John Gower, a Londoner himself, came of a good Kentish family. Chaucer must have known him well, for he chose him as his attorney when leaving for the Continent in 1378, and, with the dedication of Troilus and Criseyde, labelled him for ever as 'moral Gower'. Gower's marriage with Agnes Groundolf, probably a second marriage, is recorded in 1398. Blindness came on him a few years later. His will, dated August 15, 1408, was proved on October 24, 1408, so that his death must fall between those two points. By his own wish he was buried in St. Saviour's, Southwark, the church of the canons of St. Mary Overy, to whom he was a liberal benefactor. On his tomb in St. Saviour's Church, Gower is shown with his head resting on three great volumes, representing his principal works—the Speculum Meditantis, the Vox Clamantis, and the Confessio Amantis. The Speculum Meditantis, or Mirour de l'Omme, is a handbook of sins and sinners, written in French. The Vox Clamantis, written in Latin, covers similar ground. Opening with a vision of the Peasants' Revolt of 1381, the poet passes in review the faults of the different grades of society—clergy, nobles, labourers, traders, lawyers—and ends with an admonition to the young King Richard II. In his English work, the Confessio Amantis, he expressly abandons the task of setting the world to rights, and promises to change his style henceforth. Now he will sing of Love. The machinery of the poem is suggested by the great source of mediaeval conventions, the Roman de la Rose. On a May morning the poet, a victim of love, wanders afield and meets the The first form of the Confessio was completed in 1390. It contains a Prologue in which the suggestion for the poem is ascribed to Richard II, and an Epilogue in his praise. In this version the Queen of Love at parting gives Gower a message for Chaucer: And gret wel Chaucer whan ye mete, As mi disciple and mi poete: For in the floures of his youthe In sondri wise, as he wel couthe, Of ditees and of songes glade, The whiche he for mi sake made, The lond fulfild is overal. Wherof to him in special Above alle othre I am most holde. Forthi now, in hise daies olde, Thow schalt him telle this message, That he upon his latere age, To sette an ende of alle his werk, As he which is myn owne clerk, Do make his testament of love, As thou hast do thi schrifte above, So that mi Court it mai recorde. In the final form, completed in 1392-3, Richard's name disappears from the Prologue; the dedication to his popular rival, Henry of Lancaster, is made prominent; the eulogy in the Epilogue is dropped; and with it the compliment to Chaucer. Whether this last omission is due to chance, or to some change in the relations between the two poets, is not clear. In his own day Gower was ranked with Chaucer. His reputation was still high among the Elizabethans; and he has the distinction of appearing as Chorus in a Shakespearian play—Pericles—of which his story of Apollonius of Tyre, in Bk. viii of the Confessio, was the immediate source. A selection gives a very favourable impression of his work. He has a perfect command of the octosyllabic couplet; an easy Yet the poem as a whole suffers from the fault that Gower tried to avoid: It dulleth ofte a mannes wit To him that schal it aldai rede. One defect, obvious to a modern reader, would hardly be noticed by his contemporaries: he often incorporates in his poetry matter proper only to an encyclopaedia, such as the discourse on the religions of the world in Bk. v, or that on Philosophy in Bk. vii. Another is more radical: for all his wide reading, his leading ideas lack originality. It is hardly a travesty to say that the teaching of his works amounts to this: 'In the moral world, avoid the Seven Deadly Sins in the five sub-classifications of each; in the political world keep your degree without presuming'. Such a negative and conventional message cannot sustain the fabric of three long poems. Their polished and facile moralizing becomes almost exasperating if it be remembered that the poet wrote when a whole system of society was falling, and falling noisily, about him. Modern taste rejects Gower the moralist and political writer, and his claim to present as apart from historical value rests on the delightful single stories which served as embroidery to his serious themes. The extracts are taken from the admirable edition by G. C. Macaulay: 'The Works of John Gower', 4 vols., Oxford 1899-1902. A. CEIX AND ALCEONE. From Bk. iv, ll. 2927 ff.This finde I write in Poesie: CeÏx the king of Trocinie Hadde Alceone to his wif, Which as hire oghne hertes lif A brother, which was cleped tho Dedalion, and he per cas Fro kinde of man forschape was Into a goshauk of liknesse; Wherof the king gret hevynesse 10 Hath take, and thoghte in his corage To gon upon a pelrinage Into a strange regioun, Wher he hath his devocioun To don his sacrifice and preie, 15 If that he mihte in eny weie Toward the goddes finde grace His brother hele to pourchace, So that he mihte be reformed Of that he hadde be transformed. 