(Written on the FIRST of DECEMBER, 1793.)
Tho' now no more the musing ear
Delights to listen to the breeze
That lingers o'er the green wood shade,
I love thee Winter! well.
Sweet are the harmonies of Spring,
Sweet is the summer's evening gale,
Pleasant the autumnal winds that shake
The many-colour'd grove.
And pleasant to the sober'd soul
The silence of the wintry scene,
When Nature shrouds her in her trance
Not undelightful now to roam
The wild heath sparkling on the sight;
Not undelightful now to pace
The forest's ample rounds;
And see the spangled branches shine,
And mark the moss of many a hue
That varies the old tree's brown bark,
Or o'er the grey stone spreads.
The cluster'd berries claim the eye
O'er the bright hollies gay green leaves,
The ivy round the leafless oak
Clasps its full foliage close.
So VIRTUE diffident of strength
Clings to RELIGION'S firmer aid,
And by RELIGION'S aid upheld
Endures calamity.
Nor void of beauties now the spring,
Whose waters hid from summer sun
Have sooth'd the thirsty pilgrim's ear
With more than melody.
The green moss shines with icey glare,
The long grass bends its spear-like form,
And lovely is the silvery scene
When faint the sunbeams smile.
Reflection too may love the hour
When Nature, hid in Winter's grave,
No more expands the bursting bud
Or bids the flowret bloom.
For Nature soon in Spring's best charms
Shall rise reviv'd from Winter's grave.
Again expand the bursting bud,
And bid the flowret bloom.
Written on SUNDAY MORNING.
Go thou and seek the House of Prayer!
I to the Woodlands wend, and there
In lovely Nature see the GOD OF LOVE.
The swelling organ's peal
Wakes not my soul to zeal,
Like the wild music of the wind-swept grove.
The gorgeous altar and the mystic vest
Rouse not such ardor in my breast,
As where the noon-tide beam
Flash'd from the broken stream,
Quick vibrates on the dazzled sight;
Or where the cloud-suspended rain
Sweeps in shadows o'er the plain;
Or when reclining on the clift's huge height
I mark the billows burst in silver light.
Go thou and seek the House of Prayer!
I to the Woodlands shall repair,
Feed with all Natures charms mine eyes,
And hear all Natures melodies.
The primrose bank shall there dispense
Faint fragrance to the awaken'd sense,
The morning beams that life and joy impart
Shall with their influence warm my heart.
And the full tear that down my cheek will steal,
Shall speak the prayer of praise I feel!
Go thou and seek the House of Prayer!
I to the woodlands bend my way
And meet RELIGION there.
She needs not haunt the high-arch'd dome to pray
Where storied windows dim the doubtful day:
With LIBERTY she loves to rove.
Wide o'er the heathy hill or cowslip'd dale;
Or seek the shelter of the embowering grove,
Sweet are these scenes to her, and when the night
Pours in the north her silver streams of light,
She woos Reflexion in the silent gloom,
And ponders on the world to come.
ON THE DEATH
Of a Favourite Old SPANIEL.
And they have drown'd thee then at last! poor Phillis!
The burthen of old age was heavy on thee.
And yet thou should'st have lived! what tho' thine eye
Was dim, and watch'd no more with eager joy
The wonted call that on thy dull sense sunk
With fruitless repetition, the warm Sun
Would still have cheer'd thy slumber, thou didst love
To lick the hand that fed thee, and tho' past
Youth's active season, even Life itself
Was comfort. Poor old friend! most earnestly
Would I have pleaded for thee: thou hadst been
Still the companion of my childish sports,
And, as I roam'd o'er Avon's woody clifts,
From many a day-dream has thy short quick bark
Recall'd my wandering soul. I have beguil'd
Often the melancholy hours at school,
Sour'd by some little tyrant, with the thought
Of distant home, and I remember'd then
Thy faithful fondness: for not mean the joy,
Returning at the pleasant holydays,
I felt from thy dumb welcome. Pensively
Sometimes have I remark'd thy slow decay,
Feeling myself changed too, and musing much
On many a sad vicissitude of Life!
