"THERE was once upon a time a king who had a garden; in that garden was an apple tree, and on that apple tree grew a golden apple every year."

These stories are the golden apples that grew on the tree in the king's garden; grew and grew and grew as the golden years went by; and being apples of gold they could never wither nor shrink nor change, so that they are as beautiful and precious for you to pluck to-day as when first they ripened long, long ago.

Perhaps you do not care for the sort of golden apples that grew in the king's garden; perhaps you prefer plain russets or green pippins? Well, these are not to be despised, for they also are wholesome food for growing boys and girls; but unless you can taste the flavor and feel the magic that lies in the golden apples of the king's garden you will lose one of the joys of youth.

No one can help respecting apples (or stories) that gleam as brightly to-day as they did hundreds and thousands of years ago, when first the tiny blossoms ripened into precious fruit.

The so-called Household Tales, such as Drakesbill, The Little Good Mouse, and The Grateful Cobra go back to the times when men thought of animals as their friends and brothers, and in the fireside stories of that period the central figures were often wise and powerful beasts, beasts that had language, assumed human form, and protected as well as served mankind. Frogs, fishes, birds, wolves, cobras, cats, one and all win our sympathy, admiration, and respect as we read of their deeds of prowess, their sagacious counsel, their superhuman power of overcoming obstacles and rescuing from danger or death the golden-haired princess, the unhappy queen mother, or the intrepid but unfortunate prince.

The giants and ogres and witches in the fairy stories need not greatly affright even the youngest readers. For the most part they overreach themselves in ill-doing and are quite at the mercy (as they properly should be) of the brave and virtuous knight or the clever little princess.

If you chance to be an elder brother or sister it may surprise and distress you to find that all the grace, courage, wit, and beauty, as well as most of the good fortune, are vested in the youngest member of the household. The fairy-tale family has customs of its own when it comes to the distribution of vices and virtues, and the elder sons and daughters are likely to be haughty, selfish, and cruel, while the younger ones are as enchantingly beautiful as they are marvelously amiable. The malevolent stepmother still further complicates the domestic situation, and she is so wicked and malicious that if it were not for the dear and delightful one in your own household, or the equally lovable one next door, you might think stepmothers worse than ogres or witches. I cannot account for this prejudice, except that perhaps the ideal of mother love and mother goodness has always been so high in the world that the slightest deviation from it has been held up to scorn. As for the superhuman youngest son and daughter, perhaps they are used only to show us that the least and humblest things and persons are capable of becoming the mightiest and most powerful.

Wiseacres (and people who have no love for golden apples) say that in many of these tales "The greater the rogue the better his fortune"; but the Grimm brothers, most famous and most faithful of fairy-tale collectors, reply that the right user of these narratives "will find no evil therein, but, as an old proverb has it, merely a witness of his own heart. Children point at the stars without fear, while others, as the popular superstition goes, thereby offend the angels."

The moment you have plucked a golden apple from the magic tree in the king's garden (which phrase, being interpreted, means whenever you begin one of the tales in this book) you will say farewell to time and space as readily as if you had put on a wishing cap, or a pair of seven league boots, or had blown an elfin pipe to call the fairy host. It matters not when anything happened. It is "Once upon a time," or "A long time ago." As to just where, that is quite as uncertain and unimportant, for we all feel familiar with the fairy-tale landscape, which has delightful features all its own, and easily recognizable. The house is always in the heart of a deep, deep wood like the one "amidst the forest darkly green" where Snowwhite lived with the dwarfs. You know the Well at the World's End whence arose the Frog Prince; the Glass Mountain that Cinderlad climbed, first in his copper, then in his silver, then in his golden armor; the enchanted castle where the White Cat dwelt; the sea over which Faithful John sailed with the Princess of the Golden Roof.

In the story of The Spindle, the Shuttle, and the Needle, the prince has just galloped past the cottage in the wood where the maiden is turning her wheel, when the spindle leaps out of her hand to follow him on his way—leaps and dances and pursues him along the woodland path, the golden thread dragging behind. Then the prince turns (fairy princes always turn at the right time), sees the magic spindle, and, led by the shimmering thread, finds his way back to the lovely princess, the sweetest, loveliest, thriftiest, most bewitching little princess in the whole world, and a princess he might never have found had it not been for the kind offices of the spindle, shuttle, and needle.

This book is the magic spindle; the stories that were golden apples have melted into a golden thread, a train of bright images that will lead you into a radiant country where no one ever grows old; where, when the prince finds and loves the princess, he marries her and they are happy ever after; where the obstacles of life melt under the touch of comprehending kindness; where menacing clouds of misfortune are blown away by gay good will; and where wicked little trolls are invariably defeated by wise simpletons.

We feel that we can do anything when we journey in this enchanting country. Come, then, let us mount and be off; we can ride fast and far, for imagination is the gayest and fleetest of steeds. Let us climb the gilded linden tree and capture the Golden Bird. Let us plunge into the heart of the Briar Wood where the Rose o' the World lies sleeping. Let us break the spell that holds all her court in drowsy slumber, and then, coming out into the sunshine, mount and ride again into the forest. As we pass the Fairy Tree on the edge of the glade we will pluck a Merry Leaf, for this, when tucked away in belt or pouch, will give us a glad heart and a laughing eye all the day long. We shall meet ogres, no doubt, and the more the merrier, for, like Finette, we have but to cry "Abracadabra!" to defeat not ogres only, but wicked bailiffs, stewards, seneschals, witch hags, and even the impossibly vicious stepmother! Cormoran and Blunderbore will quail before us, for our magic weapons, like those of Cornish Jack, will be all-powerful. Then, flushed with triumph we will mount the back of the North Wind and search for the castle that lies East o' the Sun and West o' the Moon. Daylight will fade, the stars come out, the fire burn low on the hearth, playmates' voices sound unheeded. We shall still sit in the corner of the window seat with the red-covered volume on our knees; for hours ago the magic spindle wrought its spell, and we have been following the golden thread that leads from this work-a-day world into fairyland.