1. The first gift consists of six soft woolen balls colored in the six standard colors derived from the spectrum, namely, red, orange, yellow, green, blue, and violet.

The balls should be provided with strings for use in the various motions.[1]

2. Froebel chose the ball as the first gift because it is the simplest shape, and the one from which all others may subsequently be derived; the shape most easily grasped by the hand as well as by the mind. It is an object which attracts by its pleasing color, and one which, viewed from all directions, ever makes the same impression.[2]

3. The most important characteristics of the gift are Unity, Activity, Color.

The various colors serve to distinguish these several playmates of the child by special characteristics, and enable him to make his first clear analyses or abstractions, since the color is the only point wherein the objects differ. This contrast in color results in the abstraction of color from form.

4. Since the ball is the most mobile of inanimate shapes, it may be considered as the "opposite equal" of the living organism. The quickness and ease of its motion as well as its elasticity cause the child to regard it as instinct with life, while its softness renders him able to grasp and handle it readily.

Its material is also of great advantage in that it lessens the possibility of startling noises which would distract the child from the contemplation of its qualities. By its use, he is first led to observation, and then to self-expression. As the simplest type-form as well as the most universal, it offers a satisfactory basis for the classification of objects in general; while its indefiniteness and adaptability make it a useful medium for the expression of the child's vague ideas. With the ball we give first impressions of Unity, Form, Color, Material, Mobility, Motion, Direction, and Position. The ball songs and plays are used as the first exercises in language, singing, and rhythm.

5. As the kindergarten gifts are designed to serve as an alphabet of form, by whose use the child may learn to read all material objects, it follows that they must form an organically connected sequence, moving in logical order from an object which contains all qualities, but directly emphasizes none, to objects more specialized in nature, and therefore more definitely suggestive as to use.

"Each successive gift in the series must not only be implicit in, but demanded by, its predecessor;" so Froebel selects the ball, with its simplicity but great adaptability, for the starting-point of his series.

6. Connected contrasts of Motion, Direction, and Position are shown in the first gift. By the use of pigments, the so-called secondary colors, purple, orange, and green, may be produced from the opposite hues, red and blue, red and yellow, and blue and yellow. "The mind is aroused to attention and led to comparison by contrasts; on the groundwork of comparison, it is enabled to do the work of classification, of clear abstraction, of the formation of definite ideas by the connection of these contrasts."[3]

"The presentiment of truth always goes before the recognition of it," says Froebel; and it would seem, indeed, as it, in selecting the first gift, he looked far back into the past of humanity, and there sought the thread which from the beginning connects all times and leads to the farthest future.

"The ball is the last plaything of men, as well as the first with children." In Kreutzer's "Symbolik" we read that the educators of the young god Bacchus gave him golden balls to play with, and also that the youthful princes of Persia played with them, and alone had this privilege.

It is a significant fact that we find balls even among the remains of the Lake Dwellers of Northern Italy and Switzerland, while small, round balls, resembling marbles, have been found in the early Egyptian tombs. The Teutons made ball-plays national, and built houses in which to indulge in these exercises in all sections of Germany, as late as the close of the sixteenth century. The ancient Aztecs used the game of ball as a training in warfare for the young men of the nation; and that it was considered of great importance is evident from the fact that the tribute exacted by a certain Aztec monarch from some of the cities conquered by him consisted of balls, and amounted to sixteen thousand annually.

The ball entered into many of the favorite games alike of the Greeks and the Romans, the former having a special place in their gymnasiums and a special master for it. It may be noted also that nearly all our modern sports are based upon the effort to get possession of a ball.

Froebel considered the ball as an external counterpart of the child in the first stages of his development, its undivided unity corresponding to his mental condition, and its movableness to his instinctive activity. Through its recognition he is led to separate himself from the external world, and the external world from himself.[4]

Froebel's intention was that the first gift should be used in the nursery,[5] but as this is for the most part neglected, or imperfectly and unwisely done, we begin the series of kindergarten play-lessons with it, illustrating its qualities and asking questions concerning them, always diversifying the exercises with rhymes, games, and songs. We must remember that to the young child, as to primitive man, the activity of an object is more pleasing than its qualities, and we should therefore devise a series of games with the fascinating plaything which will lead the child to learn these qualities by practical experience.

