  See also Contents at beginning. A B C D E F G H I J K L M N O P R S T V W Alberti, Architect, 167. Andernach, Church at, 96. Anne, Queen, Style of, 225. Arnstein Abbey, 94. Batalha, Monastery at, 142, 153. Beauvais Cathedral, Interior, 86. Belgium and Netherlands, Gothic, 87. ——Renaissance, 206. Bernini, Architect, 175, 181, 203. Blenheim, 221. Blois, ChÂteau of, 194. Blois, Capital from St. Nicholas, 84. Bourges, House of Jaques Coeur, 15. Bramante, Architect, 168, 174, 180. Brunelleschi, Architect, 120, 166. Buttresses, 32. Cambridge, King’s College, 63. Campaniles in Italy, 128. Capitals, Gothic, 43. Certosa, near Pavia, Chambers, Architect, 222. Chambord, ChÂteau of, 194. Chartres, Stained glass at, 65, 69. Chester, Old Houses at, 38, 224. Churriguera, Architect, 230. Colmar, Window at, 206. Columns and Piers, 40. Cortona, Pietro da, Architect, 198. Cremona, Palace at, 117. De Caumont. AbÉcÉdaire, 71. Decorated style of Architecture, 24. Domestic Buildings, Gothic, 14. Eltham Palace, Roof of, 53. England, Gothic Architecture in, 21. ——Renaissance in, 213. ——Pandolfini Palace, 170, 173. ——Riccardi Palace, 167. ——Strozzi Palace, 169. Fontevrault, Church at, 70. France, Gothic Architecture in, 69. ——Renaissance in, 193. Francis the First of France, 193. Friburg Cathedral, 98. Germany, Gothic Architecture in, 93. ——Renaissance, 209. Ghent, Tower at, 90. Gibbs, Architect, 222. Giotto’s Campanile at Florence, 120. Gothic, The word, 5. Goujon, Jean, Sculptor, 198. Havenius of Cleves, Architect, 214. Hawksmoor, Architect, 221. Heidelberg, Castle of, 156, 209. Herrera, Juan de, Architect, 217. Holland House, 215. ——Renaissance in, 165. Jones, Inigo, Architect, 217. Kuttenberg, St. Barbara at, 99. Leyden, Council-house at, 210. Lichfield Cathedral, West Door, 5. Lincoln Cathedral, General view, 35. Lippi Annibale, Architect, 192. Lisieux, Old Houses at, 41. Loches, Doorway at, 72. London, St. Paul’s Cathedral, 218. Mafra, Convent at, 232. Mansard, Architect, 160. Michelangelo as an Architect, 170, 174. Michelozzo, Architect, 167. Middleburgh, Town Hall at, 89. Milan Cathedral, 115. Misereres in Wells Cathedral, 68, 92. Mouldings, Gothic, 62. Ogee-shaped arch, 129. Oppenheim, St. Catherine at, 107. Orleans, Capital from house at, 197. Orleans, Window at, 196. Palladio, Architect, 172, 184, 187. Paris, Cathedral of Notre Dame, 74. ——HÔtel des Invalides at, 205. ——Louvre, Capital from, 202. ——Louvre, Pavillon Richelieu, 199. ——Pantheon at, 204. ——Tuileries, by Delorme, 200. Perpendicular Architecture, 25. Peruzzi, Architect, 181. Peterborough Cathedral, Plan, 6. Pisano, Nicola, Sculptor, 120. Plateresco, Spanish, 230. Principles of Gothic Design, 146. Renaissance Architecture, 154. Regensburg (Ratisbon), Well at, 20. Rheims Cathedral, Piers, 80. Rome, Monument in Santa Maria del Popolo, 179. Rome, Palazzo Giraud, 178, 180. ——Villa Medici, 191. Salisbury Cathedral, Section, 7. Saint Iago di Compostella, 137. Sangallo, Architect, 181. Sansovino, Architect, 178, 184. Scamozzi, Architect, 184. Scotland, Cawdor Castle, 227. ——Dunrobin Castle, 228. ——Heriot’s Hospital, 228. Schalaburg, Castle of, 212. Schwartz-Rheindorff, Church at, 101. Serlio, Architect, 198. Seville, The Giralda at, 140. Siena Cathedral, 123. Spain, Gothic Architecture in, 137. ——Renaissance in, 228. Spires, 58. Stained Glass, 64. Strasburg Cathedral, 98. Tivoli, Window from, 134. Toledo, Alcazar at, 232. ——Cathedral, 138. Towers and Spires, 33. Tracery, Venetian, 130. Tudor Architecture, 25. Venice, 182. Venice, Church of Redentore, 186. ——Ducal Palace at, 118. ——Palaces on Grand Canal, 18. Vienna, St. Stephen at, 98. Vignola, Architect, 172, 181, 182. Warwick Castle, Plan, 16. Wells Cathedral, Nave, 9. Westminster Abbey, Plan, 11. Westminster Abbey, Carving, 67. ——Henry VII.’s Chapel, 57. ——Triforium, 49. Window, Italian Gothic, 134, 136. Worcester Cathedral, Choir, 9. Wren, Sir C., Architect, 203, 217, 220. LONDON: R. CLAY, SONS, AND TAYLOR. Now in course of Publication. A NEW SERIES OF ILLUSTRATED TEXT-BOOKS OF ART EDUCATION, EDITED BY EDWARD J. POYNTER, R.A. Each volume contains numerous illustrations, and is strongly bound for the use of students. Price 5s. To be issued in the following Divisions:— PAINTING. * CLASSIC and ITALIAN. By Edward J. Poynter, R.A., and Percy R. Head, Lincoln College, Oxford. GERMAN, FLEMISH, and DUTCH. By H. Wilmot Buxton, M.A. FRENCH and SPANISH. By Gerard Smith, Exeter College, Oxford. ENGLISH and AMERICAN. By H. Wilmot Buxton, M.A. ARCHITECTURE. CLASSIC and EARLY CHRISTIAN. By T. Roger Smith, F.R.I.B.A. * GOTHIC and RENAISSANCE. By T. Roger Smith, F.R.I.B.A. SCULPTURE. ANTIQUE: EGYPTIAN and GREEK. By George Redford, F.R.C.S. RENAISSANCE and MODERN. By George Redford, F.R.C.S. ORNAMENT. DECORATION IN COLOUR. By George Aitchison, M.A. ARCHITECTURAL ORNAMENT. With numerous Illustrations. * These Divisions are now ready. Transcriber's Note Minor punctuation errors have been repaired. Hyphenation and accent usage has been made consistent. Spelling was made consistent as follows: Page xxxvii—Transome amended to Transom—"Transom.