Ah poor companion! when thou followedst last
Thy master's parting footsteps to the gate
That clos'd for ever on him, thou didst lose
Thy truest friend, and none was left to plead
For the old age of brute fidelity!
But fare thee well! mine is no narrow creed,
And HE who gave thee being did not frame
The mystery of life to be the sport
Of merciless man! there is another world
For all that live and move—a better one!
Where the proud bipeds, who would fain confine
INFINITE GOODNESS to the little bounds
Of their own charity, may envy thee!
To CONTEMPLATION.
[Greek (transliterated):
Kai pagas fileoimi ton enguthen aechon achthein,
A terpei psopheoisa ton agrikon, thchi tarassei.
MOSCHOS.]
Faint gleams the evening radiance thro' the sky,
The sober twilight dimly darkens round;
In short quick circles the shrill bat flits by,
And the slow vapour curls along the ground.
Now the pleas'd eye from yon lone cottage sees
On the green mead the smoke long-shadowing play;
The Red-breast on the blossom'd spray
Warbles wild her latest lay,
And sleeps along the dale the silent breeze.
Calm CONTEMPLATION,'tis thy favorite hour!
Come fill my bosom, tranquillizing Power.
Meek Power! I view thee on the calmy shore
When Ocean stills his waves to rest;
Or when slow-moving on the surge's hoar
Meet with deep hollow roar
And whiten o'er his breast;
For lo! the Moon with softer radiance gleams,
And lovelier heave the billows in her beams.
When the low gales of evening moan along,
I love with thee to feel the calm cool breeze,
And roam the pathless forest wilds among,
Listening the mellow murmur of the trees
Full-foliaged as they lift their arms on high
And wave their shadowy heads in wildest melody.
Or lead me where amid the tranquil vale
The broken stream flows on in silver light,
And I will linger where the gale
O'er the bank of violets sighs,
Listening to hear its soften'd sounds arise;
And hearken the dull beetle's drowsy flight,
And watch the horn-eyed snail
Creep o'er his long moon-glittering trail,
And mark where radiant thro' the night
Moves in the grass-green hedge the glow-worms living light.
Thee meekest Power! I love to meet,
As oft with even solitary pace
The scatter'd Abbeys hallowed rounds I trace
And listen to the echoings of my feet.
Or on the half demolished tomb,
Whole warning texts anticipate my doom:
Mark the clear orb of night
Cast thro' the storying glass a faintly-varied light.
Nor will I not in some more gloomy hour
Invoke with fearless awe thine holier power,
Wandering beneath the sainted pile
When the blast moans along the darksome aisle,
And clattering patters all around
The midnight shower with dreary sound.
But sweeter 'tis to wander wild
By melancholy dreams beguil'd,
While the summer moon's pale ray
Faintly guides me on my way
To the lone romantic glen
Far from all the haunts of men,
Where no noise of uproar rude
Breaks the calm of solitude.
But soothing Silence sleeps in all
Save the neighbouring waterfall,
Whose hoarse waters falling near
Load with hollow sounds the ear,
And with down-dasht torrent white
Gleam hoary thro' the shades of night.
Thus wandering silent on and slow
I'll nurse Reflection's sacred woe,
And muse upon the perish'd day
When Hope would weave her visions gay,
Ere FANCY chill'd by adverse fate
Left sad REALITY my mate.
O CONTEMPLATION! when to Memory's eyes
The visions of the long-past days arise,
Thy holy power imparts the best relief,
And the calm'd Spirit loves the joy of grief.
To HORROR.
[GREEK (transliterated):
Tin gar potaeisomai
tan chai schuliches tromeonti
Erchomenan nechuon ana t'aeria, chai melan aima.
Theocritos]
Dark HORROR, hear my call!
