CHARACTERISTICS

Buchanan’s life, like the lives of most people who have done anything worth speaking of in their time, divides itself roughly into two sections—the period of preparation, and the period of performance. What I shall call his period of performance, or at all events chief performance, was from the time when he finally returned to Scotland, after an absence abroad, with brief interruptions, of twenty-two years, and spent the remaining twenty-one years of his life in more or less intimate occupation with the public affairs of his country. On the 19th of August 1561, Queen Mary, then in her nineteenth year, landed at Leith, and was escorted to Holyrood by her enthusiastic subjects, by whom she was also serenaded at night in a style which, as the queen’s French retinue thought, showed more heart than art. Shortly before or after this date, Buchanan, now fifty-five years old, also appeared in Scotland, for his final settlement there. It is a curious coincidence that these two persons, eminent alike in their widely divergent spheres, and destined alternately to a literary friendship that was pleasant to both, and a political antagonism that was fatal to one of them, should have appeared on the scene of their sympathies and conflicts practically at the same time. I have said that the division of Buchanan’s life into a period of preparation and a period of performance is a rough division. By that I mean that what really deserves to be called performance could not be absolutely excluded from the preparation period, and that, to some extent, one stage of the performance period was often a preparation for the next; but taken with this qualification, the division is a sufficiently valid one.

It was, for instance, mainly during the preparation or foreign period that Buchanan wrote those poems which stamped him not only as a man of wit and poetic genius, but as the first Latin stylist in Europe of his day. During this period, too, he acquired from classic and other sources those broad and comprehensive ideas on the leading questions of the day which made him the thinker and Humanist as contrasted with the mere cleric or scholastic obscurantist. It was then also that, through observation on the spot, he was able to comprehend the ‘true inwardness’ of the struggle that was going forward between the old order of things and the new, and often give practical advice that was useful. In this period, too, he completed that thorough study of the Roman and Protestant controversy which ended in determining him to identify himself publicly with the Protestant side in the great conflict that was on foot—in itself no inconsiderable event. All this was undoubtedly performance of no mean order, but from the Scottish national point of view, and from the point of view of general history, on which the special Scottish history exerted so profound an influence, it was preparatory to the great work he did in his native land. His Latin and his various Continental activities are forgotten, but his Scottish work is still memorable. Yet it was because he was the great Humanist and unequalled Latinist, as well as the thinker and experienced observer of affairs, that he was able to command the ear of learned and diplomatic Europe, and through them to make the events that were happening in his country a factor in the world’s history. His foreign performance was therefore, in reality, a preparation for his crowning performance at home. I shall not labour the point of one stage of his performance being preparatory to another.

Of course I do not mean to say that Buchanan did all this consciously and systematically; that he deliberately prepared abroad, and then came and deliberately performed at home. Few men, especially men of Buchanan’s type, shape their lives on such lines of exact and exhaustive purpose. I leave out of account the unhappily large class who foolishly, and even wickedly, throw away their lives, and have hardly ever tried or desired to make a better of it. I confine myself to those who do get something out of life for themselves or society, or both. But I doubt if any, beyond a small minority even of this class, begin life with a distinct aim at reaching what they end life by becoming. There is, of course, the famous case of Whittington, who set himself in cold blood to become Lord Mayor of London. But for one Whittington there have been centuries of Lord Mayors who never dreamt of the Mansion House when they started business in the City. The glory and the turtle came upon them, virtually unsolicited; and even Whittington would probably not have addressed himself as he did to his high achievement, had it not been for the unique campanula of inspiration caught by his ear alone. Probably Napoleon early laid his plans for attaining the mastership of France, possibly of Europe; but did CÆsar begin life with a determination to conquer Rome and become its dictator, or Cromwell with a sketch-plan for cutting off his king’s head, cashiering his country’s parliament, and making himself Lord Protector and military despot?

