WHILE Henry II lived Catherine de Medicis was not conspicuous, Henry yielding rather to Diane de Poitiers than to his wife, but the queen-mother wielded a ruthless power over her three young sons who succeeded their father in turn. Through her, also, Italian pictures and books were brought in by their painters and authors, Italian architects transformed French buildings, Italian favorites filled the court, where they introduced the ruffs and padded trunks and soft crowned toques of Italian fashions. Paris streets, narrow as in the days when their Gothic houses were first built, widened into occasional squares meant to remind the queen of her southern home. Francis II (1559-1560) was Henry’s oldest son, known to-day only as the husband of Mary, Queen of Scots, whom he married in Notre Dame when he was fourteen and she was sixteen. He came to the throne a twelvemonth later and during the one short year of his reign he was a tool in the hands of the ex-Italian family of the Of Francis’s reign as it concerns Paris there is nothing of interest except the fact that his wedding supper, like that of his sister a year later, was given in the Great Hall of the palace of the CitÉ. Francis’s death gave the crown to his next younger brother, Charles IX (1560-1574), who was but eleven years old. During the fourteen years of his reign Catherine de Medicis ruled, first as regent and later in fact though not in name. Her methods were tell-tale of her nature. She favored Protestants or Catholics as the moment demanded, she promised and did not fulfil, she deceived, she ordered assassination, she depraved the morals of her own children. All the time civil war went on, pausing now and again but never entirely ceasing. The most horrible event of the whole hideous contest was the massacre of the Protestants which took place on Saint Bartholomew’s Day, August 24, 1572. Catherine had arranged that her daughter, Marguerite of Valois, should marry Henry, King of Navarre, the leader of the Protestants. Whether this was done in the Events proved that such suspicions were not groundless. The wedding was set for the seventeenth of August. On account of the difference between the religious belief of Henry and his bride, it took place in front of the cathedral in the Parvis or Paradise of Notre Dame. This was an open place raised above the level of the adjoining streets and railed from it. Marguerite was so unwilling to marry Henry that she refused her consent even up to the moment when the archbishop demanded it. Her brother, the king, met the emergency by seizing her head and bobbing it and the service went on as if she had answered a legitimate “I will.” After the marriage the bride heard mass in the cathedral while the bridegroom admired the bishop’s garden. Dinner followed at the bishop’s palace, Four days later Admiral Coligny, the head of the Protestants, was attacked by a paid assassin but not killed. This piece of news was brought to Charles IX while he was playing tennis on one of the courts at the eastern end of the Louvre. On the night before St. Bartholomew’s Day the Provost of the Merchants was summoned to the Louvre and received instructions to close the city gates, to fasten the chains across the streets, and to arm the militia. At the appointed hour, or rather, owing to Catherine’s eagerness, at two in the morning, an hour before the appointed time, the signal was given on the right bank by the bell of the church of Saint Germain l’Auxerrois, facing the eastern end of the Louvre, and on the CitÉ by that in the clock tower on the palace. Admiral Coligny, who lived just north of the Louvre, was killed in his bed and his body thrown from the window to the pavement where the Duke of Guise kicked it. “They told us nothing of all this,” says the bride, Marguerite of Navarre, who has left an account of her experiences. “I saw everybody in action, the Huguenots desperate over this attack; M. de Guise fearful lest they take vengeance on him, whispering to everybody. The “I saw quite well that they were disputing though I did not hear their words. Again she roughly ordered me to go to bed. My sister burst into tears as she bade me good-night, daring to say nothing more to me, and I went away thoroughly stunned and overcome, without understanding at all what I had to fear. Suddenly “An hour after as I was still sleeping there came a man who beat on the door with hands and feet crying, ‘Navarre, Navarre!’ My nurse, thinking that it was the King my husband, ran There is a story, probably untrue, that Charles, almost crazy with excitement took his stand at a window of the Louvre and shot down all the Huguenots he saw, shrieking “Kill! Kill!” For twenty-four hours the slaughter continued in Paris, ruffians and unprincipled men seizing the opportunity to kill for plunder and to rid themselves of their enemies. Paris streets literally ran blood and Paris buildings so echoed the cries of the dying that the king heard them in his own delirium of death. When Queen Wilhelmina visited Paris in June, 1912, she placed a wreath at the foot of the statue of her ancestor, Admiral Coligny, which stands at the outside end of the church Charles IX’s name is not connected with buildings or improvements in Paris, so overshadowed was he by his mother. He rebuilt the Arsenal at the eastern end of the city, and he furthered the sale and demolition of the great establishment of the HÔtel Saint Paul, whose breaking up had been begun by Francis I. Catherine had left the HÔtel des Tournelles after the death there of her husband, Henry II. At the Louvre she found herself sadly crowded, for she had been obliged to give up her royal apartments to the young queen when Charles married, and, counting her daughters and daughter-in-law there were four queens with their retinues to be housed in the old palace. Near the church of Saint Eustache the dowager-queen selected a location to her fancy for the building of a new palace, but the ground was occupied by a refuge of Filles PÉnitentes. With the entire lack of consideration for others