CHAPTER I THE APPROACH

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R. D. Blackmore was about ten years of age when his father took up his abode at Culmstock, a village in East Devon, at the foot of the Blackdowns. Notwithstanding an inclination to wander, evidence of which has been adduced in the previous section, the boy must have passed a fair amount of time at home; and wherever Blackmore tarried, he became imbued with the spirit of the place, wrested all its secrets, and acquired an intimate acquaintance with its arts and crafts such as would do credit to a committee of experts. Above all, he had the enviable gift of being able to distil from the rude realities their poetic essence—the prize of loving intelligence.

So far as Culmstock and the neighbourhood are concerned, the fruits of his observation are to be seen in Perlycross, and in a much lesser degree in Tales from the Telling House. The former, by no means so rÉpandu as Lorna Doone, labours under the disadvantage, which is yet not all disadvantage, of fictitious names; consequently but few are aware that Perliton, Perlycross, and Perlycombe are pretty, but deceptive aliases of Uffculme, Culmstock, and Hemyock. These little places—Uffculme, however, claims to be a town—are tapped by a light railway of serpentine construction, which branches from the main line at Tiverton Junction. The trains are appallingly slow, chiefly on account of the curves; and just outside the junction is a stiff gradient, the ascent of which, especially in frosty weather, is problematical. Often there is nothing for it but to drop back to the station and try again, or, as the French have it, se reculer pour mieux sauter.

The level champaign traversed by the caricature of locomotion is remarkable for its fertility, and for many other things redolent, I wot, to the ordinary resident of nothing but the meanest bathos—so deadly in use! It is otherwise with the stranger within the gates, to whom these items of every day unfold themselves as precious boons, creating a joyous sense of novelty and possession. A rapid but happy and accurate description of the vale by Mr Henry, who, I believe, is an Irishman, points the common lesson how much of beauty and wonder lies around us, had we but eyes to see. Impatient for the hills, and doubtless as purblind as my neighbours, I should scarce have lingered amid these pastoral scenes but for his restraining touch, so that I rest doubly indebted to his sage and kindly interpretation.

“I live in Uffculme. Its name might appropriately be Coleraine, for it is indeed a corner of ferns; every lane abounds with them, the hart’s tongue being specially abundant. Uffculme takes its name from the river Culm, and means simply up Culm. It is noted for ‘zider’ and its grammar school. It is a quaint and quiet village. I love its charming thatched cottages, with their niched eaves, each niche the eyebrow of a little window. The inns too are quaint, with their suspended signs, each a symbolic gem. Some in the country around here bear such names as the ‘Merry Harriers,’ the ‘Honest Heart,’ the ‘Rising Sun,’ the ‘Half Moon,’ the ‘Hare and Hounds,’ etc.

“There are four streets in Uffculme, and a triangular ‘square,’ on which a market is held every two months. In the interval the grass has its own sweet will. Everything is still; the smoke rises like incense in the air. Here, as I write, looking into a garden, which even now, in October, has many flowers in bloom, I hear no sounds but the song of the robin enjoying the glory of the morning sun, a chanticleer crowing in the distance, and the clanging anvil of the village blacksmith.

“The narrowness of the lanes around adds greatly to the country’s charms, their high hedgerows being a mass of many kinds of flowers. Thoroughly to enjoy the beauties of the neighbourhood, however, it must be viewed from one of the hills or downs. Embowered in a wealth of greenery, Uffculme sleeps on a slope of the Culm valley. As far as the eye can reach, lies a most beautiful panorama of diversified hill and dale with rounded trees, every field hedged with them. The quiet herds of Devon cattle lie ruminating and adorning the green bosom of the country. The whole scene has a charming cultured aspect, as if some giant landscape-gardener had laid it out. What peacefulness! How beautiful the cattle!

‘Aren’t they innocent things, them bas’es,
And haven’t they got old innocent faces?
A-strooghin’ their legs that lazy way,
Or a-standin’ as if they meant to pray.
They’re that sollum an’ lovin’ an’ steady an’ wise,
And the butter meltin’ in their big eyes,
Eh, what do you think about it, John?
Is it the stuff they’re feedin’ on?
The clover, and meadow grass, and rushes,
And then goin’ pickin’ among the bushes,
And sniffin’ the dew when its fresh and fine,
The sweetest brew of God’s own wine.’

