"Sylvia! Sylvia! Sylvia!" The musical name echoed and reËchoed through the silent woods, but there was no other answer. Austin lighted a match, shielded it from the rain with his hand, and looked at his watch; it was just past midnight. "Oh," he groaned, "where can she be? What has happened to her? If I only knew she was found, and unharmed, and safe at home again, I'd never ask for anything else as long as I lived." He had knocked his lantern against a tree some time before, and broken it, and there was nothing to do but stumble blindly along in the darkness, hoping against hope. Howard Gray had gone north, Thomas east, and Austin south; before starting out, they had endeavored to telephone, but the storm had destroyed the wires in every direction. After travelling almost ten miles, Austin went home, thinking that by that time either his father or his brother must have been successful in his search, to be met only by the anxious despair of his mother and sisters. "Don't you worry," he forced himself to say with a cheerfulness he was very far from feeling; "she may have gone down that old wood-road that leads out of the Elliotts' pasture. I heard her telling Thomas once that she loved to explore, that they must walk down there some Sunday afternoon; maybe she decided to go alone. I'll stop at the house, and see if Fred happened to see her pass." Fred had not; but Mrs. Elliott had; there was little that escaped her eager eyes. "My, yes, I see her go tearin' past before the storm so much as begun; she's sure the queerest actin' widow-woman I ever heard of; Sally says she goes swimmin' in a bathin'-suit just like a boy's, an' floats an' dives like a fish—nice actions for a grievin' lady, if you ask me! Do set a moment, Austin; set down an' tell me about the fire; I ain't had no details at all, an' I'm feelin' real bad—" But the door had already slammed behind Austin's hurrying figure. "Sylvia, Sylvia, where are you?" He ploughed along for what seemed like endless miles, calling as he went, and hearing his own voice come back to him, over and over again, like a mocking spirit. The wind, the rain, and the darkness conspired together to make what was rough travelling in the daytime almost impassable; strong as he was, Austin sank down more than once for a few minutes on some fallen log over which he stumbled. At these times the vision of Sylvia standing in the midst of the still-smoking ruins of the buildings, which had been, in spite of their wretched condition, dear to him because they were almost all he had in the world, seemed to rise before him with horrible reality: Sylvia, dressed in her black, black clothes, with her soft dark hair, and her deep-blue eyes, and her vivid red lips which so seldom either drooped or smiled but lay tightly closed together, a crimson line in her white face, which was no more sorrowful than it was mask-like. The expression was as pure and as sad and as gentle as that of a Mater Dolorosa he had chanced to see in a collection of prints at the Wallacetown Library, and yet—and yet—Austin knew instinctively that the dead husband, whoever he might have been, and his own brother Thomas were not the only men besides himself who had found it irresistibly alluring. "I'm poorer than ever now," he groaned to himself, "and ignorant, and mean, and dirty, and a beast in every sense of the word; I can't ever atone for the way I've treated her—for the way I've—but if I could only find her and try, oh, I've got to! Sylvia, Sylvia, Sylvia—" The rain struck about by the wind, which had risen again, lashed against the leaves of the trees, and the wet, swaying boughs struck against his face as he started on again; but the storm and his own footsteps were the only sounds he could hear. It was growing rapidly colder, and he felt more than once in his pocket to make sure that the little flask of brandy he had brought with him was still safe, and tried to fasten his drenched coat more tightly about him. His teeth chattered, and he shivered; but this, he realized, was more with nervousness than with chill. "If I'm cold, what must she be, in that linen habit? And she's so little and frail—" He pulled himself together. "I must stop worrying like this—of course, I'll find her,—alive and unharmed. Some things are too dreadful—they just can't happen. I've got to have a chance to beg her forgiveness for all I've said and done and thought; I've got to have something to give me courage to start all over again, and make a man of myself yet—to cleanse myself of ingratitude—and bitterness—and evil passions. Sylvia—Sylvia—Sylvia!" It seemed as if he had called it a thousand times; suddenly he stopped short, listening, his heart beating like a hammer, then standing still in his breast. It couldn't be—but, oh, it was, it