peculiar to the powerful, Catherine had this establishment razed and its inmates removed to an abbey on the rue Saint Denis. The religious of the abbey, in their turn, were sent to the top of the Mont Sainte GeneviÈve, where they took possession of the old hospital of Saint Jacques-du-Haut-Pas, whose name still clings to the parish and the church. More ambitious was a southwestern addition Of private buildings two of the most beautiful still remain. Both are in the Marais, which had become fashionable at this time on account of its proximity both to the Tournelles and the Louvre. One of them is the HÔtel Carnavalet which now houses the Historical Museum of Paris, the most interesting special collection in the city to students of olden times. This building was begun in 1544 in Francis I’s reign, by the then president of the Parliament of Paris, who employed the best architects of the day, Lescot and Bullant, aided by Goujon, the sculptor, whose symbolic figures give its name to the “Court of the Seasons.” After changing hands more than once and being restored in the seventeenth century by another famous architect, Mansart, the house was occupied for eighteen years by Madame de SÉvignÉ, the author of the famous “Letters.” When it was taken over by the city it was again thoroughly restored, and it now stands not only as a fine example of sixteenth and seventeenth century architecture but as a repository for bits and sections of old buildings from other parts of the city. Not far away is the HÔtel Lamoignon, built toward the end of the sixteenth century for one of Henry II’s daughters. It is used for business purposes to-day, but its faÇade is still imposing with lofty Corinthian pilasters which rise from the ground to the roof. In the course of its vicissitudes it was the first home of the city’s historical library, and in the nineteenth century it was made into apartments, in one of which Alphonse Daudet, the novelist once lived. Montaigne speaks with frankness of the evil smells of the streets of this time, and it is small wonder, since animals were slaughtered not far from the city hall, and the offscourings of the abattoirs drained into the Seine emitting foul odors as they went. Charles was moved to improve the condition of the GrÈve, which was a mud-hole and a dump-heap, not, apparently, be With Charles IX on the throne of France, Catherine de Medicis sought to provide for her youngest son by placing him on the vacant throne of Poland. A splendid fÊte at the Tuileries celebrated his election, and he set forth joyfully for his new kingdom. He had lived in his adopted country only a few months when the news of his brother’s death reached him. The French crown, was, naturally, more attractive than the Polish, and Henry planned immediate departure for his fatherland. He had been long enough in Poland to know something of the temper of his subjects and he fled like a criminal before the pursuit of enraged peasants armed with scythes and flails. If they had known him better they might not have been so eager to keep him. The Parisians were not fond of Henry. He made his formal entry into the city adorned with frills and ear-rings, and accompanied by sundry small pet animals. It was his habit to carry fastened about his neck a basket of little dogs and occasionally he dug down under them to find important papers. Silly as it sounds this habit at least had the merit of being more humane Henry began at once to change for the worse his mother’s already vile court. Occasionally he was stricken with remorse and made such public exhibition of repentance as caused excessive mirth to all beholders of the processions wherein he and the dissolute young men, his “minions,” walked barefooted through the city. It is related that the court pages were once sharply switched in the Hall of the Cariatides in the Louvre for having indulged in a take-off of one of these penitential exercises of their king’s. Except for the continuing of the work on the Louvre, decorating the old clock on the palace on the CitÉ (see Chapter VI) beginning the Pont Neuf across the western tip of the CitÉ, and establishing a few religious houses, Henry III was too busy contending with the Parisians to have time or inclination to beautify the city. The Parisians not only objected to the continual financial drain made upon them by the king’s constant appeals for money for his minions, but they openly showed themselves favorable to the Duke of Guise, the leader of the Catholic party. For his own defense Henry brought into the city a band of Swiss soldiers. To the citizens it was the final outrage. Every section of the town Henry had been warned of trouble on the Day of Barricades by a man who made his way to the royal apartments by the staircase existing even now in a corner of the Hall of the Cariatides. Reversing the direction taken by the Empress EugÉnie when the news of the battle of Sedan reached Paris on the fourth of September some three hundred years later, the king fled through the Louvre westward, gained the stables of the In an effort to bring about better conditions Henry had made concessions to the Huguenots. Indignant at what they considered as treachery to his own religion the Catholics organized a League, of which the popular duke of Guise was the head. The duke’s power over the people, as he had shown it when he stopped the attack upon the king’s Swiss guard, and his connection with the League brought about Guise’s assassination by Henry’s order. The Parisians were enraged by the loss of their favorite, shut the gates against Henry, and prepared themselves to withstand a siege. Henry was forced to join the Protestant army of his cousin, Henry of Navarre, at Saint Cloud, on the Seine a few miles below Paris. There the king was assassinated by a young Jacobin novice sent out from the city. Thus Paris was responsible for the crown’s passing at this juncture to the House of Bourbon whose representative, Henry of Navarre, who now became Henry IV, was one of the Protestants to whom the city was fiercely opposed. |