Stern Genius hear from thy retreat
On some old sepulchre's moss-cankered seat,
Beneath the Abbey's ivied wall
That trembles o'er its shade;
Where wrapt in midnight gloom, alone,
Thou lovest to lie and hear
The roar of waters near,
And listen to the deep dull groan
Of some perturbed sprite
Borne fitful on the heavy gales of night.
Or whether o'er some wide waste hill
Thou mark'st the traveller stray,
Bewilder'd on his lonely way,
When, loud and keen and chill,
The evening winds of winter blow
Drifting deep the dismal snow.
Or if thou followest now on Greenland's shore,
With all thy terrors, on the lonely way
Of some wrecked mariner, when to the roar
Of herded bears the floating ice-hills round
Pour their deep echoing sound,
And by the dim drear Boreal light
Givest half his dangers to the wretches sight.
Or if thy fury form,
When o'er the midnight deep
The dark-wing'd tempests sweep
Watches from some high cliff the encreasing storm,
Listening with strange delight
As the black billows to the thunder rave
When by the lightnings light
Thou seest the tall ship sink beneath the wave.
Dark HORROR! bear me where the field of fight
Scatters contagion on the tainted gale,
When to the Moon's faint beam,
On many a carcase shine the dews of night
And a dead silence stills the vale
Save when at times is heard the glutted Raven's scream.
Where some wreck'd army from the Conquerors might
Speed their disastrous flight,
With thee fierce Genius! let me trace their way,
And hear at times the deep heart-groan
Of some poor sufferer left to die alone,
His sore wounds smarting with the winds of night;
And we will pause, where, on the wild,
The [1] Mother to her frozen breast,
On the heap'd snows reclining clasps her child
And with him sleeps, chill'd to eternal rest!
Black HORROR! speed we to the bed of Death,
Where he whose murderous power afar
Blasts with the myriad plagues of war,
Struggles with his last breath,
Then to his wildly-starting eyes
The phantoms of the murder'd rise,
Then on his frenzied ear
Their groans for vengeance and the Demon's yell
In one heart-maddening chorus swell.
Cold on his brow convulsing stands the dew,
And night eternal darkens on his view.
HORROR! I call thee yet once more!
Bear me to that accursed shore
Where round the stake the impaled Negro writhes.
Assume thy sacred terrors then! dispense
The blasting gales of Pestilence!
Arouse the race of Afric! holy Power,
Lead them to vengeance! and in that dread hour
When Ruin rages wide
I will behold and smile by MERCY'S side.
[Footnote 1: I extract the following picture of consummate horror, from the notes to a Poem written in twelve syllable verse upon the campaign of 1794 and 1795; it was during the retreat to Deventer. "We could not proceed a hundred yards without perceiving the dead bodies of men, women, children and horses in every direction. One scene made an impression upon my memory which time will never be able to efface. Near another cart we perceived a stout looking man, and a beautiful young woman with an infant, about seven months old, at the breast, all three frozen and dead. The mother had most certainly expired in the act of suckling her child, as with one breast exposed, she lay upon the drifted snow, the milk to all appearance in a stream drawn from the nipple by the babe, and instantly congealed. The infant seemed as if its lips had but just then been disengaged, and it reposed its little head upon the mother's bosom, with, an overflow of milk, frozen as it trickled from the mouth; their countenances were perfectly composed and fresh, resembling those of persons in a sound and tranquil slumber."]
The SOLDIER'S WIFE.
DACTYLICS.
Weary way-wanderer languid and sick at heart
Travelling painfully over the rugged road,
Wild-visag'd Wanderer! ah for thy heavy chance!
Sorely thy little one drags by thee bare-footed,
Cold is the baby that hangs at thy bending back
Meagre and livid and screaming its wretchedness.
[1] Woe-begone mother, half anger, half agony,
As over thy shoulder thou lookest to hush the babe,
Bleakly the blinding snow beats in thy hagged face.