was— "Austin! Is that you?" "Yes, yes, yes, where are you?" "I don't know, I'm sure—what a question!" And instantly a feeling of relief swept through him—she was all right—able to see the absurdity of his question more than he could have done! "But wherever I am, we can't be far apart; keep on calling, follow my voice—Austin—Austin—Austin—" "All right—coming—tell me—are you hurt?" "No—that is, not much." "How much?" "Dolly was frightened by the storm, bolted, and threw me off; I must have been stunned for a few minutes. I'm afraid I've sprained my ankle in falling, for I can't walk; and, oh, Austin, I'm awfully cold—and wet—and tired!" "I know; it's—it's been just hellish for you. Keep on speaking to me, "I'll put out my hands, and then, when you get here, you won't stumble over me. I'm sure you're very near; your footsteps sound so." "How long have you been here, should you think?" "Oh, hours and hours. I was riding on the main road, when just what you predicted happened. It served me right—I ought to have listened to you. And so—oh, here you are—I knew, all the time, you'd come." He grasped the little cold, outstretched hands, and sank down beside her, chafing them in his own. "Thank God, I've found you," he said huskily, and gulped hard, pressing his lips together; then forcing himself to speak quietly, he went on, "Sylvia—tell me exactly what happened—if you feel able; but first, you must drink some brandy—I've got some for you—" "I don't believe I can. I was all right until a moment ago—but now everything seems to be going around—" Austin put his arm around her, and forced the flask to her lips; then the soft head sank on his shoulder, and he realized that she had fainted. Very gently he laid her on the ground, and fumbled in the dark for the fastenings of her habit; when it was loosened, he pulled off his coat and flannel shirt, putting the coat over her, and the shirt under her head for a pillow; then listening anxiously for her breathing, felt again for her mouth, and poured more brandy between her lips. There were a few moments of anxious waiting; then she sighed, moved restlessly, and tried to sit up. "Lie still, Sylvia; you fainted; you've got to keep very quiet for a few minutes." "How stupid of me! But I'm all right now." "I said, lie still." "All right, all right, I will; but you'll frighten me out of my wits if you use that tone of voice." "I didn't mean to frighten you; but you've got to keep quiet, for your own sake, Sylvia." "I thought you said you wouldn't call me Sylvia." "I've said a good many foolish things in the course of my life, and changed my mind about them afterwards." "Or feel sorry if I came to grief—" "And a good many untrue and wicked ones for which I have repented afterwards." "Well, I did come to grief—or pretty nearly. I met three Polish workmen on the road. I think they were—intoxicated. Anyway, they tried to stop me. I was lucky in managing to turn in here—so quickly they didn't realize what I was going to do. If I hadn't been near the entrance to this wood-road—Austin, what makes you grip my hand so? You hurt." "Promise me you'll never ride alone again," he said, his voice shaking. "I certainly never shall." "And could you possibly promise me, too, that you'll forgive the absolutely unforgivable way I've acted all summer, and give me a chance to show that I can do better—Sylvia?" "Oh, yes, yes! Please don't feel badly about that. I—I—never misunderstood at all. I know you've had an awfully hard row to hoe, and that's made you bitter, and—any man hates to have a woman help—financially. Besides"—she hesitated, and went on with a humility very different from her usual sweet imperiousness—"I've been pretty unhappy myself, and it's made me self-willed and obstinate and dictatorial." "You! You're—more like an angel than I ever dreamed any woman could be." "Oh, I'm not, I'm not—please don't think so for a minute. Because, if you do, we'll start out on a false basis, and not be real friends, the way I hope we're going to be now—" "Yes—" "And, please, may I sit up now? And really, my hands are warm"—he dropped them instantly—"and I would like to hear about the storm—whether it has done much damage, if you know." "It has destroyed every building we owned except the house itself." "Austin! You're not in earnest!" "I never was more so." "Oh, I'm sorry—more sorry than I can tell you!" One of the little hands that had been withdrawn a moment earlier groped for his in the darkness, and pressed it gently; she did not speak for some minutes, but finally she went on: "It seems a dreadful thing to say, but perhaps it may prove a blessing in disguise. I believe Thomas is right in thinking that a smaller farm, which you could manage easily and well without hiring help, would be more profitable; and