"'Soldier, sailor, tinker, tailor, policeman, plowboy, gentleman—' Adelaide Lefroy, lift your lovely head, my dear; you're to marry a gentleman."

Miss Adelaide, who is absorbed in the enjoyment of a ruddy ribstone pippin, turns her blooming freckled face to the speaker, and answers pleasantly, though a little indistinctly—

"I'm to marry a gentleman, brother Hal? Well, I guess I've no particular objection! Whenever he comes, he will find me ready to do him homage, and no mistake! Can't you tell me more about him? 'A gentleman' is rather vague. Is he to be rich, poor, or something between? Am I to share his gentility in a Belgravian mansion or a suburban villa?"

"The oracle does not say. I can't tell you any more, Addie. I've come nearer the point with the others, though. Pauline is to be a soldier's bride, Goggles a policeman's!"

"Don't you believe him, Addie!" burst in Goggles, a pale delicate-looking child of twelve, with large protruding eyes and a painfully inquiring turn of mind. "He cheated horribly; he ran the policeman in before the tailor the second time, and left out the sailor."

"I didn't, miss—I did it quite fairly. You had four chances; you got the tinker once and the policeman three times. You're to marry a bobby—there's no hope for you!"

"I won't, I won't, I won't!" she retorts passionately, angry tears welling into her big, foolish eyes. "I won't marry a policeman, Hal! I'd rather die an old maid ten times over."

"First catch your policeman, my dear," chimes in Pauline, languidly waving aside a swarm of gnats dancing round her beautiful dusky head. "You'll not find many of that ilk sneaking round our larder, I can tell you!"

"I don't care whether I do or not. I won't marry a—"

"That will do, Lottie; we have had quite enough of this nonsense," interposes Addie, suddenly and unexpectedly assuming the tones of a reproving elder sister. "You came out here to study, and I don't think either you or Pauline has read that French exercise once, though you promised Aunt Jo you would have it off by heart for her this afternoon. Give me the book; I'll hear you. Translate 'I am hungry; give me some cheese.'"

"Je suis faim; donnez-moi du—du—"

"No; wrong to begin with. It is J'ai faim, 'I have hunger.'"

"'I have hunger!'" grumbles Lottie. "That just shows what a useless humbugging language French is! Fancy any one but an idiot saying, 'I have hunger,' instead of—"

"Don't talk so much. 'Have you my brother's penknife?'"

"Avez-vous mon frÈre's plume-couteau?"

Miss Lefroy tosses back the tattered Ahn in speechless disgust.

"Never mind, Goggles; I'll give you a sentence to translate," whispers Hal teasingly. "Listen! Esker le policeman est en amour—eh? That's better than anything in an old Ahn or Ollendorff, isn't it? Esker le poli—"

"Hal, do leave your sister alone, and attend to your own task. I don't believe you have got that wretched sum right yet, though you have been at it all the morning."

"And such a toothsome sum too!" says Pauline, leaning forward and reading aloud the problem inscribed on the top of the cracked greasy slate in Aunt Jo's straggling old fashioned writing—

"'Uncle Dick gave little Jemmy five shillings as a Christmas-box. He went to a pastry-cook's, and bought seven mince-pies at twopence halfpenny each, a box of chocolate, nine oranges at one shilling and sixpence per dozen; he gave tenpence to a poor boy, and had four-pence left. What was the price of the chocolate?'"

"It's a rotten old sum—that's what it is!" says Hal trenchantly. "What's the sense of annoying a fellow with mince-pies and things when he hasn't the faintest chance of getting outside one for—"

"Hal, don't be vulgar!"

"Besides, you can change the pies into potatoes or rhubarb-powders if you like," puts in Goggles spitefully, "and work the sum all the same. I'll tell auntie you did nothing but draw the dogs all the morning."

"Yah! Tell-tale tit, your tongue shall be split!"

"Why did you say I'd marry a—"

"Charlotte, hold your tongue at once!"

There is a ring of authority in Miss Lefroy's fresh voice that insures silence.

Pauline throws herself back upon the mossy sward, yawning heavily; Addie weaves herself a wreath of feathery grasses and tinted autumn-leaves, then picks a milky-petaled flower, which she stealthily and cautiously begins to fray.

"'Soldier, sailor, tinker, tailor, policeman, plowboy, gentleman—' Again! How very strange! There seems a fate in it! I wish I could find out more, though. I can't bring it to 'soldier'—heigh-ho!"

It is a still slumberous noon in early October: a mellow sun trickles through "th' umbrageous multitude of leaves," which still linger, vivid-hued, on the stately timber that shelters Nutsgrove, the family residence of the pauper Lefroys.