Thy husband will never return from the war again,
Cold is thy hopeless heart even as Charity—
Cold are thy famish'd babes—God help thee, widow'd One!
[Footnote 1: This stanza was supplied by S.T. COLERIDGE.]
The WIDOW.
SAPPHICs.
Cold was the night wind, drifting fast the snows fell,
Wide were the downs and shelterless and naked,
When a poor Wanderer struggled on her journey
Weary and way-sore.
Drear were the downs, more dreary her reflexions;
Cold was the night wind, colder was her bosom!
She had no home, the world was all before her,
She had no shelter.
Fast o'er the bleak heath rattling drove a chariot,
"Pity me!" feebly cried the poor night wanderer.
"Pity me Strangers! lest with cold and hunger
Here I should perish.
"Once I had friends,—but they have all forsook me!
"Once I had parents,—they are now in Heaven!
"I had a home once—I had once a husband—
"Pity me Strangers!
"I had a home once—I had once a husband—
"I am a Widow poor and broken-hearted!"
Loud blew the wind, unheard was her complaining.
On drove the chariot.
On the cold snows she laid her down to rest her;
She heard a horseman, "pity me!" she groan'd out;
Loud blew the wind, unheard was her complaining,
On went the horseman.
Worn out with anguish, toil and cold and hunger,
Down sunk the Wanderer, sleep had seiz'd her senses;
There, did the Traveller find her in the morning,
GOD had releast her.
To the CHAPEL BELL.
"Lo I, the man who erst the Muse did ask
Her deepest notes to swell the Patriot's meeds,
Am now enforst a far unfitter task
For cap and gown to leave my minstrel weeds,"
For yon dull noise that tinkles on the air
Bids me lay by the lyre and go to morning prayer.
Oh how I hate the sound! it is the Knell,
That still a requiem tolls to Comfort's hour;
And loth am I, at Superstition's bell,
To quit or Morpheus or the Muses bower.
Better to lie and dose, than gape amain,
Hearing still mumbled o'er, the same eternal strain.
Thou tedious herald of more tedious prayers
Say hast thou ever summoned from his rest,
One being awakening to religious awe?
Or rous'd one pious transport in the breast?
Or rather, do not all reluctant creep
To linger out the hour, in listlessness or sleep?
I love the bell, that calls the poor to pray
Chiming from village church its chearful sound,
When the sun smiles on Labour's holy day,
And all the rustic train are gathered round,
Each deftly dizen'd in his Sunday's best
And pleas'd to hail the day of piety and rest.
Or when, dim-shadowing o'er the face of day,
The mantling mists of even-tide rise slow,
As thro' the forest gloom I wend my way,
The minster curfew's sullen roar I know;
I pause and love its solemn toll to hear,
As made by distance soft, it dies upon the ear.
Nor not to me the unfrequent midnight knell
Tolls sternly harmonizing; on mine ear
As the deep death-fraught sounds long lingering dwell
Sick to the heart of Love and Hope and Fear
Soul-jaundiced, I do loathe Life's upland steep
And with strange envy muse the dead man's dreamless sleep.
But thou, memorial of monastic gall!
What Fancy sad or lightsome hast thou given?
Thy vision-scaring sounds alone recall
The prayer that trembles on a yawn to heaven;
And this Dean's gape, and that Dean's nosal tone,
And Roman rites retain'd, tho' Roman faith be flown.
The RACE of BANQUO.
Fly, son of Banquo! Fleance, fly!
Leave thy guilty sire to die.
O'er the heath the stripling fled,
The wild storm howling round his head.
Fear mightier thro' the shades of night
Urged his feet, and wing'd his flight;
And still he heard his father cry
Fly, son of Banquo! Fleance, fly.
Fly, son of Banquo! Fleance, fly
Leave thy guilty sire to die.
On every blast was heard the moan
The anguish'd shriek, the death-fraught groan;
Loathly night-hags join the yell
And see—the midnight rites of Hell.
