That the memories of Masie's birthday party should have been revived again and again, and that the several incidents should have been discussed for days thereafter—every eye growing the brighter in the telling—was to have been expected. Kitty could talk of nothing else. The beauty of the room; the charm of Masie's costume; Kling's generosity; and last, O'Day's bearing and appearance as he led the child through the stately dance, looking, as Kitty expressed it, “that fine and handsome you would have thought he was a lord mayor,” were now her daily topics of conversation.

Masie was equally enthusiastic, rushing down-stairs the next morning to throw her arms around his neck with an “Oh, Uncle Felix, I never, NEVER, NEVER was so happy in all my life!”

Kling was still more jubilant. The success of Masie's banquet room had established him at once among bric-a-brac dealers as a competitor quite out of the ordinary. His old customers came in flocks, walking about with gasps of astonishment. Before the week was out, a masonic lodge had bought the throne, a seaside resort the big Chinese lantern, and two of the four Spanish chairs had found a home in a millionaire's library.

Moreover—and this was all the more remarkable in view of his early training—a certain deference became apparent in the Dutchman's manner not only toward Felix but toward his customers. He no longer received them in his shirt-sleeves. He bought some new clothes and sported a collar, necktie, and hat, duplicating those worn by Felix as near as his memory served.

Still more remarkable were the changes wrought among the neighbors in their attitude toward O'Day. Until then they had, in their independent fashion, treated him like any of the other men who came in and out their several stores, pleased with his interest in the business, but quickly forgetting him as they became reabsorbed in the affairs of the day. Now, as they told him what a good time they had had on the birthday, they raised their hats. Porterfield went so far as to tell the radiant Kitty that her boarder was a “Jim Dandy,” and that if she should lay her hands on another to “trot him out.”

Kitty of course had expected these triumphs, but that it was she who had made them possible, and that but for her own individual efforts Felix might still be wandering around the streets in search of bed and board, apparently never crossed her mind. He would have been just as splendid, she said to herself, and just as much of a man no matter who had helped and no matter where his feet had landed.

If O'Day were aware of the changes of public opinion going on around him, there was nothing in either his manner or in his speech to show it. When they complimented him on the way in which he had utilized Otto's old stock, producing so wonderful an interior, he would remark quietly that it was nothing to his credit. He had always loved such things; that it came natural to some people to put things to rights, and that any one could have done as much. It was only when some one alluded to Masie that his face would light up. “Yes, charming, was she not? Such a wonderful little lady, and so good!”

That which did please him—please him immensely—was the outcome of a visit made some days after the party by old Nat Ganger.

“Regular Aladdin lamp,” Nat shouted, slamming Kling's door behind him. “One rub, bang goes the rubbish, and up comes an Oriental palace. Another rub and little devils swarm over the walls and ceilings and begin hanging up stuffs and lamps. Another rub, and before you can wink your eye, out steps a little princess, a million times prettier than any Cinderella that ever lived. Wonderful! WONDERFUL!

“Where is the darling child anyway. Can't I see her? I got away from Sam, telling him I was going to look up another frame for one of my pictures. Here it is. All a lie, every bit of it. It's Sam's picture. Not mine. I wrapped it up so he wouldn't know, but I came to see that darling child all the same, for I've got a surprise for her. But first I want you to see this picture. Here, wait until I untie this string. It's one of Sam's Hudson Rivery things. Palisades and a steamboat in the foreground, and an afternoon sky. Easy dodge, don't you see? Yellow sky and purple hill, and short streak for the steamboat and its wake, and a smear of white steam straggling behind. Sam does 'em as well as anybody. Sometimes he puts in a pile or two in the foreground for a broken dock and a rowboat with a lone fisherman squatting on the hind seat. Then he asks five dollars more. Always get more you know for figures in a landscape.”

He had unwrapped the canvas by this time, and was holding it to the light of the window that Felix might see it better.

Felix studied it carefully, even to the cramped signature in the corner, “Samuel Dogger, A. N. A.”; and with an appreciative smile said: “Very good, I should say. Yes, very good.”