—A horizontal bar (usually of stone) ..." Page xl—Hardwicke amended to Hardwick—"The End-papers are from a Tapestry in Hardwick Hall." Page 198—di amended to da—"... built from the designs of Pietro da Cortona, ..." Page 217—transomes amended to transoms—"... and with mullions and transoms, ..." Page 217—transomes amended to transoms—"... large windows divided by mullions and transoms, ..." Page 224—Cotemporary amended to Contemporary—"Contemporary with him were the brothers John and Robert Adam, ..." Page 226—transomes amended to transoms—"... so are the mouldings, transoms and mullions to the windows, ..." Page 236—Middleburg amended to Middleburgh—"Middleburgh, Town Hall at, 89." Page 236—NÍcolo amended to Nicola—"Pisano, Nicola, Sculptor, 120." Page 236—Strassburg amended to Strasburg—"Strasburg Cathedral, 98." Page 236—Van Brugh amended to Vanbrugh—"Vanbrugh, Architect, 221." The following amendments have been made: Page x—omitted page number added—"3. Scotland, Wales, and Ireland 91" Page xxiv—frize amended to frieze—"... the architrave, which rests on the columns, the frieze and the cornice." Page xxiv—The entry for Entablature originally followed Embattled. It has been moved to the correct place in the glossary. Page xxv—Styl amended to Style—"FranÇois I. Style.—The early Renaissance architecture of France during part of the sixteenth century." Page xxvii—Lintol amended to Lintel—"Lintel.—The stone or beam covering a doorway ..." Page 12—arrangment amended to arrangement—"The whole arrangement of pier and arch ..." Page 25—ierced amended to pierced—"Parapet pierced with quatrefoils and flowing tracery." Page 30—repeated 'and' deleted—"... Gothic dwelling-houses of the fourteenth and fifteenth centuries exist, ..." Page 36—constrast amended to contrast—"... is to combine and yet contrast its horizontal and vertical elements." Page 39—storys amended to storeys—"... and sometimes also the basement storeys, ..." Page 46—and amended to end—"... occupying the eastern end of one of the transepts ..." Page 82—semi-circula amended to semicircular—"... and the roofs of semicircular and circular apses, ..." Page 88—achitecture amended to architecture—"... their architecture, though certainly Gothic, is debased in style." Page 114—laboration amended to elaboration—"... remarkable specimens of the ornamental elaboration which can be accomplished in brickwork." Page 142—Ths amended to The—"The great church at Batalha ..." Page 159—omitted 'the' added before building—"... in his treatment of the same part of the building ..." Page 176—repeated 'is' deleted—"... as long as the building is seen in front ..." Page 186—builing amended to building—"... lofty pilasters to include two storeys of the building ..." Page 194—first amended to First—"...than the best specimens of the style of Francis the First ..." Page 226—82 amended to 83—"... the treatment of the timbers is thoroughly Gothic (Fig. 83); ..." Page 230—archiect amended to architect—"The earliest architect who introduced into Spain an architectural style ..." Page 233—picuresque amended to picturesque—"... a building of the eighteenth century, of great extent and picturesque effect." Page 235—page references put into numerical order—"Brunelleschi, Architect, 120, 166." Page 235—137 amended to 173—"Florence ... —— Pandolfini Palace, 170, 173." Page 235—omitted 7 added—"Haddon Hall, 17." Illustrations have been moved where necessary so that they are not in the middle of a paragraph. There was an error in the List of Illustrations. The original read:
The listed Fig. 67 does not appear anywhere in the text. The List of Illustrations has been amended to accurately list the figures in the main body of the book, by removing the erroneous listing, renumbering the figures as necessary, including a previously omitted figure, Fig. 70.—Villa Medici—On the Pincian Hill near Rome. By Annibale Lippi (now the AcadÉmie FranÇaise). (A.D. 1540.), and amending the page numbers. Alphabetic links have been added to the index for ease of navigation. The advertising material has been moved to the end of the book. Omitted page numbers were blank pages or full page illustrations (moved for this e-text) in the original. |
|
