| PAGE | Protogenis, a Comedian of the Second Century, with a Mask, Playing the Character of Meleager, the “Wild Boar Hunter,” Engraved in His Time | 11 | Vestal Virgins Guarding the Palladium, the Sacred Effigy of Minerva | 15 | Egyptian | 17 | Egyptian Scarabeus: The Barque of the Sun, Represented by the Hieroglyph of the City of Heliopolis. The Obelisk below with the God Ra—and the Deess Ma, together Ra-Men-Ma, the Prenomen of King Set First, Second King of the XIX. Dynasty | 21 | Portrait of Sapor | 22 | Allegorical Sketch of Persia | 23 | Impressions of Babylonian Cylinders | 27 | Impressions of Assyrian, Persian, Hittite, Phoenician, and Cyprian Cylinders | 29 | Allegorical Sketch of the Source of History | 33 | Persian Seals | 35 | Etruscan Sketch | 37 | Etruscan Scarabeus | 40 | Phoenician Scarabei and Intaglios | 42 | Phoenician Intaglios, Mask, etc. | 45 | Callimachus, the Greek Inventor of the Corinthian Capitol | 48 | Greek and Roman Intaglio Rings | 50 | Cameo, the Greek Pallas | 52 | Roman Gems | 54 | Cameo in High Relief, Roman Emperor Caracalla | 57 | Abraxas or Gnostic Gems | 59 | Abraxas Token | 62 | Abraxas or Gnostic Gems | 63 | Early Christian Token | 67 | Byzantine Gems | 69 | Byzantine Cabinet and Gems | 73 | The Annunciation | 75 | An Orgie of Silenus | 78 | Renaissance-Medici Period | 81 | Noah’s Ark | 85 | A very fine Intaglio by Giovanni Pickler—Ceres | 87 | Jupiter Ægiochus | 91 | The Triumph of Constantine | 95 | John the Baptist Preaching in the Wilderness | 103 | Historic Cameos: 1347, Trajan offering a Sacrifice to Mars Vincitore; 1348, the Triumphant Entry of Titus Vespasianus into Jerusalem | 105 | Coriolanus: His Mother and Wife Beseeching Him to Raise the Siege of Rome | 107 | Historic Cameos: 1339, Trajan Pursuing a Wild Boar; 1350 and 1351, Prisoners; 1349, the Exit from Jerusalem of the Victorious Army of Titus Vespasianus, the Golden Candlesticks, etc. | 109 | Cock and Serpent: The Cock Intaglio, “Vigilance;” The Serpent in Relief—Cameo; The Serpent’s Tail in its Mouth, “Eternity” | 115 | Antique Pastes | 117 | Fragment of Antique Paste, Basso-rilievo | 120 | A Chimera: Four Faces and the Horn of Jupiter Ammon | 122 | A Chinese Cameo | 124 | Aztec or Mexican | 126 | Aztec or Mexican | 128 | Odenatus and Zenobia | 130 |
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