CHARM

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'Speaking of Charm,' I said, 'there is one quality which I find very attractive, though most people don't notice it, and rather dislike it if they do. That quality is Observation. You read of it in eighteenth-century books—"a Man of much Observation," they say. So few people,' I went on, 'really notice anything—they live in theories and thin dreams, and look at you with unseeing eyes. They take very little interest in the real world; but the Observers I speak of find it a source of inexhaustible fascination. Nothing escapes them; they can tell at once what the people they meet are like, where they belong, their profession, the kind of houses they live in. The slightest thing is enough for them to judge by—a tone of voice, a gesture, a way of putting on the hat—'

'I always judge people,' one of the company remarked, 'by their boots. It's people's feet I look at first. And bootlaces now—what an awful lot bootlaces can tell you!'

As I slipped my feet back under my chair, I subjected my theory of Charm to a rapid revision.


                                                                                                                                                                                                                                                                                                           

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