Millionaires are seldom so of set design. They begin, most probably, by aiming at a competent fortune, but having got that length, the acquired delight in pulling the strings of an extensive and possibly adventurous undertaking, and not mere miserly greed, has kept them at a task which they find they can perform, until the millions roll in as a justification of their ideas and processes. In politics and the professions men probably set out with a general aim at the best position and the most money they can make for themselves; but very few, I should imagine, of those who have reached the greatest eminence or prosperity possible to them said in their youth, ‘I mean to be Prime Minister, or Lord Chancellor, or Archbishop of Canterbury, or President of the Royal College of Physicians, or of the Royal Academy.’ Buchanan seems to have belonged to a type of character which does not include either of the classes of persons just considered. Neither cupidity nor ambition nor any of the ordinary self-aggrandising motives seems to have had much, if any, place in his character. Apostrophising Buchanan in his Funeral Elegy, Joseph Scaliger says:—

‘Despising wealth, spurning the mob’s applause, and shunning vain ambition, thou passest away.’

This was literally true. Buchanan lived from hand to mouth during the greater part of his career. But there is no evidence that he ever tried to make a fortune. He might have prospered in the Church, as Dunbar was willing to do. But he had ideas of his own on that subject, and neither gold nor dignities could tempt him to sell his soul.

Begging Letter-Writer

He was often ‘hard up,’ but it does not appear to have depressed his spirits. Indeed, he is never sprightlier, more epigrammatically witty, or more genially humorous than when he is what some of us might call ‘begging’ from some wealthy friend who could appreciate his genius and accomplishments. Here, for instance, is a ‘begging letter’ to Queen Mary, in the days when they were still friends, and read Livy, and doubtless indulged in fencing-matches of wit together:—

Which may be literally, or nearly so, according ‘to the best of my knowledge and belief,’ as the affidavits say:—

Dr. Hume Brown puts it neatly into rhyme thus:—

Take another in the same strain:—

‘To James, Earl of Moray.

‘If, as Christ says, it is more blessed to give than to receive gifts from a munificent hand, just see what a favour I am doing you: that you may be blessed in giving, I am ready to play miserable receiver to your happy donor.’

Or, to cite Dr. Brown again:—

With equally humorous familiarity he sends in an application, ‘Ad MatthÆum LeviniÆ Comitem, ScotiÆ Proregem’ (To Matthew, Earl of Lennox, Regent of Scotland’). I quote only the concluding couplet:—

That is—

‘To be brief, give me whatever you like—only, not your gout. That will be a more appropriate fee for the doctors who are trying to cure it.’

Or to fall back on Dr. Brown’s translation once more:—

These are merely samples of many communications, similar in object and style, which he addressed, at various periods of his life, to quarters where he thought they would not be ill-taken. As a rule, he supported himself by ‘regenting’ in colleges, or acting as tutor in royal or noble families. It was only when he could not make a better of it that he asked Society, through its most likely magnates, to give him something ‘to go on with.’ What else could he do? Carlyle’s description of Thackeray as ‘writing for his life’ could never have applied to Buchanan. Literature was not yet a profession or ‘bread-study.’ It was not till next century that Milton got £5 for Paradise Lost; and even Shakespeare made his money less as a writer than as a showman. The idea of Buchanan or Erasmus—a much more importunate beggar than Buchanan—going into business, say the wine or the wool trade, would have been absurd. They would have ruined any house that adopted them in two or three years, to say nothing of the indecency of allowing intellectual leaders of high genius to be lost in work which could be much better done by humbler men. There was nothing else for it, in Buchanan’s case, but to do as he did.

Of course, in this age of contract and commerce, we are apt to associate an idea of meanness and pitifulness with the conduct of Buchanan and Erasmus and others in this matter. Our first feeling is that nobody should give any other body anything except according to bargain. Every man should be independent, and if he asks anything outside a contract, he might as well go bankrupt at once. He must clearly be a weakling, and the weak must go to the wall. The feudal sentiment, however, amidst which Buchanan lived, was entirely different, and had a nobler side than ours, although one does not want feudalism back merely on that account. Kings and lords took everything to themselves, in the shape of power and possession, that they could lay their hands on; but it was on the understanding that they were to make a generous use of what they had appropriated. Noblesse oblige was still a maxim with vitality in it. The right men acknowledged it, and acted on it; the ruffians, as their manner is, wherever they are placed in life, ignored it. Patronage was not an act of grace: it was a duty. It was part of the honourable service to society, by which the patron’s tenure of his prosperity was conditioned. More particularly must this duty have been recognised by right-minded possessors of power and wealth who had felt the influence of the Renaissance, that mighty and far-reaching effort of the human intellect to assert its freedom and its varied energies against the narrowing and obscurantist influences of scholasticism, reduced to its then existing state of enslavement, often against its better knowledge and attempts at self-emancipation, by Ecclesiastical authority, wielding the weapon of Papal and Conciliar decree, sanctioned by fire and faggot.

