THE FERN (Pteris aquilina), with its graceful and beautifully indented leaves and its peculiar acrid scent, delicious to many persons, would be admitted into the Shakespeare garden because of its fantastic qualities, even if its beauty did not sue for recognition. The fern is a fairy plant. According to folk-lore it always blossomed at twelve o'clock on St. John's eve (June 21), Midsummer night. The flower is described as a wonderful globe of sapphire blue (according to other stories a ruby/red); and in a few moments after its blossoming the seed appeared. Oberon, the fairy king, was supposed to watch for the precious seed so that he might prevent mortals from obtaining it; but any one fortunate enough to gather fern-seed would be under the protection of spirits, and would be enabled to realize all his fondest desires. Furthermore, any one who wore the fern-seed about him would be invisible. Shakespeare was familiar with this superstition, for he makes Gadshill exclaim in "King Henry IV": An old account tells us:
Because the fern was so powerful against evil and because it was sacred to St. John the Baptist, witches detested it. Pliny stated that the fern had neither flower nor seed; and some of the old English writers believed this. William Turner, however, went to work to investigate matters. In his famous "Herbal," published in 1562, "Not only the common people say that the fern HONEYSUCKLE (Lonicera perfolium). Delicious name—honeysuckle! In "Much Ado About Nothing" Hero gives the command: Good Margaret, run into the parlor and whisper to Beatrice And bid her steal into the pleachÈd bower, Where honeysuckles ripened by the sun, Forbid the sun to enter. A bower covered with the intense, yet subtle, perfume of the honeysuckle, doubly sweet in the hot sun that had ripened the blossoms and drawn out their inmost sweetness, was just the place to send "saucy Beatrice" for the purpose of lighting the flame of love for Benedick, and just the place to send, a little later, the cynical Benedick for the pur It is hard to decide when the honeysuckle is at its best. Whether at hot noontide when the clusters of pale buff and white horns of plenty tipped with their long, feathery threads pour their incense into the golden sunlight, or when the less pungent, but equally intoxicating, perfume floats upon the silvery blue air of a moonlit night. "How sweetly smells the Honeysuckle, in the hush'd night as if the world were one of utter peace and love and gentleness." Landor has thus expressed what the delicious honeysuckle makes us feel. "The monthly honeysuckle," writes Celia Thaxter, "is most divine. Such vigor of growth I have never seen in any other plant. It climbs the trellis on my piazza and spreads its superb clusters of flowers from time to time all summer. Each cluster is a triumph of beauty, flat in the center and curving out to the blossoming edge in joyous lines of loveliness, most like a wreath of heavenly trumpets breathing melodies of perfume to the air. Each trumpet of lustrous white deepens to a yellower tint in the center where the small ends meet; each blossom where it opens at the lips is tipped with fresh pink; each sends out a group of long stamens from its slender throat like rays of light; and the whole circle of radiant flowers has an effect of gladness and glory indescribable: the very sight of it lifts and refreshes the human heart. And for its odor, it is like the spirit of romance, sweet as youth's tender dreams. It is summer's very soul." Enchanting season of fern and honeysuckle, perfumed stars that shine through green leaves and bells that send forth peals of incense instead of sound! She show'd me her ferns and woodbine sprays Fox-glove and jasmine stars, A mist of blue in the beds, a blaze Of red in the celadon jars, And velvety bees in convolvulus beds And roses of bountiful June— Oh, who would think that the summer spells Could die so soon? |