“Good! It's really very bad, and you know it. So do I. But you're too much of a gentleman to say so. Can't be worse, really, but 'puttying up' is down by the heels, and there hasn't been an old master from Flushing, Long Island, or Weehawken, New Jersey, lugged up our stairs for a month;—two months, really. We had one last week from a dealer down-town which turned out to be genuine after Sam had looked it over. And, of course, Sam wouldn't touch it and sent for the auctioneer and told him so. And the beggar made Sam hunt for the signature and Sam found it at the top of the canvas instead of at the bottom. One of the early Dutchmen Sam said it was. Some kind of a Beck or a Koven. And would you believe it, the very next day the fellow got a whacking price for it from a collector up in one of the side streets near the Park. So Sam has gone back to the early American school. This means that he's getting down to his last five-dollar bill, and I want to tell you that I'm not far from it myself. I'd have been dead broke if I hadn't sold two Fatimas. One in pink pants and the other a flying angel in summer clothes to fit an alcove in an up-town barroom over the cigar-stand.

“But my money isn't Sam's money,” he went on without pausing, “and Sam won't touch a penny of it. Never does unless I fool him on the sly. And I've come up here to fool him now, and fool him bad. I want you to hold on to this bust—wait until I get it out of my pocket.” Here he pulled out a small bronze, a head of Augustus, beautifully wrought.

“If you buy the picture, I'll throw in the ancient Roman,” and he laid it on the counter.

“And I want you to write Sam a note, asking him if he can't look around for one of his masterpieces, something say ten by fourteen; wanted for a customer who only buys good things. That any little landscape with water in it will do. Remember, don't leave out the water. Then Sam will come thumping down-stairs with the note, and I'll be awfully astonished and we'll talk it over, and I'll pull this out from under a pile of stuff where I'll hide it as soon as I get home. Then I'll say: 'Well, I'm going up-town and have Mr. O'Day look at it, and maybe it will suit him, and that if it does, I'll make him pay fifty dollars for it.' How do you think that will work?”

Felix, who had been looking into the old fellow's eyes, reading his mind in their depths, seeing clear down into the heart beneath, now picked up the bronze and began passing his hand over it.

“Very lovely,” he said at last, “and a marvellous paten. Where did you get it?”

“Spoken like a gentleman and a man of honor, and this time you tell the truth. It's just what you say—marvellous. I swapped a twenty by thirty for it. Will you take it?”

Felix shook his head, a smile playing about his lips.

“I would if I wanted to be unfair. Here, take your bronze and leave the picture. I will find a frame for it, and have one of the men give it a coat of varnish.”

“And you'll write the note?”

“Is that necessary?”

“Of COURSE, it's necessary. You don't know Sam. He's as cunning as a weasel and can get away before you know it. Got to fool him. I always do. Told him more lies in one minute this morning than a horse can trot. Will you write the note?”

Felix laughed. “Yes, just as soon as you go.”

“And you won't hold on to the bronze?”

“No, I won't hold on to the bronze.”

“And you can get fifty dollars for this unexampled work of art? That, of course, is the ASKING price. Ten would do a whole lot of good.”

“I cannot say positively, but I will try.”

“All right. And now where's that darling child?”

A laugh rang out from the top of the stairs, the laugh of a child overjoyed at meeting some one she loves, followed by “do you mean me?”

“Of course, I mean you, Toddlekins. Come down here and let me give you a big hug. And I've got a message for you from that dried-up old fellow with the shaggy head. He sent you his love—every bit of it, he said. And he's found some more gewgaws he's going to bring up some day. Told me that, too.”

Masie had reached the floor and was running toward him with her hands extended, Fudge springing in front.

The old painter caught her up in his arms, lifting her off her little feet, and as quickly setting her down, his eyes snapping, his whole face aglow. The joy bottled up in the child seemed to have swept through him like an electric current.

“And wasn't it a beautiful party?” she burst out when she found her breath. “And wasn't Uncle Felix good to make it all for me?” She had moved to O'Day's side and had slipped her hand in his.

“Yes, of course, it was,” roared Ganger. “Why, old Sam Dogger was so excited when he went to bed, he didn't sleep a wink all night. He's thought of nothing else but parties ever since. He's getting up one for you. Told me so this morning.”

The child's eyes dilated.

“What sort of a party?”

“Oh, a dandy party, but it's not going to be at night. It's going to be in the daytime. All out in the blessed sunshine and under the trees. And everybody is going to be invited—everybody who belongs.”

The child's brow clouded. “Everybody who belongs? Why, can't Uncle Felix come?”

“Certainly, he can come. He 'belongs.'”

“And—Fudge?”