Nutsgrove is a low rambling brick manor-house, built in the time of the Tudors, surrounded by a stone terrace leading to a vast parterre, which, in the days of their opulence, the Lefroys were wont to maintain, vied in beauty and architectural display with the famous gardens of Nonsuch, in the reign of Henry VIII., sung by Spenser, but which now, alas, was a ragged wilderness, covered with overgrown distorted shrubs, giant weeds, ruinous summer-houses, timeworn statues, and slimy pools, in which once splashed fairy-mouthed fountains.

to the bottom,

Beyond this acreage of desolation is the orchard, protected by crumbling walls, creeping into the famous nut-grove, the uncultured beauty of which the noisome hands of neglect and decay have not touched.

As the nut-grove was in the days of Tristran le Froi, when he established himself on Saxon soil, so it is now—a green-canopied retreat, carpeted with moss and fringed with fern; it is the chosen home of every woodlark, blackbird, thrush, and squirrel of taste in the shire—the nursery, school-room, El Dorado of the five young Lefroys, children of Colonel Robert Lefroy, commonly known as "Robert the Devil" in the days of his reckless youth and unhonored prime, a gentleman who bade his family and his native land goodnight in rather hurried fashion about three years before.

"There goes Bob! I wonder did he get the ferret out of old Rogers?" exclaims Hal, breaking a drowsy silence. "I wish he'd come and tell us."

But the heir of the house of Lefroy, heedless of appealing cry and inviting whistle, stalks homeward steadily, a rank cigarette hanging from his beardless lips, a pair of bull-pups clinging to his heels. He is a tall shapely lad of eighteen, with a handsome gypsy face and eyes like his sister Pauline's—large, dark, full of haughty fire.

"How nasty of him not to come!" grumbles the younger brother. "I wonder what has put his back up? Perhaps old Rogers turned crusty, and wouldn't lend the ferret. Shouldn't wonder, because—"

"The gong, the gong at last!" cries Pauline, springing to her feet. "I didn't know I was so hungry until its welcome music smote my ears. Come along, family."

They need no second bidding. In two minutes the grove is free from their boisterous presence, and they are flying across the lawn, their mongrel but beloved kennel barking, yelping, and scampering enthusiastically around, making the autumn noon hideous.

"What's for dinner?"

"Rabbits!"

"Rabbits! Ye gods—again! Why, this is the fourth day this week that we've fared on their delectable flesh!" cries Robert, striding into the dining-room in grim disgust.

"At this rate we'll soon clear Higgins's warren for him!" chimes in Hal.

"Aunt Jo, let me say grace to-day, will you?"

"Certainly, my dear," Aunt Jo responds, somewhat surprised at the request. She is a mild, sheep faced old gentlewoman, with weary eyes that within the last two years have rained tears almost daily.

Pauline folds her slim sunburnt hands, bows her head, and murmurs reverently—

"Amen!" respond the family, in full lugubrious choir.

"I wonder if I shall know the flavor of butcher's meat if I ever taste it again?" says Robert presently, with exaggerated exertion hacking a cumbrous limb that covers his cracked plate—a plate which a china-collector would have treasured in a cabinet.

"You certainly won't taste butcher's meat again until the butcher's bill is paid," answers Aunt Jo sharply. "Thirteen pounds eleven and sixpence—so he sent me word when Sarah tried to get a mutton-chop for Lottie the day she was so ill. Until his bill is paid, he won't trust us with another pound of flesh; that was the message he sent to me—to me—Josephine Darcy! Oh that I should live to receive such a message from a tradesman! What would my dear uncle the bishop have felt if he could have heard it?"

"But he can't hear it, auntie dear," says Lottie, consolingly. "He's dead, you know."

"Not dead, but gone before," reproves Miss Darcy, burying her face in her handkerchief.

"Water-works again!" groans Robert, sotto voce. "Use the plug, some one."

Addie obeys the elegant order by slipping her arm round the old lady's neck.

"There, there, dear; don't take on so. You fret too much about us; you'll make yourself ill in the end. Cheer up, auntie dear, cheer—"

"Cheer up!" she interrupts, in a wailing voice. "Oh, child, it is easy for you to talk in that light way! Cheer up, when poverty is at the door, starvation staring us in the face! Cheer up, when I look at you five neglected, deserted children, growing up half fed, wholly uneducated, clothed as badly as the poorest laborer on the vast estates your grandfather owned—you my poor dead sister's children! Oh, Addie, Addie, you talk and feel like a child—a child of the summer, who has not the sense, the power to feel the chill breath of coming winter! How can you know? How can you understand? You heard your brothers and your sisters here grumbling and railing at me not five minutes ago because I had not legs of mutton and ribs of beef to feed you with, grumbling because this is the fourth time in one week you have had to dine off rabbit. Well"—with a sudden burst of anguish—"do you know, if Steve Higgins, devoted retainer that he is, had not the kindness, the forethought to supply us, as he has been doing for the last month, with the surplus of his warren, you'd have had to dine off bread and vegetables altogether? For not a scrap of solid food will they supply us with in Nutsford until my wretched dividends are due, and that is four months off yet. Oh, Addie dear, don't try to talk to me; I can bear up no longer! Sorrows have come to me too late in life. I—I can bear up no longer!"