Before beginning any exercise we should fully decide in our own minds the main point or points to be brought out,—Color, Form, or Direction, for example; then, and only then, will the child gain a clear, definite impression, and have a distinct remembrance of what we have been trying to teach. By way of diversion, every song or rhyme in which the ball can play a symbolic part in action, and illustrate the point we wish to make, is of use in the lessons.[6]

With this dainty colored plaything we begin our first bit of education,—not instruction, mere pouring in, but true education, drawing out, developing. The balls should be kept in a pretty basket, as the beautiful should be cultivated in every way in the true kindergarten; and when they are given to the class, it should be with some little song sung by the kindergartner or one of the older children. At the close of the lesson, as the basket is passed, each child may gently drop his ball into it, saying simply, "Thank you for my ball," or naming its color. At other times they may be called by the names of fruits or flowers, the child saying, "I will give you a cherry," or, "I will give you a violet."

The qualities of the ball must of course be brought before the child's observation in some more or less definite order, and it will be profitable to consider the relative claims of Form and Color to the first place.

We might say, correctly, that to illustrate the ball, we should begin with its essential qualities.[7] The essential quality is Unity. Unity depends on Form, and the ball's form never changes; therefore we might conclude that this should be the first subject under consideration, since we always treat of the universal properties of objects before special ones, proceeding from homogeneous to heterogeneous. This view of the subject is supported by Ratich's important maxim, "First the thing, and then its properties."

On the other hand, Conrad Diehl says: "Color is the first sensation of which an infant is capable. With the first ray of light that enters the retina of the eye, the presence of color forces itself on the mind.... When light is present, color is present. The first impression which the eye receives of an object is its color; its form is revealed by the action of light upon its surfaces. We recognize at a distance the color of a leaf, an apple, a flower or berry, long before we are able distinctly to make out their forms. In the absence of light, neither the color nor the form of an object can be seen."[8]

Spencer says:[9] "The earliest impressions which the mind can assimilate are those given to it by the undecomposable sensations, resistance, light, sound, etc. Manifestly decomposable states of consciousness cannot exist before the states of consciousness out of which they are composed. There can be no idea of form until some familiarity with light in its gradations and qualities, or resistance in its different intensities, has been acquired; for, as has long been known, we recognize visible form by means of varieties of light, and tangible form by means of varieties of resistance. Similarly, no articulate sound is cognizable until the inarticulate sounds which go to make it up have been learned. And thus must it be in every other case."[10]

The balance of authority seems to be, on the whole, upon the side of presenting color first to the young child, as we appeal to the emotions at this age rather than to the intellect; and while the senses revel in color, form follows more the law of use. Let us hear, however, what the "great pioneer of child study" says upon this point. Froebel says, as distinct and different as color and form may be in themselves, they are to the young child indivisible, as inseparable as body and life. Nay, the idea of color seems to come to the child, as perhaps to mankind in general, through the forms; so, on the other hand, the forms gain prominence and impressiveness by the colors. Hence ideas of colors must at first be coupled with ideas of form, and vice versa; color and form are in the beginning an undivided unity.[11]

The color and form of the ball being indissolubly blended in the child's eyes, we can scarcely teach them separately at first. We may, however, consider each by itself, in order to present the subject more clearly.

FORM.

To teach form in an interesting manner, to make it plain to the child without giving him any terms, but rather coaxing him by ingenuity to formulate his own knowledge, is a difficult thing to do, and should not be attempted at all with very young children. It seems unnecessary to say that Froebel did not intend the ball should be made a medium of object lessons for babies, although this distorted view of his idea seems to have entered the minds of some critics.

