On a hillock near Matanzas, with a ragged wood behind it, stood for many years an unkempt cottage. In our land we should hardly dignify it by such a name. We would call it, rather, a hovel. Some rotting timbers of it may still be left, for the black people who live thereabout keep away, especially at night, believing that the hillock is a resort of spirits. Yet not many of them remember the incident that put this unpleasant fame upon it, for—that was back in the slavery days. The brutal O’Donnell was governor-general then. He found Cuba in its usual state of sullen tranquillity, and no chance seemed to offer by which he could make a name for himself, so he magnified every village wrangle into an insurrection. It looked well in his reports when he set forth the skill and ease with which he had suppressed the uprisings, and, as he did not scruple to take life in punishment for slight offences, nor to retaliate on a community for the misconduct of a single member of it, he almost created the revolution that he described to his home government. The merest murmur, the merest shadow was enough to take him to the scene of an alleged outbreak, and he would cause slaves to be whipped until they were ready to confess anything. A black boy in Matanzas, arrested on suspicion of inciting to rebellion, was condemned to seven hundred blows with the lash. At the end of the It was the mother of the black boy who lived in this cabin outside of the town. She had also been a slave until the Spanish family, giving up its plantation, moved into the city, sold the younger and stronger of their human properties, and set free the elderly and rheumatic, taking with them only a couple of servants and the boy, who went with his mother’s consent, for she knew he would be cared for, and she could see him often, the relation between slave and owner, being more commonly affectionate than otherwise. At its best, slavery is morally benumbing to the enslaved, destructive of the finer feelings, and when the old woman learned of her son’s death,—and such a death—she did not go mad, as his playfellow had done. She lamented loudly, she said many prayers, she accepted condolences with seeming gratitude, but the tears had ceased to flow ere many weeks, and she was seen to smile when her old mistress, whose Yet deep in Maumee NiÑa’s nature a change had taken place. She did not know it herself for many months. Her loss had not affected her conduct or appearance greatly, yet her heart had hardened under it and she began to look upon the world with a different eye. She cared less for her friends, and went to church less often,—a suspicious circumstance, for when a negro failed to go to mass, and kept away from confession, it was surely because he had something mischievous to confess. The rumor got about that Maumee NiÑa had become an Obeah woman,—a voodoo worker, a witch. It is not unlikely that the accusation inspired her to live down to it. Not only were witches held in respect and fear, but she might be able, through evil arts, to plague the race that had worked her husband to death in the mines, and now had killed her only son. She kept still more at home, brooding, planning, yielding farther and farther to the evil suggestions that her repute as a voodoo priestess offered to her, yet keeping one place in her heart even warmer than before,—the place filled by her daughter, Juanita. This girl of fifteen or sixteen was not black, like her mother. She was a handsome mulatto. In a country where relations are so easily established without marriage, and where marriage is so difficult Considering the pains and self-denials that the rearing of this child incurred, it was a trifle inconsistent that Maumee NiÑa should have opposed the friendly advances of gallants from the town. She was not of a class that is wont to consider the etiquette of such attentions, nor would she have refused to give her daughter in marriage to any Cuban. It was that her feeling toward the Spaniards was deepening into hate, and it rejoiced her to learn that a revolution was really intended. By her native shrewdness she was able to do something for her people’s cause. Whenever a young negro went to her to have his fortune told,—and from this art she began to realize a steady income,—she managed to hint at his future greatness as a military leader, his gains in the loot of Spanish camps, his prowess in bush-fighting when hostilities should really have begun. In this way she really incited a number of the “Who are these fellows?” he demanded. “What right have you, seÑor lieutenant, to question me about my guests, in my own house?” replied NiÑa. “It is enough that they were invited, and you were not.” The lieutenant glanced sharply at Juanita. She looked at the shabby fellows for an instant, smiled contemptuously, and gave her head a saucy fling. The officer’s good-nature was restored in a moment. “Give me a calabash of water from that spring of yours, your grace, and I’ll take myself off,” said he. “But, mind, there are to be no more dances here,—no more voodoo practice.” Old NiÑa left the room grumbling to herself, while Fernandez talked with Juanita, quite disregarding the sour and silent pair of black men. As he glanced through a crack in the timbers of the house he saw the old woman raise a gourd of water, wave her hand above it three times, mutter, and shake her head. Then she drew from her pocket a tiny object and dropped it in the water, stirring it “In the old days, seÑora,” he said, “it was the way to sweeten the drink of a cavalier by getting the fairest lady of the house to sip from it before he drank. SeÑora Juanita, you will take a little from this shell, and I will then drink to your eyes.” Juanita had taken the calabash and had lifted it to her mouth, when NiÑa sprang forward and struck it to the floor. The lieutenant looked steadily into the face of the old woman. Her eyes, at first expressing fear, then anger, dropped under his gaze. “I thought so,” he said, calmly, and left the house without a backward look or another word. Late that night a subaltern, who had called on Fernandez to carry a report to headquarters, set off alone in the direction of the city. When half a mile on his way a man suddenly confronted him and asked him for a light. He promptly offered his cigar. Puffing fiercely the stranger created a glow, and in the shadow behind it he eagerly scanned the face of the soldier. He then returned the stump, saying, “Pass on, sir. You are not he I seek. Your cigar has saved your life.” There was a click, as of a knife thrust into its sheath, and the stranger was gone. Fernandez heard of this and drew an inference, but it did not deter him from another visit to the Obeah woman’s house next evening. The old The hours went by without any one there to take account of them. It was a fair and quiet night, except for the queer and persistent call of some insects that seemed always to be drawing nearer to the house. Faint now came the sound of the clock in Matanzas striking twelve. As if it were a signal to the dead, shadows appeared about the house of the Obeah woman, creeping, nodding, motioning, moving toward the door. One stood close beside it and struck it twice, loudly, with a metal implement that rang sharply; then it waited. Steps were heard inside,—the steps of a man in military boots: Fernandez. There was a swish of steel, too, like a sword whipped out of its scabbard, but almost at the instant when this was heard the door was opened. A blow, a faint cry, a fall, a hurry of steps in the grass; then a light. Fernandez held it. A long, agonized scream quavered through the darkness, and Maumee NiÑa, with blood on her hands, fell prone on the body of her daughter, her Juanita, lying there on the earth with a knife in her heart. |