now it will seem the most natural thing in the world to sell that great southern meadow to Mr. Weston." "Yes, I suppose so; he offered us three thousand dollars for it; he doesn't care to buy the little brick cottage that goes with it—which isn't strange, for it has only five rooms, and is horribly out of repair. Grandfather used it for his foreman; but, of course, we've never needed it and never shall, so I wish he did want it." "Oh, Austin—could I buy it? I've been dying for it ever since I first saw it! It could be made perfectly charming, and it's plenty big enough for me! I've sold my Fifth Avenue house, and I'm going to sell the one on Long Island too—great, hideous, barnlike places! Your mother won't want me forever, and I want a little place of my very own, and I love Hamstead—and the river—and the valley—I didn't dare suggest this—you all, except Thomas, seemed so averse to disposing of any of the property, but—' "If we sell the meadow to Weston, I am sure you can have the cottage and as much land as you want around it; but the trouble is—" "You need a great deal more money; of course, I know that. Have you any insurance?" "Very little." For some moments she sat turning things over in her mind, and was quiet for so long that Austin began to fear that she was more badly hurt than she had admitted, and found it an effort to talk. "Is anything the matter?" he asked at last, anxiously. "Are you in pain?" "No—only thinking. Austin—if you cannot secure a loan at some local bank, would you be very averse to borrowing the money from me—whatever the sum is that you need? I am investing all the time, and I will ask the regular rates of interest. Are you offended with me for making such a suggestion?" "I am not. I was too much moved to answer for a minute, that is all. It is beyond my comprehension how you could bring yourself to do it, after overhearing what you heard me say the other evening." "Then you'll accept?" "If father and Thomas think best, I will; and thank you, too, for not calling it a gift." "Are you likely to be offended if I go on, and suggest something further?" "No; but I am likely to be so overwhelmed that I shall not be of much practical use to you." "Well, then, I'd like you to take a thousand dollars more than you need for building, and spend it in travelling." "In travelling!" "Yes; Thomas is a born farmer, and the four years that he is going to have at the State Agricultural College are going to be exactly what he wants and needs. He isn't sensitive enough so that he'll mind being a little older than most of the fellows in his class. But, of course, for you, anything like that is entirely out of the question. How old are you, anyway?" "Twenty-seven." "Well, if you could get away from here for a time, and see other people, how they do things, how they make a little money go a long way, and a little land go still farther, how they work hard, and fail many times, and succeed in the end—not the science of farming that Thomas is going to learn, but the accomplished fact—I believe it would be the making of you. My Uncle Mat was one of the first importers of Holstein cattle in this country, and I'd like to have you do just what he did when he got through college. Of course, you can buy all the cows you want in the United States now, of every kind, sort, and description, and just as good as there are anywhere in the world; but I want you to go to Europe, nevertheless. Start right off while Thomas is still at home to help your father; take a steamer that goes direct to Holland; get into the interior with an interpreter. Then cross over to the Channel Islands. By that time you'll be in a position to decide whether you want to stock your farm with Holsteins, which have the strongest constitutions and give the most milk, or Jerseys, which give the richest. While you're over there, go to Paris and London for a few days—and see something besides cows. Come home by Liverpool. I know the United States Minister to the Netherlands very well, and no end of people in Paris. I'll give you some letters of introduction, and you'll have a good time besides getting a practical education. The whole trip needn't take you more than eight weeks. Then next spring visit a few of the big farms in New York and the Middle West, and go to one of those big cattle auctions they hold in Syracuse in July. Then—" "For Heaven's sake, Sylvia! Where did you pick up all this information about farming?" "From Uncle Mat—but I'll tell you all about that some other time. The question is now, 'Will you go?'" "God bless you, yes!" "That's settled, then," she cried happily. "I was fairly trembling with fear that you'd refuse. Why is it so hard for you to accept things?" "I don't know. I've been bitter all my life because I've had to go without so much, and this summer I've been equally bitter because things were changing. It must be just natural cussedness—but I'm honestly going to try to do better." "We've got to stay here until morning, haven't we?" "I'm afraid we have. You can't walk, and even if you could, the chances are ten to one against our finding the highroad in this Egyptian darkness! When the sun comes up, I can pick my own way along through the underbrush all right, and carry you at the same time. You must weigh about ninety pounds." "I weigh one hundred and ten! The idea!