The child, when old enough to enter a kindergarten, will generally know round objects, and be somewhat familiar with the ball already in his home plays. We should let him roll and grasp it in his tiny fingers, till gradually, in comparison with other objects handled in the same way, he notices the absence of corners, edges, or any obstructions which would meet his touch or eye. Then we may ask him if he could make a ball out of a rough block of wood which we show. Some bright little one will guess that a carpenter could do it with his tools. "What would he have to do?" "Plane it off," will perhaps be the answer. "Where and how is he to plane?" may be the next inquiry, and the child often answers, "All the rough parts and the parts that stick out." "Why does he like to play ball?" He does not know exactly. "Would he like to play ball with the scissors?" "Why not?" "Then why does he like to feel the ball in his hand?"

After such preliminary conversations upon the form of the ball, we may lead the children first to note other round things in the room, and then to recall what they have at home of a similar shape and what they may have seen in the streets. These exercises are always delightful to the little ones, and are invaluable to the kindergartner, as they furnish a thorough test of the child's comprehension of the subject she has been handling.[12] We should notice slight divergences from the spherical form in the objects the children name, and speak of them. They will soon be able to tell in every case where the egg or cobblestone is not "just round."

They will of course mention stove-lids, dinner-plates, etc., as round objects, and the attempt to give a clear and definite understanding of the difference between solids and planes is difficult at first, but they very soon discriminate between rounding objects that possess thickness and those that are flat but have curved edges. A ball of putty or one of dough is a good thing with which to illustrate this difference.

We must remember that any abstract teaching on Form is too difficult at this time, much more difficult than Color. Let the children, during these first few weeks, draw circles on the blackboard and on paper, and sew, and draw pictures of balls, peaches, or round fruits; they may also make balls of wax, dough, or clay. Rousseau says, "A child may forget what he sees, and sooner still what is said to him, but he never forgets what he has made."

COLOR.

"The comprehension of the single tone of color gradually leads to the comprehension of the full chord; the recognition of single colors leads to the recognition of shades and their harmonious connections: thus, step by step, the capacity of comprehending nature in its beauty and with its treasures is developed."[13]

Again, suppose the play-lesson for the day to be upon Color. Of course, the subject may be handled in a dozen different ways and serve for a dozen different lessons; a few hints only are here given, as in matters of detail it is better that each teacher should be free and unguided in the use of her own ingenuity.

We may take, perhaps, the red[14] ball, and, holding it high in the air, ask, "Who has a ball exactly like mine? Look carefully, now, and then show me." A volley of balls, comprising every color in the rainbow, will be shot into the air, and then becomes necessary the task of discrimination. We may find the red ones, and gratify the children by naming those who possess them, as it seems a great honor in their eyes. Now they should be led to find every bit of red in the room,—Andrew's stockings, Mary's ribbon, the tiny pipings on Katie's apron, Jim's necktie, your belt, the flowers on the wall, etc. The scene will become intensely exciting; the bright eyes will begin searching in every corner of the room, and the transport which will greet us when anything far out of sight and of the right color is discovered is truly refreshing.

All the children, as far as possible, should be engaged in this diversion, while the most timid and backward should be kept near and encouraged with word and smile. The name of the color should not be asked for, or given, till it can be matched by all, and found in surrounding objects.

We may ask what flowers they have seen which were like the color they are studying, and show them some of the more familiar kinds; also speak of the action of the sun in making certain fruits red,—the raspberries and strawberries, for instance. Some rosy-faced little urchin in the class may be chosen and asked how he keeps such red cheeks, and from this the idea of red as the color of warmth and life may be developed. We may proceed with blue and yellow, then with violet, orange, and green, in like manner, constantly diversifying the exercises with plays, songs, and appropriate stories.

The formation of the so-called secondary colors will not be very obvious to the younger children, nor is the fact to be taught scientifically or learned by them; they will, however, be greatly interested in the mixing of paints in small dishes, or the blending of different colored crayons on the blackboard.

Red and Yellow into Orange.
Yellow and Blue into Green.
Blue and Red into Purple.

Pieces of glass are serviceable objects with which to show the same thing, or we can buy the "gelatine films" from any kindergarten supply store. Holding the red and yellow, one on the other, for instance, the piece nearer the eye will, of course, determine the shade; if the red piece be next the eye, the orange color will be deeper than if the yellow were in the same position. None of these experiments, however, will produce pure colors, the green and purple being especially unsatisfactory.