Her voice dies away in hysterical sobs. By this time the family are grouped round the afflicted lady; even Robert's hard young arm encircles her heaving shoulder. He joins as vehemently as any in the sympathizing chorus.

"There, there; don't, auntie dear. Heaven will help us, you'll see!"

"Every cloud has a silver lining, every thorn-bush a blossom."

"Something is sure to turn up, never fear."

"And we shouldn't mind a bit if you wouldn't take on so and fret so dreadfully."

"Don't heed our grumblings; they're only noise. We'd just as soon have rabbit as anything else—wouldn't you, boys, wouldn't you? There, auntie, you hear them. Boys must grumble at something; it wouldn't be natural if they didn't."

"Oh, auntie, auntie, can't you believe us? We're quite, quite happy as we are. As long as we are all together, as long as we have the dear old place to live in, what does anything else matter? We're quite happy. We never want to change or go away, or wear grand clothes, talk French, or thump the piano like other common people. We don't—we don't indeed! If you would only leave off fretting, we'd leave off grumbling, and be all as happy as the day is long."

Somewhat cheered by this unanimous appeal, Miss Darcy wipes her eyes, though still protesting.

"I know that, I know that; as long as you're allowed to wander at your own sweet will, lie on haystacks, rifle birds' nests, strip the apple and cherry trees, hunt rats and rabbits, and, above all, do no lessons, and make no attempt to improve your minds in any way, you will be happy. But the question is, How long will these doubtful means of happiness be left to you? Acre after acre, farm after farm, has slipped from the family within the last thirty years. You have now but nominal possession of the house, garden, orchard, and part of the grove—only nominal possession, remember, for the place is mortgaged to the last farthing; the very pictures on the wall, the chairs you sit on, the china in the pantry, are all security for borrowed money. And—and, children"—impressively—"it is best for you to know the worst. If—if your—your father should cease to pay the interest on this money, why, his creditors could seize on this place and turn you out homeless on the roadside at an hour's notice!"

There is a deep silence; then comes a protesting outburst. Robert's dark face flushes wrathfully as he exclaims—

"But—but, Aunt Jo, he—he will—he must pay the interest, and give me a chance of reclaiming my birthright. He—he couldn't be so—so bad as to let that lapse under the circumstances."

"Circumstances may be too strong for him."

"In any case," says Pauline hopefully, "the creditors couldn't be so heartless, so devoid of all feelings of humanity as to turn us out like that; they must wait until some of us are dead, or married, or something. Where could we go?"

"Your father's creditors are Jews, Pauline; they are not famed for humanity or forbearance. However, as you say, children, it is best to look at the bright side of things, and trust in the mercy of Heaven."

"And in the mercy of a Jew too!" chimes in Addie.

"'Hath not a Jew eyes? Hath not a Jew hands, organs, dimensions, senses, affections, passions—fed with the same food, hurt with the same weapons, subject to the same diseases, healed by the same means, warmed and cooled by the same summer and winter, as a Christian is? If you prick him, does he not bleed? If you tickle him, does he not laugh? If you poison him, does he not—'"

"Bravo, Addie—bravo; well done!"

"That was tall spouting, and no mistake! Where did you pick it all up?"

"That's Shakespeare," Addie answers, lifting her rosy pale face proudly—"it is from the 'Merchant of Venice;' I read the whole play through yesterday, and enjoyed it greatly."

"You imagined you did, my dear."

"Nothing of the kind, Robert; I found it most interesting."

"Don't tell me, Addie," says Pauline, with a tantalizing laugh, "that you found it as interesting as 'The Children of the Abbey,' 'The Castle of Otranto,' or 'The Heir of Redcliffe,' for I won't believe you."

"The styles are quite distinct; you could not possibly compare them," Addie retorts more grandly still. "I am going up to the grove now to read 'A Midsummer Night's Dream.' I believe it's beautiful."

"Don't you think, my dear niece, you had better mend that hole in your stocking, just above the heel, first?" interposes Miss Darcy gently. "It has been in that yawning condition for the last two days; and, to say the least of it, it scarcely looks ladylike."

"I noticed it when I was dressing," assents Addie, placidly, "but quite forgot about it afterward. Who'll lend me a thimble and a needle and some cotton?"