—There's really no chance, then, of our moving for several hours?" "I'm sorry—but you must see there is not. Does it seem as if you couldn't bear being so dreadfully uncomfortable that much longer?" "Not in the least. I'm all right. But—" "Do you mind being here—alone with me?" "No, no, no! Why on earth should I? Let me finish my sentence. I was only wondering if it might not help to pass the time if I told you a story? It's not a very pleasant one, but I think it might help you over some hard places yourself, if you heard it; and if you would tell part of it—as much as you think best—to your family after we get home, I should be very grateful. Some of it should, in all justice, have been told to you all long ago, since you were so good as to receive me when you knew nothing whatever about me, and the rest is—just for you." "Is the telling going to be hard for you?" "I don't think so—this way—in the dark—and alone. It has all seemed too unspeakably dreadful to talk about until just lately; but I've been growing so much happier—I think it may be a relief to tell some one now." "Then do, by all means. I feel—" "Yes—" "More honored than I can tell you by your—confidence." "Austin—when it's in you to say such nice things as you have several times to-night, why do you waste time saying disagreeable ones—the way you usually do to everybody?" "I've just told you, I don't know, but I'm going to do better." "Well—there was once a girl, whose father had died when she was a baby and who lived with her mother and a maid in a tiny flat in New York City. It was a pretty little flat, and they had plenty to eat and to wear, and a good many pleasant friends and acquaintances; but they didn't have much money—that is, compared to the other people they knew. This girl went to a school where all her mates had ten times as much spending money as she did, who possessed hundreds of things which she coveted, and who were constantly showering favors upon her which she had no way of returning. So, from the earliest time that she could remember, she felt discontented and dissatisfied, and regarded herself as having been picked out by Providence for unusual misfortunes; and her mother agreed with her. "I fancy it is never very pleasant to be poor. But if one can be frankly poor, in calico and overalls, the way you've been, I don't believe it's quite so hard as it is to be poor and try 'to keep up appearances'; as the saying is. This girl learned very early the meaning of that convenient phrase. She gave parties, and went without proper food for a week afterwards; she had pretty dresses to wear to dances, and wore shabby finery about the house; she bought theatre tickets and candy, but never had a cent to give to charity; she usually stayed in the sweltering city all summer, because there was not enough money to go away for the summer, and still have some left for the next winter's season; and she spent two years at miserable little second-rate 'pensions' in Europe—that pet economy of fashionable Americans who would not for one moment, in their own country, put up with the bad food, and the unsanitary quarters, and the vulgar associates which they endure there. "Before she was sixteen years old this girl began to be 'attractive to men,' as another stock phrase goes. I may be mistaken, and I'll never have a chance now to find out whether I am or not, but I believe if I had a daughter like that, it would be my earnest wish to bring her up in some quiet country place where she could dress simply, and spend much time outdoors, and not see too many people until she was nineteen or twenty. But the mother I have been talking about didn't feel that way. She taught her daughter to make the most of her looks—her eyes and her mouth, and her figure; she showed her how to arrange her dress in a way which should seem simple—and really be alluring; she drilled her in the art of being flippant without being pert, of appearing gentle when she was only sly, of saying the right thing at the right time, and—what is much more important—keeping still at the right time. The pupil was docile because she was eager to learn and she was clever. She made very few mistakes, and she never made the same one twice. |