Forms of magic! spare my life!
Shield me from the murderer's knife!
Before me dim in lurid light
Float the phantoms of the night—
Behind I hear my Father cry,
Fly, son of Banquo—Fleance, fly!
Parent of the sceptred race,
Fearless tread the circled space:
Fearless Fleance venture near—
Sire of monarchs—spurn at fear.
Sisters with prophetic breath
Pour we now the dirge of Death!
MUSINGS on a LANDSCAPE
of
GASPAR POUSSIN.
Poussin! most pleasantly thy pictur'd scenes
Beguile the lonely hour; I sit and gaze
With lingering eye, till charmed FANCY makes
The lovely landscape live, and the rapt soul
From the foul haunts of herded humankind
Flies far away with spirit speed, and tastes
The untainted air, that with the lively hue
Of health and happiness illumes the cheek
Of mountain LIBERTY. My willing soul
All eager follows on thy faery flights
FANCY! best friend; whose blessed witcheries
With loveliest prospects cheat the traveller
O'er the long wearying desart of the world.
Nor dost thou FANCY with such magic mock
My heart, as, demon-born, old Merlin knew,
Or Alquif, or Zarzafiel's sister sage,
Whose vengeful anguish for so many a year
Held in the jacinth sepulchre entranced
Lisvart and Perion, pride of chivalry.
Friend of my lonely hours! thou leadest me
To such calm joys as Nature wise and good
Proffers in vain to all her wretched sons;
Her wretched sons who pine with want amid
The abundant earth, and blindly bow them down
Before the Moloch shrines of WEALTH and POWER,
AUTHORS of EVIL. Oh it is most sweet
To medicine with thy wiles the wearied heart,
Sick of reality. The little pile
That tops the summit of that craggy hill
Shall be my dwelling; craggy is the hill
And steep, yet thro' yon hazels upward leads
The easy path, along whose winding way
Now close embowered I hear the unseen stream
Dash down, anon behold its sparkling foam
Gleam thro' the thicket; and ascending on
Now pause me to survey the goodly vale
That opens on my vision. Half way up
Pleasant it were upon some broad smooth rock
To sit and sun me, and look down below
And watch the goatherd down that high-bank'd path
Urging his flock grotesque; and bidding now
His lean rough dog from some near cliff to drive
The straggler; while his barkings loud and quick
Amid their trembling bleat arising oft,
Fainter and fainter from the hollow road
Send their far echoes, till the waterfall,
Hoarse bursting from the cavern'd cliff beneath,
Their dying murmurs drown. A little yet
Onward, and I have gain'd the upmost height.
Fair spreads the vale below: I see the stream
Stream radiant on beneath the noontide sky.
Where the town-spires behind the castle towers
Rise graceful; brown the mountain in its shade,
Whose circling grandeur, part by mists conceal'd,
Part with white rocks resplendant in the sun,
Should bound mine eyes; aye and my wishes too,
For I would have no hope or fear beyond.
The empty turmoil of the worthless world,
Its vanities and vices would not vex
My quiet heart. The traveller, who beheld
The low tower of the little pile, might deem
It were the house of GOD: nor would he err
So deeming, for that home would be the home
Of PEACE and LOVE, and they would hallow it
To HIM. Oh life of blessedness! to reap
The fruit of honorable toil, and bound
Our wishes with our wants! delightful Thoughts
That sooth the solitude of maniac HOPE,
Ye leave her to reality awak'd,
Like the poor captive, from some fleeting dream
Of friends and liberty and home restor'd,
Startled, and listening as the midnight storm
Beats hard and heavy thro' his dungeon bars.
Mary.
The story of the following ballad was related to me, when a school boy, as a fact which had really happened in the North of England. I have adopted the metre of Mr. Lewis's Alonzo and Imogene—a poem deservedly popular.
MARY.
I.
