CHAPTER 17 The Tunnel Under the Desert

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The Shaggy Man leaped to his feet and stared at the beaver King. "What!" he exclaimed. "You discovered the Nome King's tunnel under the Deadly Desert?"

"Oh, yes," replied the beaver King. "We have known for some time of its existence and location."

"But this is wonderful!" gasped the Shaggy Man. "Our troubles are all over. All we have to do is walk through the tunnel to the Emerald City!"

"No," said the King of the Fairy Beavers. "It isn't as easy as that. You must remember we still have Glinda's Barrier of Invisibility to contend with."

"Hmmmmm," said the Shaggy Man seating himself, "that is true. But there might be some way we could get past that barrier. Tell me, how did you happen to discover the Nome King's tunnel?"

"We stumbled onto it accidentally when one of our burrows led into it," explained the beaver King. "We followed it to the Kingdom of the Nomes where the tunnel opens into one of the Nome King's mines. There was a company of Nomes working there, and the ill-natured creatures hurled diamonds at us. In fact the Nomes were so discourteous that we have never since entered that section of the tunnel."

"But if you knew the tunnel led to Oz in the other direction, why didn't you follow it?" asked Twiffle.

"Because we also know Ozma's wishes, and we respect them," replied the beaver King quietly. "But certainly Ozma would not object to the Shaggy Man and his friends using the tunnel. And since the Shaggy Man has so kindly invited me to visit Oz, I feel perfectly free to accompany him."

"Then you know the story of the tunnel the Nome King built under the Deadly Desert to the Emerald City?" asked the Shaggy Man.

"Our fairy powers keep us informed of important happenings not only in Oz but in all other parts of the world," replied the beaver King.

Twink and Tom knew the story, too. They had read how the Nome King, seeking revenge on Ozma and Dorothy because they had once conquered him, set his Nomes to burrowing a tunnel from the Nome Kingdom to the Emerald City. When it was finished, Roquat the Red (as the Nome King was known then) and a horde of evil allies marched through the tunnel, intent on conquering and laying waste all of Oz. Ozma refused to fight, but instead gathered all her closest friends about her in the garden near the Fountain of Oblivion, where the invaders were about to break through from the tunnel. The famous Scarecrow of Oz had given Ozma the idea that had saved her from the necessity of fighting. The tunnel was hot and dry, and Ozma had used her magic powers to scatter dust through the underground passage. As a result, when the Nome King and his allies came bursting through the earth they were consumed with a terrible thirst. The first thing they saw was the Fountain of Oblivion. Just as the Scarecrow had planned, they all dashed to the fountain and drank. The waters of this fountain cause anyone who drinks of it to lose all memory of his former life. Consequently the Nome King and all his allies became as harmless as little children, having forgotten their former evil lives. Ozma had sent them back by means of the Magic Belt to their own lands, and then closed the earth over the tunnel's entrance into her garden. Soon after that Glinda had laid down the Magic Barrier of Invisibility over the Deadly Desert, which Ozma hoped would prevent any other invaders from attacking the Land of Oz.

"Trying to get through the tunnel really seems the only thing to do," said the Shaggy Man thoughtfully. "That will be far better than just sitting and waiting for Ozma to return to the Emerald City—I have no idea how long she plans to visit with Glinda. I suppose the only thing we can do is try to deal with the Barrier of Invisibility when we come to it. Perhaps your Majesty's magic could overcome it?"



The Beaver King was thoughtful. "Perhaps," he said. "But you must remember Glinda's magic is very powerful. We may discover that the desert is just as impassable underground as it is above ground. So don't let us raise our hopes too high, my friends. At any rate," he concluded, "we will undertake the journey in the morning, and then we shall know."

The beaver King led his guests into his throne room where comfortable seats were provided. Next a troop of beaver acrobats came running into the throne room. They wore brightly colored tights and put on a performance of such skill and daring that Twink and Tom were delighted. The animals were amazingly agile and some of their tumbling tricks were so droll that even Twiffle laughed aloud.

"I never saw anything to beat this at the circus," Tom confided to Twink as the twins loudly applauded.

When the entertainment was over it was growing late, and, saying he had some work to do in his magic workshop, in preparation for the journey in the morning, the beaver King led his guests to a suite of beautifully furnished sleeping rooms. Twink and Tom were not a bit surprised that the beaver King should work while they slept. Indeed, they wondered if anyone in this busy little kingdom ever took time off to rest.

"As soon as you lie down on the beds," the beaver King told Twink and Tom, "you will be lulled to sleep by the most beautiful music in the world." With that he closed the door softly and left them.



Twink and Tom were in their beds in no time at all, eager to hear the music the beaver King had promised them.

No sooner had their heads touched the pillows than they heard it. It was like the sleepy murmuring of a thousand voices. There were no words, only a soft whisper that seemed to come from a great distance and yet was close by—was everywhere. Twink closed her eyes, and the wordless music sang of green meadows under a golden sun, of mountain rills that tripped from stone to stone down to beautiful valleys, of great rivers that flowed through the hearts of vast lands—and finally of the sea itself, singing eternally of endless wonders.

Just before Tom dropped off to sleep he said: "Twink, I know what it is. The beaver King said it was the most beautiful music in the world—and it is—"

"I know," said Twink sleepily. "It's the music of running water."


                                                                                                                                                                                                                                                                                                           

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