AGEN. Shortly after the return of Jasmin from Paris, where he had the honour of an interview with the Emperor and Empress, as well as with the members of the French Academy, he was invited to Toulouse for the purpose of being enrolled as Maitre-es-jeux in the Academy of Jeux Floreaux. Toulouse is known as the city of Literary Fetes, and the reception of Jasmin as Maitre-es-Jeux will long exist as a permanent record in her annals. The Academy of Jeux Floreaux had no prize of 5000 frs. to bestow, nor any crowns, nor any golden laurels. She hides her poverty under her flowers, and although she would willingly have given all her flowers to Jasmin, yet her rules prevented her. She called Jasmin to her bosom, and gave him the heartiest of welcomes. But the honour was there—the honour of being invited to join a brotherhood of illustrious men. The title of Maitre-es-jeux is a rare distinction, awarded only to the highest celebrities. The ceremony of installing Jasmin took place on the 6th of February, 1854. The great Salle des Illustres was crowded long before he made his appearance, while the Place de Capitol was filled with a vast number of his admirers. The archbishop, the prefect, the mayor, the magistrates, and the principal citizens of Toulouse were present, with the most beautiful women in the city. Many of the southern bishops were present, having desired to enjoy the pleasure of assisting at the ceremony. After an address of congratulation, Jasmin was enrolled amongst the members, and presented with his diploma of Maitre-es-jeux. Though it was only a piece of parchment, he considered it the rarest of distinctions. It connected the poet, through five centuries, with the last of the Troubadours, whose language he had so splendidly revived. Jasmin valued his bit of parchment more highly than all the other gifts he had received. In answer to his enrolment, he said: "I have now enough! I want no more! All things smile upon me. My muse went proudly from the forty of Toulouse to the forty of Paris. She is more than proud to-day, she is completely happy; for she sees my name, which Isaure blessed, come from the forty of Paris to the forty of Toulouse," After his enrolment, the poet-barber left the salon. A large crowd had assembled in the court, under the peristyle, in the Place of the Capitol. Every head was uncovered as he passed through their ranks, and those who accompanied him to his lodging, called out, "Vive Jasmin! Vive Jasmin!" Never had such a scene been witnessed before. Although Jasmin had declared to the Academy of Jeux Floreaux that he wanted nothing more than the diploma they had given him, yet another triumph was waiting him. The citizens of Agen capped all the previous honours of the poet. They awarded him a crown of gold, which must have been the greatest recompense of all. They had known him during almost his entire life—the son of a humpbacked tailor and a crippled mother, of poor but honest people, whose means had been helped by the grandfather, Boe, who begged from door to door, the old man who closed his eyes in the hospital, "where all the Jasmins die!" They had known him by his boyish tricks, his expulsion from the Academy, his setting up as a barber, his happy marriage, and his laborious progress, until the "shower of silver" came running into his shop. "Pau de labouro, pau de salouro," No work, no bread. Though born in the lowest condition of life, he had, by the help of his wife, and by his own energy and perseverance, raised himself to the highest position as a man of character. Before he reached the age of thirty {1} he began to show evidences of his genius as a poet. But still more important were his works of charity, which endeared him to the people through the South of France. It was right and reasonable that his fellow-citizens should desire to take part in the honours conferred upon their beloved poet. He had already experienced their profound sympathy during his self-sacrificing work, but they now wished to testify their public admiration, and to proclaim the fact by some offering of intrinsic value. The Society of Saint-Vincent de Paul—whom he had so often helped in their charitable labours—first started the idea. They knew what Jasmin had done to found schools, orphanages, and creches. Indeed, this was their own mission, and no one had laboured so willingly as he had done to help them in their noble work. The idea, thus started by the society, immediately attracted public attention, and was received with universal approval. A committee was formed, consisting of De Bouy, mayor; H. Noubel, deputy; Aunac, banker; Canon Deyche, arch-priest of the cathedral; Dufort, imperial councillor; Guizot, receiver-general; Labat, advocate-general; Maysonnade, president of the conference of Saint-Vincent de Paul; Couturier, the engineer, and other gentlemen. A subscription was at once opened and more than four thousand persons answered the appeal. When the subscriptions were collected, they were found so great in amount, that the committee resolved to present Jasmin with a crown of gold. Five hundred years before, Petrarch had been crowned at Rome in the name of Italy, and now Jasmin was to be crowned at Agen, in the name of Meridional France. To crown a man, who, during his lifetime had been engaged in the trade of barber and hair-dresser, seemed something extraordinary