Who is she, the poor Maniac, whose wildly-fix'd eyes
Seem a heart overcharged to express?
She weeps not, yet often and deeply she sighs,
She never complains, but her silence implies
The composure of settled distress.
II.
No aid, no compassion the Maniac will seek,
Cold and hunger awake not her care:
Thro' her rags do the winds of the winter blow bleak
On her poor withered bosom half bare, and her cheek
Has the deathy pale hue of despair.
III.
Yet chearful and happy, nor distant the day,
Poor Mary the Maniac has been;
The Traveller remembers who journeyed this way
No damsel so lovely, no damsel so gay
As Mary the Maid of the Inn.
IV.
Her chearful address fill'd the guests with delight
As she welcomed them in with a smile:
Her heart was a stranger to childish affright,
And Mary would walk by the Abbey at night
When the wind whistled down the dark aisle.
V.
She loved, and young Richard had settled the day,
And she hoped to be happy for life;
But Richard was idle and worthless, and they
Who knew him would pity poor Mary and say
That she was too good for his wife.
VI.
'Twas in autumn, and stormy and dark was the night,
And fast were the windows and door;
Two guests sat enjoying the fire that burnt bright,
And smoking in silence with tranquil delight
They listen'd to hear the wind roar.
VII.
"Tis pleasant," cried one, "seated by the fire side
"To hear the wind whistle without."
"A fine night for the Abbey!" his comrade replied,
"Methinks a man's courage would now be well tried
"Who should wander the ruins about.
VIII.
"I myself, like a school-boy, should tremble to hear
"The hoarse ivy shake over my head;
"And could fancy I saw, half persuaded by fear,
"Some ugly old Abbot's white spirit appear,
"For this wind might awaken the dead!"
IX.
"I'll wager a dinner," the other one cried,
"That Mary would venture there now."
"Then wager and lose!" with a sneer he replied,
"I'll warrant she'd fancy a ghost by her side,
"And faint if she saw a white cow."
X.
"Will Mary this charge on her courage allow?"
His companion exclaim'd with a smile;
"I shall win, for I know she will venture there now,
"And earn a new bonnet by bringing a bough
"From the elder that grows in the aisle."
XI.
With fearless good humour did Mary comply,
And her way to the Abbey she bent;
The night it was dark, and the wind it was high
And as hollowly howling it swept thro' the sky
She shiver'd with cold as she went.
XII.
O'er the path so well known still proceeded the Maid
Where the Abbey rose dim on the sight,
Thro' the gate-way she entered, she felt not afraid
Yet the ruins were lonely and wild, and their shade
Seem'd to deepen the gloom of the night.
XIII.
All around her was silent, save when the rude blast
Howl'd dismally round the old pile;
Over weed-cover'd fragments still fearless she past,
And arrived in the innermost ruin at last
Where the elder tree grew in the aisle.
XIV.
Well-pleas'd did she reach it, and quickly drew near
And hastily gather'd the bough:
When the sound of a voice seem'd to rise on her ear,
She paus'd, and she listen'd, all eager to hear,
Aud her heart panted fearfully now.
XV.
The wind blew, the hoarse ivy shook over her head,
She listen'd,—nought else could she hear.
The wind ceas'd, her heart sunk in her bosom with dread
For she heard in the ruins distinctly the tread
Of footsteps approaching her near.
XVI.
Behind a wide column half breathless with fear
She crept to conceal herself there:
That instant the moon o'er a dark cloud shone clear,
And she saw in the moon-light two ruffians appear
And between them a corpse did they bear.
XVII.
Then Mary could feel her heart-blood curdle cold!
Again the rough wind hurried by,—
It blew off the hat of the one, and behold
Even close to the feet of poor Mary it roll'd,—
She felt, and expected to die.
XVIII.
"Curse the hat!" he exclaims. "Nay come on and first hide
"The dead body," his comrade replies.
She beheld them in safety pass on by her side,
She seizes the hat, fear her courage supplied,
And fast thro' the Abbey she flies.