Then there was still the tradition of hospitality which the Old Church, with all its faults, had kept up. In these contractual days of ours, there is very little hospitality, as it was defined by the Author of Christianity. A modern dinner is generally a meeting of creditors, or a combination of clever or stupid epicureans, the better to amuse or otherwise enjoy themselves, according to their tastes in meat and drink, or even conversation. It is often a case of undisguised ‘treating’ on the part of the so-called host, who wants to use his so-called guests for a purpose, and whose performance might very appropriately go into a schedule to some of the Bribery and Corruption Acts. But in the days of the Old Church, a wandering or needy scholar would have been welcomed at many, if not all, of the religious houses, and treated on a very different footing from our applicants for relief at the casual wards of one of our workhouses, probably the only institution resembling Christian hospitality authorised by modern organised society.

This latter may be a better arrangement, for anything I know to the contrary. All I say is that it is different from what was recognised in Buchanan’s day. It would never occur to Buchanan that he was doing anything inconsistent with self-respect in putting his position before people like Queen Mary, or Moray, or Lennox, and asking their temporary aid or a permanent office. They had taken over the wealth of the religious houses; did not their hospitalities pass with it? They had divided up the country among themselves and others; were they not honourably bound to see that a great civilising force like Buchanan was not extinguished? Besides, he understood his own value. A man is not six feet six inches high without being aware of it. He knew what he was, and what he had made himself, and what he was worth, and that he was giving as good as he was getting, or likely to get. In those days a great master of the New Learning was an object of the highest admiration, as a sort of intellectual Magician. Moreover, he was a power, in as far as he was a leader of contemporary thought and learning.

In these respects Buchanan was an invaluable acquisition to persons like Mary, or Moray, or Lennox, or Knox, who must have winked at a good deal in Buchanan, which he would not have stood in a less potent ally. In his prime, and even until his death, no one had an equal command over the universal ear of cultured Europe. To the rulers of his time he was worth what, say, fifty friendly editors of newspapers—including the Times and all the sixpenny weeklies, as far as they are worth anything would be to a politician of to-day. To Queen Mary especially, with her refined intellectual tastes and her ambition to be a figure in the world, it was no small matter to have the greatest and most brilliant scholar-poet of the day as a part of her court, whether he read Livy and exchanged wit with herself, or officiated as her poet-laureate on great occasions. As a mere ornament he was worth a considerable fraction of her best diamond necklace.

I am dwelling on this point because it will save time and trouble afterwards, and accordingly I ask further if Edie Ochiltree, in later times, and in a less feudalistic state of public sentiment, could beg round the district, without loss of respect, on the strength of his badge and uniform, testifying to past good service in his time and station, why should not an eminent public servant like Buchanan, in a totally different state of general feeling on such matters, ask society, through representatives of it who, he knew, should not and would not treat him roughly, to help him in prosecuting his shining and useful career? He had done a good work on the High Street of the World. He had sung it a song or played it a melody such as it would hear nowhere else. Was he not entitled to send round his hat among the listeners? Is it not what is done by every book-writer of to-day, who, when the last page is finished, sends out a confederate in the shape of a publisher to canvass the public—for a consideration—with the book in one hand and the hat in the other? Is it not what is done, inter alia, by every Parliamentary lawyer, who goes into the House of Commons to grind his axe, when the fitting occasion arises, and he says to his party leader, ‘I have fought two general elections for you. I have spoken for you unnumbered times in the House and on the platform. I have voted for you, up hill and down dale, through thick and thin, right or wrong, and now I will trouble you for that Chancellorship, or that Chief-Justiceship, or that Attorney-Generalship, or that Puisne or County Court Judgeship that has just fallen vacant’? Except that Buchanan and his work were not shams, but realities, the cases are the same.