20 To this pourpos and to this ende This king is redy for to wende, As he which wolde go be schipe; And for to don him felaschipe His wif unto the see him broghte, 25 With al hire herte and him besoghte That he the time hire wolde sein Whan that he thoghte come a?ein: 'Withinne,' he seith, 'tuo monthe day.' And thus in al the haste he may 30 He tok his leve, and forth he seileth, Wepende and sche hirself beweileth, And torneth hom, ther sche cam fro. Bot whan the monthes were ago, The whiche he sette of his comynge, 35 And that sche herde no tydinge, Ther was no care for to seche: Wherof the goddes to beseche And to Iuno hire sacrifise 40 Above alle othre most sche dede, And for hir lord sche hath so bede To wite and knowe hou that he ferde, That Iuno the goddesse hire herde, Anon and upon this matiere 45 Sche bad Yris hir messagere To Slepes hous that <sc>he schal wende, And bidde him that he make an ende, Be swevene and schewen al the cas Unto this ladi, hou it was. 50 This Yris, fro the hihe stage Which undertake hath the message, Hire reyny cope dede upon, The which was wonderli begon With colours of diverse hewe, 55 An hundred mo than men it knewe; The hevene lich unto a bowe Sche bende, and so she cam doun lowe, The god of Slep wher that sche fond; And that was in a strange lond, 60 Which marcheth upon Chymerie: For ther, as seith the Poesie, The God of Slep hath mad his hous, Which of entaille is merveilous. Under an hell ther is a cave, 65 Which of the sonne mai noght have, So that noman mai knowe ariht The point betwen the dai and nyht: Ther is no fyr, ther is no sparke, Ther is no dore, which mai charke, 70 Wherof an yhe scholde unschette, So that inward ther is no lette. Ther stant no gret tree nyh aboute Wher on ther myhte crowe or pie 75 Alihte, for to clepe or crie; Ther is no cok to crowe day, Ne beste non which noise may; The hell bot al aboute round Ther is growende upon the ground 80 Popi, which berth the sed of slep, With othre herbes suche an hep. A stille water for the nones Rennende upon the smale stones, Which hihte of Lethes the rivere, 85 Under that hell in such manere Ther is, which ?ifth gret appetit To slepe. And thus full of delit Slep hath his hous; and of his couche Withinne his chambre if I schal touche, 90 Of hebenus that slepi tree The bordes al aboute be, And for he scholde slepe softe, Upon a fethrebed alofte He lith with many a pilwe of doun. 95 The chambre is strowed up and doun With swevenes many thousendfold. Thus cam Yris into this hold, And to the bedd, which is al blak, Sche goth, and ther with Slep sche spak, 100 And in the wise as sche was bede The message of Iuno sche dede. Ful ofte hir wordes sche reherceth, Er sche his slepi eres perceth; With mochel wo bot ate laste 105 His slombrende yhen he upcaste Wherof among a thousend tho Withinne his hous that slepi were, In special he ches out there 110 Thre, whiche scholden do this dede: The ferste of hem, so as I rede, Was MorpheÜs, the whos nature Is for to take the figure Of what persone that him liketh, 115 Wherof that he ful ofte entriketh The lif which slepe schal be nyhte; And Ithecus that other hihte, Which hath the vois of every soun, The chiere and the condicioun 120 Of every lif, what so it is: The thridde suiende after this Is Panthasas, which may transforme Of every thing the rihte forme, And change it in an other kinde. 125 Upon hem thre, so as I finde, Of swevenes stant al thapparence, Which other while is evidence, And other while bot a iape. Bot natheles it is so schape, 130 That MorpheÜs be nyht al one Appiereth until Alceone In liknesse of hir housebonde Al naked ded upon the stronde, And hou he dreynte in special 135 These othre tuo it schewen al: The tempeste of the blake cloude, The wode see, the wyndes loude, Al this sche mette, and sih him dyen; Wherof that sche began to crien, 140 And with that noise of hire affray Hir wommen sterten up aboute, Whiche of here ladi were in doute, And axen hire hou that sche ferde; 145 And sche, riht as sche syh and herde, Hir swevene hath told hem everydel: And thei it halsen alle wel And sein it is a tokne of goode. Bot til sche wiste hou that it stode, 150 Sche hath no confort in hire herte, Upon the morwe and up sche sterte, And to the see, wher that sche mette The bodi lay, withoute lette Sche drowh, and whan that sche cam nyh, 155 Stark ded, hise armes sprad, sche syh Hire lord flietende upon the wawe. Wherof hire wittes ben withdrawe, And sche, which tok of deth no kepe, Anon forth lepte into the depe 160 And wolde have cawht him in hire arm. This infortune of double harm The goddes fro the hevene above Behielde, and for the trowthe of love, Which in this worthi ladi stod, 165 Thei have upon the salte flod Hire dreinte lord and hire also Fro deth to lyve torned so That thei ben schapen into briddes Swimmende upon the wawe amiddes. 170 And whan sche sih hire lord livende In liknesse of a bridd swimmende, And sche was of the same sort, So as sche mihte do desport, Hire wynges bothe abrod sche spradde, And him, so as sche mai suffise, Beclipte and keste in such a wise, As sche was whilom wont to do: Hire wynges for hire armes tuo 180 Sche tok, and for hire lippes softe Hire harde bile, and so ful ofte Sche fondeth in hire briddes forme, If that sche mihte hirself conforme To do the plesance of a wif, 185 As sche dede in that other lif: For thogh sche hadde hir pouer lore, Hir will stod as it was tofore, And serveth him so as sche mai. Wherof into this ilke day 190 Togedre upon the see thei wone, Wher many a dowhter and a sone Thei bringen forth of briddes kinde; And for men scholden take in mynde This Alceoun the trewe queene, 195 Hire briddes ?it, as it is seene, Of Alceoun the name bere. |