and unique. To the cold-blooded people of the North there might appear something theatrical in such a demonstration, but it was quite in keeping with the warm-hearted children of the South. The construction of the crown was entrusted to MM. Fannieres of Paris, the best workers of gold in France. They put their best art and skill into the crown. It consisted of two branches of laurel in dead gold, large and knotted behind, like the crowns of the Caesars and the poets, with a ruby, artistically arranged, containing the simple device: La Ville d'Agen, a Jasmin! The pendants of the laurel, in dead silver, were mixed with the foliage. The style of the work was severe and pure, and the effect of the chef d'oeuvre was admirable. The public meeting, at which the golden crown was presented to Jasmin, was held on the 27th of November, 1856, in the large hall of the Great Seminary. Gilt banners were hung round the walls, containing the titles of Jasmin's principal poems, while the platform was splendidly decorated with emblems and festoons of flowers. Although the great hall was of large dimensions, it could not contain half the number of people who desired to be present on this grand occasion. An immense crowd assembled in the streets adjoining the seminary. Jasmin, on his arrival, was received with a triple salvo of applause from the crowd without, and next from the assembly within. On the platform were the members of the subscription committee, the prefect, the Bishop of Agen, the chiefs of the local government, the general in command of the district, and a large number of officers and ecclesiastics. Jasmin, when taking his place on the platform saluted the audience with one of his brilliant impromptus, and proceeded to recite some of his favourite poems: Charity; The Doctor of the Poor; Town and Country; and, The Week's Work of a Son. Then M. Noubel, in his double capacity of deputy for the department, and member of the subscription committee, addressed Jasmin in the following words: "Poet, I appear here in the name of the people of Agen, to offer you the testimony of their admiration and profound sympathy. I ask you to accept this crown! It is given you by a loving and hearty friend, in the name of your native town of Agen, which your poetry has charmed, which rejoices in your present success, and is proud of the glory of your genius. Agen welcomed the first germs of your talent; she has seen it growing, and increasing your fame; she has entered with you into the palaces of kings; she has associated herself with your triumphs throughout; now the hour of recognising your merits has arrived, and she honours herself in crowning you. "But it is not merely the Poet whom we recognise to-day; you have a much greater claim to our homage. In an age in which egoism and the eager thirst for riches prevails, you have, in the noble work which you have performed, displayed the virtues of benevolence and self-sacrifice. You yourself have put them into practice. Ardent in the work of charity, you have gone wherever misery and poverty had to be relieved, and all that you yourself have received was merely the blessings of the unfortunate. Each of your days has been celebrated for its good works, and your whole life has been a hymn to benevolence and charity. "Accept, then, Jasmin, this crown! Great poet, good citizen, you have nobly earned it! Give it an honoured place in that glorious museum of yours, which the towns and cities of the South have enriched by their gifts. May it remain there in testimony of your poetical triumphs, and attest the welcome recognition of your merits by your fellow-citizens. "For myself, I cannot but be proud of the mission which has been entrusted to me. I only owe it, I know, to the position of deputy in which you have placed me by popular election. I am proud, nevertheless, of having the honour of crowning you, and I shall ever regard this event as the most glorious recollection of my life." After this address, during which M. Noubel was greatly moved, he took the crown of gold and placed it on the head of the poet. It is impossible to describe the enthusiasm of the meeting at this supreme moment. The people were almost beside themselves. Their exclamations of sympathy and applause were almost frantic. Jasmin wept with happiness. After the emotion hard subsided, with his eyes full of tears, he recited his piece of poetry entitled: The Crown of my Birthplace.{2} In this poem, Jasmin took occasion to recite the state of poverty in which he was born, yet with the star of poetry in his breast; his dear mother, and her anxieties about his education and up-bringing; his growth; his first efforts in poetical composition, and his final triumph; and at last his crown of gold conferred upon him by the people of Agen—the crown of his birthplace. After Jasmin had recited his touching poem, he affectionately took leave of his friends, and the assembly dispersed. Endnotes to Chapter XVIII. {1} There is a Gascon proverb which says: "Qu'a vingt ans nouns po, Qu'a trent ans noun sa, Qu'a cranto noun er, Qu'a cincanto se paouso pa, Sabe pa que pot esper." "Who at twenty does nothing; Who at thirty knows nothing; Who at forty has nothing; Who at fifty changes nothing: For him there is no hope." {2} Perhaps this might be better rendered "The Crown of my Infancy;" in Gascon, "La Courouno del Bres." |