“What, that little devil of a dog? Yes, he can come, if he promises to behave himself,” and he shook his head at the culprit. “And all the chippies can come. Lots of 'em, and perhaps a couple of robins, if they haven't gone away south. And there's a big Newfoundland dog, or was before he was stolen, that could have swallowed this gentleman down at one gulp, but he won't now. HE 'belonged' and always has. And, of course, you 'belong' and so does Sam and so do I. We go out every other week and sit under these very same trees. Sam paints the branches wiggling down in the water, and I do leaky boats. When I get the picture home, I put Jane Hoggson fishin' in the stern.”

Masie rolled her eyes.

“And you don't take her with you?”

“No.”

“Why?”

“'Cause she don't 'belong.' Great difference whether you belong or not. Jane Hoggson couldn't 'belong' if she was to be born all over again.”

O'Day now joined in. He had been watching Masie, noting the lights and shadows which swept over her face as the old painter chattered away. He always welcomed any plan for giving her pleasure, and was blessing Ganger in his heart for providing the diversion.

“And where is all this to take place, Mr. Ganger?” Felix asked at last.

“Up on the Bronx. A place you know nothing of and wouldn't believe a word about if I should tell you—not 'til you see it yourself. It's as full of birds and butterflies as England along the Thames, or one of those ducky little streams out of Paris. And it only costs five cents to get there and five cents to get back. And you won't be more than a few hours away from your shop. Fine, I tell you, you'll never forget it.”

Again Felix broke in.

“I have not a doubt of it, but when is all this to take place?”

Ganger gave a little start and grew suddenly grave.

“Well, as to that, you see the day is not yet fixed, not precisely. In a week maybe, or it may be two weeks. This is Sam's party, you know, and he hasn't completed all his arrangements—that is, he hadn't completed them when I left him this morning. And, of course, a lot has to be done to make everything ready”—here he nodded at Masie—“for little princesses and great ladies in plumes and satins. But it is certainly coming off. Old Sam told me so, and he means every word of it. And he was to let you know when. That's it, he was to LET YOU KNOW. That's another thing he told me to tell you.”

The child's name was now called from the top of the stairs, and the Gossburger's head craned itself over the hand-rail. Fudge opened with a sharp bark, and Masie, with an air kiss to Ganger, raced up the steps, the dog at her heels, shouting as she ran: “Tell Mr. Dogger I send him a kiss, and I thank him ever so much, and won't he please come and see me very soon.”

When she had disappeared, the old fellow leaned forward, gazed knowingly at Felix, and in soft-pedal tones said:

“You see, Sam couldn't say EXACTLY when the party was to take place because—well, because he hasn't heard a word about it, and won't until I get back. It is my party, not Sam's, and I've got to break it to him gently. And I've got to fool him about the party, make him think it's his party, or he'll think I'm holding it over him because I've got a little more money than he has, just as I intend to fool him about the picture. I couldn't say, when you asked me, when the day was to be fixed, because I've told lies enough to that dear child. But I know just what Sam will do when I tell him about his party; he'll stand on his head he'll be so happy. You see if, when I unwrapped the picture, you had talked ten dollars right out, why then I was going to make it next Saturday; that is, to-morrow. But you hemmed and hawed so, I had to make it 'some day soon.' Of course, I never expected the fifty; ten will be enough for car-fare all around and some beer and sandwiches, that's all we ever have. That's why I chucked in Augustus to make sure. Well, see what you can do, and don't forget to write the note and I'll do the rest of the lying.” And chuckling to himself he hurried away.

As the door swung wide, a slim man bustled past him, and, spying Felix, moved briskly to where he stood. He had just ten minutes to spare, he announced, and was looking for a present for his wife; “something in the way of fans, old ones, and not over five dollars.”

Felix, who had raised the lid of the case and was stowing Dogger's masterpiece inside to keep it out of harm's way, his mind wholly occupied with the two old painters and their tenderness toward each other, roused himself to answer:

“Yes, half a dozen. Not at your price, though, not old ones. Here are two fairly good specimens,” and he handed them out and laid them on the glass before him.

The man leaned forward and peered into the case.

“That's a picture of the Palisades, isn't it?” He had ignored the fans.

“Yes, so I understand.”

“Oh, I knew it first time I put my eyes on it. I'm in the real-estate business. I've got a lot of cottage sites along that top edge. Is it for sale?”

“It will be when it's cleaned and varnished and I have it framed.”

“Belong to you?”

“No; it belongs to a man who has left it for sale. He went out as you came in.”