Among the devices with which to teach color may be recommended a color quilt made of various shades and shapes of woolens and silks or ribbons. This may be used as a sort of chart, to the great delight of the children, and is one of the valuable aids in teaching, because it calls out both individual and general action. We may also make a clothes-line of twine and suspend it from door to door, or between any two suitable points, attaching to it pieces of all colors, and, after a while, of various tints and shades of worsted, letting the children touch the ones designated, or find bits of the same color as their balls.

Cards wound with different tints and shades of the same color are also useful when the children have developed greater powers of discrimination, and a chart or map may be made by pasting colored squares, triangles, oblongs, or circles on a ground of gray Bristol board.

Then, too, we may have a box of tablets of the simple geometrical figures, and, giving a quantity to the children, let them arrange the different colors in separate rows.

Children of all ages will be fascinated by the spectrum, "Nature's palette of pure colors," which the sunlight streaming through a prism shows upon the wall; and as it can be supplemented by a spectrum chart for cloudy days, they will delight to arrange their colored papers to imitate it. The older children will gain much valuable knowledge by experimenting with the color tops, and if a color wheel with the accompanying Maxwell disks can be obtained, the materials for color education will be quite complete.

It must not be forgotten that the purpose of all these exercises is that the child may learn to know the six standards, and subsequently their intermediates, and may in time learn to use and combine them harmoniously. It is, therefore, essential that the colors supplied him shall be fresh and pure,[15] and that he not only have freedom to make his own experiments, but materials to preserve them in permanent form when they prove successful.

When the children are just making friends with the teacher and with each other, it is very interesting and profitable for them to formulate their mite of knowledge into a sentence, each one holding his ball high in the air with the right hand, and saying:—

My ball is red like a cherry.
My ball is yellow like a lemon.
My ball is blue like the sky.
My ball is orange like a marigold.
My ball is green like the grass.
My ball is violet like a plum.

We should not, however, allow this to degenerate into mere recitation, but let the child find his own objects of comparison, and change them when he chooses for any others that occur to him. This prevents parrot repetition, and gives room for individuality and real self-expression.

MOTION; DIRECTION; POSITION.

The child of three or four years has seldom any conception of the terms:—

Even if he has a dim idea of direction, he cannot express himself regarding it, nor is he certain enough of his knowledge to be able to move or place the ball according to dictation.

Motion is always easy and delightful to the child, and therefore he will move his ball in different directions, as the words and music suggest, when he would be too timid to express a thought, and is willing and happy to do in unison what he would hesitate to do by himself.

The ball may be made a starting-point in giving the child an idea of various simple facts about objects in general, and in illustrating in movements the many terms with which we wish him to become familiar. The meaning of the terms to swing, hop, jump, roll, spring, run away, come back, fall, draw, bounce, and push may be taught by a like movement of the ball, urging the child to give his own interpretation of the motions in words. All the children may then make their balls hop, spring, roll, or swing at the same time, accompanying the movements by appropriate rhymes.

The ball is more purely a plaything than anything which the child receives in the kindergarten, and its mobility is so charming, it so easily slips from his hands and travels so delightfully far when dropped, that exercises with it soon become riotous if not carefully guided. Every play-lesson on the ball should close with some active exercise in which the children may indulge their wish for a game with their dear playfellow, and in which they may also gain greater skill and learn practically the laws of motion.

When sitting at their tables, each pair of children may roll a ball to and fro, all beginning at the same moment; or the first pair may begin, the second and third follow, and so on until all are rolling. They may throw balls against the wall, or toss them in the air, or throw them alternately first in the air, then against the wall; they may toss them to each other at increasing distances. The whole company of children may be arranged in two rows and throw the balls to each other in unison, or they may pass them from hand to hand as in a Wandering Game,—all the exercises being accompanied with appropriate songs or rhymes.

The laws of incidence and reflection may be simply taught by leading the children to note that if they strike the ball straight against the wall it will bound straight back, and then asking them to see if it returns when thrown in a slanting direction.