Buchanan’s enemies say that in accepting maintenance or preferment he sold his independence to the donors, and when it is answered that he showed anything but want of independence in the case of Queen Mary and others, whom he subsequently came to oppose in the public interest, they tack about and accuse him of the basest ingratitude—in biting the hand that fed him, as they put it. It is as if in these days Sir Gorgias Midas, M.P., were to say to some editor who had noticed a speech of his unfavourably, ‘Ungrateful scribbler, have I not, over and over again, dined you and wined you with the best that larder and cellar can produce, and do you now turn and rend me?’ There have been editors who would have answered, ‘Presumptuous moneybag, I suppose I paid fully for my dinner with my company, and I am perfectly free to criticise you as you deserve.’ Buchanan stood equally free in his relations to his patrons. From the personal point of view, whether his connection were regarded as an ornament, a pleasure, or a utility, his alliance was worth his subsidy. From the public point of view it was their duty, as trustees for the public property and progress, to maintain a great civiliser like Buchanan in a position where his powers had scope, while it was Buchanan’s privilege and duty to exercise his creative and critical capacities in the public interest without fear or favour. And this, as will be seen, is what Buchanan substantially did. Knox and Melville repeatedly reminded Queen Mary and King James that there was another kingdom in the realm besides theirs—the kingdom of Christ, to wit—and suggested, or rather demanded, that their Majesties should not meddle with officials of this spiritual kingdom like themselves, the said Knox and Melville. This claim they rested on a supernatural, and therefore disputable, basis. But there could be nothing disputable about the ground Buchanan stood on. He too was a potentate—of the intellect; a king of thought, learning, and poetic might, and in that dominion, when it was necessary, bore himself with a courage and independence that have not always been successfully reproduced by his successors, when confronted with the monarchies and lordships of material power and glory.

No Notoriety Hunter

This discussion arose in our endeavour to determine Buchanan’s character so far as money-making was concerned. He was no money-maker. Contemptis opibus—‘despising wealth’—is, as we have seen, Joseph Scaliger’s account of him, meaning thereby that personally he did not care for more money than would maintain the much other than money-making career which he liked, and had set his heart on, keeping himself independent by the labour of a scholar, but not hesitating to ask payment, when he wanted it, from a society that was morally indebted to him. His indifference, however, to wealth as a life-object must not be confounded with the counsel of the ascetic preacher who urges his hearers to forget the present world in thoughts of the world to come, and wins, perhaps, a better living by an eloquent and pessimistic sermon on the text which says that ‘the love of money is the root of all evil.’ There is nothing to show that Buchanan did not hold, with all sensible people, that there is a sense in which the love of money is the root of all good, inasmuch as it is the men of strong cupidity who organise industry and commerce, thereby laying that foundation of material wealth without which there can be no superstructure of leisured thought, learning, or art, acting, it may be, only as the dray-horses of civilisation—some of them, of course, are a good deal more—but worthy of all the corn they consume, although were one desirous of exchanging ideas, it would not be to their sumptuous stables that he would resort.

Neither does he appear to have set his heart upon the ordinary objects of ambition, in the shape of fame or power. ‘Dear is fame to the rhyming tribe.’ ‘That dearest wish of every poetic bosom—to be distinguished,’ said Burns in his preface to the first edition of his poems, and he, if any one, was entitled to speak. But in the same preface he also says that to amuse himself amidst toil, to transcribe the feelings in his own breast, to find some counterpoise to the struggles of a world alien and uncouth to the poetic mind—‘these were his motives for courting the Muses, and in these he found Poetry to be its own reward.’ In other words, the poet may desire fame and distinction for what he has done, yet it need not have been the desire of fame and distinction that made him do it. Buchanan seems to have been even more self-controlled or more indifferent than this account of matters might imply. His numerous efforts had won him the highest reputation, but he had taken no pains to advertise himself. He had handed his productions here and there to friends who wished to see them, and it was only the solicitation of those friends that prevented his consigning to everlasting obscurity some of the brightest things he, or indeed any one else, ever wrote.