XIX.
She ran with wild speed, she rush'd in at the door,
She gazed horribly eager around,
Then her limbs could support their faint burthen no more,
And exhausted and breathless she sunk on the floor
Unable to utter a sound.
XX.
Ere yet her pale lips could the story impart,
For a moment the hat met her view;—
Her eyes from that object convulsively start,
For—oh God what cold horror then thrill'd thro' her heart,
When the name of her Richard she knew!
XXI.
Where the old Abbey stands, on the common hard by
His gibbet is now to be seen.
Not far from the road it engages the eye,
The Traveller beholds it, and thinks with a sigh
Of poor Mary the Maid of the Inn.
Donica.
In Finland there is a Castle which is called the New Rock, moated about with a river of unfounded depth, the water black and the fish therein very distateful to the palate. In this are spectres often seen, which foreshew either the death of the Governor, or some prime officer belonging to the place; and most commonly it appeareth in the shape of an harper, sweetly singing and dallying and playing under the water.
It is reported of one Donica, that after she was dead, the Devil walked in her body for the space of two years, so that none suspected but that she was still alive; for she did both speak and eat, though very sparingly; only she had a deep paleness on her countenance, which was the only sign of death. At length a Magician coming by where she was then in the company of many other virgins, as soon as he beheld her he said, "fair Maids, why keep you company with the dead Virgin whom you suppose to be alive?" when taking away the magic charm which was tied under her arm, the body fell down lifeless and without motion.
The following Ballad is founded on these stories. They are to be found in the notes to The Hierarchies of the blessed Angels; a Poem by Thomas Heywood, printed in folio by Adam Islip, 1635.
DONICA.
High on a rock, whose castled shade
Darken'd the lake below,
In ancient strength majestic stood
The towers of Arlinkow.
The fisher in the lake below
Durst never cast his net,
Nor ever swallow in its waves
Her passing wings would wet.
The cattle from its ominous banks
In wild alarm would run,
Tho' parched with thirst and faint beneath
The summer's scorching sun.
For sometimes when no passing breeze
The long lank sedges waved,
All white with foam and heaving high
Its deafening billows raved;
And when the tempest from its base
The rooted pine would shake,
The powerless storm unruffling swept
Across the calm dead lake.
And ever then when Death drew near
The house of Arlinkow,
Its dark unfathom'd depths did send
Strange music from below.
The Lord of Arlinkow was old,
One only child had he,
Donica was the Maiden's name
As fair as fair might be.
A bloom as bright as opening morn
Flush'd o'er her clear white cheek,
The music of her voice was mild,
Her full dark eyes were meek.
Far was her beauty known, for none
So fair could Finland boast,
Her parents loved the Maiden much,
Young EBERHARD loved her most.
Together did they hope to tread
The pleasant path of life,
For now the day drew near to make
Donica Eberhard's wife.
The eve was fair and mild the air,
Along the lake they stray;
The eastern hill reflected bright
The fading tints of day.
And brightly o'er the water stream'd
The liquid radiance wide;
Donica's little dog ran on
And gambol'd at her side.
Youth, Health, and Love bloom'd on her cheek,
Her full dark eyes express
In many a glance to Eberhard
Her soul's meek tenderness.
Nor sound was heard, nor passing gale
Sigh'd thro' the long lank sedge,
The air was hushed, no little wave
Dimpled the water's edge.
Sudden the unfathom'd lake sent forth
Strange music from beneath,
And slowly o'er the waters sail'd
The solemn sounds of Death.
As the deep sounds of Death arose,
Donica's cheek grew pale,
And in the arms of Eberhard
The senseless Maiden fell.
Loudly the youth in terror shriek'd,
And loud he call'd for aid,
And with a wild and eager look
Gaz'd on the death-pale Maid.
But soon again did better thoughts
In Eberhard arise,
And he with trembling hope beheld
The Maiden raise her eyes.
