The Vicar of Lynch

Previous

When I heard through country gossip of the strange happening at Lynch which had caused so great a scandal, and led to the disappearance of the deaf old Vicar of that remote village, I collected all the reports I could about it, for I felt that at the centre of this uncomprehending talk and wild anecdote there was something with more meaning than a mere sudden outbreak of blasphemy and madness.

It appeared that the old Vicar, after some years spent in the quiet discharge of his parochial duties, had been noticed to become more and more odd in his appearance and behaviour; and it was also said that he had gradually introduced certain alterations into the Church services. These had been vaguely supposed at the time to be of a High Church character, but afterwards they were put down to a growing mental derangement, which had finally culminated at that notorious Harvest Festival, when his career as a clergyman of the Church of England had ended. On this painful occasion the old man had come into church outlandishly dressed, and had gone through a service with chanted gibberish and unaccustomed gestures, and prayers which were unfamiliar to his congregation. There was also talk of a woman's figure on the altar, which the Vicar had unveiled at a solemn moment in this performance; and I also heard echo of other gossip—gossip that was, however, authoritatively contradicted and suppressed as much as possible—about the use of certain other symbols of a most unsuitable kind. Then a few days after the old man had disappeared—some of the neighbours believed that he was dead; some, that he was now shut up in an asylum for the insane.

Such was the fantastic and almost incredible talk I listened to, but in which, as I say, I found much more meaning than my neighbours. For one thing, although they knew that the Vicar had come from Oxford to this remote College living, they knew nothing of his work and scholarly reputation in that University, and none of them had probably ever heard of—much less read—an important book which he had written, and which was the standard work on his special subject. To them he was simply a deaf, eccentric, and solitary clergyman; and I think I was the only person in the neighbourhood who had conversed with him on the subject concerning which he was the greatest living authority in England.

For I had seen the old man once—curiously enough at the time of a Harvest Festival, though it was some years before the one which had led to his disappearance. Bicycling one day over the hills, I had ridden down into a valley of cornfields, and then, passing along an unfenced road that ran across a wide expanse of stubble, I came, after getting off to open three or four gates, upon a group of thatched cottages, with a little, unrestored Norman church standing among great elms, I left my bicycle and walked through the churchyard, and as I went into the church, through its deeply-recessed Norman doorway, a surprisingly pretty sight met my eyes. The dim, cool, little interior was set out and richly adorned with an abundance of fruit and vegetables, yellow gourds, apples and plums and golden wheat sheaves, great loaves of bread, and garlands of September flowers. A shabby-looking old clergyman was standing on the top of a step-ladder, finishing the decorations, when I entered. As soon as he saw me he came down, and I spoke to him, praising the decorations, and raising my voice a little, for I noticed that he was somewhat deaf. We talked of the Harvest Festival, and as I soon perceived that I was talking with a man of books and University education, I ventured to hint at what had vividly impressed me in that old, gaudily-decorated church—its pagan character, as if it were a rude archaic temple in some corner of the antique world, which had been adorned, two thousand years ago, by pious country folk for some local festival. The old clergyman was not in the least shocked by my remark; it seemed indeed rather to please him; there was, he agreed, something of a pagan character in the modern Harvest Festival—it was no doubt a bit of the old primitive Vegetation Ritual, the old Religion of the soil; a Festival, which, like so many others, had not been destroyed by Christianity, but absorbed into it, and given a new meaning. "Indeed," he added, talking on as if the subject interested him, and expressing himself with a certain donnish carefulness of speech that I found pleasant to listen to, "the Harvest Festival is undoubtedly a survival of the prehistoric worship of that Corn Goddess who, in classical times, was called Demeter and Ioulo and Ceres, but whose cult as an Earth-Mother and Corn-Spirit is of much greater antiquity. For there is no doubt that this Vegetation Spirit has been worshipped from the earliest times by agricultural peoples; the wheat fields and ripe harvests being naturally suggestive of the presence amid the corn of a kindly Being, who, in return for due rites and offerings, will vouchsafe nourishing rains and golden harvests." He mentioned the references in Virgil, and the description in Theocritus of a Sicilian Harvest Festival—these were no doubt familiar to me; but if I was interested in the subject, I should find, he said, much more information collected in a book which he had written, but of which I had probably never heard, about the Vegetation Deities in Greek Religion. As it happened I knew the book, and felt now much interested in my chance meeting with the distinguished author; and after expressing this as best I could, I rode off, promising to visit him again. This promise I was never able to fulfil; but when afterwards, on my return to the neighbourhood, I heard of that unhappy scandal, my memory of this meeting and our talk enabled me to form a theory as to what had really happened.

It seemed plain to me that the change had been too violent for this elderly scholar, taken from his books and college rooms and set down in the solitude of this remote valley, amid the richness and living sap of Nature. The gay spectacle, right under his old eyes, of growing shoots and budding foliage, of blossoming and flowering, and the ripening of fruits and crops, had little by little (such was my theory) unhinged his brains. More and more his thoughts had come to dwell, not on the doctrines of the Church in which he had long ago taken orders, but on the pagan rites which had formed his life-long study, and which had been the expression of a life not unlike the agricultural life amid which he now found himself living. So as his derangement grew upon him in his solitude, he had gradually transformed, with a maniac's cunning, the Christian services, and led his little congregation, all unknown to themselves, back toward their ancestral worship of the Corn-Goddess. At last he had thrown away all disguise, and had appeared as a hierophant of Demeter, dressed in a fawn skin, with a crown of poplar leaves, and pedantically carrying the mystic basket and the winnowing fan appropriate to these mysteries. The wheaten posset he offered the shocked communicants belonged to these also, and the figure of a woman on the altar was of course the holy Wheatsheaf, whose unveiling was the culminating point in that famous ritual.

It is much to be regretted that I could not recover full and more exact details of that celebration in which this great scholar had probably embodied his mature knowledge concerning a subject which has puzzled generations of students. But what powers of careful observation could one expect from a group of labourers and small farmers? Some of the things that reached my ears I refused to believe—the mention of pig's blood for instance, and especially the talk of certain grosser symbols, which the choir boys, it was whispered, had carried about the church in ceremonious procession. Village people have strange imaginations; and to this event, growing more and more monstrous as they talked it over, they must themselves have added this grotesque detail. However, I have written to consult an Oxford authority on this interesting point, and he has been kind enough to explain at length that although at the Haloa, or winter festival of the Corn-Goddess, and also at the Chloeia, or festival in early spring, some symbolization of the reproductive powers of Nature would be proper and appropriate, it would have been quite out of place at the Thalysia, or autumn festival of thanksgiving. I feel certain that a solecism of this nature—the introduction into a particular rite of features not sanctioned by the texts—would have seemed a shocking thing, even to the unhinged mind of one who had always been so careful a scholar.


                                                                                                                                                                                                                                                                                                           

Clyx.com


Top of Page
Top of Page