In order to present the ball in a more attractive light in the kindergarten, to suit it to the symbolic stage of the child's development, and to bring it nearer to his sympathies, we constantly, in our play, suppose it to be something which it resembles in certain of its characteristics. By its color, it may represent a fruit, a flower, or a gayly dressed child; by its form, an egg, a downy chicken, a tiny duckling; by its mobility, a bird, a squirrel, a baby; or when fastened to its string, a bucket in the well, a toy wagon, a pendulum, or a pet lamb tethered by the roadside.

The child is always at home in the world of "make-believe," and delights in the stories and the many charming songs to which this imaginative use of the ball gives rise.

Perhaps we may wisely remind ourselves, however, that though the child's fancy is most vivid, and though the ball is well adapted to represent many objects, yet if it resemble in no single point the thing to which we liken it, we are indulging in empty imaginings which will only hinder the child's comprehension of truth.[16]

The teacher who truly understands the great principles on which Froebel built the kindergarten will ever be mindful of one of the highest of these,—"the brotherly union of those who are like-minded." Even in the simple plays with the first gift, group work is easily possible. The stringing of the first gift beads or the supplementary modeling in clay may be made into a coÖperative exercise, the work with the balls at the sand-table may have a similar aim, and many of the ball games are well fitted to unite the whole community of children, older and younger, in a common aim, a common purpose.[17]

We must remember that on a carefully prepared plan of procedure depends much of the value of any system of education; therefore we must decide, when the child comes under our tutelage, what we wish to accomplish and what shall be our method of accomplishing it; and yet as the first gift is not the last, as it is but the first link in a chain of related objects, it is obvious that it must be chiefly useful as a starting-point. Each lesson should be carefully studied by the teacher, for the foundation is being laid for all future acquisition.

The kindergarten gifts are designed to lead to the mastery of material objects, but at the same time they are always connected with the child's experience and affection by being often transported into the region of fancy and feeling in a blending of realism and symbolism. Omitting everything which has reference to the moral and physical development, and speaking now only of that which is intellectual, what we should strive for at the beginning is that the child may acquire a habit of quick observation, with clear and precise expression; that in due time he may see not only quickly, but accurately; in short, that a slight degree of judgment may begin to attend his perceptions, so that he may know as well as observe. It is not enough to awaken the curiosity of a child, and to heap up in his memory a mass of good materials which will combine of themselves in due time, and which the brain when more highly developed will arrange in systematic groups; we should endeavor as far as possible to control the first impressions which sink unconsciously into a child's mind, but still more careful should we be in the selection of those later ones which we try to inculcate, and of the links which we wish to establish between such and such perceptions, sentiments, or actions. We should seek to develop, side by side with the perceptions, the faculty of judging and acting rightly.

To give a child very little to observe at a time, but to make him observe that little well and rightly, is the true way of forming and storing his mind.

The process of receiving an idea must be through sensation, attention, and perception, conception and judgment being later processes. The curiosity to know must be kept alive, for it is our greatest ally, and the imagination must be fed, for the child remembers only what interests him.

Recognizing what is to be accomplished, we say, then:—

a. The ball is one of the first means used in awakening and developing the dawning consciousness and growing faculties of the child.
b. The beginning must be well made, or no later step will seem clear.
c. If the first opportunity which occurs of dealing with the gift (or with any instrumentality of education) is wasted, interest on the part of the child is permanently lessened.
d. The mind retains clear impressions in proportion to the degree of spontaneous interest and attention with which they are received.
e. The law of diminishing interest decrees that each point in a successful exercise shall be more interesting than the previous one.
f. The lessons must not be confined to so narrow a channel that they become monotonous, and they must leave room for the child to develop and not attempt to prescribe his mental action.

Tiedemann says: "Liberty of action even in imitated actions is one of the conditions of a child's happiness; besides that, it has the effect of exercising and developing all his faculties. Example is the first tutor, and liberty the second, in the order of evolution; but the second is the better one, for it has inclination for its assistant."

READINGS FOR THE STUDENT.