His most famous production as a poet, his version of the Hebrew Psalms, or rather series of poems based upon these, was certainly not written for fame. Every Humanist of eminence was expected to try his hand upon the Psalms, and when Buchanan found himself in Portugal under lock and key, at the instance of the Inquisition, among a set of monks, whom he hits off as equally good-natured and ignorant, and who had been told off to instruct him in orthodoxy, he addressed himself to a classic rendering of the Psalms with the double purpose of discharging his duty by his Humanistic Vocation, and doing something that might redeem his time and his temper from the boredom of the uncongenial society amidst which misfortune had placed him. There does not seem in all this much of that passionate desire of distinction to which Burns confesses. It is said, however, that fame was his object in commencing and carrying on his poem on the Sphere, which was undoubtedly planned on an elaborate and extensive scale. If fame was his desire, it was not a very consuming one, for he was five-and-twenty years at least over it, and left it unfinished at last, although goaded by friends to hasten its production.

What does he say on the matter himself? Writing to Tycho Brahe in 1576, six years before his death, and more than twenty after he began to work at the Sphere, he says that bad health had compelled him, spem scribendi carminis in posterum penitus abjicere,—‘completely to abandon the hope of writing a poem for posterity.’ Three years afterwards, writing to a literary friend in England, who, like many others, kept dunning him for his promised books, and even for ‘copy,’ he says, with respect to his ‘astronomical’ aims in poetry, he had not so much voluntarily abandoned them, as been obliged reluctantly to submit to the deprivation of them; neque enim aut nunc libet nugari, aut si maxime vellem per Ætatem licet. Accessit eo historiÆ scribendÆ labor,—‘for neither am I now greatly disposed for mere trifling, nor, were I never so much disposed, will my years allow it. Then in addition to my other difficulties there is the labour of writing my History’; the plain meaning being that as his years forbade him to do both the History and the Sphere, he elected to go on with the History and give up the Sphere, as a form of nugari or ‘dilettantism.’

All this does not look very like a burning eagerness for posthumous fame, at all events of the kind that moves a certain class of people to leave money for hospitals, or almshouses, or learned foundations, to perpetuate names that would otherwise never have risen out of obscurity or escaped oblivion. As a matter of fact, Buchanan knew that he was celebrated, but no one had a poorer opinion of the work that had won him reputation than he had himself, not from the modesty of merit, as the common form carelessly puts it, but from the consciousness of merit, and because he felt that it was in him to do better. He hated the idea of having more celebrity than he deserved, and wanted to produce something that would show he was not an impostor or a quack. In short, he did not want more fame, but what he thought a better and honester title to the fame he had. That, however, is not the passion for fame, but simply self-respect, and an unselfish anxiety for the good name of those friends who had staked their reputation for taste and judgment on his ability for turning out the highest class of work. This is not the love of glory, but something better, although even if it were, it would not necessarily be either weak or wrong, provided the subject of it knew what he was doing in giving a rational scope to a natural impulse, and that he could and would give humanity something worth the prize of its praise.

Buchanan himself tells us why he gave up the Sphere and took up the History. It was primarily to gratify his friends, who thought that such a work was a want of the time, more useful and more suitable to Buchanan’s years than poetry; while he himself assures us, and there is no reason to doubt his declaration, that he desired to set before his royal pupil, James VI., the warnings and the encouragements derivable from the story of his predecessors on the throne, including his own ill-advised and ill-fated mother. It was no fault of Buchanan’s if James despised his teacher’s counsel, and, listening to flatterers, took up with the Divine Right doctrine, by impressing which on his unhappy son, both through precept and example, he virtually destined him to jump the life to come from the scaffold of Whitehall.

Buchanan’s friends seem to have tried to tempt him to undertake the History by representing that no subject was aut uberius ad laudem, aut firmius ad memoriÆ conservandam diuturnitatem,—‘better fitted to win him renown or prolong his memory.’ It is not on the strength of such hopes, however, that he describes himself as working. It was, by his own account, only the shame of leaving unfinished a task he had engaged himself to his friends to perform that made him persevere at a labour which, he says, in Ætate integra permolestus, nunc vero in hac meditatione mortis, inter mortalitatis metum, et desinendi pudorem, non potest non lentus esse et ingratus, quando nec cessare licet, nec progredi lubet,—‘would, even in the flower of my age, have been a burden, but now, in contemplation of my end, what between the dread of death interrupting me before I am done, and the shame there would be in abandoning my undertaking, I neither find myself free to stop, nor feel any pleasure in going on.’ Not much there of glory for himself, although something of an heroic devotion to the claims of friendship and the call of duty!

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