, and cutting down all that would oppose him. Anon he climbeth the heavens, and now again darteth into the field like a Peesach, to feast in blood.

“Now the dauntless Asoors strive, with repeated strength, to crush the Soors with rocks and mountains, which, hurled in vast numbers into the heavens, appeared like scattered clouds, and fell, with all the trees thereon, in millions of fear-exciting torrents, striking violently against each other with a mighty noise; and in their fall the earth, with all its fields and forests, is driven from its foundation: they thunder furiously at each other as they roll along the field, and spend their strength in mutual conflict.

“Now Nar, seeing the Soors overwhelmed with fear, filled up the path to Heaven with showers of golden-headed arrows, and split the mountain summits with his unerring shafts; and the Asoors finding themselves again sore pressed by the Soors, precipitately flee; some rush headlong into the briny waters of the ocean, and others hide themselves within the bowels of the earth.

“The rage of the glorious Chakra, Soodarsan, which for a while burnt like the oil-fed fire, now grew cool, and he retired into the heavens from whence he came. And the Soors having obtained the victory, the mountain Mandar was carried back to its former station with great respect, whilst the waters also retired, filling the firmament and the heavens with their dreadful roarings.

“The Soors guarded the Amreeta with great care, and rejoiced exceedingly because of their success. And Eendra, with all his immortal bands, gave the water of life into Narayan, to keep it for their use.”—Mahabharat.

Amrita, or Immortal, is, according to Sir William Jones, the name which the mythologists of Tibet apply to a celestial tree, bearing ambrosial fruit, and adjoining to four vast rocks, from which as many sacred rivers derive their several streams.

END OF VOLUME SECOND.