“What does he want for it?”

“He would be satisfied with ten dollars, even less, because he needs the money. I want fifty.”

“You want to make the rest?”

“No, it all goes to him.”

“Well, what do you stick it on for?”

“Because if it isn't worth that, it isn't worth anything.”

“Take it out and let me have a look at it. Yes, just the spot. That whitish streak and that little puff of steam is where they're breaking stone. Make a good advertisement, wouldn't it, hanging up in your office? You can show the owners just where the land lies, and you can show a customer just what he's going to own.”

A brisk bargaining then followed, he determined to buy, and Felix to maintain his price. Before the ten minutes were out, the bustling man had forgotten all about the fan he was in search of for his wife and, having assured himself that it was all oil-paint, every square inch of it, had propped it up against an ancient clock, standing back to see the effect, had haggled on five, then ten, then twenty-five, and had finally surrendered by laying five ten-dollar bills on the glass case. After which he tucked the picture under his arm, and without a word of any kind disappeared through the street-door.

And that is why the note which Felix had promised to write Dogger was sent by messenger instead of by mail within five minutes after the picture and the buyer had disappeared. And that is why, too, all the preliminary subterfuges were omitted, and the substitute contained the announcement which follows:

“Dear Mr. Dogger:

“I have just sold your Palisade picture for fifty dollars. The amount is at your service whenever you call.

“Yours truly,

That, too, is why Dogger was so overjoyed that he beat the messenger back to Kling's, skipping over the flag-stones most of the way till he reached the Dutchman's door, where, as befitted a painter whose genius had at last been recognized, he slowed down, entering the store with a steady gait, a little restrained in his manner, saying, as he tried to cram down his joy, that it was a mere sketch, you know, something that he had knocked off out-of-doors; that Nat had liked it and had, so he said, taken it up to have it framed. That, of course, he could not afford ever to repeat the sale price—not for a ten by fourteen of that quality, but that most of his rich patrons were still out of town, and so it came in very well.

And, oh, yes, he had almost forgotten! He and Nat were going up to Laguerre's, on the Bronx, to an old French cafe, where they often lunched and painted; that Nat had suggested just as he left the studio that it would be a good thing if Felix and that dear child Masie would go with them, and that they would go Saturday, which was to-morrow, if that would suit O'Day and Masie. And if that wouldn't suit, why then they'd go the very first day that did, say Sunday or Monday, the sooner the better.

To all of which Felix, reading every thought that lurked behind the moist eyes of the tender-hearted old fraud, had replied that, if he had the choosing, to-morrow, of all the days in the year, would be the very day he would select, and that he and Masie would be ready any hour that he and Mr. Ganger would be good enough to call for them.

At which the old painter took himself off in high glee.

And an altogether delightful and a very happy party it was. Sam, as host-in-chief, sparing no expense, his first act being to pre-empt a summer-house covered with vines, already tinged by the touches of autumn's fingers; and his second to insist in a loud voice on chairs and table-cloths, instead of a sandwich spread out on a bench, as had been their custom, followed by a demand for olives and a small bottle of red wine, to say nothing of a double brace of chops, and all with the air of a multimillionaire ordering a cold bottle and a hot bird at Delmonico's. And Nat, grown ten years younger—a mere boy in fact—showed Masie how to throw little leaden weights down the throat of a small cast-iron frog, and Felix mixed the salad and served it, Masie changing the dishes and running back to the house for fresh ones, while Fudge, in frenzied glee, scurried over the soft earth as if he had suddenly been seized with St. Vitus's dance. And then, when there was not a crumb of anything left even for the chippies, they all stretched themselves flat on the grass in the warm Indian summer weather, the two old fellows entertaining the child with all the stories they could think of, Felix looking on, replenishing his pipe from time to time, his own spirit soothed and comforted by the happiness around him.

Even Kitty noticed the new light in his eyes when they all came back, for Felix brought the two old painters into her sitting-room so that they might renew an acquaintance they had made on the night of the ball and “become better known to a woman of distinction,” as he laughingly put it, which so delighted the dear soul that that night she said to her husband:

“He'll stop trampin' pretty soon, I think, John. Somethin's soaked into him in the last day or two. It's them old painters, I think, that's helpin' him. He come in a while ago with that child clingin' to him and them two mossbacks followin' behin', and his face was all ironed out, and I could see a song trembling on his lips all ready to burst out. Pray God it'll last!”