“And then the Devonshire clotted cream! It is delicious, yet simply made. The milk stands on the hob till the cream rises and attains almost the consistency of dough. Every son of Devon, native and adopted, enjoys this luxury to the full.

“The Culm is a little wandering river, abounding in trout. Otters are hunted at Hemyock. Foxes also are found in the neighbourhood, and on one occasion the noble wild red deer approached within five miles of us. Birds of all kinds are plentiful, and flowers abound. Bullfinches are a pest, even among the apple-trees. In my first walk, I saw a kingfisher and a jay. The country exudes vegetation at every pore. The mildness of the climate is evidenced by the fact that on Saturday last (October 17) I saw in bloom the foxglove, poppy, primrose, wild anthernum, and many other flowers. I ate a strawberry grown in the open; watched the bees on the mignonette beds, and saw a wood-pigeon’s nest with young. The climax is reached when I say that a man of great agricultural faith, in the neighbouring parish of Halberton, is attempting a second crop of potatoes.

“The country is well-watered; little rills gush from every quarter. The natives reckon by the flowers—e.g., ‘He went to Canada last hyacinth time.’ The gentlemen’s seats are lovely in the extreme, and are surrounded by trees that would not grow ‘in the cold North’s unhallowed ground.’ Within a stone’s throw of the ‘square,’ and in a former Coleraine gentleman’s seat, grow Wellingtonia pines, the cypress, the breadfruit tree, the Spanish chestnut, and other exotic beauties. A house in the village has its walls adorned with passion-flowers, now in bloom.

“We are out of the tourist’s track here. The motor rarely invades our quiet life; indeed, the roads are not suited for motoring, as the streams cross them in several places, and a foot-bridge affords the only means of dry transit for the passengers.

“I need not dwell on the Devon dialect. It is familiar to every reader of Lorna Doone. Suffice it to say that it slides out with the maximum ease, and in defiance of every rule of grammar. Have I exhausted Devonian joys? Nay, I could mention the melodious church-bells, the beauty of the children, and many other matters; but I have fulfilled my intention, if I have conveyed the quaintness, the peace, and the good living of this part of rural Devon—a land ‘where the plain old men have rosy faces, and the simple maidens quiet eyes.’

Hence it appears that all the glory did not depart from Devon with fustian coats and brass buttons.

Mr Henry, it will be observed, speaks admiringly, as well he may, of the extreme loveliness of the country-seats. So far as the Culm valley is concerned, none will compare with Bradfield, the immemorial home of the Walrond family. Readers of Perlycross will recollect the brave veteran, Sir Thomas Waldron, and the wrong done to his honoured remains; and they may perchance note the different modes of spelling the name. Blackmore follows the local pronunciation, and the precedent of good old John Waldron, founder of an almshouse at Tiverton, of whom Harding remarks, “By his arms I judge his ancestors were branched from the ancient family at Bradfield, near Cullompton, where they were located in Henry II.’s time.”

According to Hutchins, the family of Walrond is descended from Walran Venator, to whom William I. gave eight manors in Dorsetshire. The name is indubitably of French origin, and apparently represents the old Latin patronymic Valerian.

To turn from names to things, an authentic note attests that, in 1332, John Walrond had a licence for an oratory. Presumably this was the ancient chapel of which Lysons speaks, and which probably stood on a site still known as the Chapel Yard, on the north side of the mansion. The present house does not go back to so remote a time. On the north wall are the words, “Vivat E. Rex”; and elsewhere may be seen the dates 1592 and 1604. It is considered that the house was rebuilt in sections and at intervals, during the short reign of Edward VI., and towards the close of that of Elizabeth.

Apart from inevitable decay, the mansion remained practically unaltered until about the middle of the last century, when it was thoroughly restored by the late Sir John Walrond, who planted the fine avenues of oak and cedar. Sir John did nothing to destroy or impair the character of the place, and the changes he introduced were extremely judicious, as indeed was to be expected from a gentleman of his refined taste. Son of Mr Benjamin Bowden Dickinson, of Tiverton, who assumed his wife’s name on his marriage with the heiress of the last of the Bradfield line, he came into possession in 1845. At that time the house consisted of north and south gabled wings, united by the old hall, and in ruinous repair, roughcast and whitewashed. Low offices disfigured the west side, and the south wall was propped with timber. A farmyard and other buildings occupied the site of the present entrance.