And on his arm reclin'd she moved
With feeble pace and slow,
And soon with strength recover'd reach'd
Yet never to Donica's cheek
Return'd the lively hue,
Her cheeks were deathy, white, and wan,
Her lips a livid blue.
Her eyes so bright and black of yore
Were now more black and bright,
And beam'd strange lustre in her face
So deadly wan and white.
The dog that gambol'd by her side,
And lov'd with her to stray,
Now at his alter'd mistress howl'd
And fled in fear away.
Yet did the faithful Eberhard
Not love the Maid the less;
He gaz'd with sorrow, but he gaz'd
With deeper tenderness.
And when he found her health unharm'd
He would not brook delay,
But press'd the not unwilling Maid
To fix the bridal day.
And when at length it came, with joy
They hail'd the bridal day,
And onward to the house of God
They went their willing way.
And as they at the altar stood
And heard the sacred rite,
The hallowed tapers dimly stream'd
A pale sulphureous light.
And as the Youth with holy warmth
Her hand in his did hold,
Sudden he felt Donica's hand
Grow deadly damp and cold.
And loudly did he shriek, for lo!
A Spirit met his view,
And Eberhard in the angel form
His own Donica knew.
That instant from her earthly frame
Howling the Daemon fled,
And at the side of Eberhard
The livid form fell dead.
Rudiger.
Divers Princes and Noblemen being assembled in a beautiful and fair Palace, which was situate upon the river Rhine, they beheld a boat or small barge make toward the shore, drawn by a Swan in a silver chain, the one end fastened about her neck, the other to the vessel; and in it an unknown soldier, a man of a comely personage and graceful presence, who stept upon the shore; which done, the boat guided by the Swan left him, and floated down the river. This man fell afterward in league with a fair gentlewoman, married her, and by her had many children. After some years, the same Swan came with the same barge into the same place; the soldier entering into it, was carried thence the way he came, left wife, children and family, and was never seen amongst them after.
Now who can judge this to be other than one of those spirits that are named Incubi? says Thomas Heywood. I have adopted his story, but not his solution, making the unknown soldier not an evil spirit, but one who had purchased happiness of a malevolent being, by the promised sacrifice of his first-born child.
RUDIGER.
Bright on the mountain's heathy slope
The day's last splendors shine
And rich with many a radiant hue
Gleam gayly on the Rhine.
And many a one from Waldhurst's walls
Along the river stroll'd,
As ruffling o'er the pleasant stream
The evening gales came cold.
So as they stray'd a swan they saw
Sail stately up and strong,
And by a silver chain she drew
A little boat along,
Whose streamer to the gentle breeze
Long floating fluttered light,
Beneath whose crimson canopy
There lay reclin'd a knight.
With arching crest and swelling breast
On sail'd the stately swan
And lightly up the parting tide
The little boat came on.
And onward to the shore they drew
And leapt to land the knight,
And down the stream the swan-drawn boat
Fell soon beyond the sight.
Was never a Maid in Waldhurst's walls
Might match with Margaret,
Her cheek was fair, her eyes were dark,
Her silken locks like jet.
And many a rich and noble youth
Had strove to win the fair,
But never a rich or noble youth
Could rival Rudiger.
At every tilt and turney he
Still bore away the prize,
For knightly feats superior still
And knightly courtesies.
His gallant feats, his looks, his love,
Soon won the willing fair,
And soon did Margaret become
The wife of Rudiger.
Like morning dreams of happiness
Fast roll'd the months away,
For he was kind and she was kind
And who so blest as they?
Yet Rudiger would sometimes sit
Absorb'd in silent thought
And his dark downward eye would seem
With anxious meaning fraught;
But soon he rais'd his looks again
And smil'd his cares eway,
And mid the hall of gaiety
Was none like him so gay.
And onward roll'd the waining months,
The hour appointed came,
And Margaret her Rudiger
Hail'd with a father's name.
