INDEX

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r. Marvin R., 38.
  • Walsh, Professor, 151, 152, 159.
  • World Almanac, 142.
  • Wright, Professor George F., 40, 41, 52, 53.
  • Wycliffe, John, 29, 30.
  • Young, Professor, 98, 99.
  • Babylonia—inscribed temple walls, 100;
    • clay tablets of, 79, 134, 135, 136;
    • ancient syllabary script of, 105.
  • Babylonian—expedition, 134;
    • explorations at Nippur, 134, 135;
    • "deluge" tablet, 134, 135.
  • Benedictines—founding of Order, 150, 155;
    • civilizing and beneficent influences of, 162, 164.
  • Bible—a divine-human book, 40–45;
    • for man, 18, 40;
    • collective volume, 140;
    • versions, 38, 39;
    • preËminent MSS of, 64, 65;
    • lost autographs, 44;
    • Septuagint Version, 141;
    • decorated and embellished copies, 52–54, 159;
    • cost of making, 29–32;
    • first printed ("Mazarin"), 14, 15;
    • Revised N. T., 28;
    • numerous manuscripts of, 37–39;
    • American Bible Society, 32;
    • permanency of, 18;
    • chapters and verses, 122, 125.
  • Book—definition of, 19, 20;
    • evolution, 20, 21;
    • form of ancient, 63;
    • change from "roll" to "leaf" form, 63–64, 69;
    • "diptych," "triptych," "polyptych," 82;
    • "Book of the Dead," 84, 85, 93;
    • size of roll-book, 68, 69, 139, 140.
  • Books—earliest, 21, 22, 139.
  • "Hieratic"—writing, defined, 92;
    • distinguished from "demotic," 70, 98.
  • Hieroglyphic—writing, earliest mode of recording ideas, 20, 21, 28, 70, 91–99;
    • universal, 92, 107;
    • one of the tri-lingual inscriptions, 98;
    • two classes of, 94–97;
    • number of, 97.
  • Homer—writings of long un-recorded, 24;
  • "Ideographic"—writing, defined, 94, 95;
    • clumsy and imperfect, 97, 98;
    • limitations of, illustrated, 97, 98;
    • key to decipherment, 98, 99;
    • Cretan undeciphered, 107, 108.
  • "India"—paper, quality, 76, 77;
    • tests of strength and durability, 77;
    • remarkable productions on, 76, 77;
    • ink, 86.
  • Inks—importance and necessity of good, 47, 57, 83;
    • composition of ancient, 83, 84;
    • lost art, 86;
    • various kinds and colors, 84, 85, 86;
    • uses of colored, 85;
    • millenniums-old, 84;
    • tests of genuineness of written documents, 57;
    • printers', 14;
    • "royal," 86;
    • "India," 86.
  • "Interrogation" (?)—punctuation mark, 124.
  • Inventions—outgrowth of necessity, 40, 60, 62;
  • Manutius—and system of punctuation, 125.
  • "Mazarin"—Bible, first printed book, 14;
    • why so called, 14.
  • Memory—phenomenal and reliable, 24–27.
  • >168, 169.
  • Revelation—progressive, 41, 42;
    • materials embodying, subject to exposure, 42–44.
  • Revised Version—feat of N. T. publication, 28;
    • errors in, 17.
  • Roll-book—earliest form in leather and papyrus, 59, 61, 68, 69;
  • Roman alphabet—ascendancy of and reasons for, 114, 115, 116.
  • Rosetta Stone—referred to, 70, 79;
    • discovery of, 79, 94, 98;
    • described, 98, 99;
    • tri-lingual inscription on, 70, 98, 99;
    • key to decipherment, 99;
    • and Egyptian literature, 79, 99.
  • Schools—of abbeys and monasteries, 151, 156, 157, 163, 164;
    • Arabian, 155.
  • Scribes—professional, 127;
  • "Scriptorium"—of monasteries, 157, 158, 165.
  • "Semicolon"—punctuation mark, 124.
  • "Septuagint"—what and for whom, 141;
    • probable fate of original, 141;
    • compared with, 116, 117;
    • style of writing a verisimilitude of genuineness, 117–119;
    • determining age of composition, 118, 119;
    • compared and contrasted with printing, 27–32, 138.
  • Young (Dr.)—labors in deciphering the Rosetta Stone and the Egyptian hieroglyphics, 98, 99.
  • "Zero"—the cipher completing the system of notation, 126;
    • when and by whom added, 126.
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