Such was Bradfield. To-day it is one of the most charming and beautiful homes in the West. The most ancient and characteristic portion is the noble hall, which is forty-four feet long by twenty-one feet wide, and glories in a magnificent hammer-beam roof, adorned with carved angels, a rich cornice, carved pendants, and old oak plenishings. The napkin panelling is in excellent preservation, and the fine woodwork, once covered with many coats of paint, is now fully exposed. Quaint and delightful features of the apartment are the open fireplace, the minstrel gallery, and a dog-gate which kept canine favourites below stairs. Just off the minstrel gallery is the state bedroom, containing a good sketch of the hall and gallery in days of yore, which gives one to see how rich the colouring must have been. Below the gallery is the “buttery hatch,” and beyond the “buttery hatch,” the old kitchen, now the library.

The drawing-room, communicating by a doorway with the hall dais, and one of the last rooms to be restored, has, in lieu of paint and whitewash, walls of moulded oakwork, a richly panelled and decorated ceiling, and a Jacobean mantelpiece. On the screen over the doorway are coloured figures of Adam and Eve; and among other curios are an embroidered silk sachet, in which is enclosed a love letter from Mr Walrond to Anne Courtenay, written on parchment, and dated October 27, 1659, and a prayer-book belonging to the old family chapel. Many other charming sights the interior affords, such as the oak panelling of the dining-room, its old chimney-piece, its pictures. And outside is a rare plesaunce, with clipped box-trees, and great clipped yews, and a lake, and an old bowling-green. Truly, an ideal country-house!

Another branch of the Walronds lived at Dulford House, which is also in the neighbourhood. Neither of these mansions can be exactly identified with the “Walderscourt” of the romance, which is represented as standing on a spot roughly indicated by Pitt Farm, in the parish of Culmstock, and not far from the village.

There are coloured effigies of the Cavalier period in Uffculme Church, which, by the way, has a magnificent screen, sixty-seven feet in length, probably the longest in the county. Nothing authentic is known about the effigies, but many have the impression that they represent members of the Walrond family. It is possible, however, that the originals of the busts were Holways, of Leigh, since the oldest monuments in the church were erected in memory of their dead. Leigh Court is the name of the present mansion, but Goodleigh, as is shown by old deeds, was the description of the more ancient manorial residence, which did not stand on the same site. And thereby hangs a tale.

The late Mr William Wood, father of my kind friend, Mr William Taylor Wood, of Gaddon, owned and lived at Leigh, and, being of an economical turn of mind, he thought he would clear away the few mouldering ruins of the old manor house, which only cumbered the ground, and thus extend the area of one of his fields. Men were engaged for the work, and had already proceeded some way with their task, when suddenly a workman threw down his tools and vanished clean out of the neighbourhood. For years there were no tidings of him. Eventually he returned, but never vouchsafed the least explanation of his extraordinary conduct. The people of the place, by whom a new coat or pair of boots would have been scrutinised with suspicion, all decided that he had found a “pot of treasure,” whilst Mr Wood, who, with all his good qualities, was somewhat touched with superstition, commanded the operation to be stayed.

Wandering about in this pleasant and hospitable region one gathers many a charming idyll of bygone times. Such, for instance, is the story of the young lady who arrived at Gaddon on a short visit and remained fourteen years. It seems that the old housekeeper was sitting on a box before the kitchen fire, preparing lamb’s tails for a pie (by dipping them in water brought to a certain temperature, in order to facilitate the removal of the wool), when all at once she fell back—dead.

The master of the house, Mr Richard Hurley, had relations living in another part of the parish, and, on learning the sad news, sent off to them for assistance. There were a lot of girls in the family, and they and their mother were sitting cosily round the hearth, when there came a knock at the door. In those days a knock at the door was enough to throw any country household into a ferment of excitement, which, in this instance, was not diminished when the messenger announced his errand.

“Please, master wants one of the young ladies to come over, because old Betty has dropped dead.”

Upon this a family council was held, and the following morning Mary Garnsey, a pretty, rosy-cheeked maiden of fourteen, mounted her horse, and with her impedimenta slung from the saddle-bow—there were no Gladstone bags in those days—rode over to Gaddon to aid her uncle in his difficulty. Pleased with her agreeable company, and more than satisfied with her efficient services, Mr Hurley became loth to part with her, and, in fact, coaxed her to remain till she was twenty-eight, when she left to be married. Old inhabitants may, perchance, remember Mrs Pocock, of Rock House, Halberton. She was the lady.

                                                                                                                                                                                                                                                                                                           

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